Ryland Peter Cooder (born March 15, 1947) is an American musician, songwriter, film score composer, record producer, and writer. He is a multi-instrumentalist but is best known for his slide guitar work, his interest in traditional music, and his collaborations with traditional musicians from many countries.
Cooder was ranked at No. 8 on Rolling Stone magazine's 2003 list of "The 100 Greatest Guitarists of All Time",[2] while a 2010 list by Gibson Guitar Corporation placed him at No. 32.[3] In 2011, he published a collection of short stories called Los Angeles Stories.
Early life
Ryland Peter Cooder was born in Los Angeles, California, on March 15, 1947,[4] the son of Emma Casaroli and Bill Cooder. His mother was of Italian descent.
At age four, he accidentally stuck a knife in his left eye and has sported a glass eye ever since.[7]
Career
1960s
Cooder performed as part of a pickup trio with Bill Monroe and Doc Watson, in which he played banjo. The trio was not successful, but reflecting his early exposure to the instrument, Cooder subsequently applied banjo tunings and the three finger roll to guitar.[8]
Cooder first attracted attention playing with Captain Beefheart and his Magic Band, notably on the 1967 album Safe as Milk, after previously having worked with Taj Mahal and Ed Cassidy in the Rising Sons. At a vital "warm-up" performance at the Mt. Tamalpais Festival (June 10–11, 1967) shortly before the scheduled Monterey Pop Festival (June 16–18, 1967), the band began to play "Electricity" and Don Van Vliet froze, straightened his tie, then walked off the 10ft (3.0m) stage and landed on manager Bob Krasnow. He later claimed he had seen a girl in the audience turn into a fish, with bubbles coming from her mouth.[9] This aborted any opportunity for breakthrough success at Monterey, as Cooder immediately decided he could no longer work with Van Vliet,[10] effectively quitting both the event and the band on the spot. Cooder also played with Randy Newman, including on 12 Songs.[11]Van Dyke Parks worked with Newman and Cooder during the 1960s. Parks arranged Cooder's "One Meatball" according to Parks' 1984 interview with Bob Claster.
Cooder also collaborated with Lowell George of Little Feat, playing bottleneck guitar on the original version of "Willin'".[12] He also played bottleneck guitar and mandolin on two tracks on the Gordon Lightfoot album Sit Down Young Stranger (later re-titled If You Could Read My Mind), recorded in late 1969 and released in early 1970.[13]
1970s
Throughout the 1970s, Cooder released a series of Warner Bros. Records albums that showcased his guitar work, initially on the Reprise Records label, before being reassigned to the main Warners label along with many of Reprise's artists when the company retired the imprint. Cooder explored bygone musical genres and found old-time recordings which he then personalized and updated. Thus, on his breakthrough album, Into the Purple Valley, he chose unusual instrumentations and arrangements of blues, gospel, calypso, and country songs (giving a tempo change to the cowboy ballad "Billy the Kid"). The album opened with the song "How Can You Keep on Moving (Unless You Migrate Too)" by Agnes "Sis" Cunningham about the Okies who were not welcomed when they migrated west to escape the Dust Bowl in the 1930s – to which Cooder gave a rousing-yet-satirical march accompaniment. In 1970 he collaborated with Ron Nagle and performed on his Bad Rice album released on Warner Brothers. His later 1970s albums (with the exception of Jazz, which explored ragtime/vaudeville) do not fall under a single genre description, but his self-titled first album could be described as blues; Into the Purple Valley, Boomer's Story, and Paradise and Lunch as folk and blues; Chicken Skin Music and Showtime as a mix of Tex-Mex and Hawaiian; Bop Till You Drop as 1950s R&B; and Borderline and Get Rhythm as rock-based. His 1979 album Bop Till You Drop was the first popular music album released that was recorded digitally, using the early 3M digital mastering recorder.[14] It yielded his biggest hit, an R&B cover version of Elvis Presley's 1960s recording "Little Sister".
Cooder is credited on Van Morrison's 1979 album Into the Music, for slide guitar on the song "Full Force Gale". He also played guitar on Judy Collins' 1970 concert tour, and is featured on Living, the 1971 live album recorded during that tour. He also learned from and performed with Gabby Pahinui and "Atta" Isaacs in Hawaii during the Hawaiian Renaissance of the early 1970s. He is also credited for guitars on several 1971 recordings by Nancy Sinatra that were produced by Andy Wickman and Lenny Waronker – "Is Anybody Goin' To San Antone", "Hook & Ladder", and "Glory Road". Cooder is credited as a mandolin player on Gordon Lightfoot's Don Quixote album in 1972.
1980s
Cooder has worked as a studio musician and has also scored many film soundtracks including the Wim Wenders film Paris, Texas (1984). Cooder based this soundtrack and title song "Paris, Texas" on Blind Willie Johnson's "Dark Was the Night (Cold Was the Ground)", which he described as "the most soulful, transcendent piece in all American music".[15] Musician Dave Grohl has declared Cooder's score for Paris, Texas one of his favorite albums.[16] In 2018 Cooder told BBC Radio 4 listeners: "[Wenders] did a very good job at capturing the ambiance out there in the desert, just letting the microphones and the nagra machine roll and get tones and sound from the desert itself, which I discovered was E♭, was in the key of E♭ – that's the wind, you know, was nice. So we tuned everything to E♭."[17]
"Dark Was the Night (Cold Was the Ground)" was also the basis for Cooder's song "Powis Square" for the movie Performance. His other film work includes Walter Hill's The Long Riders (1980), Southern Comfort (1981), Streets of Fire (1984), Brewster's Millions (1985), Johnny Handsome,[18]Last Man Standing (1996), Hill's Trespass (1992) and Mike Nichols' Primary Colors (1998). Cooder, along with Arlen Roth, dubbed all slide and regular blues guitar parts in the 1986 film Crossroads, a take on blues legend Robert Johnson. In 1988, Cooder produced the album by his longtime backing vocalists Bobby King and Terry Evans on Rounder Records titled Live and Let Live. He contributed his slide guitar work to every track. He also plays extensively on their 1990 self-produced Rounder release Rhythm, Blues, Soul & Grooves. Cooder's music also appeared on two episodes of the television program Tales From the Crypt: "The Man Who Was Death" and "The Thing From the Grave".[19]
In 1984, Cooder played on two songs on the debut album by Carla Olson & the Textones, Midnight Mission – "Carla's Number One is to Survive" and the previously unreleased Bob Dylan song "Clean Cut Kid". Shortly thereafter he was writing and recording the music for the film Blue City and asked the band to appear in the film performing. (He took them to the studio and produced "You Can Run" which he also played on.)
In 1985, Cooder was a guest artist on the song "Rough Edges" from Kim Carnes' album Barking at Airplanes. Kim named her son Ry as a tribute to Ry Cooder.
Also in 1988, Cooder produced and featured in the Les Blank-directed concert documentary film Ry Cooder & The Moula Banda Rhythm Aces: Let's Have a Ball where he plays in collaboration with a selection of musicians famous in their various musical fields.[20] The following year, he played a janitor in the Jim Henson series The Ghost of Faffner Hall, in the episode "Music Is More Than Technique".[21]
1990s
In the early 1990s, Cooder collaborated on two world music "crossover" albums, which blended the traditional American musical genres that Cooder has championed throughout his career with the contemporary improvised music of India and Africa. For A Meeting by the River (1993), which also featured his son Joachim Cooder on percussion, he teamed with Hindustani classical musician V.M. Bhatt, a virtuoso of the Mohan Veena (a modified 20-string archtop guitar of Bhatt's own invention) and Sukhvinder Singh Namdhari also known as Pinky Tabla Player.
In the late 1990s Cooder played a significant role in the increased appreciation of traditional Cuban music, due to his collaboration as producer of the Buena Vista Social Club (1997) recording, which became a worldwide hit and revived the careers of some of the greatest surviving exponents of 20th century Cuban music. Wim Wenders, who had previously directed 1984's Paris, Texas, directed a documentary film of the musicians involved, Buena Vista Social Club (1999), which was nominated for an Academy Award in 2000.[22] The enterprise cost him a $25,000 fine for violating the United States embargo against Cuba.[23][24]
2000s
Cooder's 2005 album Chávez Ravine was touted by his record label as being "a post-World War II-era American narrative of 'cool cats', radios, UFO sightings, J. Edgar Hoover, red scares, and baseball".[25] The record is a tribute to the long-gone Los Angeles Latino enclave known as Chávez Ravine. Using real and imagined historical characters, Cooder and friends created an album that recollects various aspects of the poor but vibrant hillside Chicano community that no longer exists. Cooder says, "Here is some music for a place you don't know, up a road you don't go. Chávez Ravine, where the sidewalk ends."[25] Drawing from the various musical strains of Los Angeles, including conjunto, R&B, Latin pop, and jazz, Cooder and friends conjure the ghosts of Chávez Ravine and Los Angeles at mid-century. On this fifteen-track album, sung in Spanish and English, Cooder is joined by East L.A. legends like Chicano music patriarch Lalo Guerrero, Pachuco boogie king Don Tosti, Thee Midniters front man Little Willie G, and Ersi Arvizu, of The Sisters and El Chicano.
Cooder's next record was released in 2007. Entitled My Name Is Buddy, it tells the story of Buddy Red Cat, who travels and sees the world in the company of his like-minded friends, Lefty Mouse and Rev. Tom Toad. The entire recording is a parable of the working class progressivism[26] of the first half of the American twentieth century, and even has a song featuring executed unionist Joe Hill. My Name Is Buddy was accompanied by a booklet featuring a story and illustration (by Vincent Valdez) for each track, providing additional context to Buddy's adventures.
Cooder's album I, Flathead was released on June 24, 2008. It is the completion of his California trilogy. Based on the drag racing culture of the early 1960s, the album is set on the desert salt flats in southern California. The disc was also released as a deluxe edition with stories written by Cooder to accompany the music.
In late 2009, Cooder toured Japan, New Zealand, and Australia with Nick Lowe, performing some of Lowe's songs and a selection of Cooder's own material, mainly from the 1970s. Joaquim Cooder (Ry's son) provided percussion, and Juliette Commagere and Alex Lilly contributed backing vocals.
Cooder playing the electric bouzouki in August 2015
In June 2010, responding to the passage of Arizona SB 1070, he released the single "Quicksand", which tells the story of Mexicans attempting to emigrate to Arizona through the desert.[30][31] Cooder's critically acclaimed[32][33] new album Pull Up Some Dust and Sit Down, released on August 30, 2011, contains politically charged songs such as "No Banker Left Behind"[34] which was inspired by a Robert Scheer column.[35]
In 2011, he published a collection of short stories called Los Angeles Stories, written about people living in Los Angeles in the 1940s and 1950s. The book's characters are mostly talented or skilled, clever or hardworking people living in humble circumstances. With story titles such as "La vida es un sueño" and "Kill me, por favor", the collection's stories often have a Hispanic theme, and the book deals partially with Latinos living in Los Angeles during this time.
An American Songwriter article in 2012 suggested that Cooder's recent string of solo albums have often taken on an allegorical, sociopolitical bent. Music journalist Evan Schlansky said that "Cooder's latest effort, Election Special (released August 21, 2012, on Nonesuch/Perro Verde) doesn't mince words. It's designed to send a message to the 'deacons in the High Church of the Next Dollar'".[36] The album was composed in support of the Democratic Party and President Barack Obama in the 2012 election.
On September 10, 2013, Cooder released Live in San Francisco, featuring the Corridos Famosos band, including Joachim Cooder on drums; Robert Francis on bass; vocalists Terry Evans, Arnold McCuller, and Juliette Commagere; Flaco Jiménez on accordion; and the Mexican brass band La Banda Juvenil. The album was recorded during a two-night run at Great American Music Hall in San Francisco, August 31 and September 1, 2011. It is Cooder's first official live recording since Show Time in 1977 (which had also been recorded at Great American Music Hall).[37]
In 2015, Cooder toured with Ricky Skaggs, Sharon White and other members of the Whites with their "Music for The Good People" show.[38] The tour continued through into 2016.
On May 11, 2018, Cooder released his first solo album in six years entitled The Prodigal Son.[39] The subsequent tour featured opening performances by his son, Joachim, who also accompanied Cooder on drums.[40]
In 2019, he toured with Rosanne Cash on a brief tour as a tribute to Johnny Cash called "Cooder and Cash on Cash".[41]
2020s
On April 22, 2022, Cooder and Taj Mahal released Get on Board: The Songs of Sonny Terry & Brownie McGhee.[42]
The Ry Cooder Anthology: The UFO Has Landed (October 2008)
Singles
"He'll Have to Go" / "The Bourgeouis Blues" (1977; Reprise Records)
"Little Sister" / "Down In Hollywood" (1979; Warner Records)
"Crazy 'Bout an Automobile (Every Woman I Know)" Recorded live, October 25, 1980, at Victoria Apollo, London / "If Walls Could Talk" Recorded live, February 26, 1981, at Old Waldorf, San Francisco, California / "The Very Thing That Makes You Rich (Makes Me Poor)" Recorded live, February 26, 1981, at Old Waldorf, San Francisco, California / "Look at Granny Run Run" Recorded live, February 26, 1981, at Old Waldorf, San Francisco, California (1981; Warner Records)
"Gypsy Woman"/ "Alimony" (1982; Nonesuch Records)
"Get Rhythm"/ "Get Your Lies Straight" / "Down in Hollywood" (1988)
Ry Cooder and the Moula Banda Rhythm Aces: at The Catalyst, Santa Cruz, California; March 25, 1987 (1987), Director: Les Blank, Producer: Ry Cooder, Flower Films and Warner Brothers. Records.
David Kent Hidalgo is an American singer-songwriter, best known for his work with the band Los Lobos. Hidalgo frequently plays musical instruments such as accordion, violin, 6-string banjo, cello, requinto jarocho, percussion, drums and guitar as a session musician on other artists' releases.
Henry St. Claire Fredericks Jr., better known by his stage name Taj Mahal, is an American blues musician. He plays the guitar, piano, banjo, harmonica, and many other instruments, often incorporating elements of world music into his work. Mahal has done much to reshape the definition and scope of blues music over the course of his more than 50-year career by fusing it with nontraditional forms, including sounds from the Caribbean, Africa, India, Hawaii, and the South Pacific.
Buena Vista Social Club was a musical ensemble primarily made up of Cuban musicians, formed in 1996. The project was organized by World Circuit executive Nick Gold, produced by American guitarist Ry Cooder and directed by Juan de Marcos González. They named the group after the members' club of the same name in the Buenavista quarter of Havana, a popular music venue in the 1940s. To showcase the popular styles of the time, such as son, bolero and danzón, they recruited a dozen veteran musicians, some of whom had been retired for many years.
Afro-Cuban All Stars is a Cuban band led by Juan de Marcos González. Their music is a mix of all the styles of Cuban music, including bolero, chachachá, salsa, son montuno, timba, guajira, danzón, rumba and abakua.
Ibrahim Ferrer was a Cuban singer who played with the group Los Bocucos for nearly forty years. He also performed with Conjunto Sorpresa, Chepín y su Orquesta Oriental, and Mario Patterson. After his retirement in 1991, he was brought back in the studio to record with the Afro-Cuban All Stars and Buena Vista Social Club, in March 1996. He then toured internationally with these revival groups and recorded several solo albums for World Circuit, before his death in 2005.
Buena Vista Social Club is a studio album by Buena Vista Social Club, an ensemble of Cuban musicians directed by Juan de Marcos González and American guitarist Ry Cooder. Produced by Cooder, it was recorded at Havana's EGREM studios in March 1996 and released on September 16, 1997, through World Circuit internationally and Nonesuch Records in the United States. It is the only standard studio album exclusively credited to the Buena Vista Social Club.
Joseph Spence was a Bahamian guitarist and singer. He is well known for his vocalizations and humming while playing the guitar. Several American musicians, including Taj Mahal, the Grateful Dead, Ry Cooder, Catfish Keith, Woody Mann, and Olu Dara, as well as the British guitarist John Renbourn, were influenced by and have recorded variations of his arrangements of gospel and Bahamian songs.
Rising Sons was an American folk-rock band formed in Los Angeles in 1965. Their initial career was short-lived, but the group found retrospective fame for launching the careers of singer Taj Mahal and guitarist Ry Cooder.
Vishwa Mohan Bhatt, known professionally as V. M. Bhatt, is an Indian Hindustani classical music instrumentalist who plays the Mohan veena.
Jesse Edwin Davis III was an American guitarist. He was well regarded as a session artist and solo performer, was a member of Taj Mahal's backing band and played with musicians such as Eric Clapton, John Lennon, and George Harrison. In 2018, he was posthumously inducted into the Native American Music Hall of Fame at the 18th Annual Native American Music Awards. Davis was an enrolled citizen of the Kiowa Indian Tribe of Oklahoma with Comanche, Muscogee, and Seminole ancestry.
Chávez Ravine: A Record by Ry Cooder is the twelfth studio album by Ry Cooder. It is the first concept album and historical album by Ry Cooder which tells the story of Chávez Ravine, a Mexican-American community demolished in the 1950s in order to build public housing. The housing was never built. Ultimately the Brooklyn Dodgers built a stadium on the site as part of their move to Los Angeles.
World Circuit is a British world-music record label, established in London in the mid-1980s, that specializes in Cuban and West African recording artists, among other international music stars. The label's founding principle was to be an artist-led company with all aspects of each release tailored to the artist. This continues to be the label's way of working. World Circuit celebrated its 20th anniversary in 2006 by releasing World Circuit Presents..., a 2-disc retrospective compilation album. In 2018, World Circuit was acquired by BMG Rights Management.
Taj Mahal is the debut album by American guitarist and vocalist Taj Mahal. Recorded in 1967, it contains blues songs by Sleepy John Estes, Robert Johnson, and Sonny Boy Williamson II reworked in contemporary blues- and folk-rock styles. Also included is Taj Mahal's adaptation of Blind Willie McTell's "Statesboro Blues", which inspired the popular Allman Brothers Band recording.
Manuel Galbán was a Grammy-winning Cuban guitarist, pianist and arranger, most notable for his work with Los Zafiros, Ry Cooder and the Buena Vista Social Club. He died on July 7, 2011, of cardiac arrest at his home in Havana, Cuba.
Ali Ibrahim "Ali Farka" Touré was a Malian singer and multi-instrumentalist, and one of the African continent's most internationally renowned musicians. His music blends traditional Malian music and its derivative, African American blues and is considered a pioneer of African desert blues. Touré was ranked number 76 on Rolling Stone's list of "The 100 Greatest Guitarists of All Time" and number 37 on Spin magazine's "100 Greatest Guitarists of All Time".
Pull Up Some Dust and Sit Down is the fourteenth studio album by American singer-songwriter and multi-instrumentalist Ry Cooder. It was released by Nonesuch Records on August 30, 2011, and written and produced by Cooder, who recorded its songs at Drive-By Studios, Ocean Studios, and Wireland Studios in California. He played various instruments for the project while working alongside studio musicians such as Flaco Jiménez, Juliette Commagere, Robert Francis, and Jim Keltner.
AfroCubism is a Grammy-nominated album featuring musical collaborations between musicians from Mali and Cuba. It was released in 2010.
Election Special is the 15th studio album by American singer-songwriter and multi-instrumentalist Ry Cooder. It was released on August 16, 2012, by Perro Verde and Nonesuch Records. Cooder recorded and produced the album mostly at Drive-By Studios in North Hollywood, performing all of the instrumentation, including bass, guitar, and mandolin, with the exception of drums, which were played by his son Joachim.
The Soul of a Man is an album of "twenty haunting spiritual blues songs" recorded in the late 1920s and 1930 by the American gospel blues singer and guitarist Blind Willie Johnson that was released by Charly Records in 2003.
Gil Bernal was an American singer and session musician. His saxophone can be heard on recordings such as "Searchin'" by The Coasters. In the 1950s he played on Duane Eddy's 1958 album Have 'Twangy' Guitar Will Travel. In later years, he played on Warren Zevon's 2003 album The Wind and the Chávez Ravine album by Ry Cooder.
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
