Paradise and Lunch | ||||
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Studio album by | ||||
Released | June 1974 | |||
Studio | Warner Brothers Studios, North Hollywood, CA and The Burbank Studios, Burbank, CA | |||
Genre | Roots rock, blues, folk, Americana | |||
Length | 36:51 | |||
Label | Reprise | |||
Producer | Russ Titelman, Lenny Waronker | |||
Ry Cooder chronology | ||||
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Music video | ||||
Tattler on YouTube |
Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Christgau's Record Guide | A− [2] |
Rolling Stone | (favorable) [3] |
The Rolling Stone Record Guide | ![]() ![]() ![]() ![]() ![]() |
Tom Hull | B+ [5] |
Paradise and Lunch is the fourth album by roots rock musician Ry Cooder, released on June 8, 1974 on Reprise Records. [6] [7] The album is composed of cover versions of jazz, blues and roots standards and obscurities recorded at the Warner Brothers Studios. [6] The final track, "Ditty Wah Ditty," showcases a duet between Cooder and jazz pianist Earl "Fatha" Hines. [8] It was produced by Russ Titelman and Lenny Waronker. [9] The album reached #167 on the Billboard 200. [10]
The album also includes Cooder's updated arrangement of bluesman Washington Phillips' "The Tattler" that stands out for its guitar playing. [11] It was subsequently covered by Linda Ronstadt on her 1976 album Hasten Down the Wind and by David Soul on his 1977 album Playing To An Audience of One. [12]
In 1990 the album was released on CD, [13] while a remastered version appeared in 2007. [14] It was newly remastered from the original master tapes for a high-resolution SACD in 2017. [15]
Side One
Side Two
Year | Chart | Peak |
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1974 | Billboard Top LPs & Tape | 167 |
Ryland Peter Cooder is an American musician, songwriter, film score composer, record producer, and writer. He is a multi-instrumentalist but is best known for his slide guitar work, his interest in traditional music, and his collaborations with traditional musicians from many countries.
In the Pocket is the seventh studio album by American singer-songwriter James Taylor and his last to be released under Warner Bros. Records before signing with Columbia. Released in June 1976, the album found Taylor recording in the studio with many colleagues and friends, mainly Art Garfunkel, Carly Simon, Stevie Wonder and David Crosby, Linda Ronstadt, and Bonnie Raitt, among others.
Gorilla is the sixth studio album by American singer-songwriter James Taylor. Released in May 1975, it was more successful than Walking Man, his previous release. Two album tracks released as singles, "Mexico" and "How Sweet It Is ", rose to the top five on the Billboard charts. This would be Taylor's second-to-last album of new material for Warner Bros. Records, his last being In the Pocket. In many ways, Gorilla showcased Taylor's electric, lighter side that became evident on Walking Man. The song "Sarah Maria" is about his daughter Sally. His then-wife Carly Simon was featured on "How Sweet It Is ", originally recorded by Marvin Gaye. Jimmy Buffett recorded "Mexico" on his 1995 album Barometer Soup and performed "Lighthouse" during his Salty Piece of Land tour of 2005.
Little Feat is the debut studio album by American rock band Little Feat, released in 1971 by Warner Bros. Records.
Sail Away is the third studio album by Randy Newman, released on May 23, 1972. It was produced by Lenny Waronker and Russ Titelman and issued on Reprise Records. While all of its songs were written and composed by Newman, several had already been recorded by other artists.
Good Old Boys is the fourth studio album by American musician Randy Newman, released on September 10, 1974 on Reprise Records, catalogue number 2193. It was Newman's first album to obtain major commercial success, peaking at number 36 on the Billboard 200 and number 58 in Canada. The premiere live performance of the album took place on October 5, 1974, at the Symphony Hall in Atlanta, Georgia, with guest Ry Cooder and Newman conducting the Atlanta Symphony Orchestra.
Lenny Waronker is an American record producer and music industry executive. As the president of Warner Bros. Records, and later, as the co-founder and co-chair of DreamWorks Records, Waronker was noted for his commitment to artists and his belief that "music, not money, was still number one."
Russ Titelman is an American record producer and songwriter. He has to date won three Grammy Awards. He earned his first producing the Steve Winwood song "Higher Love", and his second and third for Eric Clapton's Journeyman and Unplugged albums, respectively. Titelman also produced Clapton's 24 Nights live album of 1990 and the all-blues album From the Cradle, released in 1994.
Running Down the Road is the second studio album by American folk singer Arlo Guthrie. Guthrie's version of the traditional folk tune "Stealin'" was featured in the film Two-Lane Blacktop. The cover shows the artist upon a Triumph TR6 Trophy motorcycle which is also pictured in the album's 'gate'. Clarence White and Gene Parsons from the then current lineup of The Byrds played on some tracks.
Hobo's Lullaby is an album by the American folk singer Arlo Guthrie. It was released in 1972 on Reprise Records. It was re-released on Rising Son Records in 1997. The album contains Guthrie's only Top 40 hit, a cover of Steve Goodman's "City of New Orleans".
"It's All Over Now" is a song written by Bobby Womack and his sister-in-law Shirley Womack. It was first released by The Valentinos, featuring Bobby Womack, in 1964. The Rolling Stones heard it on its release and quickly recorded a cover version, which became their first number-one hit in the United Kingdom, in July 1964.
Into the Purple Valley is the second studio album by roots rock musician Ry Cooder, released in 1972.
Hasten Down the Wind is the seventh studio album by Linda Ronstadt. Released in 1976, it became her third straight million-selling album. Ronstadt was the first female artist to accomplish this feat. The album earned her a Grammy Award for Best Pop Vocal Performance, Female in 1977, her second of 13 Grammys. It represented a slight departure from 1974's Heart Like a Wheel and 1975's Prisoner in Disguise in that she chose to showcase new songwriters over the traditional country rock sound she had been producing up to that point. A more serious and poignant album than its predecessors, it won critical acclaim.
"Memo from Turner" is a solo single by Mick Jagger, featuring slide guitar by Ry Cooder, from the soundtrack of Performance, in which Jagger played the role of Turner, a reclusive rock star. It was re-released in October 2007 on a 17-song retrospective compilation album The Very Best of Mick Jagger, making a re-appearance as a Jagger solo effort. After its original release in 1970, it was included on Rolling Stones compilations, such as Singles Collection: The London Years as a track credited to the Jagger/Richards songwriting partnership. "Memo from Turner" was ranked No. 92 in the 100 Greatest Guitar Songs list of Rolling Stone.
Chicken Skin Music is Ry Cooder's fifth studio album, released in 1976, on the Reprise label.
Performance is a 1970 soundtrack album to the film Performance by Donald Cammell and Nicolas Roeg. It features music from Randy Newman, Merry Clayton, Ry Cooder, Jack Nitzsche, Buffy Sainte-Marie, The Last Poets and Mick Jagger.
Playin' Up a Storm is the second studio album by the Gregg Allman Band, released in 1977 on Capricorn Records. It peaked at number 42 on the Billboard 200.
Ry Cooder is the debut album by roots rock musician Ry Cooder, released in 1970.
"Diddy Wah Diddy" is a song written by Willie Dixon and Ellas McDaniel, known as Bo Diddley, and recorded by the latter in 1956. The song shares only its title with Blind Blake's song "Diddie Wah Diddie" recorded in 1929. Over the years, the Bo Diddley song has been covered by many bands and artists, including the Astronauts, Captain Beefheart and his Magic Band, the Remains, the Twilights, Taj Mahal, the Sonics, the Fabulous Thunderbirds, Ty Segall Band, and the Blues Band among others.
"You Can't Stop a Tattler" is a gospel blues song, written by Washington Phillips (1880–1954) and recorded by him for Columbia Records in 1929. The song is in two parts, intended to occupy both sides of a 10-inch 78 rpm record. However, it remained unreleased for many years. Part 2 was included on the 1971 album This Old World's in a Hell of a Fix. Both parts were included on a 1980 compilation album of songs by Phillips, Denomination Blues.
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