Fame (1980 film)

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Fame
Fameposter.jpg
Theatrical release poster
Directed by Alan Parker
Written by Christopher Gore
Produced by
Starring
Cinematography Michael Seresin
Edited by Gerry Hambling
Music by Michael Gore
Production
company
Distributed by United Artists [nb 1] (United States/Canada)
Cinema International Corporation (International)
Release date
  • May 12, 1980 (1980-05-12)(Ziegfeld Theatre)
  • May 16, 1980 (1980-05-16)(United States)
Running time
133 minutes [2]
CountryUnited States
LanguageEnglish
Budget$8.5 million [3]
Box office$42 million

Fame is a 1980 American teen drama film directed by Alan Parker. Set in New York City, it chronicles the lives and hardships of students attending the High School of Performing Arts (known today as Fiorello H. LaGuardia High School), from their auditions to their freshman, sophomore, junior and senior years.

Contents

Producer David De Silva conceived the premise in 1976, partially inspired by the musical A Chorus Line . He commissioned playwright Christopher Gore to write the script, originally titled Hot Lunch, before selling it to Metro-Goldwyn-Mayer (MGM). After he was hired to direct the film, Parker rewrote the script with Gore, aiming for a darker and more dramatic tone. The script's subject matter received criticism by the New York Board of Education, which prevented the production from filming in the actual High School of Performing Arts. The film was shot on location in New York City, with principal photography beginning in July 1979 and concluding after 91 days. Parker encountered a difficult filming process, which included conflicts with U.S. labor unions over various aspects of the film's production.

MGM released Fame using a platform technique which involved opening the film in several cities before releasing it nationwide. The film grossed over $42 million worldwide against a production budget of $8.5 million. It initially received a mixed response from reviewers who praised the music, but criticized the dramatic tone, pacing and direction although the film has been reappraised over the years. The film received several awards and nominations, including two Academy Awards for Best Original Song ("Fame") and Best Original Score, and a Golden Globe Award for Best Original Song ("Fame"). Its success spawned a media franchise encompassing several television series, stage musicals and a remake released in 2009.

Plot

Auditions

In New York City in the late 1970s, a group of teenagers audition to study at the High School of Performing Arts, where they are sorted into three different departments: Drama, Music, and Dance. Accepted in the Drama department are Montgomery MacNeil, a closeted homosexual; Doris Finsecker, a shy Jewish girl; and Ralph Garci, who succeeds after failed auditions for Music and Dance. In the Music department, Bruno Martelli is an aspiring keyboardist whose electronic equipment horrifies Mr. Shorofsky, a conservative music teacher. Lisa Monroe is accepted in the Dance department, despite having no interest in the subject. Coco Hernandez is accepted in all three departments because of her all-around talent. Leroy Johnson goes to the school, performing as part of a dance routine for an auditioning friend, but the dance teachers are more impressed by his talents than his friend's.

Freshman year

The students learn during their first day of classes that academics are weighed equally with performance. In the lunchroom, Doris becomes overwhelmed by the energy and spontaneity of the other students ("Hot Lunch Jam"). She befriends Montgomery, but worries that she is too ordinary against the colorful personalities of the other students. As the year progresses, Coco tries to convince Bruno to book performing gigs with her. Leroy clashes with his English teacher Mrs. Sherwood over his refusal to do homework. It is later revealed that he is illiterate. Bruno and his father argue over Bruno's reluctance to play his electronic music publicly. Miss Berg, the school's Dance teacher, warns Lisa that she is not working hard enough. Michael, a graduating senior, wins a prestigious scholarship and tells Doris that the William Morris Agency wants to send him out for auditions for television pilots.

Sophomore year

A new student, Hilary van Doren, joins the school's Dance department and becomes romantically involved with Leroy. Bruno and Mr. Shorofsky debate the merits of traditional orchestras versus synthesized instruments. Bruno's father plays his music ("Fame") outside the school, inspiring the student body to dance in the streets. As an acting exercise, the students are asked to divulge a painful memory. Montgomery discusses discovering his homosexuality, while coming out in front of his classmates; Doris relates her humiliation at being forced by her stage mother to sing at a child's birthday party; and Ralph tells of learning about the death of his idol Freddie Prinze. Miss Berg drops Lisa from the Dance program, and after seemingly considering suicide in a New York City Subway station, Lisa drops her dance clothes on the subway tracks and decides to join the Drama department.

Junior year

Ralph and Doris discover their mutual attraction, but their growing intimacy leaves Montgomery feeling excluded. Hilary brings Leroy home, much to the shock of her father and stepmother. Ralph's young sister is attacked by a junkie and Ralph lashes out at his mother's attempts to comfort the child by taking her to the local Catholic church, instead of to a doctor. Doris begins to question her Jewish upbringing, changing her name to "Dominique DuPont" and straining the relationship with her mother. During a late-night showing of The Rocky Horror Picture Show at the 8th Street Playhouse, Ralph encourages Doris to smoke marijuana. Intoxicated, Doris takes part in the stage show during the film's "Time Warp" musical number. The next day, she realizes that as an actress she can put on any personality she wants, but is sobered upon running into Michael, who is struggling as an actor and waiting tables.

Senior year

Ralph performs comedy at Catch a Rising Star, where he garners some initial success, but falls into a hard-party lifestyle which upsets Doris. Given a prime spot at another comedy club, he bombs after clashing with both Doris and Montgomery over his new lifestyle. Disgusted with himself, Ralph believes his career is over, but is comforted by Montgomery, who tells him that failure is a part of the entertainment business. Hilary, now pregnant, plans to have an abortion and move to California to take a position with the San Francisco Ballet company. Coco is approached in a diner by a man claiming to be a director; she naïvely goes to his apartment for a screen test, but discovers that he is an amateur pornographic film director. He manipulates her into taking her shirt off, as he films her sobbing. Leroy is offered a position in Alvin Ailey's dance company, but must graduate first in order to be accepted. After receiving a failing grade, he confronts a grieving Mrs. Sherwood outside her husband's hospital room, but upon realizing that she has her own problems, he comforts her. During graduation, the student body showcases their talents by performing an original song ("I Sing the Body Electric"). The opening lines are sung by Lisa, Coco, and Montgomery. Intercut with the performance are scenes of Leroy dancing and Bruno playing with a rock band, finally sharing his music with others.

Cast

Production

Development and writing

"It's a very strange thing to grow up to be a performer, to expose yourself at a time when growing up is difficult enough anyway. It involves a great deal of courage and the risk of enormous pain. Fame is a film which shows how kids prepare themselves for failure as well as success."

—Alan Parker, director [4]

In 1976, talent manager David De Silva attended a stage production of A Chorus Line and noticed that one of the musical numbers, "Nothing", had made a reference to the New York City High School of Performing Arts. [3] The musical inspired him to create a story detailing how ambition and rejection influence the lives of adolescent students. [5] In 1977, De Silva travelled to Florida, where he met playwright Christopher Gore. He paid Gore $5,000 to draft a script titled Hot Lunch, and provided story ideas involving the plot and characters. [5] De Silva took the project to Metro-Goldwyn-Mayer (MGM), which acquired the script for $400,000. [1]

Director Alan Parker received the script after the release of his previous film Midnight Express (1978). [1] [3] He met with De Silva in New York City where the two agreed that Parker would draft his own script, [3] with Gore receiving sole screenwriting credit. [5] Parker also enlisted his colleague Alan Marshall as a producer. [3] Gore travelled to London where he and Parker began work on a second draft, [1] which was significantly darker than what De Silva had intended. De Silva explained, "I was really motivated and interested in the joy of what the school represented for these kids, and [Parker] was really much more interested in where the pain was in going to the school, and so we had our little conflicts based on that area." [5]

Parker signed on as the film's director in February 1979, [1] and relocated to Greenwich, Connecticut to begin pre-production. While working on the script, he interacted with many of the students attending the Performing Arts school. [3] Several of them invited Parker to attend a midnight screening of The Rocky Horror Picture Show (1975) at the 8th Street Playhouse. Parker attended a weekend screening with Marshall, and the enthusiastic crowd inspired him to write a similar scene for the film, during which the character Doris Finsecker dances along to the "Time Warp" musical number. [3] [6] During filming, Parker noticed that a pornographic film showing on 42nd Street was titled Hot Lunch, and was informed that the title was "New York slang for oral sex." [3] In response, MGM offered several working titles before Parker named the film Fame after the 1975 song performed by David Bowie. [1] [3]

Casting

Although Parker had promised to hold auditions at the High School of Performing Arts, the school was initially advised by the Board of Education to prevent the students from working on the film, fearing it would affect their studies. [3] It was later announced that filming would occur during the summer when the students were not attending school. Parker distributed casting call advertisements at the Performing Arts school and the High School of Music & Art. [1] [7] He and casting directors Margery Simkin and Howard Feuer spent four months of the film's pre-production auditioning young performers. They held an open casting call at the Diplomat Hotel on 43rd Street in Manhattan where more than 2,000 people auditioned for various roles. [3]

Of the many students that Parker met at the Performing Arts, only Laura Dean, who plays Lisa Monroe, was cast in a principal role while others were cast as extras. [3] The school's drama teacher Jim Moody plays as Mr. Farell, and its music teacher Jonathan Strasser appears as a conductor. [7] Music composer and actor Albert Hague secured the role of music teacher Mr. Shorofsky, as Parker wanted a veteran musician to play the part. [8]

Irene Cara, a former student of the school, was cast as Coco Hernandez. [9] Parker was not impressed with Cara's musical audition, until after her recording sessions with the film's composer Michael Gore. [3] Gene Anthony Ray, who plays Leroy Johnson, was also a Performing Arts student but had been expelled from the school for disruptive behavior. [10] Simkin had discovered Ray breakdancing on a street corner in Harlem before asking him to audition for a role in the film. [3]

Lee Curreri, who was cast as Bruno Martelli, learned of the production while attending the Manhattan School of Music. [11] During his audition, Paul McCrane performed an original song he had written, "Is It Okay If I Call You Mine?". He was cast as Montgomery MacNeil, and the song inspired Parker to include it in the film. [1] [3] Barry Miller, who achieved critical acclaim for his supporting role in Saturday Night Fever (1977), was cast as Ralph Garci, an aspiring actor and standup comic of Puerto Rican descent. [12]

Maureen Teefy, an established actress of Irish descent, was cast as Doris Finsecker, a shy and uptight Jewish girl. [13] De Silva disagreed with her casting, stating, "... I'd envisioned [Doris] as a 16-or 17-year-old Barbra Streisand from Brooklyn, and when [Parker] cast this Irish actress that was a trouble ... that was my only reservation; I really had envisioned she was a young Barbra Streisand, a Jewish girl." [5] Parker and the casting department had difficulty finding an actress for the role of Hilary Van Doren. Antonia Franceschi, who was previously a background dancer in Grease (1978), [14] secured the role based on the strength of her audition. [3] Meg Tilly appears in her acting debut as a dancer. In his first credited screen role, Peter Rafelson, son of Bob Rafelson, plays as a musician and vocalist. [1]

Filming

Producer David De Silva on 46th Street during principal photography in 1979. David De Silva (Producer) on set of FAME in NYC (1979).jpg
Producer David De Silva on 46th Street during principal photography in 1979.

Principal photography began on July 9, 1979, with a budget of $8.5 million. [3] [4] Parker described shooting in New York City as a less than pleasurable experience due to the intense summer weather conditions. [3] He also faced difficulties with U.S. labor union representatives who disapproved of the British crew members working on the film without permits. [1] In order to gain work permits, Parker made an agreement with the unions that allowed local laborers to work on the film. [1] [3] [4]

During filming, the crew and several cast members objected to cinematographer Michael Seresin and camera operator John Stanier's European style of single-source lighting, which involved the use of incense burners. [4] In response, representatives of the Screen Actors Guild (SAG) and the International Alliance of Theatrical Stage Employees (IATSE) halted the production, and forbade Parker from using smoke on the set. [3] [4]

The filmmakers had originally planned to shoot the film at the Performing Arts school, but were denied by the Board of Education over the content of the script. [1] [3] [7] After consulting with Nancy Littlefield, the head of the New York City Mayor's Office of Film, Theater and Broadcasting, Parker was granted a meeting with the Board's members, [7] who explained that they were concerned with the script's profanity, sexual content and depictions of drug use, as well as his depiction of Turkish prisons in Midnight Express. [1] [3] After the filmmakers expressed interest in moving the production to Chicago, [15] Littlefield reviewed abandoned-city properties and discovered two unused schools, [1] Haaren High School and Performance Space 122. [3] Both schools were converted and used for all the interior scenes. [3] MGM spent approximately $200,000 transforming Haaren High into a sound stage, with carpentry shops and production offices. [1] The location was used to shoot the film's finale, a graduation ceremony. The sequence was filmed in four days, and employed 400 extras and 150 student musicians. [6]

The exterior of the school was shot using the left wing of the then-abandoned Church of Saint Mary the Virgin building almost directly opposite the real school on West 46th Street in Times Square. [16] The Rocky Horror Picture Show midnight screening sequence was filmed at the 8th Street Playhouse located on 52 West 8th Street, New York. Sal Piro, president of The Rocky Horror Picture Show Fan Club, appears as an emcee at the screening. [3] Parker later hired Steadicam inventor and operator Garrett Brown to film Doris and Ralph's dialogue scene in a New York City Subway station. [3] Montgomery MacNeil's apartment was located on 1564 Broadway, at West 46th Street in Manhattan. [16]

The "Fame" musical number was filmed on 46th Street in three days, with eight choreographed routines, 150 student background actors and 50 professional dancers. The dancers performed to the Donna Summer song "Hot Stuff", as the song "Fame" had not yet been written. [1] [3] Before the sequence was filmed, Stanier left the production for personal reasons. During filming, Seresin chose to operate the camera himself for several hours before International Alliance of Theatrical Stage Employees (IATSE) representatives visited the set, and advised Parker that a cinematographer was forbidden to operate a camera, and that the production would be shut down permanently if he did not hire an operator from their union. [1] [3] The following day, the New York Police Department demanded that the cast and crew take a 4:00 p.m. curfew due to complaints of traffic blockages. [1] [3] In addition, the dancers demanded extra pay for performing stunts on top of taxicabs. [1] [4] Principal photography concluded after 91 days. [3] [4]

Music

The music was composed by Michael Gore. Parker had originally approached Giorgio Moroder, who had previously worked on Midnight Express, and Jeff Lynne, the lead performer of Electric Light Orchestra (ELO), both of whom had declined. [3] The musical numbers were performed practically on set, as Parker wanted to avoid dubbing during post-production. [3] The song "Hot Lunch Jam" was heavily improvised. Parker explained, "This song evolved from an all day session involving groups of kids from all disciplines, as we cobbled together the song with everyone chipping in their contributions." [3] The filming of the "Fame" musical number inspired Gore to write an original song inspired by Donna Summer. [3] He and lyricist Dean Pitchford spent one month writing the lyrics. Pitchford improvised the lyrics "I'm gonna live forever", inspired by a line of dialogue from the 1964 play Dylan . [17] [18] During the recording sessions, Luther Vandross acted as the song's contractor, in charge of the backup vocals. He improvised the lyrics "Remember, remember, remember", and performed it with backing vocalists Vivian Cherry and Vicki Sue Robinson. The song was later incorporated into the filmed dance sequence during post-production. [3]

Parker wanted the film to end with a huge musical number that would showcase every character. While drafting the script during pre-production, he was partially inspired by the ELO song, "Eldorado". [3] Parker turned to Gore and Pitchford, requesting that they write a song would combine the film's three musical elements: gospel, rock and classical. [6] The resulting song, "I Sing the Body Electric", was named by Pitchford after the same-titled poem from Walt Whitman's "Leaves of Grass" collection. [3] [18]

Release

Opening Night of the film Fame (L.A. May, 1980) Dolores Quinton, Producer David De Silva, Cindy Williams and Jim Schreiber in front of the theater FAME Opening (L.A 1980).jpg
Opening Night of the film Fame (L.A. May, 1980) Dolores Quinton, Producer David De Silva, Cindy Williams and Jim Schreiber in front of the theater

Fame premiered at the Ziegfeld Theatre on May 12, 1980. [1] [7] MGM issued a platform release which involved opening the film in select cities for limited showings, before releasing it nationwide. [1] The studio was concerned with the film's cast of then-unknown actors, and felt that the limited theatrical run would generate strong word-of-mouth support from critics and audiences. [7] On May 16, 1980, Fame premiered at the Cinerama Dome Theatre in Hollywood, and opened in limited release in New York, Toronto and Los Angeles. MGM spent more than $2 million on an advertising campaign which placed emphasis on the film's music. The studio also allowed select theatre chains to give out free tickets for special screenings. Fame was released nationwide on June 20, 1980, distributed by MGM through United Artists. [1] [7] In the United States and Canada, it grossed $21,202,829, [19] and was the thirty-second highest-grossing film of 1980. [20] By April 1981, the film had grossed $20.4 million overseas and was expected to gross $29 million, giving it a worldwide gross of between $42-$50 million. [21]

Home media

Fame was released on VHS and Laserdisc in March 1981, by MGM/CBS Home Video. [22] In 1986, the distribution rights to the film were transferred to Turner Entertainment, which acquired MGM's pre-May 1986 library of feature films. [23] Currently, the rights are owned by Warner Bros., after its parent company Time Warner acquired Turner's library of MGM films in 1996. [24] The film was released on DVD on June 3, 2003 by Warner Home Video. Special features for the DVD include an audio commentary by Parker, a branching video featuring interviews with Parker and several cast members, a making-of featurette, a short documentary on the High School of Performing Arts, production notes, and the theatrical trailer. [25] As a tie-in to the home video release of MGM's 2009 remake, [26] Warner Home Video released the film on Blu-ray on January 26, 2010. [27] The Blu-ray presents the film in 1080p high definition, and contains all the additional materials found on the 2003 DVD release, including a CD "soundtrack sampler" that previews four musical numbers from the soundtrack album. [27]

Reception

Critical response

On the review aggregation website Rotten Tomatoes, Fame holds an approval rating of 84% based on 31 reviews, with an average score of 7.21/10. The website's consensus reads, "Just because Fame is a well-acted musical doesn't mean it flinches against its surprisingly heavy topics." [28] Although initial reactions among film critics were mixed, Barry Miller received critical acclaim for his performance. Jack Matthews of the Associated Press wrote "Barry Miller bolts from the screen with a performance that will etch itself into the viewer's mind for a long time to come" [29] Gene Siskel of the Chicago Tribune awarded the film two-and-a-half stars out of four, writing, "When the kids perform, the movie sings, but their fictionalized personal stories are melodramatic drivel." [30] Dave Kehr of the Chicago Reader wrote, "The film is cut at such a frenzied pitch that it's often possible to believe (mistakenly) that something significant is going on." [31] Variety magazine wrote, "The great strength of the film is in the school scenes – when it wanders away from the scholastic side as it does with increasing frequency as the overlong feature moves along, it loses dramatic intensity and slows the pace." [32] Roger Ebert of the Chicago Sun-Times awarded the film three-and-a-half stars out of four writing, "Fame is a genuine treasure, moving and entertaining, a movie that understands being a teen-ager as well as Breaking Away did, but studies its characters in a completely different milieu." [33] William Gallagher, in his review for the BBC, wrote, "Alan Parker manages to make this a fairly horrible story even while it remains entertaining. You come away from it with all your preconceptions about the glamour of showbusiness wiped away and you can't help but admire the characters who get through." [34]

Accolades

Fame garnered awards and nominations in a variety of categories, with particular praise for its title song performed by Irene Cara. It received four Golden Globe Award nominations, including Best Motion Picture – Musical or Comedy, Best Actress - Motion Picture Musical or Comedy (Cara), and Best Original Score (Michael Gore). At the 38th Golden Globe Awards, the film won the award for Best Original Song ("Fame"). [35] At the 53rd Academy Awards, the film received a total of six Oscar nominations, including Best Original Screenplay, Best Film Editing and Best Sound. [36] The songs "Fame" and "Out Here on My Own" both received nominations for Best Original Song; it marked the first time in Academy Awards history that two songs from one film were nominated in the same category. [37] The film won for Best Original Score, while "Fame" won the Academy Award for Best Original Song. [36]

List of awards and nominations
AwardCategoryRecipient(s) and nominee(s)Result
53rd Academy Awards [36] Best Original Screenplay Christopher Gore Nominated
Best Film Editing Gerry Hambling Nominated
Best Original Score Michael Gore Won
Best Original Song "Fame"
Michael Gore (music), Dean Pitchford (lyrics)
Won
"Out Here on My Own"
Michael Gore (music), Lesley Gore (lyrics)
Nominated
Best Sound Michael J. Kohut, Aaron Rochin, Jay M. Harding and Christopher Newman Nominated
38th Golden Globe Awards [35] Best Motion Picture – Musical or Comedy ————Nominated
Best Actress – Motion Picture Comedy or Musical Irene Cara Nominated
Best Original Song "Fame"
Michael Gore (music), Dean Pitchford (music, lyrics)
Won
Best Original Score Michael GoreNominated
34th Brtitish Academy Film Awards [38] Best Direction Alan Parker Nominated
Best Editing Gerry HamblingNominated
Best Film Music Michael GoreNominated
Best Sound Michael J. Kohut, Christopher Newman, Les WigginsWon

Franchise

Following the film's release, a television spin-off, Fame , aired on the NBC network for two seasons from January 7, 1982 to August 4, 1983. The series was then renewed for first-run syndication, and four additional seasons were produced. Returning cast members from the film included Lee Curreri, Albert Hague, Gene Anthony Ray and Debbie Allen. [1] The show's popularity, particularly in the United Kingdom, led to the formation of a music group, The Kids from "Fame". The main vocalists were Allen, Ray, Curerri, Valerie Landsburg, Erica Gimpel, Carlo Imperato, and Lori Singer. [39] In 1982, the band released two albums, The Kids from "Fame" and The Kids from "Fame" Again, which were largely successful in the United Kingdom. The band members also went on tour, performing as their characters live on stage. After the series was renewed, The Kids from "Fame" produced three additional albums, all of which proved less successful and resulted in the band members parting ways to pursue other projects. [40]

In 1987, producer David De Silva announced he was developing a stage version of the film. [41] Fame – the Musical was the first professional production at the Coconut Grove Playhouse in Miami in 1988. The show then played at the Walnut Street Theatre in Philadelphia from March 25 through April 29, 1989. [42] [43] The musical has since been produced in over 25 countries. [44]

In 1997, MGM Television produced a second series inspired by the film. [45] Fame L.A. , created by Richard B. Lewis, focused on the lives of several students attending a drama and dance school in Los Angeles. The series featured Christian Kane, Roselyn Sánchez, William R. Moses, and Lesli Margherita in starring roles. [46] It aired in syndication from October 19, 1997 to March 21, 1998. [47]

In 2002, MGM and Touchstone Television planned to develop a two-hour television film that would serve as a direct sequel to Fame, followed by a spin-off television series. Both projects were to be produced for the ABC network. [48] The television film was to introduce several students applying for positions at the New York City of Performing Arts, while the spin-off series would focus on their lives during their four years of attending the school. The series would feature new cast members as the young students, as well as those from the 1980 film, as well as updated versions of the songs "Fame" and "Out Here on My Own". Michael Gore was to act as an executive producer for both projects with his producing partner Lawrence Cohen, through their production label White Cap Productions. [48] However, both television projects were never produced. [1]

In 2003, MGM Television produced a reality television series titled Fame , in an attempt to capitalize on the success of the largely popular American Idol . [49] The concept of the series involves discovering a "triple threat"—a person who can sing, act and dance and has a "bigger-than-life" personality. The show, co-hosted by Debbie Allen, and Joey Fatone, featured Carnie Wilson, Johnny Wright and JoJo Wright as the panel of judges. The series premiered on NBC on May 28, 2003, and a total of ten episode were produced. [50] The two competing finalists of the series were Shannon Bex and Harlemm Lee. Lee emerged as the winner of the competition, based on home-audience votes. [51]

In 2012, MGM Television announced it would produce a modern-day television series inspired by the film, with Nigel Lythgoe acting as an executive producer. [52] The project resurfaced in June 2015, when The Hollywood Reporter announced that MGM Television would be co-producing the series with A&E Networks for Lifetime, with Josh Safran attached as the show's writer and executive producer. [53]

Remake

In 2009, MGM and Lakeshore Entertainment produced a remake of Fame directed by Kevin Tancharoen, and written by Allison Burnett. [54] The remake followed the premise of the original film, depicting the lives of several students as they attend the New York City High School of Performing Arts. Debbie Allen was the only cast member from the 1980 film to have a supporting role, appearing as the school's principal. The film was notable for its lighter tone, in contrast to the earlier film's gritty subject matter. [55] Released on September 25, 2009, Fame received generally unfavorable reviews from mainstream film critics. [56] [57] [58] It was a modest box office success upon release in the United States, though it fared better internationally, grossing $54.7 million worldwide. [59] Parker voiced his disapproval of the remake and described it as an "awful" film. [3] Maureen Teefy also criticized the film, stating, "They're using the same formula, but it doesn't have the same substance. It's not staying true to the grittiness and authenticity of the original." [13]

Aftermath and legacy

Fame was the last musical film to be produced by MGM, before the studio merged with United Artists in 1981. [60] The film has been credited with revitalizing the teen musical subgenre by adding dramatic elements into its story, echoing 1950s melodramas. Its presentation of musical numbers in the style of a music video was a major influence on other 1980s films in the dance film genre, such as Flashdance (1983), Footloose (1984) and Dirty Dancing (1987). [61] It also inspired the creation of other similar performing arts schools around the world, including the Liverpool Institute for Performing Arts (LIPA), [3] [4] and the BRIT School. [62]

The film and its title song helped launch Irene Cara's musical career. She recorded three solo albums and contributed to several film soundtracks, notably performing "Flashdance...What a Feeling", the title song for Flashdance, for which she won the Academy Award for Best Original Song. [9] Paul McCrane, Meg Tilly, and Barry Miller (who won the Tony Award in 1985 for Neil Simon's "Biloxi Blues") went on to successful acting careers, [12] [63] [64] while Gene Anthony Ray, Debbie Allen and Lee Curerri found success and popularity with the television series. [10] [11]

Ray struggled with drug and alcohol addictions, and worked sporadically after the series ended in 1987. In 1996, he was diagnosed as HIV-positive and died after a stroke on November 14, 2003. [10] [65]

The film was Christopher Gore's only original screenplay. He was also involved with the 1982 television series as its creator, and wrote several episodes before his death from AIDS on May 18, 1988. [66] [67] [68]

After Fame, Louis Falco continued to work as a commercial choreographer for several music videos and films. [69] He again collaborated with Parker on the 1987 film Angel Heart [70] before his death from AIDS on March 26, 1993. [71]

In 2004, the American Film Institute (AFI) ranked the song "Fame" at #51 on its "100 Years...100 Songs" list. [72] In 2006, AFI placed the film on its "100 Years...100 Cheers" list, where it was ranked #92. [73] That same year, the film was a nominee for AFI's Greatest Movie Musicals. [74] The film also ranked #42 on Entertainment Weekly 's list of the "50 Best High School Movies". [75] [76] In 2014, IndieWire added the song "Fame" to its list of "The 20 Greatest Movie Theme Songs of the 1980s". [77]

Notes

  1. MGM released the film theatrically through United Artists, which is credited as a distributor in the film's promotional materials. [1]

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Hairspray is an American musical with music and lyrics by Marc Shaiman and Scott Wittman and a book by Mark O'Donnell and Thomas Meehan, based on John Waters's 1988 film of the same name. The songs include 1960s-style dance music and "downtown" rhythm and blues. In 1962 Baltimore, Maryland, teenager Tracy Turnblad's dream is to dance on The Corny Collins Show, a local TV dance program based on the real-life Buddy Deane Show. When Tracy wins a role on the show, she becomes a celebrity overnight, leading to social change as Tracy campaigns for the show's integration.

Gene Anthony Ray

Gene Anthony Ray was an American actor, dancer, and choreographer. He was known for his portrayal of dancer Leroy Johnson in both the 1980 film Fame and the 1982–1987 Fame television series based upon the film.

<i>A Chorus Line</i> Musical by Marvin Hamlisch

A Chorus Line is a 1975 musical with music by Marvin Hamlisch, lyrics by Edward Kleban, and a book by James Kirkwood Jr. and Nicholas Dante.

Debbie Allen American actress

Deborah Kaye Allen is an American actress, dancer, choreographer, singer-songwriter, director, producer, and a former member of the President's Committee on the Arts and Humanities. She has been nominated 20 times for an Emmy Award, two Tony Awards, and has also won a Golden Globe Award and received a star on the Hollywood Walk of Fame in 1991.

<i>Fame</i> (1982 TV series) 1982 TV series

Fame is an American television series originally produced between January 7, 1982, and May 18, 1987, by Eilenna Productions in association with Metro-Goldwyn-Mayer Television and sponsored by Yamaha musical instruments, which are prominently showcased in the episodes. The show is based on the 1980 motion picture of the same name. Using a mixture of drama and music, it followed the lives of the students and faculty at the New York City High School for the Performing Arts—a fictional establishment, but based heavily on the actual Fiorello H. LaGuardia High School of Music & Art and Performing Arts. Most interior scenes were filmed in Hollywood, California. In all seasons except the third, the show filmed several exterior scenes on location in New York City.

<i>Fame</i> (musical)

Fame is a stage musical based on the 1980 musical film of the same name, with book by José Fernandez, music by Steve Margoshes and lyrics by Jacques Levy. Conceived and developed by David De Silva, it premiered in 1988 in Miami, Florida, and has spawned many stagings worldwide, including an Off-Broadway production at the Little Shubert Theatre from 2003 to 2004, under the title Fame on 42nd Street.

Johnny Green Musical artist

John Waldo Green was an American songwriter, composer, musical arranger, conductor and pianist. He was given the nickname "Beulah" by colleague Conrad Salinger. His most famous song was one of his earliest, "Body and Soul" from the revue Three's a Crowd. Green won four Academy Awards for his film scores and a fifth for producing a short musical film, and he was inducted into the Songwriters Hall of Fame in 1972. He was also honored with a star on the Hollywood Walk of Fame.

BRIT School City technology college in Croydon, England

The BRIT School is a British performing arts and technology school located in the London Borough of Croydon, England, with a mandate to provide education and vocational training for the performing arts, media, art and design and the technologies that make performance possible. Selective in its intake, the school is notable for its celebrity alumni.

<i>The Commitments</i> (film) 1991 film directed by Alan Parker

The Commitments is a 1991 musical comedy-drama film based on the 1987 novel of the same name by Roddy Doyle. It was directed by Alan Parker from a screenplay written by Doyle, Dick Clement and Ian La Frenais. Set in the Northside of Dublin, the film tells the story of Jimmy Rabbitte, a young music fanatic who assembles a group of working-class youths to form a soul band named "The Commitments". The film is the first in a series known as The Barrytown Trilogy, followed by The Snapper (1993) and The Van (1996).

Bird College – Conservatoire for Dance and Musical Theatre is an independent performing arts school and college, located in Sidcup, South East London, in the London Borough of Bexley.

Lucille Norman Musical artist

Lucille Norman was an American mezzo-soprano, radio personality, and stage and film actress active in the 1940s and 1950s.

Dean Pitchford is an American songwriter, screenwriter, director, actor, and novelist. His work has earned him an Oscar and a Golden Globe Award, as well as nominations for three additional Oscars, two more Golden Globes, eight Grammy Awards, and two Tony Awards.

The Governor's School for the Arts is a regional secondary arts school sponsored by the Virginia Department of Education and the public school divisions of Chesapeake, Franklin, Isle of Wight County, Norfolk, Portsmouth, Southampton County, Suffolk, and Virginia Beach. It is one of the nineteen Virginian academic-year Governor’s Schools and provides intensive educational opportunities for identified gifted students in instrumental music, vocal music, dance, musical theatre, theatre & film, and visual arts. Housed in the newly renovated, historic Monroe Building in downtown Norfolk, students attend afternoon classes at the magnet school during the academic year.

<i>Fame</i> (2009 film) 2009 film by Kevin Tancharoen

Fame is a 2009 American musical drama film and a loose remake of the 1980 film of the same name. It was directed by Kevin Tancharoen and written by Allison Burnett. It was released on September 25, 2009 in the US, Canada, Ireland, and the UK. The film follows talented high school students attending The High School of Performing Arts in New York City, where students get specialized training that often leads to success in the entertainment industry. Exterior shots of the Performing Arts school are of the Professional Performing Arts School or PPAS on West 48th Street and not the Fiorello H. LaGuardia High School on 100 Amsterdam Avenue behind the Lincoln Center.

"Out Here on My Own" is a ballad from the 1980 musical film Fame, performed by Irene Cara. It was written by sibling songwriting duo Lesley Gore (lyricist) and Michael Gore (composer). The song was produced by Michael Gore, and published by MGM BMI/Variety ASCAP. Cara performed the song at the 1981 Academy Awards, where it was nominated for Best Original Song. The song was released on the soundtrack to the 1980 film Fame, which also contains an instrumental version of the track.

David De Silva American film writer and producer

David De Silva is an American film writer and producer, best known for the 1980 MGM movie Fame. De Silva retained the stage rights to the film, and, conceived and developed Fame - The Musical, which has since been produced in many countries around the world, leading De Silva to be known as "Father Fame", and launching a foundation called the Father Fame Foundation to promote theatre arts.

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