Shoot the Moon

Last updated

Shoot the Moon
Shoot the Moon 1982.jpg
Theatrical release poster
Directed by Alan Parker
Written by Bo Goldman
Produced by Alan Marshall
Starring
Cinematography Michael Seresin
Edited by Gerry Hambling
Production
company
Distributed by MGM/United Artists Distribution and Marketing
Release date
  • January 22, 1982 (1982-01-22)
Running time
123 minutes [1]
CountryUnited States
LanguageEnglish
Budget$12 million [2] [3] or $14 million [4]
Box office$9.2 million [5] or $2.5 million [4]

Shoot the Moon is a 1982 American drama film directed by Alan Parker, and written by Bo Goldman. It stars Albert Finney, Diane Keaton, Karen Allen, Peter Weller, and Dana Hill. Set in Marin County, California, the film follows George (Finney) and Faith Dunlap (Keaton), whose deteriorating marriage, separation and love affairs devastate their four children. The title of the film alludes to an accounting rule known in English as "shooting the moon" in the scored card game hearts.

Contents

Goldman began writing the script in 1971, deriving inspiration from his encounters with dysfunctional couples. He spent several years trying to secure a major film studio to produce it before taking it to 20th Century Fox. Parker learned of the script as he was developing Fame (1980), and he later worked with Goldman to rewrite it. After an unsuccessful pre-production development at Fox, Parker moved the project to Metro-Goldwyn-Mayer, which provided a budget of $12 million. Principal photography lasted 62 days, in the period from January to April 1981, on location in Marin County.

Shoot the Moon premiered on February 19, 1982 to mostly positive reviews, but was deemed a box-office failure, having grossed only $9.2 million in North America. It later competed for the Palme d'Or at the 1982 Cannes Film Festival, and received two Golden Globe Award nominations for Best Actor – Drama (Finney) and Best Actress – Drama (Keaton).

Plot

In Marin County, California, writer George Dunlap and his wife Faith are an unhappy couple who live with their daughters Sherry, Jill, Marianne, and Molly in a farmhouse that George has refurbished. George is preparing to attend an awards banquet in his honor, when he makes a phone call to Sandy, a single mother with whom he has begun an affair. Sherry, the oldest of the four children, picks up the phone and listens in on the conversation.

After the children leave for school the next morning, Faith expresses her suspicions of the affair, prompting George to leave and move into his beach house. Sherry refuses to speak to George, while her sisters visit George on weekends. Jill, Marianne and Molly also meet Sandy, who harbors cynicism towards them and views them as a distraction in her sexual affair with George.

Faith falls into depression, but is elated when she begins a relationship with Frank Henderson, a contractor she has hired to build a tennis court on the grove of the farmhouse. One day, George visits the farmhouse, aggressively requesting to Faith that he be able to give Sherry her birthday present, a typewriter. George grows frustrated upon meeting Frank and seeing the construction work being done to the yard. George returns to the home later that night, again demanding that he be able to give Sherry her present. When Faith refuses to let him in, George breaks the door apart, pushes her out of the house, and blocks the entrance door with a chair. After Sherry refuses the gift, George spanks her repeatedly. The other children try to fight him off, but George does not relent until after Sherry threatens him with a pair of scissors. After Molly lets her back into the house through a side door, Faith comforts a sobbing Sherry, and George leaves ashamed.

George and Faith go to court to begin the first stage of their divorce proceedings, which involves joint custody of the children. After the court hearing, Faith tells George that her father has been hospitalized. At the hospital, they both downplay the disintegration of their marriage, but Faith's father senses that they are lying, and dies shortly thereafter.

After the funeral, George finds Faith having dinner at a restaurant and joins her. They have a heated, passionate exchange, arguing about their relationship before getting drunk. They go to a hotel room where Faith and the children are staying, and have sex. After Sherry enters Faith's bedroom and finds them lying in bed, Faith asks George to leave.

When the tennis court is completed, Faith and Frank throw an outdoor party at the farmhouse. Sherry scorns her mother for having sex with George and Frank before running away. She runs to George's beach house where she sees her father playing a game of hearts with Sandy and her son. George looks out the window and sees Sherry sitting on a pier. He goes to comfort her and as they reconcile, he gives Sherry the typewriter.

George returns Sherry to the farmhouse, where Faith invites him to visit the tennis court and meet Frank's friends. Under a seemingly friendly facade, George praises Frank for his work on the tennis court. He then goes into his car and crashes into the court repeatedly until it is demolished. Enraged, Frank pulls George out of the car and beats him relentlessly before walking away. As the children try to comfort their father, George reaches out for Faith to take his hand.

Cast

Production

Development

Director Alan Parker, pictured in 2008 Alan Parker (Director), London, 2012.jpg
Director Alan Parker, pictured in 2008

Shoot the Moon was Bo Goldman's first attempt at writing a screenplay and was originally developed under the title Switching. He began writing the script in 1971, influenced by his encounters with dysfunctional couples and how their disputes affected their children. [6] "When I started to write this screenplay years ago," he said, "I looked around me and all the marriages were collapsing, and the real victims of these marital wars were the children." [6]

For several years, Goldman tried to sell his script, without success. [6] Eventually, the script was picked up by 20th Century Fox after the commercial success of Star Wars (1977). Alan Ladd Jr., president of Fox, sent the script to Alan Parker, as the director was beginning pre-production on Fame (1980). After filming Fame, Parker met with Goldman, and the two worked together to rewrite the script. [2] Among the changes, they moved the story from New York City to Marin County, California, [2] and retitled the script Shoot the Moon, a metaphoric title that references the move of "shooting the moon" in the card game hearts. [7] After Ladd was fired from Fox in 1979, Parker discussed the project with Sherry Lansing, the studio's head of production, who balked at the film's proposed budget of $12 million. [2] Parker then discussed the project with David Begelman, head of Metro-Goldwyn-Mayer (MGM), who agreed to green-light the film on the conditions that Parker stay on budget and secure Diane Keaton, a sought-after actress, in a leading role. [2]

Casting

Diane Keaton.jpg
Albert Finney 1966.jpg
Left to right: Diane Keaton and Albert Finney, who star in the film

In their search for actors, Parker and casting director Juliet Taylor held open casting calls in San Francisco, Los Angeles and New York City. For the role of George Dunlap, Parker first approached Jack Nicholson, who declined due to the script's subject matter. Parker then approached English film and stage actor Albert Finney, whom he had admired. [2] On portraying George, Finney said, "It required personal acting; I had to dig into myself. When you have to expose yourself and use your own vulnerability, you can get a little near the edge. Scenes where Diane Keaton and I really have to go at each other reminded me of times when my own behavior has been monstrous." [8]

Diane Keaton was cast as Faith Dunlap, George's wife. Parker had first discussed the role with her as the actress was preparing to film Reds (1981). He also discussed the role with Meryl Streep, who declined due to her pregnancy. [2] Keaton agreed to star in the film after the project was taken to MGM. [2] She described the film as "the war of a man and a woman who are breaking up and how the woman is crushed by this man going off and having an affair with someone else." [9]

Appearing as George and Faith's four children are Dana Hill as Sherry, Tracey Gold as Marianne, Viveka Davis as Jill and Tina Yothers as Molly. Of the four children, only Hill was an established actress, while the remaining three were making their feature film debuts. [2] Karen Allen secured the role of Sandy, George's mistress, after filming Raiders of the Lost Ark (1981). [2]

Filming

The film was made on a budget of $12 million. [3] Principal photography commenced on January 15, 1981. [2] During pre-production at 20th Century Fox, Parker, producer Alan Marshall and production designer Geoffrey Kirkland spent several months searching for houses to depict the Dunlap family home. They discovered the Roy Ranch House, an abandoned, 114-year-old clapboard ranch house in San Francisco. [10] The production dismantled the house into four pieces, which were then transported to the Nicasio Valley region of Marin County, California. The filmmakers spent six weeks restoring and decorating the house, as well as constructing a driveway, gardens and a tennis court. [2]

Scenes set in Sandy's beach house were filmed in Stinson Beach, California. [10] George and Faith's divorce proceeding was shot at the Napa County Courthouse Plaza in Napa, California. The filmmakers also filmed scenes at the Wolf House, Jack London's estate in Glen Ellen, California. [10] In San Francisco, the production shot scenes at the Fairmont Hotel in San Jose, California. Other filming locations included California Street, the San Francisco–Oakland Bay Bridge, Sea Cliff and St. Joseph's Hospital. [10] Filming concluded on April 9, 1981 after 62 days. [2] [11] Parker spent six months editing the film in London, England with 300,000 feet of film. [2]

Music

After working on the musical Fame, Parker had decided not to employ an original score for Shoot the Moon. Goldman selected the song "Don't Blame Me" from MGM's music library to be used in the film. The song is featured as a minimalist piano score that acts as a leitmotif. Parker stated, "I had it played on a piano with one finger—like a child would play, with innocent simplicity." [2] [11] The film also features pre-recorded songs, including "Play with Fire" performed by the Rolling Stones and "Still the Same" performed by Bob Seger. [12] Parker explained that the songs were "selfishly chosen because they were contemporary songs that meant a lot to me personally." [2]

Release

Parker had hoped to release Shoot the Moon before the end of 1981 for awards consideration. [10] "It was ready for release in October of 1981," Goldman said in Peter Biskind's book Star: How Warren Beatty Seduced America (2010). "But Keaton was contractually prohibited from releasing another movie in the same calendar year as Reds . So we had to release Shoot the Moon in January 1982, right after New Year's, the worst possible time for a tough movie like this. The Alans—director Alan Parker and producer Alan Marshall—begged Beatty to release her from the obligation. His answer was, 'Nope, nope, nope.' It died as a result of the release date he had screwed us on." [13]

MGM gave Shoot the Moon a platform release, opening it in New York City, Toronto and Los Angeles on January 22, 1982, [10] before expanding to other cities in North America on February 19. [10] It was a box-office failure, [14] grossing $9,217,530 against a production budget of $12 million. [2] [3] [5]

In 1986, the distribution rights to the film were transferred to Turner Entertainment Co., which acquired MGM's pre-May 1986 library of feature films. [15] Currently, the rights are owned by Warner Bros., after its parent company Time Warner acquired Turner's library of MGM films in 1996. [16]

Home media

Shoot the Moon was released on DVD on November 6, 2007, by Warner Home Video. Special features include an audio commentary by Parker and Goldman, and the film's theatrical trailer. [17]

Reception

Critical response

Shoot the Moon received mostly positive reviews from critics. [11] On the Review aggregator website Rotten Tomatoes, the film holds a score of 85% based on 13 reviews, and an average rating of 7.72/10. [18]

Film critics Pauline Kael and David Denby, who had been dismissive of Parker's previous films, praised Shoot the Moon as his best directorial effort. [19] [20] Roger Ebert of the Chicago Sun-Times appreciated the storytelling, stating, "Despite its flaws, despite its gaps, despite two key scenes that are dreadfully wrong, Shoot the Moon contains a raw emotional power of the sort we rarely see in domestic dramas." [21] In his review for The New York Times , Vincent Canby commended the acting, notably the performances of Finney, Keaton, Allen and Peter Weller, and compared the film to Kramer vs. Kramer (1979) and Ordinary People (1980), describing it as "a domestic comedy of sometimes terrifying implications, not about dolts but intelligent, thinking beings." [22] Gene Siskel of the Chicago Tribune called the film "an exceptionally strong family drama, with enough surprises to qualify as lifelike." [23]

A negative review carried by Variety termed the film "a grim drama of marital collapse which proves disturbing and irritating by turns." [24] Dan Callahan of Slant Magazine praised the performances, but criticized Parker's direction, writing, "Unfortunately, Shoot the Moon has some serious problems that get in the way of [Keaton and Finney's] unforgettable performances ... Though Parker's way of going for the jugular can be very effective in the big moments, he lets lots of small, deliberately banal domestic scenes just dribble away." [25]

Accolades

Shoot the Moon received several nominations, with particular recognition for Finney and Keaton's performances. In May 1982, the film competed for the Palme d'Or at the 1982 Cannes Film Festival. [26] [27] It was one of two films directed by Parker to appear at the festival, the other being Pink Floyd – The Wall (1982), which was shown out of competition. [2] At the 40th Golden Globe Awards, the film received two nominations for Best Actor – Drama (Finney) and Best Actress – Drama (Keaton). [28] At the 36th British Academy Film Awards, Finney received a BAFTA Award nomination for Best Actor, but lost to Ben Kingsley, who won for Gandhi (1982). [29]

List of awards and nominations
AwardCategoryRecipient(s) and nominee(s)ResultRef(s)
1982 Cannes Film Festival Palme d'Or Alan Parker Nominated [26]
40th Golden Globe Awards Best Actor – Drama Albert Finney Nominated [28]
Best Actress – Drama Diane Keaton Nominated [28]
36th British Academy Film Awards Best Actor in a Leading Role Albert FinneyNominated [29]
18th National Society of Film Critics Awards Best Actress Diane KeatonNominated [30]
48th New York Film Critics Circle Awards Best Actress Diane KeatonNominated [31]
1983 Writers Guild of America Awards Best Drama Written Directly for the Screen Bo Goldman Nominated [32]

Related Research Articles

<span class="mw-page-title-main">Buster Keaton</span> American actor, comedian and filmmaker (1895–1966)

Joseph Frank "Buster" Keaton was an American actor, comedian and film director. He is best known for his silent films during the 1920s, in which he performed physical comedy and inventive stunts. He frequently maintained a stoic, deadpan facial expression that became his trademark and earned him the nickname "The Great Stone Face".

<i>Reds</i> (film) 1981 historical drama film epic by Warren Beatty

Reds is a 1981 American epic historical drama film co-written, produced, and directed by Warren Beatty, about the life and career of John Reed, the journalist and writer who chronicled the October Revolution in Russia in his 1919 book Ten Days That Shook the World. Beatty stars in the lead role alongside Diane Keaton as Louise Bryant and Jack Nicholson as Eugene O'Neill.

<span class="mw-page-title-main">James Mason</span> British actor (1909–1984)

James Neville Mason was an English actor. He achieved considerable success in British cinema before becoming a star in Hollywood. He was the top box-office attraction in the UK in 1944 and 1945; his British films included The Seventh Veil (1945) and The Wicked Lady (1945). He starred in Odd Man Out (1947), the first recipient of the BAFTA Award for Best British Film.

<span class="mw-page-title-main">Diane Keaton</span> American film actress (born 1946)

Diane Keaton is an American actress. She has received various accolades throughout her career spanning over five decades, including an Academy Award, a British Academy Film Award, and two Golden Globe Awards, in addition to nominations for a Tony Award and two Emmy Awards. She was honored with the Film Society of Lincoln Center Gala Tribute in 2007 and an AFI Life Achievement Award in 2017.

<span class="mw-page-title-main">Alan Parker</span> British filmmaker (1944–2020)

Sir Alan William Parker was an English film director, screenwriter and producer. His early career, beginning in his late teens, was spent as a copywriter and director of television advertisements. After about ten years of filming adverts, many of which won awards for creativity, he began screenwriting and directing films.

<i>Fame</i> (1980 film) 1980 film by Alan Parker

Fame is a 1980 American teen musical drama film directed by Alan Parker and written by Christopher Gore. Set in New York City, it chronicles the lives and hardships of students attending The High School of Performing Arts, from their auditions to their freshman, sophomore, junior, and senior years.

Tracey Gold is an American actress and former child star known for playing Carol Seaver on the 1980s sitcom Growing Pains.

József Antal Eszterhás, credited as Joe Eszterhas, is a Hungarian-American writer. Born in Hungary, he grew up in Cleveland, Ohio, in the United States. After an early career as a journalist and editor, he entered the film industry. His first screenwriting credit was for the film F.I.S.T. (1978). He co-wrote the script for Flashdance, which became one of the highest grossing films of 1983, and set off a lucrative and prolific run for his career. By the early 1990s, he was known as the highest-paid writer in Hollywood, and noted for his work in the erotic thriller genre. He was paid a then-record $3 million for his script Love Hurts, which was produced as Basic Instinct (1992), and following its success, news outlets reported he earned seven-figure salaries solely on the basis of two-to-four page outlines.

<span class="mw-page-title-main">Sherry Lansing</span> American film studio executive (born 1944)

Sherry Lansing is an American former film studio executive. The chairwoman of the Universal Music Group board of directors, she was the chairman and CEO of Paramount Pictures and president of production at 20th Century Fox prior to her retirement. From 1999 to 2022, she was on the University of California Board of Regents. In 2005, she became the first female movie studio head to place hand and foot prints at the Grauman's Chinese Theater. In 2001, she was named one of the 30 most powerful women in the US by Ladies' Home Journal, and The Hollywood Reporter named her number 1 on its Power 100 list numerous times.

<i>Manhattan Murder Mystery</i> 1993 film by Woody Allen

Manhattan Murder Mystery is a 1993 American black comedy mystery film directed by Woody Allen, which he wrote with Marshall Brickman, and starring Allen, Alan Alda, Anjelica Huston, and Diane Keaton. The film centers on a married couple's investigation of the death of their neighbor's wife.

<span class="mw-page-title-main">Dana Hill</span> American actress (1964–1996)

Dana Hill was an American actress and voice artist. She was known for playing Audrey Griswold in National Lampoon's European Vacation, and also known for her roles in Shoot the Moon and Cross Creek. As a voice actress, she was known for her work as Max Goof in Goof Troop. Hill had diabetes that affected physical growth, which meant that she often played children into adolescence and beyond.

<i>Mr. Mom</i> 1983 American film directed by Stan Dragoti

Mr. Mom is a 1983 American comedy film directed by Stan Dragoti and produced by Lynn Loring, Lauren Shuler, and Aaron Spelling. It stars Michael Keaton, Teri Garr, Martin Mull, Ann Jillian, and Christopher Lloyd. It tells the story of a furloughed Detroit automotive engineer who becomes a stay-at-home dad and takes care of three young children, as his wife returns to a career in the advertising industry as an executive at a large agency. Released on July 22, 1983, the film received generally positive reviews from critics and was a box office success, grossing $64 million against its $5 million budget.

<i>The First Wives Club</i> 1996 film by Hugh Wilson

The First Wives Club is a 1996 American comedy film directed by Hugh Wilson, based on the 1992 novel of the same name by Olivia Goldsmith. The film stars Bette Midler, Goldie Hawn, and Diane Keaton as three divorcées who seek retribution on their ex-husbands for having left them for younger women. The supporting cast comprises Stockard Channing as Cynthia; Dan Hedaya, Victor Garber, and Stephen Collins as the three leads' ex-husbands; and Sarah Jessica Parker, Elizabeth Berkley, and Marcia Gay Harden as their respective lovers. Supporting roles are played by Maggie Smith, Bronson Pinchot, Rob Reiner, Eileen Heckart, Philip Bosco, and Timothy Olyphant in his feature film debut; cameo appearances include Gloria Steinem, Ed Koch, Kathie Lee Gifford, and Ivana Trump.

Diane Venora is an American stage, television and film actress. She graduated from the Juilliard School in 1977 and made her film debut in 1981 opposite Albert Finney in Wolfen. She won the New York Film Critics Circle Award for Best Supporting Actress for Bird (1988). Her other films include The Cotton Club (1984), Heat (1995), Romeo + Juliet (1996), The Jackal (1997), The Insider (1999) and Hamlet (2000).

<i>Evita</i> (1996 film) 1996 American musical film

Evita is a 1996 American musical-historical film based on the 1976 concept album of the same name produced by Tim Rice and Andrew Lloyd Webber, which also inspired a 1978 musical. The film depicts the life of Eva Perón, detailing her beginnings, rise to fame, political career and death at the age of 33. Directed by Alan Parker, and written by Parker and Oliver Stone, Evita stars Madonna as Eva, Jonathan Pryce as Eva's husband Juan Perón, and Antonio Banderas as Ché, an everyman who acts as the film's narrator.

Viveka Davis is a retired American actress who has starred in television series and films. As a young actress, she was best known for her role in the 1983 NBC TV miniseries V as Polly Maxwell, a role she reprised in the 1984 sequel V: The Final Battle.

<i>Poltergeist</i> (1982 film) 1982 American supernatural horror film directed by Tobe Hooper

Poltergeist is a 1982 American supernatural horror film directed by Tobe Hooper and written by Steven Spielberg, Michael Grais, and Mark Victor from a story by Spielberg. It stars JoBeth Williams, Craig T. Nelson, and Beatrice Straight, and was produced by Spielberg and Frank Marshall. The film focuses on a suburban family whose home is invaded by malevolent ghosts that abduct their youngest daughter.

<span class="mw-page-title-main">Bo Goldman</span> American screenwriter (1932–2023)

Bo Goldman was an American screenwriter and playwright. He received numerous accolades including two Academy Awards, two Golden Globe Awards, two Writers Guild of America Awards as well as the Lifetime Achievement Award in 1998. He also received two BAFTA Award nominations.

Livia Giampalmo is an Italian actress, voice actress, film director and screenwriter.

<i>Mack & Rita</i> 2022 comedy film

Mack & Rita is a 2022 American comedy film directed by Katie Aselton, from a screenplay by Madeline Walter and Paul Welsh. The plot follows a 30-year-old woman who wakes up as her 70-year-old self after a bachelorette party. Taylour Paige, Loretta Devine, Amy Hill, Lois Smith, Wendie Malick, Simon Rex, Martin Short and Dustin Milligan also star. The film was released on August 12, 2022, by Gravitas Premiere, to negative reviews from critics, including a worst actress nomination for Keaton, but the performances of Paige and Milligan were praised.

References

Notes

  1. ↑ "Shoot the Moon". British Board of Film Classification. December 13, 1996. Archived from the original on September 6, 2017. Retrieved September 6, 2017.
  2. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 Parker, Alan. "Shoot the Moon – Alan Parker – Director, Writer, Producer – Official Website". AlanParker.com. Archived from the original on September 5, 2017. Retrieved September 3, 2017.
  3. 1 2 3 Granger & Toumarkine 1988, p. 92.
  4. 1 2 Boyer, Peter J; Pollock, Dale (28 Mar 1982). "MGM-UA and the Big Debt". Los Angeles Times. p. 11.
  5. 1 2 "Shoot the Moon (1982)". Box Office Mojo. Archived from the original on September 5, 2017. Retrieved September 3, 2017.
  6. 1 2 3 Hinson, Hal (July 11, 1982). "Cry of the Screenwriter". The Washington Post . Archived from the original on September 8, 2017. Retrieved September 3, 2017.
  7. ↑ Gonthier & O'Brien 2015, p. 83.
  8. ↑ Farber, Stephen (July 26, 1981). "Finney comes back to film". The New York Times . Archived from the original on September 5, 2017. Retrieved September 3, 2017.
  9. ↑ Mitchell 2001, p. 76.
  10. 1 2 3 4 5 6 7 "Detail view of Movies Page". American Film Institute. Archived from the original on July 8, 2017. Retrieved September 3, 2017.
  11. 1 2 3 Gonthier & O'Brien 2015, p. 85.
  12. ↑ Gonthier & O'Brien 2015, pp. 95, 101.
  13. ↑ Biskind, Peter (2010). Star: How Warren Beatty Seduced America. New York: Simon & Schuster. ISBN   9780743246583.
  14. ↑ Lindsey, Robert (April 14, 1982). "M-G-M U.A. shifts officials". The New York Times . Archived from the original on September 8, 2017. Retrieved September 7, 2017.
  15. ↑ Delugach, Al (June 7, 1986). "Turner Sells Fabled MGM but Keeps a Lion's Share". The New York Times . Archived from the original on August 1, 2017. Retrieved September 3, 2017.
  16. ↑ Bloomberg Business News (September 27, 1996). "Warner Bros. to Run Most of Turner's Entertainment Unit". Los Angeles Times . Archived from the original on August 25, 2016. Retrieved September 3, 2017.{{cite web}}: |author= has generic name (help)
  17. ↑ Callahan, Dan (November 25, 2007). "Shoot the Moon DVD Review". Slant Magazine . Archived from the original on August 25, 2014. Retrieved September 3, 2017.
  18. ↑ "Shoot the Moon (1982)". Rotten Tomatoes. Archived from the original on November 28, 2017. Retrieved July 16, 2019.
  19. ↑ Kael, Pauline (January 18, 1982). "The Current Cinema". The New Yorker .
  20. ↑ Denby 1982, p. 66.
  21. ↑ Ebert, Roger (January 1, 1982). "Shoot the Moon Movie Review & Film Summary (1982)". RogerEbert.com. Archived from the original on September 5, 2017. Retrieved September 3, 2017.
  22. ↑ Canby, Vincent (January 22, 1982). "Movie Review - - Finney and Miss Keaton in 'Shoot the Moon'". The New York Times . Archived from the original on September 5, 2017. Retrieved September 3, 2017.
  23. ↑ Siskel, Gene (February 19, 1982). "'Shoot the Moon' is a hearts game played for real". Chicago Tribune . p. 59. Archived from the original on September 5, 2017. Retrieved September 4, 2017.
  24. ↑ Variety staff (December 31, 1981). "Shoot the Moon". Variety . Archived from the original on September 30, 2017. Retrieved September 30, 2017.
  25. ↑ Callahan, Dan (November 25, 2007). "Shoot the Moon". Slant Magazine . Archived from the original on August 25, 2014. Retrieved September 30, 2017.
  26. 1 2 "Cannes 1982". cinema-francais.fr (in French). Archived from the original on June 13, 2017. Retrieved September 3, 2017.
  27. ↑ "Shoot the Moon - Festival de Cannes". Cannes Film Festival. Archived from the original on September 8, 2017. Retrieved September 7, 2017.
  28. 1 2 3 "Winners & Nominees 1982 (Golden Globes)". Hollywood Foreign Press Association. Archived from the original on July 1, 2017. Retrieved September 5, 2017.
  29. 1 2 "Film in 1983". British Academy of Film and Television Arts. Archived from the original on September 5, 2017. Retrieved September 3, 2017.
  30. ↑ "Tootsie acclaimed best film of '82; Hoffman best actor". The Phoenix . January 5, 1983. p. 32. Retrieved September 3, 2017.
  31. ↑ Maslin, Janet (December 21, 1982). "New York Critics Vote 'Gandhi' Best". The New York Times . Archived from the original on September 5, 2017. Retrieved September 3, 2017.
  32. ↑ "Shoot the Moon (1982)". Mubi. Archived from the original on September 5, 2017. Retrieved September 4, 2017.

Bibliography

This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.