City Lights is an independent bookstore-publisher combination in San Francisco, California, that specializes in world literature, the arts, and progressive politics. It also houses the nonprofit City Lights Foundation, which publishes selected titles related to San Francisco culture. It was founded in 1953 by poet Lawrence Ferlinghetti and Peter D. Martin[2] (who left two years later). Both the store and the publishers became widely known following the obscenity trial of Ferlinghetti for publishing Allen Ginsberg's influential collection Howl and Other Poems (City Lights, 1956). Nancy Peters started working there in 1971 and retired as executive director in 2007. In 2001, City Lights was made an official historic landmark. City Lights is located at 261 Columbus Avenue. While formally located in Chinatown, it self-identifies as part of immediately adjacent North Beach.
The site was a tiny storefront in the triangular Artigues Building located at 261 Columbus Avenue, near the intersection of Broadway in North Beach. Built on the ruins of a previous building destroyed in the fire following the 1906 earthquake, the building was designed by Oliver Everett in 1907 and named for its owners. City Lights originally shared the building with a number of other shops. It gradually gained more space whenever one of the other shops became vacant, and eventually occupied the entire building.[citation needed]
In 1953, as Ferlinghetti was walking past the Artigues Building, he encountered Martin out front hanging up a sign that announced a "Pocket Book Shop." He introduced himself as a contributor to Martin's magazine City Lights, and told him he had always wanted a bookstore. Before long he and Martin agreed to a partnership. Each man invested $500. Soon after they opened, they hired Shig Murao as a clerk. Murao worked without pay for the first few weeks, but eventually became manager of the store and was a key element in creating the unique feel of City Lights.[3] In 1955, Martin sold his share of the business to Ferlinghetti for $1000, moved to New York and started the New Yorker Bookstore which specialized in cinema.[citation needed]
In the late 1960s, Ferlinghetti hired Joseph Wolberg, former philosophy professor at SUNY Buffalo, to manage the bookstore. Wolberg is credited with organizing the once chaotically messy shelves and for convincing a cheap Ferlinghetti to install anti-shoplifting metal detectors. Through his connection to City Lights, Wolberg produced records for Beat poets such as Charles Bukowski and Shel Silverstein.
The logo for City Lights Bookstore is a medieval guild mark, chosen by Ferlinghetti, from Rudolf Koch's The Book of Signs.[4][5]
1970s and 1980s
In 1970, City Lights hired Paul Yamazaki, an activist who had been jailed during protests for Black studies and Ethnic studies departments at San Francisco State University. Yamazaki would continue working at the bookstore for over fifty years, and in 2023 was awarded the National Book Foundation's Literarian Award for Outstanding Service to the Literary Community.[6]
In 1971, Ferlinghetti persuaded Nancy Peters – who was working at the Library of Congress – to join in a project with him, after which she began full-time work at City Lights.[7] She said:
When I joined City Lights in 1971, and started working with Lawrence, it was clear that it had been very much a center of protest, for people with revolutionary ideas and people who wanted to change society. And when I first began working at the little editorial office up on Filbert and Grant, people that Lawrence had known through the whole decade of the '60s were dropping in all the time, like Paul Krassner, Tim Leary, people who were working with underground presses and trying to provide an alternative to mainstream media. This was a period of persecution, and FBI infiltration of those presses.[8]
In 1984, the business was in a financial crisis and Peters became a co-owner of it.[7] Ferlinghetti credits her for the subsequent survival and growing success of the business.[9] In 1999, with Ferlinghetti, she bought the building they worked in.[10]
2000s
In 2001, the San Francisco Board of Supervisors made City Lights an official historic landmark – the first time this had been granted to a business, rather than a building – citing the organization for "playing a seminal role in the literary and cultural development of San Francisco and the nation." It recognized the bookstore as "a landmark that attracts thousands of book lovers from all over the world because of its strong ambiance of alternative culture and arts", and it acknowledged City Lights Publishers for its "significant contribution to major developments in post-World War II literature."
City Lights bookstore in July 2003.
The building itself, with its clerestory windows and small mezzanine balcony, also qualified as a city landmark because of its "distinctive characteristics typical of small commercial buildings constructed following the 1906 earthquake and fire." The landmark designation mandates the preservation of certain external features of the building and its immediate surroundings. Peters commented (referring to the effect of dotcom and computer firms), "The old San Francisco is under attack to the point where it's disappearing."[11]
By 2003, the store had 15 employees.[12] Peters estimated that the year's profits would be only "maybe a thousand dollars."[13] In 2007, after 23 years as executive director, she stepped down from the post, which was filled by Elaine Katzenberger; Peters remained on the board of directors.[9] Peters said of her work at City Lights:
When I started working here we were in the middle of the Vietnam War, and now it's Iraq. This place has been a beacon, a place of learning and enlightenment.[9]
Present
The poetry room.
City Lights sells a curated selection of new books, specializing in literature, cultural studies, world history, and politics. It offers three floors of new-release hardcovers and paperbacks from all major publishers, as well as a large selection of titles from smaller, independent publishers. It hosts weekly events in its City Lights LIVE programming series, which switched to virtual events in 2020 due to the pandemic. City Lights is a member of the American Booksellers Association.[citation needed]
Publishing
In 1955, Ferlinghetti launched City Lights Publishers with his own Pictures of the Gone World, the first number in the Pocket Poets Series. This was followed in quick succession by Thirty Spanish Poems of Love and Exile translated by Kenneth Rexroth and Poems of Humor & Protest by Kenneth Patchen, but it was the impact of the fourth volume, Howl and Other Poems (1956) by Allen Ginsberg that brought national attention to the author and publisher.
City Lights Journal published poems of the Indian Hungry generation writers when the group faced police case in Kolkata. The group got worldwide publicity thereafter.
In 1967 the publishing operation moved to 1562 Grant Avenue. Dick McBride ran this part of the business with his brother Bob McBride and Martin Broadley for several years.[14]
In 1971, Nancy Peters joined Ferlinghetti as co-editor and publisher. He praised her as "one of the best literary editors in the country.".[15] Presently, the publisher is Elaine Katzenberger, who is also the director of the bookstore.
In 2014, the press published its first New York Times bestselling book, Rad American Women A-Z, the press's first book for children, by Kate Schatz with illustrations by Miriam Klein Stahl. Since then, other critically acclaimed books of fiction, nonfiction, and poetry include Man Alive by Thomas Page McBee, Notes on the Assemblage by Juan Felipe Herrera (who was U.S. Poet Laureate at the time), Dated Emcees by Chinaka Hodge, an anniversary edition of The Gilda Stories by Jewelle Gomez, Incidents of Travel in Poetry by Frank Lima, Retablos by Octavio Solis, Poso Wells by Gabriela Alemán, Under the Dome by Jean Daive, and Funeral Divaby Pamela Sneed, among others. The press has also published two books by Tongo Eisen-Martin, Poet Laureate of San Francisco.
Ferlinghetti had heard Ginsberg read Howl in 1955 at the Six Gallery; the next day, he offered to publish it along with other shorter poems. William Carlos Williams — who was Ginsberg's childhood Pediatrician and himself a future Pocket Poet with a 1957 edition of his early modernist classic, Kora in Hell (1920) — was recruited for an introduction, perhaps to lend literary justification to Howl's depictions of drug use and homosexuality. Prior to publication, Ferlinghetti had asked, and received, assurance from the American Civil Liberties Union that the organization would defend him, should he be prosecuted for obscenity.
Published in November 1956, Howl was not long in generating controversy. In March 1957, local Collector of Customs Chester MacPhee seized a shipment from England of the book's second printing on grounds of obscenity, but he was compelled to release the books when federal authorities refused to confirm his charge. But the troubles were just beginning, for in June of that year, local police raided City Lights Bookstore and arrested store manager Shigeyoshi Murao on the charge of offering an obscene book for sale. Ferlinghetti, then in Big Sur, turned himself in on his return to San Francisco. Both faced a possible $500 fine and a 6-month sentence. (Ginsberg was in Tangiers at the time, and not charged.) The ACLU posted bail, assigned defense counsel Albert Bendich to the case, and secured the pro bono services of famous criminal defense lawyer J. W. Ehrlich.
The municipal court trial, presided over by Judge Clayton W. Horn, ran from August 16 to September 3, 1957. The charges against Murao were dismissed since it couldn't be proved that he knew what was in the book. Then, during the trial of Ferlinghetti, respected writers and professors testified for the defense. Judge Horn rendered his precedent-setting verdict, declaring that Howl was not obscene and that a book with "the slightest redeeming social importance" merits First Amendment protection. Horn's decision established the precedent that paved the way for the publication of such hitherto banned books as D. H. Lawrence's Lady Chatterley's Lover and Henry Miller's Tropic of Cancer. The media attention resulting from the trial stimulated national interest, and, by 1958, there were 20,000 copies in print. Today there are over a million. Ginsberg continued to publish his major books of poetry with the press for the next 25 years. Even after the publication by Harper & Row of his Collected Poems in 1980, he would continue his warm association with City Lights, which served as his local base of operations, for the rest of his life.
↑ Shawn Hubler, "City Lights Illuminates the Past", Los Angeles Times, May 27, 2003.
↑ "City Lights Bookstore Tour". City Lights Books. City Lights Booksellers & Publishers. Archived from the original on 2021-04-23. Retrieved 25 May 2021. You'll also find the City Lights logo here and there around the store; it's a medieval guild mark Ferlinghetti chose from the Koch Book of Signs.
Paul Yamazaki, Chief Buyer at the Bookshop had a conversation with Rishabh Chaddha(Contributing Writer/Correspondent) about Bookselling Business Ecosystem. When and how City Lights Books came into existence, how it became such a historical landmark. What was the mission and vision Lawrence Ferlinghetti and Peter Martin had projected when they founded this book heaven.
Irwin Allen Ginsberg was an American poet and writer. As a student at Columbia University in the 1940s, he began friendships with Lucien Carr, William S. Burroughs and Jack Kerouac, forming the core of the Beat Generation. He vigorously opposed militarism, economic materialism, and sexual repression, and he embodied various aspects of this counterculture with his views on drugs, sex, multiculturalism, hostility to bureaucracy, and openness to Eastern religions.
The Beat Generation was a literary subculture movement started by a group of authors whose work explored and influenced American culture and politics in the post-World War II era. The bulk of their work was published and popularized by Silent Generationers in the 1950s, better known as Beatniks. The central elements of Beat culture are the rejection of standard narrative values, making a spiritual quest, the exploration of American and Eastern religions, the rejection of economic materialism, explicit portrayals of the human condition, experimentation with psychedelic drugs, and sexual liberation and exploration.
"Howl", also known as "Howl for Carl Solomon", is a poem written by Allen Ginsberg in 1954–1955 and published in his 1956 collection Howl and Other Poems. The poem is dedicated to Carl Solomon.
Lawrence Monsanto Ferlinghetti was an American poet, painter, social activist, and co-founder of City Lights Booksellers & Publishers. An author of poetry, translations, fiction, theatre, art criticism, and film narration, Ferlinghetti was best known for his second collection of poems, A Coney Island of the Mind (1958), which has been translated into nine languages and sold over a million copies. When Ferlinghetti turned 100 in March 2019, the city of San Francisco turned his birthday, March 24, into "Lawrence Ferlinghetti Day".
Kenneth Charles Marion Rexroth was an American poet, translator, and critical essayist. He is regarded as a central figure in the San Francisco Renaissance, and paved the groundwork for the movement. Although he did not consider himself to be a Beat poet, and disliked the association, he was dubbed the "Father of the Beats" by Time magazine. Largely self-educated, Rexroth learned several languages and translated poems from Chinese, French, Spanish, and Japanese.
The term San Francisco Renaissance is used as a global designation for a range of poetic activity centered on San Francisco, which brought it to prominence as a hub of the American poetry avant-garde in the 1950s. However, others felt this renaissance was a broader phenomenon and should be seen as also encompassing the visual and performing arts, philosophy, cross-cultural interests, and new social sensibilities.
Philip Lamantia was an American poet, writer and lecturer. His poetry incorporated stylistic experimentation and transgressive themes, and has been regarded as surrealist and visionary, contributing to the literature of the Beat Generation.
Carl Solomon was an American writer. One of his best-known pieces of writing is Report from the Asylum: Afterthoughts of a Shock Patient.
The City Lights Pocket Poets Series is a series of poetry collections published by Lawrence Ferlinghetti and City Lights Books of San Francisco since August 1955.
The Six Gallery reading was an important poetry event that took place on Friday, October 7, 1955, at 3119 Fillmore Street in San Francisco.
Harold Norse was an American writer who created a body of work using the American idiom of everyday language and images. One of the expatriate artists of the Beat generation, Norse was widely published and anthologized.
Nationality words link to articles with information on the nation's poetry or literature.
Reality Sandwiches is a book of poetry by Allen Ginsberg published by City Lights Publishers in 1963. The title comes from one of the included poems, "On Burroughs' Work": "A naked lunch is natural to us,/we eat reality sandwiches." The book is dedicated to friend and fellow Beat poet Gregory Corso. Despite Ginsberg's feeling that this collection was not his most significant, the poems still represent Ginsberg at a peak period of his craft.
Howl and Other Poems is a collection of poetry by Allen Ginsberg published November 1, 1956. It contains Ginsberg's most famous poem, "Howl", which is considered to be one of the principal works of the Beat Generation as well as "A Supermarket in California", "Transcription of Organ Music", "Sunflower Sutra", "America", "In the Baggage Room at Greyhound", and some of his earlier works. For printing the collection, the publisher Lawrence Ferlinghetti, another well-known poet, was arrested and charged with obscenity. On October 3, 1957, Judge Clayton W. Horn found Ferlinghetti not guilty of the obscenity charge, and 5,000 more copies of the text were printed to meet the public demand, which had risen in response to the publicity surrounding the trial. Howl and Other Poems contains two of the most well-known poems from the Beat Generation, "Howl" and "A Supermarket in California", which have been reprinted in other collections, including the Norton Anthology of American Literature.
Richard William McBride was an American beat poet, playwright and novelist. He worked at City Lights Booksellers & Publishers from 1954 to 1969.
Nancy Joyce Peters is an American publisher, writer, and co-owner with Lawrence Ferlinghetti of City Lights Books and Publishers in San Francisco until Ferlinghetti's 2021 death.
Bill Morgan is an American writer, editor and painter, best known for his work as an archivist and bibliographer for public figures such as Allen Ginsberg Lawrence Ferlinghetti, Abbie Hoffman, and Timothy Leary.
Howl is a 2010 American film which explores both the 1955 Six Gallery debut and the 1957 obscenity trial of 20th-century American poet Allen Ginsberg's noted poem "Howl". The film is written and directed by Rob Epstein and Jeffrey Friedman and stars James Franco as Ginsberg.
Shigeyoshi "Shig" Murao was a Japanese-American bookseller who is mainly remembered as the City Lights manager and clerk who was arrested on June 3, 1957, for selling Allen Ginsberg's Howl to an undercover San Francisco police officer. In the trial that followed, Murao was charged with selling the book and Lawrence Ferlinghetti with publishing it. Murao and Ferlinghetti were exonerated, and Howl was judged protected under the First Amendment, a decision that paved the way for the publication of Henry Miller, D.H. Lawrence, William Burroughs, and many other writers who offended the sensibilities of the majority.
A Hundred Camels in the Courtyard is a collection of short fiction by Paul Bowles published by City Lights Books in 1962. The volume was the first collection of his works published in the United States since The Delicate Prey and Other Stories (1950).
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