"Compared to What" | |
---|---|
Song by Les McCann and Eddie Harris | |
from the album Swiss Movement | |
Language | English |
Released | 1969 |
Recorded | June 21, 1969 |
Venue | Casino Karsuul, Montreux Jazz Festival, Montreux |
Genre | Soul jazz |
Length | 8:41 [1] |
Label | Atlantic |
Songwriter(s) | Gene McDaniels |
Producer(s) | Nesuhi Ertegun and Bob Emmer |
Official audio | |
Compared to What (Live at Montreux Jazz Festival) on YouTube |
"Compared to What" is a protest song written by Gene McDaniels. It was recorded by Roberta Flack in February 1969 for her debut album First Take , but became better known following a performance by Les McCann (piano and vocals) and Eddie Harris (tenor saxophone) at the Montreux Jazz Festival in June of that year. The song appeared as the opening track on their 1969 album Swiss Movement on the Atlantic label, which was certified Gold in sales in the United States. [2] The song has been recorded by more than 270 performers, including Ray Charles and Brian Auger.
"Compared to What" was written by American singer and songwriter Gene McDaniels. [3] It was copyrighted in 1966. [4] Its lyrics have a variety of social commentary. It contains lyrics against the Vietnam War and the then President of the United States Lyndon B. Johnson [5] with lines: "The president, he's got his war / Folks don't know just what it's for / Nobody gives us rhyme or reason / Have one doubt, they call it treason". [6] Written during the second wave feminist movement before abortion rights became federal law in the US in 1973, its lyrics broached the topic with "unwed mothers need abortion". [7] In 1976, the popular American music critic B. Lee Cooper suggested that the song "of social criticism attacked a variety of social practices as being based on hypocritically 'unreal values'" and contrasted "the social myth of equality and the economic reality of poverty in the stratified American society." [8]
The first recording appears to have been by American jazz pianist and vocalist Les McCann for his 1966 album Les McCann Plays the Hits . [9]
By 2011 the song had been covered by more than 270 performers, including Ray Charles [6] and saxophonist Ronnie Laws. [10]
Flack recorded the song in February 1969, [6] [11] for her debut album First Take and "Compared to What" was her first single. [12] Flack's manager that year was McCann. [13] A contemporary reviewer suggested that her singing was "in a fiery rhythmic way reminiscent of the throbbing motion heard during congregational singing at Southern Baptist churches." [14] Flack's version was included in the 1997 film Boogie Nights and the 2015 film The Man from U.N.C.L.E. [15]
McCann (piano) and Harris (tenor saxophone) had performed earlier at the 1969 Montreux Jazz Festival and agreed to play together on June 21, 1969, with Benny Bailey (trumpet), Leroy Vinnegar (bass), and Donald Dean (drums). [3] The song was the first of the McCann-Harris set and opens with McCann and Dean playing together. [3] Vinnegar joins in, forming a trio that states the theme. [3] Harris then enters, complementing McCann's piano and vocals. [3] After four verses, Bailey has a solo, then the band plays together until the last verse. [3] This is followed by solos from McCann and Harris, ending the performance. [3] Their version of the song appeared on the album Swiss Movement ; the single sold over a million copies and reached No. 35 on Billboard 's R&B chart. [16] The single also appeared on the U.S. Cash Box Top 100 for two weeks in January 1970, with a peak position of No. 96. [17]
The commercial success of the McCann-Harris version allowed McDaniels to stop singing in night clubs. [6] The song was later used in the soundtrack for Martin Scorsese's 1995 film Casino . [18]
In 1973, Brian Auger's Oblivion Express included a recording of the song on their album Closer To It. In 1975, the band performed the song, as their closing number, at San Francisco's Winterland, when the band opened for Fleetwood Mac. Paste magazine described the performance as a "foot-stomping, full blown funky jazz blowout" and adds: "Auger's bluesy Hammond organ licks have a timeless appeal and he and the group's offbeat humor are apparent throughout." [19] The song was also included on the band's albums Live Oblivion (1975), Best of Brian Auger (1976), and Brian Auger's Oblivion Express – Live at the Baked Potato (2005). [20]
Roberta Cleopatra Flack is a retired American singer who topped the Billboard charts with the No. 1 singles "The First Time Ever I Saw Your Face", "Killing Me Softly with His Song", and "Feel Like Makin' Love".
Leroy Vinnegar was an American jazz bassist. Born in Indianapolis, Indiana, United States, the self-taught Vinnegar established his reputation in Los Angeles, California, during the 1950s and 1960s. His trademark was the rhythmic "walking" bass line, a steady series of ascending or descending notes, and it brought him the nickname "The Walker". Besides his jazz work, he also appeared on a number of soundtracks and pop albums, notably Van Morrison's 1972 album, Saint Dominic's Preview.
Eddie Harris was an American jazz musician, best known for playing tenor saxophone and for introducing the electrically amplified saxophone. He was also fluent on the electric piano and organ. His best-known compositions are "Freedom Jazz Dance", popularized by Miles Davis in 1966, and "Listen Here".
Brian Albert Gordon Auger is an English jazz rock and rock music keyboardist who specialises in the Hammond organ.
Leslie Coleman McCann was an American jazz pianist and vocalist. He is known for his innovations in soul jazz and his 1969 recording of the protest song "Compared to What". His music has been widely sampled in hip hop.
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Eugene Booker McDaniels was an American singer, producer and songwriter. He had his greatest recording success in the early 1960s, reaching number three on the U.S. Billboard Hot 100 singles chart with "A Hundred Pounds of Clay" and number five with "Tower Of Strength," both hits in 1961. He had continued success as a songwriter with titles including "Compared to What" and Roberta Flack's "Feel Like Makin' Love".
Claude Nobs was the founder and general manager of the Montreux Jazz Festival.
Ernest Harold "Benny" Bailey was an American jazz trumpeter.
Swiss Movement is a soul jazz live album recorded on June 21, 1969 at the Montreux Jazz Festival in Switzerland by the Les McCann trio, with saxophonist Eddie Harris and trumpeter Benny Bailey. The album was a hit record, as was the accompanying single "Compared to What", with both selling millions of units.
Donald Dean is a jazz drummer who has worked with Kenny Dorham, Les McCann and others. A collection related to him is led by the Los Angeles Jazz Institute.
Quiet Fire is the third studio album by American singer Roberta Flack, released in November 1971 by Atlantic Records. It was recorded at Atlantic Recording Studios, Regent Studios, and The Hit Factory in New York City. The album peaked at number 18 on the US Billboard Top LPs & Tape, and its single "Will You Still Love Me Tomorrow" charted at number 76 on the Hot 100. At the 15th Annual Grammy Awards, the album secured Roberta Flack a nomination for Best Pop Vocal Performance, Female.
Second Movement is an album by American jazz saxophonist Eddie Harris and pianist/vocalist Les McCann recorded in 1971 and released on the Atlantic label. The album was a follow-up to the duo's highly successful live collaboration Swiss Movement.
Gabrielle Goodman is an American jazz singer, composer, author, and associate professor of voice at Berklee College of Music. She began working as a backup vocalist for Roberta Flack while at the Peabody Institute and later sang with Michael Bublé and Chaka Khan.
Much Les is an album by jazz pianist Les McCann, recorded in 1968, and was his first released, in 1969, on the Atlantic label.
Comment is an album by pianist/vocalist Les McCann recorded in 1969 and released on the Atlantic label.
Live at Montreux is an album by pianist Les McCann recorded at the Montreux Jazz Festival in 1972 and released on the Atlantic label.
Soul To Soul is the soundtrack to the concert film Soul to Soul released on Atlantic Records in 1971.