The Missouri Breaks

Last updated

The Missouri Breaks
Missouri breaks movie poster.jpg
Theatrical release poster by Bob Peak
Directed by Arthur Penn
Written by Thomas McGuane
Produced by Elliott Kastner
Robert M. Sherman
Starring
CinematographyMichael Butler
Edited by Dede Allen
Gerald B. Greenberg
Steven A. Rotter
Music by John Williams
Distributed by United Artists
Release date
  • May 19, 1976 (1976-05-19)
Running time
126 minutes
CountryUnited States
LanguageEnglish
Budget$10 million [1]
Box office$14 million [2]

The Missouri Breaks is a 1976 American Western film starring Marlon Brando and Jack Nicholson. The film was directed by Arthur Penn, with supporting performances by Randy Quaid, Harry Dean Stanton, Frederic Forrest, John McLiam, and Kathleen Lloyd in her film debut. The score was composed by John Williams.

Contents

The title of the film refers to a forlorn and very rugged area of north-central Montana, where over eons, the Missouri River has made countless deep cuts or "breaks" in the land.

The film explores various connected themes including the American frontier myth, economic exploitation, and law and order. Like some other films directed by Penn, it has been read as an allegory of capitalism and the American counterculture. [3]

Plot

Tom Logan is a rustler experiencing hard times. His gang and he are particularly upset by the hanging of a friend of theirs by David Braxton, a land baron, who takes the law into his own hands. They decide to seek vengeance against Braxton by killing his foreman Pete Marker, hanging him from the same tree used by Braxton and his men to hang their friend. Logan and his gang then buy a small farm close to Braxton's ranch with money they stole during a train robbery, and begin rustling his stock.

First the gang, without Logan, rides across the Missouri River and north of the border into Canada to steal horses belonging to the North-West Mounted Police. The theft initially goes well, until the Mounted Police catch up to the gang, forcing them to abandon the stolen horses and flee for their lives. In their absence, Logan plants crops and enters into a relationship with Braxton's aggressive, virginal daughter, Jane.

Braxton is incensed with both his rustling problem and his daughter, and sends for Robert E. Lee Clayton, a notorious Irish-American "regulator," who for a price, will take care of rustlers personally.

Quickly suspicious of Logan, who does not strike him as a farmer, Clayton dons a variety of disguises and begins to pick off Logan's gang, one by one. Identifying himself under the pseudonym of "Jim Ferguson," he kills Logan's young friend Little Tod, who cannot swim, by drowning him in the Missouri River.

Clayton spies on Logan with binoculars and taunts Braxton about his daughter's affair with a horse thief. Braxton attempts to discharge him, but Clayton is determined to finish his job. He shoots Si as he is trying to have sex with a farmer's adulterous wife. He also shoots Cary after he enters an outhouse. Finally, Clayton arrives at the gang's hideout one night and sets fire to the house, forcing a burning Cal to run to the river and throw himself in to extinguish the flames. He asks Cal where Logan is, and Cal says he was in the house but refused to come out. Clayton then impales Cal through his right eye with a large throwing star. Logan arrives the next morning, and sadly buries Cal.

A few nights later, Clayton is serenading his horse by campfire light. Once the campfire goes dark and Clayton falls asleep, Logan sneaks into his camp and slits his throat. Logan then comes after Braxton, who has been feigning a trance due to shock. But, at an opportune time, Braxton pulls a gun on Logan and attempts to kill him. Logan gets the upper hand and shoots Braxton in the chest, killing him.

Logan abandons his farm and packs up to leave, planning to go north of the Missouri River. Jane arrives, telling him that she has found a buyer for the ranch, and asks about the two of them. He acknowledges to Jane the possibility that they can renew their relationship at another time and place, maybe six months in the future.

Cast

Production

In a May 24, 1976 Time interview, Brando was revealed to have "changed the entire flavor of his character—an Irish-American bounty hunter called 'Robert E. Lee Clayton'—by inventing a deadly hand weapon resembling both a harpoon and a mace that he uses to kill." Brando said "I always wondered why in the history of lethal weapons no one invented that particular one. It appealed to me because I used to be very expert at knife throwing." [4]

Brando broke the monotony of the production by playing childish pranks with rubber spiders and eggs as well as frequently mooning the cast and crew. He would interrupt shots with bizarre behavior like biting a chunk out of a frog during a river scene and taking potshots at grasshoppers instead of his firing a gun at co-star Nicholson as scripted. Director Penn apparently made no effort to control him. [5]

The movie was filmed on location in Billings, Nevada City, Red Lodge, and Virginia City, all in Montana. Principal photography began on June 23, 1975. Jack Nicholson was the first actor to arrive on location with director Arthur Penn, the cast, and the crew. During the second week of filming in Nevada City, intermittent rain showers hit the area, which made the entire cast and crew more bedraggled than the script had depicted. More than 80 extras were used for area scenes; most of them were local people and children. A narrow-gauge car was lost for a week while en route from Chama, New Mexico to Harrison, Montana, which arrived after being held in Salt Lake City, Utah for interstate transportation permits. A scene that required the car was filmed on a trestle, four miles from Harrison on the abandoned Red Bluff Railroad. After filming was completed there, the cast and crew went to Virginia City. In mid-July, Marlon Brando arrived in Montana to begin filming in Billings on a ranch near the city.

In August, while filming a scene on the Yellowstone River that required the two main characters on horses to cross the river, one of the horses, named Jug, died in the river. The American Humane Association (AHA) investigated. When questioned, the film's production executive, Jack Grossberg, said Jug hit a car body with one hoof, had a heart attack, and then died of shock. The sheriff came to the conclusion[ when? ] that it was an accident. According to a spokesman for the Billings Humane Society, the sheriff's investigation was unsatisfactory. Both the National and Billings Humane Societies alleged that Jug drowned after being bound, strapped, and dragged through the water. [6] Representatives from both the local and national AHA requested access to the set, but were told by the producers the set was closed to visitors, without exception. Harold Melniker of the Hollywood chapter of the AHA stated that the accident would not have occurred if the river bottom had first been checked. [7] After the horse's drowning and the injury of several others, including one by AHA-prohibited tripwire, the film was placed on the AHA's "unacceptable" list. [8]

By the end of August, Brando had completed filming and left Montana. Nicholson stayed behind with the crew and cast. Production then headed to Red Lodge for two weeks to complete filming, and it officially wrapped in mid-September 1975.

Reception

Coming on the heels of Brando and Nicholson's Oscar-winning turns in The Godfather and One Flew Over the Cuckoo's Nest respectively, the film was highly anticipated, but became a notorious critical and commercial flop.

Vincent Canby's review in the New York Times cited "an out-of-control performance" by Brando.

Brando agreed to accept $1 million for five weeks' work plus 11.3% of gross receipts in excess of $10 million. Nicholson agreed to accept $1.25 million for 10 weeks work, plus 10% of the gross receipts in excess of $12.5 million. (Nicholson later sued producer Elliott Kastner for unpaid wages.) [9] Despite its two stars, Missouri Breaks reportedly earned a domestic box-office gross of $14 million.

Xan Brooks of The Guardian sees the film as having ripened over the years: "Time has worked wonders on The Missouri Breaks. On first release, Arthur Penn's 1976 Western found itself derided as an addled, self-indulgent folly. Today, its quieter passages resonate more satisfyingly, while its lunatic take on a decadent, dying frontier seems oddly appropriate...Perhaps for the last time, there is a whiff of method to (Brando's) madness. He plays his hired gun as a kind of cowboy Charles Manson, serene and demonic". [10]

Over time, its reception has improved and has since received a cult following. As of May 2023, the film holds a 79% "fresh" rating on Rotten Tomatoes, based on 28 reviews. [11]

In other media

In M. Night Shyamalan's 2021 film Old , Rufus Sewell's character repeatedly asks the other characters if they remember the title of a film that starred Marlon Brando and Jack Nicholson. The character in the film, a surgeon named Charles, suffers from schizophrenia, then develops dementia as he ages. Shyamalan explained that the character's question was based on a conversation he had with his father, Dr. Nelliyattu C. Shyamalan, who also has dementia: "I've never seen [The Missouri Breaks]...It's from my dad, who actually has some dementia, and he would not stop talking about Jack Nicholson and Marlon Brando, this movie that they were in. And I was like 'Dad, I have never seen it.' And he goes, 'Jack Nicholson! Marlon Brando!' And he kept going on and on about it. I was like 'Dad, I'm putting this in a movie if you keep talking about this.' And he did." [12]

Related Research Articles

<span class="mw-page-title-main">Marlon Brando</span> American actor (1924–2004)

Marlon Brando Jr. was an American actor and activist. Widely considered one of the greatest and most influential actors of all time, he received numerous accolades throughout his career, which spanned six decades, including two Academy Awards, two Golden Globe Awards, one Cannes Film Festival Award, and three British Academy Film Awards. Brando is credited with being one of the first actors to bring the Stanislavski system of acting and method acting to mainstream audiences.

<i>On the Waterfront</i> 1954 film by Elia Kazan

On the Waterfront is a 1954 American crime drama film, directed by Elia Kazan and written by Budd Schulberg. It stars Marlon Brando, and features Karl Malden, Lee J. Cobb, Rod Steiger, Pat Henning and Eva Marie Saint in her film debut. The musical score was composed by Leonard Bernstein. The black-and-white film was inspired by "Crime on the Waterfront" by Malcolm Johnson, a series of articles published in November–December 1948 in the New York Sun which won the 1949 Pulitzer Prize for Local Reporting, but the screenplay by Budd Schulberg is directly based on his own original story. The film focuses on union violence and corruption among longshoremen, while detailing widespread corruption, extortion, and racketeering on the waterfronts of Hoboken, New Jersey.

<i>Sayonara</i> 1957 film by Joshua Logan

Sayonara is a 1957 American romantic drama film directed by Joshua Logan, and starring Marlon Brando, Patricia Owens, James Garner, Martha Scott, Miyoshi Umeki, Red Buttons, Miiko Taka and Ricardo Montalbán. It tells the story of an American Air Force pilot during the Korean War who falls in love with a famous Japanese dancer. The screenplay was adapted by Paul Osborn from James A. Michener's 1954 novel of the same name.

<i>East of Eden</i> (film) 1955 film by Elia Kazan

East of Eden is a 1955 American epic period drama film directed by Elia Kazan and written by Paul Osborn, adapted from the fourth and final part of John Steinbeck's epic 1952 novel of the same name.

<i>The Score</i> (2001 film) 2001 film by Frank Oz

The Score is a 2001 American heist film directed by Frank Oz, and starring Robert De Niro, Edward Norton, Angela Bassett, and Marlon Brando in his final film role. It was the only time that Brando and De Niro appeared onscreen together. The screenplay was based on a story by Daniel E. Taylor and Kario Salem.

<i>One-Eyed Jacks</i> 1961 film

One-Eyed Jacks is a 1961 American Western film directed by and starring Marlon Brando, his only directorial credit. Brando portrays the lead character Rio, and Karl Malden plays his partner, "Dad" Longworth. The supporting cast features Pina Pellicer, Katy Jurado, Ben Johnson and Slim Pickens. In 2018, the film was selected for preservation in the United States National Film Registry by the Library of Congress.

<i>Little Big Man</i> (film) 1970 American Western film by Arthur Penn

Little Big Man is a 1970 American revisionist Western film directed by Arthur Penn, adapted by Calder Willingham from Thomas Berger's 1964 novel of the same title. It stars Dustin Hoffman, Chief Dan George, Faye Dunaway, Martin Balsam, Jeff Corey and Richard Mulligan. The film follows the life of a white man who was raised by members of the Cheyenne nation during the 19th century, and then attempts to reintegrate with American pioneer society. Although broadly categorized as a Western, or an epic, the film encompasses several literary/film genres, including comedy, drama and adventure. It parodies typical tropes of the Western genre, contrasting the lives of white settlers and Native Americans throughout the progression of the boy's life.

<span class="mw-page-title-main">Arthur Penn</span> American producer and director (1922–2010)

Arthur Hiller Penn was an American filmmaker, theatre director, and producer. He was a Tony Award winner, and was nominated for three Academy Awards for Best Director, as well as a BAFTA Award, a Golden Globe, two Primetime Emmys. As a member of the New Hollywood movement, Penn directed several critically-acclaimed films dealing with countercultural issues of the late 1960s and 1970s, notably the drama The Chase (1966), the biographical crime film Bonnie and Clyde (1967), the comedy Alice's Restaurant (1969), and the revisionist Western Little Big Man (1970). His films tend to explore themes such as the legacy of the American counterculture, the relationship between individuals and communities, and contemporary Romanticism.

<i>Ensign Pulver</i> 1964 film by Joshua Logan

Ensign Pulver is a 1964 American Technicolor film in Panavision and a sequel to the 1955 film Mister Roberts. The film stars Robert Walker Jr., Burl Ives, Walter Matthau and Tommy Sands and features Millie Perkins, Larry Hagman, Kay Medford, Peter Marshall, Jack Nicholson, Richard Gautier, George Lindsey, James Farentino and James Coco.

<i>The Godfather</i> 1972 American crime film by Francis Ford Coppola

The Godfather is a 1972 American epic gangster film directed by Francis Ford Coppola, who co-wrote the screenplay with Mario Puzo, based on Puzo's best-selling 1969 novel of the same title. The film stars an ensemble cast including Marlon Brando, Al Pacino, James Caan, Richard Castellano, Robert Duvall, Sterling Hayden, John Marley, Richard Conte, and Diane Keaton. It is the first installment in The Godfather trilogy, chronicling the Corleone family under patriarch Vito Corleone (Brando) from 1945 to 1955. It focuses on the transformation of his youngest son, Michael Corleone (Pacino), from reluctant family outsider to ruthless mafia boss.

<i>A Streetcar Named Desire</i> (1951 film) 1951 film by Elia Kazan

A Streetcar Named Desire is a 1951 American Southern Gothic drama film adapted from Tennessee Williams's Pulitzer Prize-winning play of the same name. It is directed by Elia Kazan, and stars Vivien Leigh, Marlon Brando, Kim Hunter, and Karl Malden. The film tells the story of a Mississippi Southern belle, Blanche DuBois, who, after encountering a series of personal losses, seeks refuge with her sister and brother-in-law in a dilapidated New Orleans apartment building. The original Broadway production and cast was converted to film, albeit with several changes and sanitizations related to censorship.

Elliott Kastner was an American film producer, whose best known credits include Where Eagles Dare (1968), The Long Goodbye (1973), The Missouri Breaks (1976), and Angel Heart (1987).

<i>The Freshman</i> (1990 film) 1990 film by Andrew Bergman

The Freshman is a 1990 American crime comedy film written and directed by Andrew Bergman, and starring Marlon Brando, Matthew Broderick, Bruno Kirby, Penelope Ann Miller, and Frank Whaley. The plot revolves around a young New York film student's entanglement in an illicit business of offering exotic and endangered animals as specialty food items, including his being tasked with delivering a Komodo dragon for this purpose. The film received positive reviews from critics.

<i>Guys and Dolls</i> (film) 1955 American musical film directed by Joseph L. Mankiewicz

Guys and Dolls is a 1955 American musical film starring Marlon Brando, Jean Simmons, Frank Sinatra, and Vivian Blaine. The picture was made by Samuel Goldwyn Productions and distributed by Metro-Goldwyn-Mayer (MGM). It was directed by Joseph L. Mankiewicz, who also wrote the screenplay. The film is based on the 1950 Broadway musical by composer and lyricist Frank Loesser, with a book by Jo Swerling and Abe Burrows, which, in turn, was loosely based on "The Idyll of Miss Sarah Brown" (1933) and "Blood Pressure", two short stories by Damon Runyon. Dances were choreographed by Michael Kidd, who had staged the dances for the Broadway production.

<i>The Chase</i> (1966 film) 1966 American drama film directed by Arthur Penn

The Chase is a 1966 American drama film, directed by Arthur Penn, written by Lillian Hellman, and starring Marlon Brando, Jane Fonda, and Robert Redford. It tells the story of a series of events that are set into motion by a prison break. The film also features E. G. Marshall, Angie Dickinson, Janice Rule, Miriam Hopkins, Martha Hyer, Robert Duvall, and James Fox.

<i>The Great Gatsby</i> (1974 film) 1974 film directed by Jack Clayton

The Great Gatsby is a 1974 American historical romantic drama film based on the 1925 novel of the same name by F. Scott Fitzgerald. The film was directed by Jack Clayton, produced by David Merrick, and written by Francis Ford Coppola. It stars Robert Redford, Mia Farrow, Sam Waterston, Bruce Dern, and Karen Black. The plot concerns the interactions of writer Nick Carraway with enigmatic millionaire Jay Gatsby (Redford) and Gatsby's obsession to reunite with his former lover, Daisy Buchanan (Farrow), amid the riotous parties of the Jazz Age on Long Island near New York City.

The outlaw biker film is a film genre that portrays its characters as motorcycle riding rebels. The characters are usually members of an outlaw motorcycle club.

<span class="mw-page-title-main">Jack Nicholson</span> American actor and filmmaker (born 1937)

John Joseph Nicholson is an American retired actor and filmmaker. Nicholson is widely regarded as one of the greatest actors of the 20th century. Throughout his five-decade career he received numerous accolades, including three Academy Awards, three BAFTA Film Awards, six Golden Globe Awards, and a Grammy Award. He also received the American Film Institute's Life Achievement Award in 1994 and the Kennedy Center Honor in 2001. In many of his films, he played rebels against the social structure.

Kathleen Lloyd is an American actress and musician known for her role as the female lead in The Missouri Breaks (1976), opposite Marlon Brando and Jack Nicholson. She also appeared in the horror films The Car (1977) and It Lives Again (1978).

References

  1. "AFI|Catalog".
  2. "The Missouri Breaks (1976)". The Numbers – Where Data and the Movie Business Meet. Retrieved September 9, 2017.
  3. Kitchen, Will. (2023) Film, Negation and Freedom: Capitalism and Romantic Critique. London and New York: Bloomsbury Academic, pp. 177-206.
  4. "The Private World of Marlon Brando" from Time magazine.
  5. Manso, Peter (1994). Brando: The Biography. Hyperion Press. pp.  812-813. ISBN   0-7868-6063-4.
  6. "Horse Death Investigated". The Daily Inter Lake. Kalispell, MT. August 11, 1975. p. 5. Retrieved March 19, 2021.
  7. "AFI Catalog of Feature Films: The First 100 Years, 1893–1993". afi.com. American Film Institute. Retrieved March 19, 2021.
  8. "Are animals really killed in movie and TV death scenes?" from The Straight Dope Archived September 30, 2007, at the Wayback Machine
  9. Film Clips: Hedging Bets on 'Missouri' Deal Kilday, Gregg. Los Angeles Times, Aug 9, 1976, p. F7.
  10. "The Missouri Breaks" Review, Xan Brooks, The Guardian, May 22, 2003.
  11. "The Missouri Breaks (1976)". Rotten Tomatoes . Retrieved November 13, 2019.
  12. Shaw-Williams, Hannah (July 14, 2021). "Old: The Marlon Brando & Jack Nicholson Movie Obsession Explained". Screen Rant . Retrieved July 31, 2021.