Akira Kurosawa was a Japanese filmmaker and painter who directed 30 films in a career spanning over five decades. He is widely regarded as one of the greatest and most influential filmmakers in the history of cinema. Kurosawa displayed a bold, dynamic style, strongly influenced by Western cinema yet distinct from it; he was involved with all aspects of film production.
The Spaghetti Western is a broad subgenre of Western films produced in Europe. It emerged in the mid-1960s in the wake of Sergio Leone's film-making style and international box-office success. The term was used by foreign critics because most of these Westerns were produced and directed by Italians.
Toshiro Mifune was a Japanese actor and producer. A winner of numerous awards and accolades over a lengthy career, Mifune is best known for starring in Akira Kurosawa's critically-acclaimed jidaigeki films such as Rashomon (1950), Seven Samurai (1954), Throne of Blood (1957), The Hidden Fortress (1958) and Yojimbo (1961). He also portrayed Miyamoto Musashi in Hiroshi Inagaki's Samurai Trilogy (1954–1956), Lord Toranaga in the NBC television miniseries Shōgun, and Admiral Isoroku Yamamoto in three different films. He is widely considered one of the greatest actors of all time.
Sanjuro is a 1962 Japanese jidaigeki film directed by Akira Kurosawa and starring Toshiro Mifune. It is a sequel to Kurosawa's 1961 Yojimbo.
Red Harvest (1929) is a novel by American writer Dashiell Hammett. The story is narrated by the Continental Op, a frequent character in Hammett's fiction, much of which is drawn from his own experiences as an operative of the Pinkerton Detective Agency. The plot follows the Op's investigation of several murders amid a labor dispute in a corrupt Montana mining town. Some of the novel was inspired by the Anaconda Road massacre, a 1920 labor dispute in the mining town of Butte, Montana.
Yojimbo is a 1961 Japanese samurai film co-written, produced, edited, and directed by Akira Kurosawa. The film stars Toshiro Mifune, Tatsuya Nakadai, Yoko Tsukasa, Isuzu Yamada, Daisuke Katō, Takashi Shimura, Kamatari Fujiwara, and Atsushi Watanabe. In the film, a rōnin arrives in a small town where competing crime lords fight for supremacy. The two bosses each try to hire the newcomer as a bodyguard.
A Fistful of Dollars is a 1964 spaghetti Western film directed by Sergio Leone and starring Clint Eastwood in his first leading role, alongside Gian Maria Volonté, Marianne Koch, Wolfgang Lukschy, Sieghardt Rupp, José Calvo, Antonio Prieto, and Joseph Egger. The film, an international co-production between Italy, West Germany, and Spain, was filmed on a low budget, and Eastwood was paid $15,000 for his role.
Zatoichi is a fictional character created by Japanese novelist Kan Shimozawa. He is an itinerant blind masseur and swordsman of Japan's late Edo period. He first appeared in the 1948 essay Zatoichi Monogatari (座頭市物語), part of Shimozawa's Futokoro Techō series that was serialized in the magazine Shōsetsu to Yomimono.
The Man with No Name is the antihero character portrayed by Clint Eastwood in Sergio Leone's "Dollars Trilogy" of Italian Spaghetti Western films: A Fistful of Dollars (1964), For a Few Dollars More (1965), and The Good, the Bad and the Ugly (1966). He is recognizable by his poncho, brown hat, tan cowboy boots, fondness for cigarillos, and the fact that he rarely speaks.
The Bad Sleep Well is a 1960 Japanese crime mystery film directed by Akira Kurosawa. It was the first film to be produced under Kurosawa's own independent production company. It was entered into the 11th Berlin International Film Festival.
William Edward Hickey was an American actor, notable for his unique, gravelly voice and somewhat offbeat appearance. He enjoyed a lengthy career in theatre, film, and television, from 1952 until 1999, as well as being a respected teacher at the HB Studio. He was nominated for an Academy Award for Best Supporting Actor for his role as an aging Mafia don in John Huston’s 1985 film Prizzi's Honor.
The Irish Mob is a usually crime family-based ethnic collective of organized crime syndicates composed of primarily ethnic Irish members which operate primarily in Ireland, the United States, the United Kingdom, Canada and Australia, and have been in existence since the early 19th century. Originating in Irish-American street gangs – famously first depicted in Herbert Asbury's 1927 book, The Gangs of New York – the Irish Mob has appeared in most major U.S. and Canadian cities, especially in the Northeast and the urban industrial, including Boston, New York City, Philadelphia, Pittsburgh, Baltimore, Cleveland, and Chicago.
Kaze no Yojimbo is a 2001–2002 Japanese animated television series based on Akira Kurosawa's chanbara film Yojimbo. It was directed by Hayato Date.
Brooklyn South is an American ensemble police drama television series that aired on CBS for one season from September 22, 1997, to April 27, 1998. It was aired during the 1997–98 television season. The series was co-created by Steven Bochco, Bill Clark, David Milch, and William M. Finkelstein.
Walter Hill is an American film director, screenwriter, and producer known for his action films and revival of the Western genre. He has directed such films as The Driver, The Warriors, Southern Comfort, 48 Hrs. and its sequel Another 48 Hrs., Streets of Fire and Red Heat, and wrote the screenplay for the crime drama The Getaway. He has also directed several episodes of television series such as Tales from the Crypt and Deadwood and produced the Alien films.
The Warrior and the Sorceress is a 1984 Argentine-American fantasy action film directed by John C. Broderick and starring David Carradine, María Socas and Luke Askew. It was written by Broderick and William Stout (story).
Zatoichi Meets Yojimbo (座頭市と用心棒) is a 1970 Japanese drama film directed by Kihachi Okamoto.
Chanbara (チャンバラ), also commonly spelled "chambara", meaning "sword fighting" films, denotes the Japanese film genre called samurai cinema in English and is roughly equivalent to Western and swashbuckler films. Chanbara is a sub-category of jidaigeki, which equates to period drama. Jidaigeki may refer to a story set in a historical period, though not necessarily dealing with a samurai character or depicting swordplay.
The films of Japanese director Akira Kurosawa have had a far-reaching impact on cinema and how it is produced, both within Japan and internationally. As a result of his influence, Kurosawa's work, as well as his personal character, have been subject to a number of negative criticisms. These criticisms are points of heated debate among those who study Kurosawa's work, and scores of pieces have been written both advocating for these criticisms and defending against them.
The legacy of filmmaking technique left by Akira Kurosawa (1910–1998) for subsequent generations of filmmakers has been diverse and of international influence beyond his native Japan. The legacy of influence has ranged from working methods, influence on style, and selection and adaptation of themes in cinema. Kurosawa's working method was oriented toward extensive involvement with numerous aspects of film production. He was also an effective screenwriter who would work in close contact with his writers very early in the production cycle to ensure high quality in the scripts which would be used for his films.
