Bop Till You Drop is the eighth studio album by American musician Ry Cooder, released in July 1979 by Warner Bros. Records. It peaked at number 62 on the US Billboard 200 and also reached the top ten in New Zealand and Norway.
Bop Till You Drop was the first digitally recorded major-label album in popular music. The album was recorded at Amigo Studios in North Hollywood, Los Angeles on a digital 32-track machine built by 3M, which at the time carried a price tag of $115,000.[2][3] When discussing the impact of the digital recording process, Cooder commented that "for the first time, we are hearing back exactly what we played. Instead of noise, we hear each little sound perfectly...For guitars, the textures come out. You get that real finger-chord skin sound, that brushy feel."[4]
In their review of Bop Till You Drop, High Fidelity magazine said that Cooder had "taken the giant cohesive step merging his gospel-tinged vocals, Latin American guitar touches, and love of American r&b to form a new whole that's much more than the sum of its parts."[4]Music Week thought that "Bop Till You Drop" was "arguably his best to date" and called the sound quality from the digital recording process "excellent". They also highlighted Cooder's duet with Chaka Khan on the song "Don't You Mess Up A Good Thing", which the publication thought would be a "good single".[9] Writing for Sounds magazine, Peter Silverton said that he was "initially a little thrown by the texture of the sound" and had expected Cooder's album to sound "harsh, driving and fraying a little round the edges", with the end product sounding "cleaner" in sound quality than what he anticipated.[11]
DownBeat gave the album a five-star rating and felt that Cooder interpreted and blended the genres of rhythm and blues and gospel music with "near-scholarly dedication, though without the pretensions and/or cooption to which those lighter-skinned champions of ethnic musics sometimes fall prey."[7] In a retrospective review of the album, Brett Hartenbach of AllMusic expressed some criticism regarding the digital recording:
Cooder and his excellent band, which includes the rhythm section of Tim Drummond and Jim Keltner along with guitarist David Lindley, understand the material and are more than capable of laying down a decent groove, but something must have gotten lost in translation from what was played to what came across on the recording. There's a thinness to the tracks that undermines the performances, which according to Cooder is due to the digital recording.[5]
↑ Black, Johnny (September 2010). "Ry Cooder: Bop Until You Drop Vinyl Icon". Hi-Fi News & Record Review. United Kingdom. Ry Cooder's eighth album, Bop Till You Drop, released at the very end of July 1979...
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