Nickel Boys | |
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Directed by | RaMell Ross |
Screenplay by |
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Based on | The Nickel Boys by Colson Whitehead |
Produced by |
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Starring | |
Cinematography | Jomo Fray |
Edited by | Nicholas Monsour |
Music by |
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Production companies | |
Distributed by | Amazon MGM Studios |
Release dates |
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Running time | 140 minutes [1] |
Country | United States |
Language | English |
Budget | $23.2 million |
Box office | $2 million [2] [3] |
Nickel Boys is a 2024 American historical drama film based on the 2019 novel The Nickel Boys by Colson Whitehead. It was directed by RaMell Ross, who wrote the screenplay with Joslyn Barnes. Starring Ethan Herisse, Brandon Wilson, Hamish Linklater, Fred Hechinger, Daveed Diggs, Jimmie Fails, and Aunjanue Ellis-Taylor, the story follows two African-American boys, Elwood (Herisse) and Turner (Wilson), who are sent to an abusive reform school in 1960s Florida. The film is inspired by the Dozier School for Boys, a now-closed Florida reform school notorious for its abusive treatment of students.
Shot in a first-person point-of-view, filming took place in Louisiana in late 2022. The film premiered at the 51st Telluride Film Festival on August 30, 2024, and had a limited theatrical release by Amazon MGM Studios on December 13, 2024. It was named one of the top 10 films of 2024 by the American Film Institute [4] and received numerous accolades, including a Best Motion Picture – Drama nomination at the 82nd Golden Globe Awards and a Best Picture nomination at the 97th Academy Awards.
In 1962 Jim Crow era Tallahassee, Florida, young African-American Elwood Curtis appears destined for great things in the classroom. His Black teacher encourages him to think for himself, rejecting Southern textbooks' slanted view of history. However, Elwood is raised by his doting grandmother, who worries that White society will retaliate against him if he participates in the growing Civil Rights Movement.
One day, Elwood is accepted into a tuition-free accelerated study program at a HBCU. While hitchhiking to campus, he is picked up by a man driving a stolen car. The police catch the man and convict Elwood of being his accomplice. Because Elwood is underage, he is sent to the Nickel Academy, a reform school.
Nickel is internally segregated; White students enjoy comfortable accommodations and personal attention from staff, while Black students are housed in shabby facilities, and the school makes little attempt to educate them. Although the Black students are told that they can be released for good behavior, in practice they cannot leave until they turn eighteen, as the school makes money hiring them out as convict labor. In addition, it is implied that some students are sexually abused.
Elwood bonds with Turner, another quiet student. However, while Elwood is inspired by the non-violent and democratic ideals of the Civil Rights Movement, Turner is cynical, expects only mistreatment from society, and urges Elwood to keep his head down. Elwood is bullied and beaten by another student, but the administrators do not help him: instead, they savagely beat both students. Elwood's grandmother scrimps and saves to hire a lawyer to appeal his conviction, but the lawyer runs away with her money, devastating Elwood. A White school administrator who bets on Nickel's annual Black-White boxing match quietly executes a Black student who either refused or forgot to take a dive.
In flashforwards, the adult Elwood lives in New York City, where he runs his own moving business. He does not appear to be in contact with Turner. He is badly shaken after learning that many unmarked graves have been discovered at the old Nickel campus. Forensic evidence reveals that most of the dead students were Black.
Back in the 1960s, Elwood, fed up with his mistreatment, writes up an expose and convinces a reluctant Turner to deliver it to a government inspector. However, nothing happens, and the administrators retaliate by torturing Elwood in the school sweatbox. Turner learns that the school plans to kill Elwood. To prevent this, Turner and Elwood run away from school together. However, without a car, they are quickly caught. Turner escapes into the woods, but Elwood is still exhausted from his ordeal in the sweatbox and cannot keep up with him. He is shot and killed.
A montage shows that Turner safely reached Tallahassee, where he delivered the news of Elwood's death to his grandmother. He then moved North and took on Elwood's name. He marries, builds a stable life, and tries to honor Elwood's legacy by embracing some of his ideals. When the government begins investigating the school, Turner decides to testify about his experiences.
The adaptation of Colson Whitehead's 2019 novel, The Nickel Boys , into a feature film was reported in October 2022. RaMell Ross signed on to direct, making it his narrative feature directorial debut. [5] Joslyn Barnes co-wrote and produced and Whitehead served as executive producer. Aunjanue Ellis-Taylor, Ethan Herisse, Fred Hechinger, Hamish Linklater, and Brandon Wilson were cast in the lead roles. [6]
On a production budget of $23.2 million, principal photography took place in Louisiana from October to December 2022. [7] [8] Shooting locations were in LaPlace, New Orleans, Hammond and Ponchatoula. The office building of the Lafourche Parish District Attorney was used as a filming location in Thibodaux in early December. [9]
In a unique filmmaking approach for viewers to see the plot unfold directly through the eyes of the two protagonists, the film was shot in from the first-person point-of-view with a 1.33:1 aspect ratio. [10] Ross explained this process in an interview:
"The film is conceived as all one-ers. In one scene, we shot everything from Elwood's perspective, and then everything from Turner's—one from the first hour, and then the other for the second. Very rarely did we shoot both perspectives on a scene, though, because of the way it was written and scripted. We don’t always go back and forth. So it's shot like a traditional film, except the other character is not there. They're just asked to look at a specific point in the camera. Typically, the other actor is behind the camera, reading the lines and being the support to make the other person feel like they're actually engaged with something relatively real. Because they're all one-ers, though, the choreography is quite difficult." [11]
Nickel Boys had its world premiere at the 51st Telluride Film Festival on August 30, 2024. [12] It was the opening film at the 62nd New York Film Festival at Alice Tully Hall on September 27, 2024.
The film was originally set to have a limited theatrical release in New York City on October 25, 2024 and Los Angeles on November 1, before streaming on Prime Video on an unspecified date. [13] However, the film's release was pushed further, with the film now premiered in New York City on December 13 and in Los Angeles on December 20; Amazon MGM Studios is additionally preparing prints on 35mm film for the updated release. [14] It was released by Curzon Film in the United Kingdom on January 3, 2025. [15]
As of 29 January 2025 [update] the film has grossed $1.7 million domestically and $356,592 internationally for a total box office gross of $2 million worldwide. [2] [16]
On the review aggregator website Rotten Tomatoes , 90% of 154 critics' reviews are positive, with an average rating of 8.5/10.The website's consensus reads: "Director RaMell Ross' stylistically radical approach to adapting Colson Whitehead's searing novel will be jarring for some, but Nickel Boys' sense of immersion achieves the jaw-dropping effect of walking in another's shoes." [17] Metacritic , which uses a weighted average , assigned the film a score of 91 out of 100, based on 46 critics, indicating "universal acclaim". [18]
Lovia Gyarkye of The Hollywood Reporter praised the film and cast performances. She highlighted the unique visual style, cinematography, and Ross's artistic portrayal of the novel's story. [19] Pete Hammond writing for Deadline Hollywood criticized the "overlong" runtime and Ross's use of first person POV-style shooting of one character talking to another that is not seen on camera and only heard. He wrote, "It is a dangling conversation approach that goes quickly from being intriguing to being annoying, pointing to artifice rather than serving the story", and added, "I hope it doesn't prevent some audiences from getting the larger point that we should be talking about". [20] Maureen Lee Lenker of Entertainment Weekly felt a disconnection with Elwood and Turner by the POV approach, explaining, "Both Wilson and Herisse give subtle, affecting performances but the first-person approach means they are often not on camera. Their performances are largely experiential, which makes it difficult to connect with their work on an emotional level". [21]
Carla Renata writing for TheWrap applauded Alex Somers and Scott Alario's music score, casting and performances. She expressed: "This may sound like another Black trauma porn motion picture sanctioned by Hollywood to exploit Black history for financial gain. Thankfully, through the lens of Ross, this narrative doesn't fall into that trap we have seen for decades. Ross [...] brings his unique cinematic sensibility, allowing audiences to experience this type of story from a sensory perspective". [22] IndieWire 's David Ehrlich gave the film an "A" grade, emphasizing the film's visual style and storytelling technique. [10] David Canfield of Vanity Fair wrote the film's "avant-garde approach is cannily balanced by its moral urgency and aesthetic rigor. Like last year's The Zone of Interest , it all but reinvents the language for movies about a particular, dark historical chapter, and seems primed to spark conversations about both its content and its form". [11]
Filmmaker Barry Jenkins named it one of his favorite films of 2024, saying "This is medium-defining work — aesthetically, spiritually — a rich and overwhelming cinema where the camera is always curious and what it finds is always arresting. In a time where there are more ways to make a film than ever (and yet less variation in the look, the feel, the shape of those films than in any other point in the medium’s history) RaMell has given us a new way of seeing. It is a thing to make one both humbled… and filled with gratitude." [23] Other filmmakers, including Joanna Arnow, Edward Berger, Coralie Fargeat, Hannah Fidell, Kitty Green, Don Hertzfeldt, Nicole Holofcener and Laura Poitras also praised the film. [24]
Sight & Sound put the film as their tenth pick on their list of the best 50 movies of 2024. [5]
Award | Date of ceremony | Category | Recipient(s) | Result | Ref. |
---|---|---|---|---|---|
Middleburg Film Festival | October 20, 2024 | Special Achievement in Filmmaking Award | RaMell Ross | Honored | [25] |
Chicago International Film Festival | October 23, 2024 | Vanguard Award | Honored | [26] | |
Denver International Film Festival | November 10, 2024 | Excellence in Directing Award | Honored | [27] | |
Stockholm International Film Festival | November 15, 2024 | Bronze Horse | Nickel Boys | Won | [28] |
Camerimage | November 23, 2024 | Director's Debut Competitions | Jomo Fray | Nominated | [29] |
Gotham Awards | December 2, 2024 | Best Feature | RaMell Ross, Joslyn Barnes, Dede Gardner, Jeremy Kleiner and David Levine | Nominated | [30] |
Best Director | RaMell Ross | Won | |||
Breakthrough Performer | Brandon Wilson | Won | |||
New York Film Critics Circle Awards | December 3, 2024 | Best Director | RaMell Ross | Won | [31] |
Best Cinematography | Jomo Fray | Won | |||
Winter IndieWire Honors | December 5, 2024 | Auteur Award | RaMell Ross | Won | [32] |
Astra Film Awards | December 8, 2024 | Best Adapted Screenplay | RaMell Ross and Joslyn Barnes | Nominated | [33] |
Best Supporting Actress | Aunjanue Ellis-Taylor | Nominated | |||
Astra Creative Arts Awards | December 8, 2024 | Best Cinematography | Jomo Fray | Nominated | |
Los Angeles Film Critics Association | December 8, 2024 | Cinematography | Won | [34] | |
Editing | Nicholas Monsour | Won [a] | |||
Boston Society of Film Critics | December 8, 2024 | Best Adapted Screenplay | RaMell Ross and Joslyn Barnes | Won | [35] |
Washington D.C. Area Film Critics Association | December 8, 2024 | Best Supporting Actress | Aunjanue Ellis-Taylor | Nominated | [36] |
Best Adapted Screenplay | RaMell Ross and Joslyn Barnes | Nominated | |||
Best Cinematography | Jomo Fray | Nominated | |||
Chicago Film Critics Association | December 12, 2024 | Best Film | Nickel Boys | Nominated | [37] |
Best Director | RaMell Ross | Won | |||
Best Adapted Screenplay | RaMell Ross and Joslyn Barnes | Won | |||
Best Cinematography | Jomo Fray | Won | |||
Best Editing | Nicolas Monsour | Nominated | |||
Milos Stehlik Award for Breakthrough Filmmaker | RaMell Ross | Won | |||
San Francisco Bay Area Film Critics Circle | December 15, 2024 | Best Film | Nickel Boys | Nominated | [38] |
Best Director | RaMell Ross | Nominated | |||
Best Adapted Screenplay | RaMell Ross & Joslyn Barnes | Nominated | |||
Best Cinematography | Jomo Fray | Nominated | |||
Toronto Film Critics Association | December 15, 2024 | Best Film | Nickel Boys | Won | [39] |
Best Director | RaMell Ross | Won | |||
Best Adapted Screenplay | RaMell Ross and Joslyn Barnes | Won | |||
St. Louis Film Critics Association | December 15, 2024 | Best Film | Nickel Boys | Nominated | [40] |
Best Director | RaMell Ross | Nominated | |||
Best Supporting Actress | Aunjanue Ellis-Taylor | Won | |||
Best Adapted Screenplay | RaMell Ross and Joslyn Barnes | Nominated | |||
Best Cinematography | Jomo Fray | Nominated | |||
Best Editing | Nicholas Monsour | Won | |||
Best First Feature | RaMell Ross | Won | |||
New York Film Critics Online | December 16, 2024 | Best Director | Nominated | [41] | |
Best Cinematography | Jomo Fray | Nominated | |||
Seattle Film Critics Society | December 16, 2024 | Best Cinematography | Won | [42] | |
Dallas–Fort Worth Film Critics Association | December 18, 2024 | Best Picture | Nickel Boys | 8th place | [43] |
Best Director | RaMell Ross | 5th place | |||
Florida Film Critics Circle | December 20, 2024 | Best Director | Nominated | [44] | |
Best Supporting Actress | Aunjanue Ellis-Taylor | Nominated | |||
Best Adapted Screenplay | RaMell Ross and Joslyn Barnes | Nominated | |||
Best Cinematography | Jomo Fray | Nominated | |||
Greater Western New York Film Critics Association | January 4, 2025 | Best Picture | Nickel Boys | Nominated | [45] |
Best Director | RaMell Ross | Nominated | |||
Best Adapted Screenplay | RaMell Ross and Joslyn Barnes | Nominated | |||
Best Cinematography | Jomo Fray | Nominated | |||
Best Editing | Nicholas Monsour | Nominated | |||
Breakthrough Director | RaMell Ross | Won | |||
National Society of Film Critics | January 4, 2025 | Best Picture | Nickel Boys | Won | [46] |
Best Director | RaMell Ross | Runner-up | |||
Best Cinematography | Jomo Fray | Won | |||
Golden Globe Awards | January 5, 2025 | Best Motion Picture – Drama | Nickel Boys | Nominated | [47] |
Austin Film Critics Association | January 6, 2025 | Best Film | Nominated | [48] | |
Best Adapted Screenplay | RaMell Ross and Joslyn Barnes | Nominated | |||
Best Cinematography | Jomo Fray | Nominated | |||
Alliance of Women Film Journalists | January 7, 2025 | Best Film | Nickel Boys | Nominated | [49] |
Best Actress in a Supporting Role | Aunjanue Ellis-Taylor | Nominated | |||
Best Adapted Screenplay | RaMell Ross, Joslyn Barnes and Colson Whitehead | Nominated | |||
Best Cinematography | Jomo Fray | Nominated | |||
AARP Movies for Grownups Awards | January 11, 2025 | Best Supporting Actress | Aunjanue Ellis-Taylor | Pending | [50] |
Critics' Choice Movie Awards | February 7, 2025 | Best Picture | Nickel Boys | Pending | [51] |
Best Director | RaMell Ross | Pending | |||
Best Supporting Actress | Aunjanue Ellis-Taylor | Pending | |||
Best Adapted Screenplay | RaMell Ross and Joslyn Barnes | Pending | |||
Best Cinematography | Jomo Fray | Pending | |||
Satellite Awards | January 26, 2025 | Best Motion Picture – Drama | Nickel Boys | Nominated | [52] |
Best Director | RaMell Ross | Nominated | |||
Best Adapted Screenplay | RaMell Ross and Joslyn Barnes | Won | |||
Best Cinematography | Jomo Fray | Nominated | |||
African-American Film Critics Association | February 2, 2025 | Gen Next Award | Brandon Wilson and Ethan Herisse | Honored | [53] |
Karen & Stanley Kramer Social Justice Award | Nickel Boys | Honored | |||
February 19, 2025 | Spotlight Award | RaMell Ross | Honored | ||
Black Reel Awards | February 10, 2025 | Outstanding Film | Nickel Boys | Pending | [54] |
Outstanding Director | RaMell Ross | Pending | |||
Outstanding Supporting Performance | Aunjanue Ellis-Taylor | Pending | |||
Brandon Wilson | Pending | ||||
Outstanding Breakthrough Performance | Pending | ||||
Ethan Herisse | Pending | ||||
Outstanding Ensemble | Victoria Thomas | Pending | |||
Outstanding Screenplay | RaMell Ross and Joslyn Barnes | Pending | |||
Outstanding Breakthrough Screenwriter | RaMell Ross | Pending | |||
Outstanding Emerging Director | Pending | ||||
Outstanding Cinematography | Jomo Fray | Pending | |||
Outstanding Production Design | Nora Mendis, Elizabeth Herberg and Monique Champagne | Pending | |||
Outstanding Hairstyling & Makeup | Iganica Soto-Aguilar and Shandrea Williams | Pending | |||
Artios Awards | February 12, 2025 | Outstanding Achievement in Casting – Feature Studio or Independent Film (Drama) | Victoria Thomas; Jennifer Yoo, Meagan Lewis | Pending | [55] |
British Academy Film Awards | February 16, 2025 | Best Adapted Screenplay | RaMell Ross & Joslyn Barnes | Pending | [56] |
Independent Spirit Awards | February 22, 2025 | Best Feature | Joslyn Barnes, Dede Gardner, Jeremy Kleiner, and David Levine | Pending | [57] |
Best Cinematography | Jomo Fray | Pending | |||
Academy Awards | March 2, 2025 | Best Picture | Nickel Boys | Pending | [ citation needed ] |
Best Adapted Screenplay | RaMell Ross and Joslyn Barnes | Pending |
Arch Colson Chipp Whitehead is an American novelist. He is the author of nine novels, including his 1999 debut The Intuitionist; The Underground Railroad (2016), for which he won the 2016 National Book Award for Fiction and the 2017 Pulitzer Prize for Fiction; and The Nickel Boys, for which he won the Pulitzer Prize for Fiction again in 2020, making him one of only four writers ever to win the prize twice. He has also published two books of nonfiction. In 2002, he received a MacArthur Fellowship.
Danielle Deadwyler is an American actress. She began her career as a theatre actress in Atlanta, Georgia. She then transitioned to film and television roles and made her screen debut in the 2012 drama film A Cross to Bear. Deadwyler appeared in the primetime soap opera The Haves and the Have Nots (2015–2017), the drama series P-Valley (2020), and the miniseries Station Eleven (2021–2022) and From Scratch (2022).
Joslyn Barnes is a film producer and writer. Known for Bamako (2006), The Black Power Mixtape 1967-1975 (2011), Cemetery of Splendour (2015), White Sun (2016), Zama (2017), Strong Island (2017) for which she received an Emmy Award for Exceptional Merit in Documentary Filmmaking and an Academy Award for Best Documentary Feature nomination, and Hale County This Morning, This Evening (2018) for which she received an Oscar nomination again for Best Documentary Feature. Barnes also produced and co-wrote the 2024 drama Nickel Boys, along with co-writer and director RaMell Ross, and was nominated for the Academy Award for Best Adapted Screenplay.
RaMell Ross is an American filmmaker, photographer, academic, and writer. His directorial debut, Hale County This Morning, This Evening (2018), earned him a Peabody Award, and nominations for the Academy Award for Best Documentary Feature and the Primetime Emmy Award for Exceptional Merit in Documentary Filmmaking. Ross directed and co-wrote the screenplay for the 2024 film adaptation of the novel The Nickel Boys (2019), for which he won the New York Film Critics Circle Award for Best Director, and received a nomination for the Academy Award for Best Adapted Screenplay.
The Nickel Boys is a 2019 novel by American novelist Colson Whitehead. It is based on the historic Dozier School, a reform school in Florida that operated for 111 years and was revealed as highly abusive. A university investigation found numerous unmarked graves for unrecorded deaths and a history into the late 20th century of emotional and physical abuse of students.
Yuri Alexandrovich "Yura" Borisov is a Russian actor. He made his acting film debut in the crime drama Elena (2011). He portrayed Mikhail Kalashnikov in AK-47 (2020). He has also starred in films such as The Bull (2019), The Silver Skates (2020), Captain Volkonogov Escaped (2021), and Compartment No. 6 (2021). For his performance in Anora (2024), he received nominations for Best Supporting Actor at the Golden Globes, Critics Choice, SAG Awards, BAFTAs and Academy Awards.
The Piano Lesson is a 2024 American drama film directed by Malcolm Washington, who co-wrote the screenplay with Virgil Williams. It is an adaptation of the 1987 Pulitzer Prize-winning play by August Wilson. It stars an ensemble cast of Samuel L. Jackson, John David Washington, Ray Fisher, Michael Potts, Erykah Badu, Skylar Aleece Smith, Danielle Deadwyler, and Corey Hawkins.
Hard Truths is a 2024 comedy-drama film written and directed by Mike Leigh, starring Marianne Jean-Baptiste, Michele Austin, and David Webber. Set in London, its plot follows the plight of a depressed and nay-saying woman (Jean-Baptiste) and the relationship with her jovial sister Chantelle (Austin).
The 90th New York Film Critics Circle Awards, honoring the best in film for 2024, were announced on December 3, 2024.
Brandon Wilson is an American actor. He had a supporting role in The Way Back (2020) and a leading role in Nickel Boys (2024). His breakout performance in the latter earned him a Gotham Award.
Jomo Fray is an American cinematographer. He is best known for his work on Nickel Boys (2024), for which he earned a nomination for the Independent Spirit Award for Best Cinematography. He is also known for his work on Port Authority (2019), Selah and the Spades (2020) and All Dirt Roads Taste of Salt (2023).
The 37th Chicago Film Critics Association Awards were presented to recognize the best in film of 2024. The nominations were announced on December 10, 2024. The Brutalist received the most nominations with nine, followed by The Substance with seven. Meanwhile, Anora, Nickel Boys and Wicked each received six nominations.
The 45th Boston Society of Film Critics Awards, honoring the best in filmmaking in 2024, were given on December 8, 2024. Unlike previous editions of the awards, runner-up standings were not announced.
The 28th Toronto Film Critics Association Awards, honouring the best films released in 2024, were announced on December 15, 2024.
The 35th Stockholm International Film Festival took place from 6 to 17 November 2024 in Stockholm, Sweden. Sean Baker's drama film Anora opened the festival. Historical drama film Nickel Boys won the main award of the festival, Bronze Horse.
The 59th National Society of Film Critics Awards, given on January 4, 2025, honored the best in film for 2024.
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