Ryland Peter Cooder is an American musician, songwriter, film score composer, record producer, and writer. He is a multi-instrumentalist but is best known for his slide guitar work, his interest in traditional music, and his collaborations with traditional musicians from many countries.
Jon Hassell was an American trumpet player and composer. He was best known for developing the concept of "Fourth World" music, which describes a "unified primitive/futurist sound" combining elements of various world ethnic traditions with modern electronic techniques. The concept was first articulated on Fourth World, Vol. 1: Possible Musics, his 1980 collaboration with Brian Eno.
Henry St. Claire Fredericks Jr., better known by his stage name Taj Mahal, is an American blues musician. He plays the guitar, piano, banjo, harmonica, and many other instruments, often incorporating elements of world music into his work. Mahal has done much to reshape the definition and scope of blues music over the course of his more than 50-year career by fusing it with nontraditional forms, including sounds from the Caribbean, Africa, India, Hawaii, and the South Pacific.
Little Feat is the debut studio album by American rock band Little Feat, released in 1971 by Warner Bros. Records.
Leonardo "Flaco" Jiménez is an American singer, songwriter and accordionist from San Antonio, Texas. He is known for playing Norteño, Tex Mex and Tejano music. Jiménez has been a solo performer and session musician, as well as a member of the Texas Tornados and Los Super Seven.
David Perry Lindley was an American musician who founded the rock band El Rayo-X and worked with many other performers including Jackson Browne, Linda Ronstadt, Ry Cooder, Bonnie Raitt, Warren Zevon, Curtis Mayfield and Dolly Parton. He mastered such a wide variety of instruments that Acoustic Guitar magazine referred to him not as a multi-instrumentalist but instead as a "maxi-instrumentalist." On stage, Lindley was known for wearing garishly colored polyester shirts with clashing pants, gaining the nickname the Prince of Polyester.
Chávez Ravine: A Record by Ry Cooder is the twelfth studio album by Ry Cooder. It is the first concept album and historical album by Ry Cooder which tells the story of Chávez Ravine, a Mexican-American community demolished in the 1950s in order to build public housing. The housing was never built. Ultimately the Brooklyn Dodgers built a stadium on the site as part of their move to Los Angeles.
Paradise and Lunch is the fourth album by roots rock musician Ry Cooder, released on June 8, 1974 on Reprise Records. The album is composed of cover versions of jazz, blues and roots standards and obscurities recorded at the Warner Brothers Studios. The final track, "Ditty Wah Ditty," showcases a duet between Cooder and jazz pianist Earl "Fatha" Hines. It was produced by Russ Titelman and Lenny Waronker. The album reached #167 on the Billboard 200.
Crazy Horse is the debut album by Crazy Horse, released in 1971 by Reprise Records. It is the only album by the band to feature Danny Whitten recorded without Neil Young, and it peaked at No. 84 on the Billboard 200 album chart.
George Sylvester "Red" Callender was an American string bass and tuba player. He is perhaps best known as a jazz musician, but worked with an array of pop, rock and vocal acts as a member of The Wrecking Crew, a group of first-call session musicians in Los Angeles. Callender also co-wrote the 1959 top-10 hit "Primrose Lane".
Into the Purple Valley is the second studio album by roots rock musician Ry Cooder, released in 1972.
Chicken Skin Music is Ry Cooder's fifth studio album, released in 1976, on the Reprise label.
Bop Till You Drop is Ry Cooder's eighth album, released in 1979. The album was the first digitally recorded major-label album in popular music, recorded on a digital 32-track machine built by 3M.
Milton Holland was an American drummer, percussionist, ethnomusicologist and writer in the Los Angeles music scene. He pioneered the use of African, South American, and Indian percussion styles in jazz, pop and film music, traveling extensively in those regions to collect instruments and learn styles of playing them.
My Name Is Buddy: Another Record by Ry Cooder is the thirteenth studio album by Ry Cooder. It is the second social-political concept album by Ry Cooder. Cooder has described it as the second in a trilogy that began with Chávez Ravine and concluded with I, Flathead. The album is packaged in a small booklet that includes a brief story and drawing to accompany each song. Both the songs and the stories relate tales from the viewpoint of the characters, Buddy Red Cat, Lefty Mouse, and Reverend Tom Toad. The liner notes ask listeners/readers to join them as they "Journey through time and space in days of labor, big bosses, farm failures, strikes, company cops, sundown towns, hobos, and trains... the America of yesteryear."
Oscar Brashear was an American jazz trumpeter and session musician from Chicago, Illinois.
Jazz is an album by the American musician and songwriter Ry Cooder, released in 1978 by Warner Bros. Records. The album was produced by Cooder and Joseph Byrd and was Cooder's seventh.
Pull Up Some Dust and Sit Down is the fourteenth studio album by American singer-songwriter and multi-instrumentalist Ry Cooder. It was released by Nonesuch Records on August 30, 2011, and written and produced by Cooder, who recorded its songs at Drive-By Studios, Ocean Studios, and Wireland Studios in California. He played various instruments for the project while working alongside studio musicians such as Flaco Jiménez, Juliette Commagere, Robert Francis, and Jim Keltner.
Live in San Francisco is a collaborative live album by Ry Cooder and Corridos Famosos released in September 2013 by Nonesuch Records and Perro Verde. The album was recorded in 2011 at the Great American Music Hall in San Francisco, California. Cooder produced Live in San Francisco and recorded with members of Corridos Famosos, which included vocalists Juliette Commagere, Terry Evans, and Arnold McCuller, Joachim Cooder on drums, Robert Francis on bass, Flaco Jiménez on accordion, and the ten-piece Mexican brass band La Banda Juvenil. It was his first live album since Show Time (1977), which Cooder also recorded at the Great American Music Hall with Jiménez and Evans.
The Slide Area is the tenth studio album by Ry Cooder. It was released in 1982 and peaked at No. 105 on the Billboard 200.
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