A Meeting by the River | ||||
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Studio album by | ||||
Released | April 1993 [1] | |||
Recorded | September 1992 | |||
Genre | Blues, international, new-age, pop rock [2] | |||
Length | 39:35 | |||
Label | Water Lily Acoustics | |||
Producer | Kavichandran Alexander, Jayant Shah | |||
Ry Cooder chronology | ||||
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Vishwa Mohan Bhatt chronology | ||||
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A Meeting by the River is an album recorded by Ry Cooder and Vishwa Mohan Bhatt; it was recorded in September 1992 and released in April 1993 through the record label Water Lily Acoustics. [2] This improvised, collaborative album features Cooder on slide guitar and Bhatt on the Mohan veena , a stringed instrument created by Bhatt. A Meeting by the River was produced by Kavichandran Alexander and Jayant Shah, engineered by Alexander, and mastered by Kevin Michael Gray and Paul Stubblebine. It peaked at number four on Billboard 's Top World Music Albums chart, and earned Cooder and Bhatt Grammy Awards for Best World Music Album at the 36th Grammy Awards in 1994. The album is included in Tom Moon's 2008 book 1,000 Recordings to Hear Before You Die .
A Meeting by the River was recorded in September 1992; it features Cooder solely on slide guitar and Bhatt on the Mohan veena, a stringed instrument he created. [2] [3] Allmusic's Daniel Gioffre described the instrument as a hybrid between a guitar and a vichitra veena ; [2] it is played with a metal slide moving across steel rods along the neck. [4] Cooder had heard a recording of Hindustani classical music performed by Bhatt and was impressed by his playing and the "haunting clarity" of the Mohan veena. [5] Cooder and Bhatt met for the first time less than one hour before recording began; they improvised much of the set; the album's liner notes state, "this recording was unplanned and unrehearsed". [2] [4] [6] The album was produced by Kavichandran Alexander, founder of Water Lily Acoustics, [7] and Jayant Shah. It was engineered by Alexander, and was mastered by Kevin Michael Gray and Paul Stubblebine. Cooder and Bhatt are accompanied by Cooder's then fourteen-year-old son Joachim on dumbek , a Middle Eastern drum, and by Sukhvinder Singh Namdhari on tabla . [5] [8]
The collaboration between Cooder and Bhatt is Alexander's first attempt to record musicians of different cultures together, one of his goals when he founded the record label. [7] Author George Plasketes described Bhatt's playing as "highly nuanced" and said, Cooder performs in a more "loose-jointed, slip 'n' slide style". [5] According to Gioffre, Cooder and Bhatt use improvisation and "voice-like" phrasing, showing melodic performances in an alternating fashion and in unison. [2] The album contains four tracks, three of which are credited to Cooder and Bhatt; tracks range in duration from approximately seven-and-a-half minutes to twelve minutes. [2] "Longing" has a structure similar to a raga . Author Tom Moon said Cooder takes the lead on the hymn "Isa Lei" as Bhatt contributes "elaborate squiggling asides" and "swooping nosedives". [9] In 2011, Bhatt performed "A Meeting by the River" at a music festival in honor of guru Kelucharan Mohapatra. Bhatt said of the song, "Music has no religion and no geographical or linguistic barrier. It speaks a universal language. My composition – 'A Meeting by the River' – aims at explaining this." [10] Bhatt has said he considers working with Cooder his "most special" collaboration. [11]
Review scores | |
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Source | Rating |
Allmusic | [2] |
Chicago Tribune | [4] |
Rolling Stone | [12] |
Gioffre wrote a positive review of the album and called Cooder and Bhatt "genuine masters" of their respective instruments. [2] He described the musical interplay between the musicians as "nothing short of astounding" and the album as a rare instance in which a combination of genres works. Gioffre also wrote, "this album is masterfully recorded; each instrument is clear, distinct, and three-dimensional sounding. A Meeting by the River is a must-own, a thing of pure, unadulterated beauty, and the strongest record in Cooder's extensive catalog." [2] Peter Margasak of the Chicago Tribune awarded the album four stars out of four, describing Cooder's performance as "arresting" and Bhatt's as "haunting". Margasak wrote that the fusion revealed a "rare, often transcendental beauty" as the two artists "gently and intuitively" found common ground. [4] Rolling Stone called the album "fruitful" and awarded it three stars out of five. [12]
A Meeting by the River reached a peak position of number four on Billboard 's Top World Music Albums chart. [13] In 1994, the album earned Cooder and Bhatt Grammy Awards for Best World Music Album. [14] Bhatt became one of a few Indian musicians to have received a Grammy Award until A. R. Rahman won at the 52nd Grammy Awards in 2010. Previous Indian award winners had been recognized jointly with Western artists. [15] The February 25, 1995, issue of Billboard, which featured the annual "Indies Spotlight" and covered independent music between the January 29, 1994, and January 21, 1995, issues of the magazine included A Meeting by the River at number ten on its list of the "Top Indie World Music Albums". [16] The album is included in Tom Moon's 2008 book 1,000 Recordings to Hear Before You Die: A Listener's Life List. [9]
Chart (1993) | Peak position |
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Billboard 's Top World Music Albums | 4 |
All tracks by Ry Cooder and Vishwa Mohan Bhatt unless noted otherwise.
Track listing adapted from Allmusic. [2]
Credits adapted from Allmusic. [8]
Slide guitar is a technique for playing the guitar that is often used in blues music. It involves playing a guitar while holding a hard object against the strings, creating the opportunity for glissando effects and deep vibratos that reflect characteristics of the human singing voice. It typically involves playing the guitar in the traditional position with the use of a slide fitted on one of the guitarist's fingers. The slide may be a metal or glass tube, such as the neck of a bottle, giving rise to the term bottleneck guitar to describe this type of playing. The strings are typically plucked while the slide is moved over the strings to change the pitch. The guitar may also be placed on the player's lap and played with a hand-held bar.
Ryland Peter Cooder is an American musician, songwriter, film score composer, record producer, and writer. He is a multi-instrumentalist but is best known for his slide guitar work, his interest in traditional music, and his collaborations with traditional musicians from many countries.
Henry St. Claire Fredericks Jr., better known by his stage name Taj Mahal, is an American blues musician. He plays the guitar, piano, banjo, harmonica, and many other instruments, often incorporating elements of world music into his work. Mahal has done much to reshape the definition and scope of blues music over the course of his more than 50-year career by fusing it with nontraditional forms, including sounds from the Caribbean, Africa, India, Hawaii, and the South Pacific.
David Perry Lindley was an American musician who founded the rock band El Rayo-X and worked with many other performers including Jackson Browne, Linda Ronstadt, Ry Cooder, Bonnie Raitt, Warren Zevon, Curtis Mayfield and Dolly Parton. He mastered such a wide variety of instruments that Acoustic Guitar magazine referred to him not as a multi-instrumentalist but instead as a "maxi-instrumentalist." On stage, Lindley was known for wearing garishly colored polyester shirts with clashing pants, gaining the nickname the Prince of Polyester.
Mohan veena refers to either of two distinct plucked string instruments used in Indian classical music, especially Hindustani classical music which is associated with the northern parts of the Indian subcontinent.
Vishwa Mohan Bhatt, known professionally as V. M. Bhatt, is an Indian Hindustani classical music instrumentalist who plays the Mohan veena.
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Water Lily Acoustics is an American record label in Santa Barbara, California founded in 1985 by Kavichandran Alexander, a Tamil from Sri Lanka. Alexander is a record producer and audio engineer. He named the label after his mother, Lily. The label primarily releases recordings of Indian classical music and collaborations by musicians from around the world. At its inception, the Alexander emphasized Eastern musicians, espousing the belief that they had seldom been recorded with proper sound quality compared to their Western counterparts. He began to include music from outside Asia. Alexander has recorded and produced musicians such as José Neto, Ali Akbar Khan, V. G. Jog, Vishwa Mohan Bhatt, Ry Cooder, Jerry Douglas, Béla Fleck, Taj Mahal, Papa Susso, Jiebing Chen, Simon Shaheen, Hungarian National Philharmonic, Philadelphia Orchestra, and the Saint Petersburg Philharmonic Orchestra. Music he has recorded has appeared in the films Angel Eyes, Dead Man Walking, and Meet the Fockers.
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