The Intuitionist takes place in a city (implicitly, New York) full of skyscrapers and other buildings requiring vertical transportation in the form of elevators. The time, never identified explicitly, is one when black people are called "colored" and integration is a current topic. The protagonist is Lila Mae Watson, an elevator inspector of the "Intuitionist" school. The Intuitionists practice an inspecting method by which they ride in an elevator and intuit the state of the elevator and its related systems. The competing school, the "Empiricists", insists upon traditional instrument-based verification of the condition of the elevator. Watson is the second black inspector and the first black female inspector in the city.
Plot summary
The story begins with the catastrophic failure of an elevator which Watson had inspected just days before, leading to suspicion cast upon both herself and the Intuitionist school as a whole. To cope with the inspectorate, the corporate elevator establishment, and other looming elements, she must return to her intellectual roots, the texts (both known and lost) of the founder of the school, to try to reconstruct what is happening around her.
In the course of her search, she discovers the central idea of the founder of Intuitionism – that of the "black box", the perfect elevator, which will deliver the people to the city of the future.
Characters
Lila Mae Watson: Protagonist
James Fulton: Founder of Intuitionism (dead before the story starts)
Raymond Coombs: Spy for a big elevator company (disguised as "Natchez", a poor nephew of Fulton's interested in the black box and in Lila Mae)
Marie Claire Rogers: Fulton's servant and heir
Ben Urich: Reporter who has written a story on the black box for Lift magazine
Jim Corrigan and John Murphy: Thugs
Frank Chancre: President of the Elevator Guild, Empiricist
Orville Lever: Liberal and Intuitionist candidate for the presidency of the Elevator Guild
Mr. Reed: Lever's secretary and campaign manager
Charles "Chuck" Gould: Mere escalator inspector, on good terms with Lila Mae
Pompey: Black elevator inspector, Empiricist
Critical reception
On Book Marks, from nine critics: four "rave" and five "positive".[1]
A Newsweek review wrote, "255 pages of the most engaging literary sleuthing you'll read this year," and "What makes the novel so extraordinary is the ways in which Whitehead plays with notions of race."[2]Walter Kirn, writing in Time, called it "The freshest racial allegory since Ralph Ellison's Invisible Man and Toni Morrison's The Bluest Eye."[3]
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