DreamWorks Pictures acquired the screen rights to Stockett's novel in March 2010 and quickly commissioned the film with Chris Columbus, Michael Barnathan, and Brunson Green as producers. The film's casting began later that month, with principal photography following four months after in Mississippi. The film is an international co-production between companies based in the United States, India, and the United Arab Emirates.[3]
In 1963, Aibileen Clark is an African-Americandomestic worker in Jackson, Mississippi, working for socialite Elizabeth Leefolt. She raises Elizabeth’s emotionally neglected two-year-old Mae Mobley. Aibileen's best friend, Minny Jackson, works for Mrs. Walters and her manipulative daughter Hillary "Hilly" Holbrook, who leads the women's socialite group.
Elizabeth and Hilly's mutual friend Eugenia "Skeeter" Phelan is an unmarried aspiring writer, recent graduate of Ole Miss who has been rejected by Elaine Stein, an editor at Harper & RowNYC. Securing a local job writing a housekeeping column, she witnesses the city's systemic racism and the demeaning mistreatment of maids.
Hilly insists on installing separate bathrooms, which she wants enshrined in building code. Skeeter's mother Charlotte tells her the family maid Constantine quit, but Skeeter does not believe her. She decides to write a book of interviews with the maids to expose their experiences. Minny is soon fired by Hilly for defiantly using an indoor bathroom during a dangerous tornado. Hilly vindictively renders Minny unemployable by spreading the lie that she stole from her, forcing her teenage daughter to quit school to work.
Celia Rae Foote, a pregnant housewife ostracized by the socialites, seeks a maid for her massive house in Madison and she cannot cook. She gratefully hires Minny without telling her husband Johnny, Hilly's former love interest. Celia suffers a miscarriage, then reveals she had had a shotgun wedding, then miscarried. They discuss Hilly's envy of Celia over Johnny. Celia treats the black eye Minny's husband has given her.
Aibileen and Minny let Skeeter interview them after going to a dynamic sermon. Elaine Stein tells Skeeter she needs many more maids' stories for the book but fear of retribution prevents others from coming forward. Aibileen tells Skeeter about her only son's tragic death, due to his negligent foreman after an on-the-job accident. Skeeter slow-walks a piece in the Junior League newsletter on the "separate but equal" bathrooms for Hilly, instead submitting an embarrassing misprint. Hilly refuses to advance money to her new maid, Yule May Davis, who needs $75 to send both her twins to Tougaloo College. When Yule May pawns a lost ring she found under a sofa, she is violently arrested after Hilly reports her. This incident and Medgar Evers' assassination inspire more maids to share their stories.
As Skeeter, Aibileen, and Minny fear for the maids' anonymity, Minny reveals the "terrible awful" as a form of insurance. After her termination, Minny brought Hilly her famous chocolate pie but reveals–after Hilly had finished two slices–she had baked her own excrement into it. Hilly sends her mother to a nursing home for laughing about it.
Skeeter confronts Charlotte about Constantine's departure. She confesses that during a Daughters of America luncheon at her home, she fired Constantine when her daughter Rachel, arriving earlier than expected, refused to enter the house through the kitchen. Rachel subsequently moved her heartbroken mother to Chicago, where she later died. Upset by this revelation, Skeeter bursts into tears and runs out.
"The Help" is published anonymously and read widely by black and white communities of Jackson. Skeeter shares the proceeds with the maids, who each get the equivalent of several weeks' pay, with "more to come." Skeeter's boyfriend Stuart breaks up with her, realizing she wrote it.
Minny subtly reveals the "terrible awful" to Celia, calling her "Two Slice Hilly". Panicked, Hilly threatens to sue Skeeter for libel, but backs down when she realizes she would have to publicly admit to the pie story. Charlotte intervenes, ordering Hilly off the property, then mother and daughter reconcile. Johnny tells Minny he knows she has been working at their house and promises her permanent job security, so she and her children can leave her abusive husband. Aibileen's congregation honors her for her leadership in the publication. Minny and Aibileen convince Skeeter to take a NYC job offer.
In revenge, Hilly pressures Elizabeth to fire Aibileen, claiming she has stolen silverware. She defends herself, Hilly storms out in tears, and Elizabeth fires her. As Aibileen bids farewell to Mae, who's crying for her, she begs Elizabeth to love her daughter, who also cries. As she's leaving, she decides to quit domestic work to become a writer.
In December 2009, Variety reported that Chris Columbus, Michael Barnathan, and Mark Radcliffe would produce a film adaptation of The Help, under their production company 1492 Pictures. Brunson Green of Harbinger Productions also co-produced. The film was written and directed by Tate Taylor, who optioned film rights to the book before its publication. The novel's film rights were obtained by DreamWorks in March 2010.[7]Reliance Entertainment and Participant Media co-produced the film.[8]
The first casting news for the production came in March 2010, when it was reported that Emma Stone was attached to play the role of Eugenia "Skeeter" Phelan.[9] Other actors were since cast, including Viola Davis as Aibileen; Bryce Dallas Howard as Hilly Holbrook, Jackson's racist, town ringleader; Allison Janney as Charlotte Phelan, Skeeter's mother; and Chris Lowell as Stuart Whitworth, Skeeter's boyfriend and a senator's son.[10][11][12]Leslie Jordan appears as the editor of the fictional local newspaper, The Jackson Journal.[13]Mike Vogel plays the character Johnny Foote. Octavia Spencer portrays Minny. Spencer inspired the character of Minny in Stockett's novel and voiced her in the audiobook version.[14][15]
Filming
Filming began in July 2010 and extended through October. The city of Greenwood was chosen to portray 1960s-era Jackson, and producer Green said he had expected to shoot "95 percent" of the film there.[16] Parts of the film were also shot in the real-life Jackson, as well as in the cities of Clarksdale and Greenville. One of the few real locations in the book and the film is Brent's Drugs, which dates to 1946. Other locations that can still be found in Jackson include the New Capitol Building and the Mayflower Cafe downtown. Scenes set at the Jackson Journal office were shot in Clarksdale at the building which formerly housed the Clarksdale Press Register for forty years until April 2010.[17]
The Help was the most significant film production in Mississippi since O Brother, Where Art Thou? (2000)[18][19][20] "Honestly, my heart would be broken if it were set anywhere but Mississippi," Stockett wrote in an e-mail to reporters. In order to convince producers to shoot in Greenwood, Tate Taylor and others had previously come to the town and scouted locations; at his first meeting with DreamWorks executives, he presented them with a photo album of potential filming spots in the area. The state's tax incentive program for filmmakers was also a key enticement in the decision.[18][19][20]
Two soundtracks were released for The Help: an original soundtrack and an original score. Geffen Records released the soundtrack album on August 4, 2011.[21] It remained authentic to the 60s period.[22] The 12-track collection, collated by music supervisor Jennifer Hawks,[23] features songs from the likes of Johnny Cash, Frankie Valli and Ray Charles. As a collective, the songs spotlight the peak of the fight for equality in the United States during the civil rights movement.[24]Mary J. Blige's "The Living Proof" is the only original track.[25] She composed it after a second viewing of the film. In an interview with Fandom Entertainment in 2011, Blige said she was "moved in so many ways". Her raw emotions inspired her to compose the lone song for the film.[26] The score album, featuring original cues composed and conducted by Thomas Newman was released by Varèse Sarabande on September 6, 2011.
Release
Theatrical run
Walt Disney Studios Motion Pictures distributed The Help worldwide through the studio's Touchstone Pictures banner.[27] On October 13, 2010, Disney gave the film a release date of August 12, 2011. On June 30, 2011, the film's release date was rescheduled two days earlier to August 10, 2011.[28]
Home media
The film was released by Walt Disney Studios Home Entertainment (under the Touchstone Home Entertainment label) on Blu-ray Disc, DVD, and digital download on December 6, 2011. The release was produced in three different physical packages: a three-disc combo pack (Blu-ray, DVD, and Digital Copy); a two-disc combo pack (Blu-ray and DVD); and a single-disc DVD. It was also released as a digital download option in both standard and high definition. The DVD version includes two deleted scenes and "The Living Proof" music video by Mary J. Blige. The digital download version includes the same features as the DVD version, plus one additional deleted scene. Both the two-disc and three-disc combo packs include the same features as the DVD version, as well as "The Making of 'The Help': From Friendship to Film", "In Their Own Words: A Tribute to the Maids of Mississippi", and three deleted scenes with introductions by director Taylor.[29][30][31]
Reception
Box office
The Help earned $169,708,112 in North America and $52,094,074 in other territories for a worldwide total of $221,802,186.[4]
In North America, on its opening day (Wednesday, August 10, 2011), it topped the box office with $5.54million. It then added $4.33million on Thursday, declining only 21 percent, for a two-day total of $9.87million.[32] On its first weekend, the film grossed $26million, coming in second place behind Rise of the Planet of the Apes.[33] However, during its second weekend, the film jumped to first place with $20million, declining only 23 percent, the smallest drop among films playing nationwide.[34] The film crossed the $100million mark on its 21st day of release, becoming one of only two titles in August 2011 that achieved this.[35] On its fourth weekend (Labor Day three-day weekend), it became the first film since Inception (2010), to top the box-office charts for three consecutive weekends.[36][37] Its four-day weekend haul of $19.9million[38] was the fourth largest for a Labor Day weekend.[39]The Help topped the box office for 25 days in a row. This was the longest uninterrupted streak since The Sixth Sense (35 days), which was also a late summer release, in 1999.[40]
To promote the film, TakePart hosted a series of three writing contests.[41] Rebecca Lubin, of Mill Valley, California, who has been a nanny for nearly two decades won the recipe contest. Darcy Pattison's "11 Ways to Ruin a Photograph" won "The Help" Children's Story Contest with her story about a tenacious young girl who refuses to take a good photograph while her father is away "soldiering". After being chosen by guest judge and children's-book author Lou Berger, the story was professionally illustrated.[42] The final contest was about "someone who inspired you". Genoveva Islas-Hooker charmed guest judge Doc Hendley (founder of Wine to Water) with her story, A Heroine Named Confidential. A case manager for patients with HIV, Islas-Hooker was consistently inspired by one special individual who never gave up the fight to live.
Critical response
The Help received mostly positive reviews from critics. Review aggregator Rotten Tomatoes reported that 76% of 232 professional critics gave the film a positive review, with an average score of 7.00/10. The website's critical consensus reads: "Though arguably guilty of glossing over its racial themes, The Help rises on the strength of its cast–particularly Viola Davis, whose performance is powerful enough to carry the film on its own."[43]Metacritic, a review aggregator which assigns a weighted average score out of 100 to reviews from mainstream critics, gives the film a score of 62 based on 41 reviews Indicating generally favorable reviews.[44]CinemaScore polls reported that the average grade moviegoers gave the film was a rare "A+" on an A+ to F scale.[45]
Tom Long from The Detroit News remarked about the film: "Appealling, entertaining, touching and perhaps even a bit healing, The Help is an old-fashioned grand yarn of a film, the sort we rarely get these days."[46] Connie Ogle of Miami Herald gave the film three out of four stars and said it "will make you laugh, yes, but it can also break your heart. In the dog days of August moviegoing, that's a powerful recommendation."[47] Many critics praised the performances of Davis and Spencer. Wilson Morales of Blackfilm.com gave the movie three out of four stars and commented, "With powerful performances given by Viola Davis and scene stealer Octavia Spencer, the film is an emotionally moving drama that remains highly entertaining."[48]David Edelstein of New York magazine commented, "The Help belongs to Viola Davis."[49]
A more mixed review from Karina Longworth of The Village Voice said: "We get a fairly typical Hollywood flattening of history, with powerful villains and disenfranchised heroes."[50] Rick Groen of The Globe and Mail, giving the film two out of four stars, said: "Typically, this sort of film is an earnest tear-jerker with moments of levity. Instead, what we have here is a raucous rib-tickler with occasional pauses for a little dramatic relief."[51] Referring to the film as a "big, ole slab of honey-glazed hokum", The New York Times noted that "save for Ms. Davis's, however, the performances are almost all overly broad, sometimes excruciatingly so, characterized by loud laughs, bugging eyes and pumping limbs."[52] Some of the negative reviews criticized the film for its inability to match the quality of the book. Chris Hewitt of the St. Paul Pioneer Press said about the film: "Some adaptations find a fresh, cinematic way to convey a book's spirit but The Help doesn't."[53]
Ida E. Jones, the national director of the Association of Black Women Historians, released an open statement criticizing the film, stating "[d]espite efforts to market the book and the film as a progressive story of triumph over racial injustice, The Help distorts, ignores, and trivializes the experiences of black domestic workers." The ABWH accused both the book and the film of insensitive portrayals of African-American vernacular, a nearly uniform depiction of black men as cruel or absent, and a failure to acknowledge the sexual harassment many black women endured in their white employers' homes. Jones concluded: "The Association of Black Women Historians finds it unacceptable for either this book or this film to strip black women's lives of historical accuracy for the sake of entertainment."[54] Roxane Gay of literary web magazine The Rumpus argues the film might be offensive to African Americans, saying the film uses racial Hollywood tropes like the Magical Negro character.[55] In 2014, the movie was one of several discussed by Keli Goff in The Daily Beast in an article concerning white savior narratives in film.[56]
The Help focuses on maids during the Civil Rights Movement in 1963. It brings light to Medgar Evers, an African-American activist and NAACP leader, who worked toward gaining rights for African-Americans at the time, as well as aiding in the fight to end segregation. In the film, Skeeter and the two maids are seen watching Evers' address. The moment where the news of Evers' assassination is transmitted drives Skeeter to interview the maids for their stories.
In the original novel, Pascagoula, the Phelan family's maid, is the one watching the Medgar Evers address, introducing her into the narrative, whereas, in the film, Skeeter is at the forefront, placing her as the primary audience of civil rights news. This aspect of the narrative has brought forth some criticism towards the film. In an interview with The New York Times, Viola Davis mentioned that she regretted playing the role of Aibileen: "I just felt that at the end of the day that it wasn't the voices of the maids that were heard."[58]
Film historian Allison Graham writes about this in her article "We Ain't Doin' Civil Rights", commenting that "The (con)fusion of fictional and historical events begin to operate under a different narrative license."[59]
In criticizing the film, Valerie Smith claims in "Black Women's Memories and The Help" that the trivialization of systemic racism during the 1960s in the film makes the plot "more accessible to contemporary readers and viewers".[60]
Legacy
Viola Davis has repeatedly expressed regret over starring in The Help,[61] claiming she feels like she "betrayed myself and my people" and that the film was "created in the filter and the cesspool of systemic racism".[62]Bryce Dallas Howard has also mentioned that she would not agree to star in the film today,[63] acknowledging that it was "told through the perspective of a white character and was created by predominantly white storytellers".[64]
Chastain credited Tate Taylor: "I think that's actually a testament to [director] Tate Taylor and his incredible skills at casting...I think you can see that in the careers that the women have had since his films, when you look back at what we've made and put out in 2011, many of us were at the very, very beginning of our careers. So yeah, I thank Tate Taylor for that."[65] Bryce Dallas Howard is the remaining leading lady who has yet to win an Oscar.[65]
Bryce Dallas Howard is an American actress and director. Howard is the eldest child of filmmaker Ron Howard. She studied acting at the New York University Tisch School of the Arts. While portraying Rosalind in a 2003 production of As You Like It, Howard caught the attention of director M. Night Shyamalan, who cast her as a blind girl in the thriller film The Village (2004) and a naiad in the fantasy film Lady in the Water (2006).
Viola Davis is an American actress and film producer. Her accolades include both the Triple Crown of Acting and EGOT. Time named her one of the 100 most influential people in the world in 2012 and 2017. In 2020, The New York Times ranked her ninth on its list of the greatest actors of the 21st century.
Octavia Lenora Spencer is an American actress. She is the recipient of several accolades, including an Academy Award, a British Academy Film Award, and a Golden Globe Award, in addition to a nominations for two Primetime Emmy Awards.
Jessica Michelle Chastain is an American actress and producer. Known for primarily starring in projects with feminist themes, she has received various accolades, including an Academy Award and a Golden Globe, in addition to nominations for two Tony Awards and a Primetime Emmy Award. Time magazine named her one of the 100 most influential people in the world in 2012.
The Help is a historical fiction novel by American author Kathryn Stockett published by Penguin Books in 2009. The story is about African Americans working in white households in Jackson, Mississippi, during the early 1960s. A USA Today article called it one of the "summer sleeper hits". An early review in The New York Times notes Stockett's "affection and intimacy buried beneath even the most seemingly impersonal household connections", and says the book is a "button-pushing, soon to be wildly popular novel". The Atlanta Journal-Constitution said of the book: "This heartbreaking story is a stunning début from a gifted talent."
Tate Taylor is an American filmmaker and actor. Taylor is best known for directing The Help (2011), Get On Up (2014), and The Girl on the Train (2016).
The 10th Washington D.C. Area Film Critics Association Awards were given out on December 5, 2011.
The nominees for the 8th St. Louis Film Critics Association Awards were announced on December 12, 2011.
The presence of African Americans in major motion picture roles has stirred controversy and been limited dating back decades due to lingering racism following slavery and segregation. "Through most of the 20th century, images of African-Americans in advertising were mainly limited to servants like the pancake-mammy Aunt Jemima and Rastus, the chef on the Cream of Wheat box." While African American representation in the film industry has improved over the years, it has not been a linear process; "Race in American cinema has rarely been a matter of simple step-by-step progress. It has more often proceeded in fits and starts, with backlashes coming on the heels of breakthroughs, and periods of intense argument followed by uncomfortable silence."
Get On Up is a 2014 American biographical musical film about the life of singer James Brown and is directed by Tate Taylor and written by Jez and John-Henry Butterworth. Produced by Brian Grazer, Mick Jagger, Taylor and Victoria Pearman, the film stars an ensemble cast featuring Chadwick Boseman as Brown, Nelsan Ellis as Bobby Byrd, Dan Aykroyd as Ben Bart, Viola Davis as Susie Brown, Craig Robinson as Maceo Parker, and Octavia Spencer as Aunt Honey.
The 15th Hollywood Film Awards were held on October 24, 2011. The ceremony took place at The Beverly Hilton Hotel in Beverly Hills, California.
Gifted is a 2017 American drama film directed by Marc Webb and written by Tom Flynn. It stars Chris Evans, Mckenna Grace, Lindsay Duncan, Jenny Slate and Octavia Spencer.
Molly's Game is a 2017 American biographical film written and directed by Aaron Sorkin, based on the 2014 memoir by Molly Bloom. It stars Jessica Chastain, Idris Elba, Kevin Costner, Michael Cera, Jeremy Strong, Chris O'Dowd, Joe Keery, Brian D'Arcy James, and Bill Camp.
Miss Sloane is a 2016 American political thriller film directed by John Madden and written by Jonathan Perera. The film stars Jessica Chastain, Mark Strong, Gugu Mbatha-Raw, Michael Stuhlbarg, Alison Pill, Jake Lacy, John Lithgow, and Sam Waterston. The film follows Elizabeth Sloane, a fierce lobbyist, who fights in an attempt to pass gun control legislation.
Hidden Figures is a 2016 American biographical drama film directed by Theodore Melfi and written by Melfi and Allison Schroeder. It is loosely based on the 2016 non-fiction book of the same name by Margot Lee Shetterly about three female African-American mathematicians: Katherine Goble Johnson, Dorothy Vaughan, and Mary Jackson, who worked at NASA during the Space Race. Other stars include Kevin Costner, Kirsten Dunst, Jim Parsons, Mahershala Ali, Aldis Hodge, and Glen Powell.
Freckle Films is an American film and television production company. It was founded by Jessica Chastain in 2016. The company's projects include the biopics The Eyes of Tammy Faye (2021) and George & Tammy (2022), both starring Chastain.
The Help is a 2011 period comedy-drama film written and directed by Tate Taylor and based on Kathryn Stockett's 2009 novel of the same name. The film features an ensemble cast, including Jessica Chastain, Viola Davis, Bryce Dallas Howard, Allison Janney, Octavia Spencer, and Emma Stone. Two soundtrack albums were released for the film: an original soundtrack and an original score. Music producer Thomas Newman, music supervisor Jennifer Hawks, director Tate Taylor, worked on both the soundtracks as the executive producer, while Newman also composed the film score. The soundtrack album was released by Geffen Records and DreamWorks Records on August 4, 2011, while Varèse Sarabande released the score album on September 6.
↑ "The Help: Press Kit"(PDF) (Press release). DreamWorks II Distribution. July 25, 2011. Archived from the original(PDF) on July 9, 2016. Retrieved September 13, 2016.
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