John Joseph Nicholson was born on April 22, 1937, in Neptune City, New Jersey,[5][6] the son of a showgirl, June Frances Nicholson (stage name June Nilson; 1918–1963).[7][8] Nicholson's mother was of Irish, English, German, and Welsh descent. Nicholson has identified as Irish, comparing himself to the playwright Eugene O'Neill, whom he played in the film Reds (1981): "I'm not saying I'm as dark as he was ... but I am a writer, I am Irish, I have had problems with my family."[9] His mother married Italian-American showman Donald Furcillo (stage name Donald Rose; 1909–1997) in 1936, before realizing that he was already married.[10]:8[11] Biographer Patrick McGilligan stated in his book Jack's Life that Latvian-born Eddie King (originally Edgar A. Kirschfeld),[12] June's manager, may have been Nicholson's biological father, rather than Furcillo. Other sources suggest June Nicholson was unsure of the father's identity.[7]
As June was only 17 and unmarried, her parents[note 1] agreed to raise Nicholson as their own child without revealing his true parentage, with June acting as his sister.[13] In 1974, Time magazine researchers learned, and informed Nicholson, that his "sister", June, was actually his mother, and his other "sister", Lorraine, was really his aunt.[14] By this time, both his mother and grandmother had died (in 1963 and 1970, respectively). On finding out, Nicholson said it was "a pretty dramatic event, but it wasn't what I'd call traumatizing ... I was pretty well psychologically formed".[13]
Nicholson grew up in Neptune City, New Jersey.[10]:7 Before starting high school, his family moved to an apartment in Spring Lake, New Jersey.[10]:16[15] "Nick", as he was known to his high school friends, attended nearby Manasquan High School, where he was voted "Class Clown" by the Class of 1954. He was in detention every day for a whole school year.[6] A theatre and a drama award at the school are named in his honor. In 2004, Nicholson attended his 50-year high school reunion accompanied by his aunt Lorraine.[10]
Nicholson first came to California in 1950, when he was 13, to visit his sister. He took a job as an office worker for animation directors William Hanna and Joseph Barbera at the MGM cartoon studio. They offered him an entry-level job as an animator, but he declined, citing his desire to become an actor.[17] While accepting the Cecil B. DeMille Award at the 56th Golden Globe Awards, he recalled that his first day as a working actor (on Tales of Wells Fargo) was May 5, 1955, which he considered lucky, as 5 was the jersey number of his boyhood idol, Joe DiMaggio.[19] He trained to be an actor with a group called the Players Ring Theater, after which he found small parts performing on the stage and in TV soap operas.[4] He made his film debut in a low-budget teen drama The Cry Baby Killer (1958), playing the title role. For the next decade, Nicholson frequently collaborated with the film's producer, Roger Corman. Corman directed Nicholson on several occasions, such as in The Little Shop of Horrors as undertaker (and masochistic dental patient) Wilbur Force; in The Raven; The Terror, where he plays a French officer seduced by an evil ghost; and The St. Valentine's Day Massacre. Nicholson frequently worked with director Monte Hellman on low-budget westerns; two of them—Ride in the Whirlwind and The Shooting—initially failed to interest U.S. film distributors but gained cult success on the French art-house circuit and were later sold to television. Nicholson also appeared in two episodes of The Andy Griffith Show, and starred as a rebellious dirt-track race driver in the 1960 film The Wild Ride.
With his acting career foundering, Nicholson seemed resigned to a career behind the camera as a writer/director. His first real taste of writing success was the screenplay for the 1967 counterculture film The Trip (directed by Corman), starring Peter Fonda and Dennis Hopper. After first reading the script, Fonda told Nicholson he was impressed by the writing and felt it could become a great film. But Fonda was disappointed with how the film turned out and blamed the editing for turning it into a "predictable" film and said so publicly. "I was livid", he recalls.[20] Nicholson also co-wrote, with Bob Rafelson, the movie Head, which starred The Monkees, and arranged the movie's soundtrack.
Nicholson's first big acting break came when a role opened up in Fonda and Hopper's Easy Rider (1969). He played alcoholic lawyer George Hanson, for which he received his first Oscar nomination. The film cost only $400,000 to make, and became a blockbuster, grossing $40 million.[21] Biographer John Parker writes that Nicholson's interpretation of his role placed him in the company of earlier antihero actors, such as James Cagney and Humphrey Bogart, while promoting him into an "overnight number-one hero of the counter-culture movement".[21] The part was a lucky break for Nicholson. The role had been written for Rip Torn, who withdrew from the project after an argument with Hopper.[22] Nicholson later acknowledged the importance of being cast in Easy Rider: "All I could see in the early films, before Easy Rider, was this desperate young actor trying to vault out of the screen and create a movie career."[23]Stanley Kubrick, who was impressed by his performance in Easy Rider, cast Nicholson as Napoleon in a film about his life, and although production on the film commenced, the project fizzled out, partly due to a change in ownership at MGM.[24]
1970–1989: Stardom and acclaim
In 1970, Nicholson starred in Five Easy Pieces alongside Karen Black in what became his persona-defining role. Nicholson and Black were nominated for Academy Awards for their performances. Nicholson played Bobby Dupea, an oil rig worker, and Black played his waitress girlfriend. Black noted that Nicholson's character in the film was very subdued and very different from Nicholson's real personality. She said that the now-infamous restaurant scene was partly improvised by Nicholson, and was out of character for Bobby, who would not have cared enough to argue with a waitress.[25] "I think that Jack really has very little in common with Bobby. I think Bobby has given up looking for love. But Jack hasn't, he's very interested in love, in finding out things. Jack is a very curious, alive human being. Always ready for a new idea."[26]:37 Nicholson himself said as much, telling an interviewer, "I like listening to everybody. This to me is the elixir of life."[27]
Black later admitted that she had a crush on Nicholson from the time they met, although they dated only briefly. "He was very beautiful. He just looked right at you... I liked him a lot... He really sort of wanted to date me but I didn't think of him that way because I was going with Peter Kastner... Then I went to do Easy Rider, but didn't see him because we didn't have any scenes together... At the premiere, I saw him out in the lobby afterward and I started crying... He didn't understand that, but what it was was that I really loved him a lot, and I didn't know it until I saw him again, because it all welled up."[26]:36
Within a month after its release that September, Five Easy Pieces became a blockbuster, making Nicholson a leading man and the "new American anti-hero", according to McDougal.[10]:130 Critics began speculating as to whether he might become another Marlon Brando or James Dean. His career and income skyrocketed. He said, "I have [become] much sought after. Your name becomes a brand image like a product. You become Campbell's soup, with thirty-one different varieties of roles you can play."[10]:130 He told his new agent, Sandy Bresler, to find him unusual roles so he could stretch his acting skill: "I like to play people that haven't existed yet, a 'cusp character'", he said, "I have that creative yearning. Much in the way Chagall flies figures into the air: once it becomes part of the conventional wisdom, it doesn't seem particularly adventurous or weird or wild."[10]:130
Also in 1970, Nicholson appeared in the film adaptation of On a Clear Day You Can See Forever, although most of his performance was left on the cutting room floor. His agent turned down a starring role in Deliverance when the film's producer and director, John Boorman, refused to pay what Nicholson's agent wanted.[10]:130 In 1971, Nicholson starred in Carnal Knowledge, a comedy-drama directed by Mike Nichols and co-starring Art Garfunkel, Ann-Margret, and Candice Bergen. He was nominated for a Golden Globe Award for Best Actor. Nichols felt few actors could handle the role, saying, "There is James Cagney, Spencer Tracy, Humphrey Bogart, and Henry Fonda. After that, who is there but Jack Nicholson?"[28] During the filming, Nicholson struck up what became a lifelong friendship with Garfunkel. When he visited Los Angeles, Garfunkel stayed at Nicholson's home in a room Nicholson jokingly called "the Arthur Garfunkel Suite".[10]:127
Other Nicholson roles included Hal Ashby's The Last Detail (1973), with Randy Quaid, for which Nicholson won Best Actor at the Cannes Film Festival and was nominated for his third Oscar and a Golden Globe. Television journalist David Gilmour writes that one of his favorite Nicholson scenes from all his films was the often censored one in this film, when Nicholson slaps his gun on the bar yelling he was the Shore Patrol.[29][30] Critic Roger Ebert called it a very good movie, but credited Nicholson's acting as the main reason: "He creates a character so complete and so complex that we stop thinking about the movie and just watch to see what he'll do next."[31] In 1974, Nicholson starred in Roman Polanski's noir thriller Chinatown, and was again nominated for the Academy Award for Best Actor for his role as Jake Gittes, a private detective. The film co-starred Faye Dunaway and John Huston, and included a cameo role with Polanski. Ebert called Nicholson's portrayal sharp-edged, menacing, and aggressive, a character who knew "how to go over the top", as he did in One Flew Over the Cuckoo's Nest. That edge kept Chinatown from becoming a typical genre crime film.[32] Ebert also notes the importance of the role for Nicholson's career, seeing it as a major transition from the exploitation films of the previous decade. "As Jake Gittes, he stepped into Bogart's shoes", says Ebert. "As a man attractive to audiences because he suggests both comfort and danger... From Gittes forward, Nicholson created the persona of a man who had seen it all and was still capable of being wickedly amused."[33]
Nicholson had been friends with Polanski long before the murder of Polanski's wife, Sharon Tate, by the Manson Family, and supported him in the days following her death.[10]:109–110[34] After Tate's death, Nicholson began sleeping with a hammer under his pillow[10] and took breaks from work to attend Manson's trial.[17]
In 1977, three years after Chinatown, Polanski was arrested at Nicholson's home for the sexual assault of 13-year-old Samantha Geimer, who was modeling for Polanski during a magazine photo shoot around the pool. At the time, Nicholson was out of town making a film, but his steady girlfriend, actress Anjelica Huston, had dropped by unannounced to pick up some items. She heard Polanski in the other room say, "We'll be right out."[35] Polanski then came out with Geimer and introduced her to Huston, and they chatted about Nicholson's two large dogs, which were sitting nearby. Huston recalled Geimer was wearing platform heels and appeared quite tall.[35] After a few minutes of talking, Polanski had packed up his camera gear and Huston saw them drive off in his car. Huston told police the next day, after Polanski was arrested, that she "had witnessed nothing untoward" and never saw them together in the other room.[35]
Geimer learned afterward that Huston herself was not supposed to be at Nicholson's house that day, since they had recently broken up, but stopped over to pick up some belongings. Geimer described Nicholson's house as "definitely" a guy's house, with lots of wood and shelves crowded with photos and mementos.[36]
One of Nicholson's successes came in 1975, with his role as Randle P. McMurphy in One Flew Over the Cuckoo's Nest. The movie was an adaptation of Ken Kesey's novel of the same name, and was directed by Miloš Forman and co-produced by Michael Douglas. Nicholson plays an anti-authoritarian patient at a mental hospital where he becomes an inspiring leader for the other patients. Playing one of the patients was Danny DeVito in an early role. Nicholson learned afterward that DeVito grew up in the same area of New Jersey, and they knew many of the same people.[37] The film received nine nominations at the Academy Awards, and won five, including Nicholson's first for Best Actor.[38] The role seemed perfect for Nicholson, with biographer Ken Burke noting that his "smartass demeanor balances his genuine concern for the treatment of his fellow patients with his independent spirit too free to exist in a repressive social structure".[39][40] Forman allowed Nicholson to improvise throughout the film, including most of the group therapy sequences.[17]:273 Reviewer Marie Brenner notes that his bravura performance "transcends the screen" and continually inspires the other actors by lightening their mental illnesses with his comic dialogue. She describes his performance:
Nicholson is everywhere; his energy propels the ward of loonies and makes of them an ensemble, a chorus of people caught in a bummer with nowhere else to go, but still fighting for some frail sense of themselves. ... There are scenes in Cuckoo's Nest that are as intimate—and in their language, twice as rough—as the best moments in The Godfather ... [and] far above the general run of Hollywood performances.
Also in 1975, Nicholson starred in Michelangelo Antonioni's The Passenger (1975), which co-starred Maria Schneider. Nicholson plays a journalist, David Locke, who during an assignment in North Africa decides to quit journalism and disappear by taking on a new hidden identity. Unfortunately, the dead person whose identity he takes on turns out to have been a weapons smuggler on the run. Antonioni's unusual plot included convincing dialogue and fine acting, states film critic Seymour Chatman.[42] It was shot in Algeria, Spain, Germany, and England. The film received good reviews and revived Antonioni's reputation as a great director.[42] He said he wanted the film to have more of a "spy feeling [and] be more political".[42] Nicholson began shooting the film from an unfinished script, notes Judith Crist,[43] yet upon its completion he thought so highly of the film that he bought the world rights and recorded a reminiscence of working with Antonioni.[42]
Critic and screenwriter Penelope Gilliatt provides an overview of Nicholson's role, "The Passenger is an unidealized portrait of a drained man whose one remaining stimulus is to push his luck. Again and again, in the movie, we watch him court danger. It interests him to walk the edge of risk. He does it with passivity as if he were taking part in an expressionless game of double-dare with life. Jack Nicholson's performance is a wonder of insight. How to animate a personality that is barely there.[17]:443
Nicholson in 1976
Nicholson continued to take more unusual roles. He took a small role in The Last Tycoon opposite Robert De Niro. He took a less sympathetic role in Arthur Penn's western The Missouri Breaks (1976), specifically to work with Marlon Brando. Nicholson was especially inspired by Brando's acting ability, recalling that in his youth, as an assistant manager at a theater, he watched On the Waterfront about 40 times. He once stated, "Marlon Brando influenced me strongly. Today, it's hard for people who weren't there to realize the impact that Brando had on an audience. ... He's always been the patron saint of actors".[28][44] "I'm part of the first generation that idolized Marlon Brando", he said.[45]
Nicholson has observed that while both De Niro and Brando were noted for their skill as method actors, he himself has seldom been described as one, a fact he sees as an accomplishment: "I'm still fooling them", he told Sean Penn. "I consider it an accomplishment because there's probably no one who understands Method acting better academically than I do—or actually uses it more in his work. But it's funny, nobody really sees that. It's perception versus reality, I guess."[27]
His work is always interesting, clearly conceived, and has the X-factor, magic. Jack is particularly suited for roles that require intelligence. He is an intelligent and literate man, and these are almost impossible to act. In The Shining you believe he's a writer, failed or otherwise.
Although he garnered no Academy Award for Stanley Kubrick's adaptation of Stephen King's The Shining (1980), his role in the film as writer Jack Torrance remains one of his more significant. He was Kubrick's first choice to play the role, although the book's author, Stephen King, wanted more of an "everyman". Kubrick won the argument and called Nicholson's acting "on a par with the greatest stars of the past, like Spencer Tracy and Jimmy Cagney".[46] In preparation for the role, Nicholson drew upon his own experiences as a writer and slept short hours to help remain in an agitated state during the shoot. His co-star Shelley Duvall recalled that she and Nicholson spent many hours discussing their characters, with Nicholson maintaining that his character be cold to her from the start.[47] On the set, Nicholson always appeared in character and if Kubrick felt confident that Nicholson knew his lines well enough, he encouraged him to improvise beyond the script.[46]:434 For example, Nicholson improvised his now-famous "Here's Johnny!" line,[46]:433 along with a scene in which he unleashes his anger on his wife when she interrupts his work.[46]:445 There were also extensive takes of scenes, due to Kubrick's perfectionism. Nicholson shot a scene with the ghostly bartender 36 times.[48] He said, "Stanley's demanding. He'll do a scene fifty times, and you have to be good to do that."[49]:38
In 1982, he starred as an immigration enforcement agent in The Border, directed by Tony Richardson. It co-starred Warren Oates, who played a corrupt border official.[50] Richardson wanted Nicholson to play his role less expressively than he had in his earlier roles. "Less is more", he told him, and wanted him to wear reflecting sunglasses to portray what patrolmen wore.[17]:318 Richardson recalled that Nicholson worked hard on the set:
He's what the Thirties and Forties stars were like. He can come on the set and deliver, without any fuss, without taking a long time walking around getting into it. "What do you want? Okay." And he just does it straight off. And then if you want him to do it another way on the next take, he can adapt to that too.[17]:318
Nicholson won his second Oscar, an Academy Award for Best Supporting Actor, for his role of retired astronaut Garrett Breedlove in Terms of Endearment (1983), directed by James L. Brooks. It starred Shirley MacLaine and Debra Winger. McGilligan claims it was one of Nicholson's most complex and unforgettable characters. He and MacLaine played many of their scenes in different ways, constantly testing and making adjustments. Their scenes together gave the film its "buoyant edge", states McGilligan, and describes Nicholson's acting as "Jack floating like a butterfly".[17]:330
Nicholson continued to work prolifically in the 1980s, starring in such films as: The Postman Always Rings Twice (1981); Reds (1981), where Nicholson portrays the writer Eugene O'Neill with a quiet intensity; Prizzi's Honor (1985); Heartburn (1986); The Witches of Eastwick (1987); Broadcast News (1987); and Ironweed (1987). Three Oscar nominations also followed (Reds, Prizzi's Honor, and Ironweed).[51][52][53]John Huston, who directed Prizzi's Honor, said of Nicholson's acting, "He just illuminates the book. He impressed me in one scene after another; the movie is composed largely of first takes with him."[54] In the 1989 Batman movie, Nicholson played the psychotic villain, the Joker. The film was an international smash hit, and a lucrative deal earned him a percentage of the box office gross estimated at $60million to $90million.[55] Nicholson said that he was "particularly proud" of his performance as the Joker: "I considered it a piece of pop art", he said.[27]
For his role as hot-headed Col. Nathan R. Jessup in A Few Good Men (1992), a movie about a murder in a U.S. Marine Corps unit, Nicholson received yet another Academy Award nomination for Best Supporting Actor.[56][57] One review describes his performance as "spellbinding", adding that he portrayed "the essence of the quintessential military mindset".[58] Critic David Thomson notes that Nicholson's character "blazed and roared".[59] The film's director, Rob Reiner, recalls how Nicholson's level of acting experience affected the other actors during rehearsals: "I had the luck of having Jack Nicholson there. He knows what he's doing, and he comes to play, every time out, full-out performance! And what it says to a lot of the other actors is, 'Oooooh, I better get on my game here because this guy's coming to play! So I can't hold back; I've got to come up to him.' He sets the tone."[60]
In 1996, Nicholson collaborated once more with Batman director Tim Burton on Mars Attacks!, pulling double duty as two contrasting characters, President James Dale and Las Vegas property developer Art Land. Not all of Nicholson's performances have been well received. He was nominated for Razzie Awards as worst actor for Man Trouble (1992) and Hoffa (1992). But his performance in Hoffa also earned him a Golden Globe nomination.[61][62] David Thomson states that the film was terribly neglected, since Nicholson portrayed one of his best screen characters, someone who is "snarly, dumb, smart, noble, rascally—all the parts of 'Jack'".[59]Roger Ebert also praised his performance writing, "Nicholson is an actor who can reflect almost anything in his face. One reason his performance is so good as Hoffa is that he reveals almost nothing."[63]
Nicholson in 2002
Nicholson won his next Academy Award for Best Actor in the romantic comedy As Good as It Gets (1997), his third film directed by James L. Brooks. He played Melvin Udall, a "wickedly funny",[64] mean-spirited novelist with obsessive-compulsive disorder. "I'm a studio Method actor", he said. "So I was prone to give some kind of clinical presentation of the disorder."[65] His Oscar was matched by the Academy Award for Best Actress for Helen Hunt, who played a Manhattan single mother drawn into a love/hate friendship with Udall, a frequent diner in the restaurant where she works as a waitress. The film was a box-office success, grossing $314 million, making it Nicholson's second-best-grossing film, after Batman.[28] The win was Nicholson's third Academy Award, tying him with six other actors, Walter Brennan, Ingrid Bergman, Meryl Streep, Daniel Day-Lewis, and Frances McDormand who all have three acting Oscars.
Nicholson admits he initially disliked playing a middle-aged man alongside a much younger Hunt, seeing it as a movie cliché. "But Helen disarmed that at the first meeting", he says, "and I stopped thinking about it." They got along well during the filming, with Hunt saying that he "treated me like a queen", and they connected immediately: "It wasn't even what we said", she said. "It was just some frequency we both could tune into that was very, very compatible."[64] Critic Jack Mathews of Newsday said Nicholson was "in rare form", adding, "it's one of those performances that make you aware how much fun the actor is having".[64] Author and screenwriter Andrew Horton describes their on-screen relationship as being like "fire and ice, oil and water—seemingly complete opposites".[66]
Nicholson is the Hollywood celebrity who is most like a character in some ongoing novel of our times. He is also the most beloved of stars—not even his huge wealth, his reckless aging, and the public disasters of his private life can detract from this ... For he is still a touchstone, someone we value for the way he helps us see ourselves.
Nicholson's next film role saw him reunite with James L. Brooks, director of Terms of Endearment, Broadcast News and As Good as It Gets, for a supporting role for the 2010 film How Do You Know starring Paul Rudd, Reese Witherspoon, and Owen Wilson. The film was a financial and critical failure. In a September 2013 Vanity Fair article, Nicholson said that he did not consider himself retired, but that he was now less driven to "be out there anymore".[70] As of 2023, How Do You Know remains Nicholson's last film role, and brings his filmography to 80 films.[71] In 2013, Nicholson co-presented the Academy Award for Best Picture with First Lady Michelle Obama,[72] the eighth time he presented the Academy Award for Best Picture (1972, 1977, 1978, 1990, 1993, 2006, 2007, and 2013).
On February 15, 2015, Nicholson made a special appearance as a presenter on SNL 40, the 40th anniversary special of Saturday Night Live.[73] After the death of boxer Muhammad Ali on June 3, 2016, Nicholson appeared on HBO's The Fight Game with Jim Lampley for an exclusive interview about his friendship with Ali.[74] He was reported to be starring in an English-language remake of Toni Erdmann in 2017 opposite Kristen Wiig, his first feature film role since How Do You Know,[75] but the project was later abandoned.[76] In October 2019, with the release of The Shining sequel Doctor Sleep, director Mike Flanagan revealed he approached Nicholson for a cameo appearance, but Nicholson declined with best wishes.[77] Flanagan also disclosed that Nicholson had previously been approached to appear in Steven Spielberg's science-fiction film Ready Player One (2018).[78]
During an appearance in the November 2, 2023, episode of Marc Maron's podcast, WTF with Marc Maron, record producer Lou Adler, a longtime friend of Nicholson's, related an anecdote pertaining to the unofficial retirement of the actor, who had not done a film in the 13 years since How Do You Know, saying, "A friend of mine wanted to put him in a movie. And he had a conversation with him. But Jack says, 'I don't want to do it.' He goes, 'You know what I did today? I sat under a tree and I read a book.' That sounds like Jack." Adler stated that Nicholson was "doing whatever he really wants to do," adding, "He wants to be quiet. He wants to eat what he wants. He wants to live the life he wants."[71]
Influence
Nicholson has described Marlon Brando as a major influence on his career. He stated, "Actors don't normally discuss who the best actor in the world is, because it's obvious—Brando is the best.” He also named John Ford, Akira Kurosawa, and Orson Welles as his favorite directors.[79]
In his personal life, Nicholson is notorious for his inability to "settle down";[83] he has fathered six children by five women but married only once.[84] Nicholson's marriage was to The Terror co-star Sandra Knight from 1962 to 1968, though they separated in 1966.[85] The couple had one daughter, Jennifer (born September 13, 1963).[86]
Five Easy Pieces co-star Susan Anspach contended that her son Caleb (born September 26, 1970), whose legal father was Mark Goddard, was actually Nicholson's biological son.[87][88] In 1984, Nicholson said he was not convinced of this,[89] but in 1996, Caleb said that Nicholson had recognized him as his son in private.[90][91] By 1998, Nicholson publicly acknowledged Caleb as his son and said that they got along "beautifully now."[92]
In 1971 and 1972, Nicholson was in a relationship with singer Michelle Phillips, the ex-wife of his best friend Dennis Hopper, during which time she suffered a miscarriage.[93][94] Nicholson's longest relationship was 17 years with actress Anjelica Huston, from 1973 until 1990. Their on-again, off-again romance included several periods of overlap with other women, notably former Bond girl Jill St. John[95] and Danish model Winnie Hollman, with whom Nicholson fathered a daughter, Honey Hollman (born January 26, 1982).[96] Winnie Hollman has claimed that a DNA test during her pregnancy confirmed that Nicholson was the biological father. However, in 2024, it was revealed that Nicholson was not the biological father of Honey,[97] who did a DNA test herself in 1999. Honey said in 2006 that she has a “normal father-daughter relationship” with Nicholson.[98]
The relationship with Huston ended amid actress/waitress Rebecca Broussard's first pregnancy by Nicholson. He and Broussard had two children, Lorraine (born April 16, 1990) and Raymond (born February 20, 1992).[96][99] The pair split up in 1994, and that same year, Nicholson supposedly had a daughter, Tessa (born August 15, 1994), with waitress Jeannine Gourin.[84] Nicholson has never publicly acknowledged his paternity.[100]
Beginning in the late 1990s, Nicholson was involved with actress Lara Flynn Boyle. The two initially broke up in 2000, later reuniting before splitting permanently in 2004, after which Nicholson was linked to English supermodel Kate Moss.[101] In 2006, Nicholson dated actress Paz de la Huerta.[102]
Nicholson has said that children "give your life a resonance that it can't have without them... As a father, I'm there all the time. I give unconditional love".[27] He has also lamented that he "didn't see enough of my eldest daughter because I was trying to make a career".[103]
Legal issues
In a criminal complaint filed on February 8, 1994, Robert Blank stated that Nicholson, then 56, approached Blank's Mercedes-Benz while he was stopped at a red light in North Hollywood. After accusing Blank of cutting him off in traffic, Nicholson used a golf club to bash the roof and windshield of Blank's car. A witness confirmed Blank's account of the incident and misdemeanor charges of assault and vandalism were filed against Nicholson. Charges were dropped after Nicholson apologized to Blank, and the two reached an undisclosed settlement, which included a reported $500,000 check from Nicholson.[104]
In 1996, a lawsuit was brought against him alleging that he promised a woman named Catherine Sheehan $1,000 for sex and then assaulted her when she asked for the money. Sheehan received a settlement of about $40,000, but filed another lawsuit against him, arguing that the settlement was insufficient to cover the injuries inflicted upon her, including brain trauma, which she said were "actually killing her."[105] The case was dismissed.[106]
Celebrity friendships
Nicholson lived next door to Marlon Brando for a number of years on Mulholland Drive in Beverly Hills, California. Warren Beatty also lived nearby, earning the road the nickname "Bad Boy Drive". After Brando's death in 2004, Nicholson purchased his bungalow for $6.1 million, with the purpose of having it demolished. Nicholson said he did so out of respect for Brando's legacy, as it had become too expensive to renovate the "derelict" building, which was plagued by mold.[107]
Nicholson's friendship with author-journalist Hunter S. Thompson is described in Thompson's autobiography Kingdom of Fear (2003).[108] After Thompson died in 2005, Nicholson and fellow actors Johnny Depp, John Cusack, and Sean Penn attended his private memorial service in Colorado.[109] Nicholson was also a close friend of Robert Evans, the producer of Chinatown, and after Evans lost Woodland, his home, as the result of a 1980s drug bust, Nicholson and other friends of Evans bought Woodland to give it back to him.[110] Nicholson is also friends with fellow New Jerseyans Danny DeVito and Joe Pesci.[111]
Hobbies
Nicholson is a fan of the New York Yankees and Los Angeles Lakers. He became a Lakers season ticket holder in 1970, and held courtside seats next to the opponent's benches both at The Forum and Staples Center. He was described as a "fixture" at the games, though his regular attendance had stopped by 2021, as he withdrew from public appearances.[112] Nicholson occasionally argued with game officials and opposing players, and even walked onto the court.[113] He was almost ejected from a Lakers playoff game in May 2003 after yelling at a referee.[114] After the death of former Lakers star Kobe Bryant in a helicopter crash in January 2020, Nicholson gave a rare phone interview to Los Angeles station KCBS-TV expressing his grief.[115] He attended a 2023 playoff game, which media outlets noted was his first appearance at a Lakers game in nearly two years.[116]
Nicholson supports solar energy, decriminalizing drugs, monopoly laws, and raising teachers' pay.[122] Although personally against abortion, he is pro-choice. He has said, "I'm pro-choice but against abortion because I'm an illegitimate child myself, and it would be hypocritical to take any other position. I'd be dead. I wouldn't exist." He has also said that he has "nothing but total admiration, gratitude, and respect for the strength of the women who made the decision they made in my individual case".[123]
Religious beliefs
Nicholson was raised Roman Catholic and has expressed admiration for the religion, calling it "the only official dogma training I've had. I liked it. It's a smart religion."[104] It has been asserted that some of Nicholson's 1970s movie roles were influenced by Catholicism.[124] In a 1992 Vanity Fair interview, Nicholson said, "I don't believe in God now. I can still work up an envy for someone who has faith. I can see how that could be a deeply soothing experience."[125]
↑ John Joseph Nicholson (1898–1955, a department store window dresser in Manasquan, New Jersey) and Ethel May (née Rhoads; 1898–1970, a hairdresser, beautician and amateur artist in Manasquan)
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Raymond Roman Thierry Polański is a French and Polish film director, producer, screenwriter, actor and convicted sex offender. He is the recipient of numerous accolades, including an Academy Award, two British Academy Film Awards, ten César Awards, two Golden Globe Awards, as well as the Golden Bear and a Palme d'Or.
Stanley Kubrick was an American film director, screenwriter, producer, and photographer. Widely considered one of the greatest filmmakers of all time, his films were nearly all adaptations of novels or short stories, spanning a number of genres and gaining recognition for their intense attention to detail, innovative cinematography, extensive set design, and dark humor.
On the Waterfront is a 1954 American crime drama film, directed by Elia Kazan and written by Budd Schulberg. It stars Marlon Brando, and features Karl Malden, Lee J. Cobb, Rod Steiger, Pat Henning and Eva Marie Saint in her film debut. The musical score was composed by Leonard Bernstein. The black-and-white film was inspired by "Crime on the Waterfront" by Malcolm Johnson, a series of articles published in November–December 1948 in the New York Sun which won the 1949 Pulitzer Prize for Local Reporting, but the screenplay by Budd Schulberg is directly based on his own original story. The film focuses on union violence and corruption among longshoremen, while detailing widespread corruption, extortion, and racketeering on the waterfronts of Hoboken, New Jersey.
John Marcellus Huston was an American film director, screenwriter and actor. He wrote the screenplays for most of the 37 feature films he directed, many of which are today considered classics. He received numerous accolades including two Academy Awards and three Golden Globe Awards. He also received a star on the Hollywood Walk of Fame in 1960 and the BAFTA Fellowship in 1980.
Chinatown is a 1974 American neo-noir mystery film directed by Roman Polanski from a screenplay by Robert Towne. The film stars Jack Nicholson and Faye Dunaway. It was inspired by the California water wars: a series of disputes over southern California water at the beginning of the 20th century that resulted in Los Angeles securing water rights in the Owens Valley. The Robert Evans production, released by Paramount Pictures, was Polanski's last film in the United States and features many elements of film noir, particularly a multi-layered story that is part mystery and part psychological drama.
Dorothy Faye Dunaway is an American actress. She is the recipient of many accolades, including an Academy Award, a Primetime Emmy Award, three Golden Globe Awards, and a BAFTA Award. In 2011, the government of France made her an Officer of the Order of Arts and Letters.
María Cristina Estela Marcela Jurado García, known professionally as Katy Jurado, was a Mexican actress.
Terms of Endearment is a 1983 American family tragicomedy film directed, written, and produced by James L. Brooks, adapted from Larry McMurtry's 1975 novel of the same name. It stars Debra Winger, Shirley MacLaine, Jack Nicholson, Danny DeVito, Jeff Daniels, and John Lithgow. The film covers 30 years of the relationship between Aurora Greenway (MacLaine) and her daughter Emma Greenway-Horton (Winger).
Prizzi's Honor is a 1985 American black comedy crime film directed by John Huston, starring Jack Nicholson and Kathleen Turner as two highly skilled mob assassins who, after falling in love, are hired to kill each other. The screenplay co-written by Richard Condon is based on his 1982 novel of the same name. The film's supporting cast includes Anjelica Huston, Robert Loggia, John Randolph, CCH Pounder, Lawrence Tierney, and William Hickey. Stanley Tucci appears in a minor role in his film debut. It was the last of John Huston's films to be released during his lifetime.
Anjelica Huston is an American actress, director and model known for often portraying eccentric and distinctive characters. She has received multiple accolades, including an Academy Award and a Golden Globe Award, as well as nominations for three British Academy Film Awards and six Primetime Emmy Awards. In 2010, she was awarded a star on the Hollywood Walk of Fame.
Martin James Landau was an American actor. His career began in the 1950s, with early film appearances including a supporting role in Alfred Hitchcock's North by Northwest (1959). His career breakthrough came with leading roles in the television series Mission: Impossible (1966–1969) and Space: 1999 (1975–1977).
Karl Malden was an American stage, movie and television actor who first achieved acclaim in the original Broadway productions of Arthur Miller's All My Sons and Tennessee Williams' A Streetcar Named Desire in 1946 and 1947. Recreating the role of Mitch in the 1951 film of Streetcar, he won the Academy Award for Best Supporting Actor.
Rita Moreno is an American actress, dancer, and singer. She has performed on stage and screen in a career spanning over eight decades. Moreno is one of the last remaining stars from the Golden Age of Hollywood. Among her numerous accolades, she is one of the few actors to have been awarded an Emmy, a Grammy, an Oscar, and a Tony (EGOT) and the Triple Crown of Acting, with individual competitive Academy, Emmy, and Tony awards. Additional accolades include the Presidential Medal of Freedom in 2004, the National Medal of Arts in 2009, the Screen Actors Guild Life Achievement Award in 2013, the Kennedy Center Honor in 2015, and a Peabody Award in 2019.
Fat City is a 1972 American sports drama film directed and produced by John Huston, and adapted by Leonard Gardner from his 1969 novel of the same title. It stars Stacy Keach, Jeff Bridges, Susan Tyrrell, and Candy Clark in her film debut.
The Great Gatsby is a 1974 American historical romantic drama film based on the 1925 novel by F. Scott Fitzgerald. The film was directed by Jack Clayton, produced by David Merrick, and written by Francis Ford Coppola. It stars Robert Redford, Mia Farrow, Sam Waterston, Bruce Dern, and Karen Black. The plot concerns the interactions of writer Nick Carraway with enigmatic millionaire Jay Gatsby (Redford) and Gatsby's obsession to reunite with his former lover, Daisy Buchanan (Farrow), amid the riotous parties of the Jazz Age on Long Island near New York City.
The Treasure of the Sierra Madre is a 1948 American Neo-Western film written and directed by John Huston, and starring Humphrey Bogart, Tim Holt, Bruce Bennett, and Walter Huston - the director's father. Based on B. Traven's 1927 novel of the same name, the film follows two downtrodden men who join forces with a grizzled old prospector, in searching for gold in Mexico.
One Flew Over the Cuckoo's Nest is a 1975 American psychological comedy-drama film directed by Miloš Forman, based on the novel One Flew Over the Cuckoo's Nest by Ken Kesey. The film stars Jack Nicholson as a new patient at a mental institution and Louise Fletcher as the domineering head nurse. Will Sampson, Danny DeVito, Sydney Lassick, William Redfield, Christopher Lloyd and Brad Dourif play supporting roles, with the latter two making their feature film debuts.
Jack Nicholson is an American actor, director, producer, and screenwriter who made his film debut in The Cry Baby Killer (1958). Nicholson is widely regarded as one of the greatest actors of his generation. He is also one of the most critically acclaimed: his 12 Academy Award nominations make him the most nominated male actor in the Academy's history. He is also a Kennedy Center Honoree and a recipient of the AFI Life Achievement Award and the Golden Globe Cecil B. DeMille Award.
↑ Dennis McDougal, Five Easy Decades: How Jack Nicholson Became the Biggest Movie Star in Modern Times (Hoboken, N.J.: John Wiley & Sons, 2008), p. 229
↑ McDougal, Dennis (October 2007). Five Easy Decades: How Jack Nicholson Became the Biggest Movie Star in Modern Times. Wiley. pp.8, 278. ISBN978-0-471-72246-5.
1 2 Crane, Robert. Jack Nicholson: The Early Years, Univ. Press of Kentucky (2012)
1 2 3 4 D'Agostino, Ryan. Esquire the Meaning of Life: Wisdom, Humor, and Damn Good Advice from 64 Extraordinary Lives, Sterling Publishing (2009) pp. 97–99
1 2 3 4 Eliot, Marc. Nicholson: A Biography, Random House (2013) Title page
↑ Gilmour, David. The Film Club: A Memoir, Hachette Book Group (2008) e-book
↑ Browne, Ray B; Browne, Pat; Hilt, Michael L (2001). Burke, Ken (ed.). The Guide to United States Popular Culture. Bowling Green, Kentucky: Bowling Green State University Popular Press. p.578. ISBN978-0879728212.
↑ "Jack Nicholson Interview". Rolling Stone. March 29, 1984. p.18. Archived from the original on August 27, 2013. Retrieved August 15, 2011. I yearn for honesty in life. I'd tell anybody any living thing about me.
↑ McDougal, Dennis (2008). Five Easy Decades: How Jack Nicholson Became the Biggest Movie Star in Modern Times. New York City: John Wiley & Sons. p.351. ISBN978-0471722465.
↑ Smith, Warren Allen (2002). Celebrities in Hell. Fort Lee, New Jersey: Barricade Books. ISBN978-0557666058. I don't believe in God now", Nicholson told a 1992 Vanity Fair interviewer. But: "I can still work up an envy for someone who has faith. I can see how that could be a deeply soothing experience.
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