| The Wind | ||||
|---|---|---|---|---|
| | ||||
| Studio album by | ||||
| Released | August 26, 2003 | |||
| Recorded | September 16 – December 20, 2002 and early 2003 | |||
| Studio | Various, including Billy Bob Thornton's Snakepit home studio [1] | |||
| Genre | Folk rock | |||
| Length | 45:08 | |||
| Language | English | |||
| Label | Artemis | |||
| Producer | Jorge Calderón, Noah Scot Snyder, Warren Zevon | |||
| Warren Zevon chronology | ||||
| ||||
| Singles from The Wind | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
| MSN Music (Consumer Guide) | A− [3] |
| Encyclopedia of Popular Music | |
| Rolling Stone | |
| Uncut | 8/10 [6] |
The Wind is the twelfth and final studio album by American singer-songwriter Warren Zevon. The album was released on August 26, 2003, by Artemis Records. Zevon began recording the album shortly after he was diagnosed with inoperable pleural mesothelioma (a cancer of the lining of the lung), and it was released just two weeks before his death on September 7, 2003. The album was awarded the Grammy Award for Best Contemporary Folk Album, and "Disorder in the House", performed by Zevon with Bruce Springsteen, won the Grammy for Best Rock Vocal Performance (Group or Duo). Songs from the album were nominated for an additional three Grammys.
Following My Ride's Here Zevon had begun working on new music, writing "Dirty Life and Times" and "She's Too Good for Me" prior to his cancer diagnosis; and having begun to incorporate "Dirty Life and Times" into his live set. [7] Around the time he would perform what would become his final live show at the Edmonton Folk Music Festival on August 9th, 2002; Zevon was found sick and short of breath by his tour managers and encouraged to see a doctor. Zevon would be diagnosed with cancer on the 28th later that month. [8]
Upon learning of his cancer diagnosis, Zevon became determined to record a final studio album. For this, Zevon entrusted his long time friend Jorge Calderón to help produce and write the album with him; and ensure it would be seen to completion. [7] Zevon's record label gave him a large budget to record, and he got assistance from high-profile friends such as Bruce Springsteen, Don Henley, Emmylou Harris, Tom Petty, Jackson Browne, and Billy Bob Thornton. Zevon was also joined by his son Jordan Zevon as a backing vocalist on the album. Zevon was inspired to include a Bob Dylan cover after Dylan performed several of his songs in concert in 2002. [9]
Calderón would often struggle with Zevon during the recording process, as his terminal diagnosis had caused Zevon to relapse into alcoholism and suffer regular bouts of depression causing him to sometimes disappear for several days at a time. [7] Zevon would also take a break from working on the album to travel to New York City to Studio 50 where he would film a final appearance on The Late Show with David Letterman , which would air at the end of October. A film crew from VH1 would produce a documentary on the album, which would air posthumously as (Inside) Out - Warren Zevon: Keep Me In Your Heart. [10]
Calderón viewed the album's creation as giving Zevon a purpose to live for and encouraged Zevon to continue working on the album, while Zevon would also note his desire to complete the album and live long enough to see his grandchildren born. [7] Lyrics often took inspiration from frequent conversations and phone calls between the two, for example Zevon once described on a phone call to Calderón his prescription pills as leaving him feeling "as numb as a statue" which lead to a song of the same title. The "davenport of despair" mentioned in "Disorder in the House" was a reference to the couch in Zevon's home that Calderón and Zevon had nicknamed "the couch of pain" and the "divan of despair" while first working on lyrics for Mr. Bad Example and subsequent albums on the couch prior to The Wind. [11] [7] Other lyrics in the song referenced the recent War on Terror.
As Zevon's cancer worsened during the production of the album, Calderón would frequently push for Zevon to record "Keep Me in Your Heart" a song which Zevon had begun writing shortly after his diagnosis. Following the birth of his twin grandsons, Zevon would be joined by his daughter Ariel and Calderón who would prop him up on his couch to record the finished "Keep Me in Your Heart" as the final track of the album on April 12, 2003. [7]
The record was regarded by Robert Christgau as "one of those nearness-of-death albums", along with Mississippi John Hurt's Last Sessions (1972), Neil Young's Prairie Wind (2005), and Johnny Cash's American VI: Ain't No Grave (2010). [12]
All tracks written by Jorge Calderón and Warren Zevon, except where indicated.
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Dirty Life and Times" | Zevon | 3:15 |
| 2. | "Disorder in the House" | 4:36 | |
| 3. | "Knockin' on Heaven's Door" | Bob Dylan | 4:05 |
| 4. | "Numb as a Statue" | 4:08 | |
| 5. | "She's Too Good for Me" | Zevon | 3:12 |
| 6. | "Prison Grove" | 4:51 | |
| 7. | "El amor de mi vida" | 3:34 | |
| 8. | "The Rest of the Night" | 4:41 | |
| 9. | "Please Stay" | Zevon | 3:34 |
| 10. | "Rub Me Raw" | 5:44 | |
| 11. | "Keep Me in Your Heart" | 3:28 |
Adapted credits from the liner notes of The Wind. [13]
| Year | Chart | Position |
|---|---|---|
| 2003 | US Top Internet Albums | 12[ citation needed ] |
| 2004 | US Billboard 200 [14] | 12 |
| 2004 | US Top Independent Albums [15] | 1 |
Grammy Awards
| Year | Winner | Category |
|---|---|---|
| 2004 | "Disorder in the House" | Best Rock Vocal Performance – Duo or Group [16] |
| 2004 | The Wind | Best Contemporary Folk Album [16] |
Grammy Award Nominations
| Year | Nominee | Category |
|---|---|---|
| 2004 | "Keep Me in Your Heart" | Song of the Year [16] |
| 2004 | "Keep Me in Your Heart" | Best Pop Vocal Performance – Male [16] |
| 2004 | "Disorder in the House" | Best Rock Song [16] |
"Keep Me in Your Heart" has been frequently covered by various artists since Zevon's death, with Jorge Calderón providing his own rendition on Enjoy Every Sandwich: The Songs of Warren Zevon in 2004. [17] Eddie Vedder performed the song for David Letterman's award ceremony in 2017 for the Mark Twain Prize for American Humor, with Vedder noting Letterman's role in introducing him to Zevon's music. [17] Further covers of the song have included Christine Albert's 2014 album Everything’s Beautiful Now, Wesley Schultz on his 2018 album Vignettes, a 2023 single release by Fantastic Cat, and by Willie Nelson for his 2024 album Last Leaf on the Tree . [17] [18] [19] Nelson's cover was noted by American Songwriter for capturing a similar view on mortality as Zevon's original performance, with Nelson's guitarwork with Trigger sounding similarly aged and "beat up." [19]
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