William Norman McLaren, LL. D. was a Scottish Canadian animator, director and producer known for his work for the National Film Board of Canada (NFB). He was a pioneer in a number of areas of animation and filmmaking, including hand-drawn animation, drawn-on-film animation, visual music, abstract film, pixilation and graphical sound. McLaren was also an artist and printmaker, and explored his interest in dance in his films.
Giuseppe Tornatore is an Italian film director and screenwriter. He is considered one of the directors who brought critical acclaim back to Italian cinema. In a career spanning over 30 years he is best known for directing and writing drama films such as Everybody's Fine, The Legend of 1900, Malèna, Baarìa and The Best Offer. His most noted film is Cinema Paradiso, for which Tornatore won the Academy Award for Best Foreign Language Film. He has also directed several advertising campaigns for Dolce & Gabbana.
Jean-Jacques Annaud is a French film director, screenwriter and producer. He directed Quest for Fire (1981), The Name of the Rose (1986), The Bear (1988), The Lover (1992), Seven Years in Tibet (1997), Enemy at the Gates (2001), Black Gold (2011), and Wolf Totem (2015).
Vittorio Storaro, A.S.C., A.I.C., is an Italian cinematographer widely recognized as one of the best and most influential in cinema history, for his work on numerous classic films including The Conformist (1970), Apocalypse Now (1979), and The Last Emperor (1987). In the course of over fifty years, he has collaborated with directors such as Bernardo Bertolucci, Francis Ford Coppola, Warren Beatty, Woody Allen and Carlos Saura.
Jerzy Julian Hoffman is a Polish director, screenwriter, and producer. He received the Polish Academy Life Achievement Award in February 2006.
Sir Roger Alexander Deakins is an English cinematographer, best known for his collaborations with directors the Coen brothers, Sam Mendes, and Denis Villeneuve. He is the recipient of five BAFTA Awards for Best Cinematography, and two Academy Awards for Best Cinematography from sixteen nominations. His best-known works include The Shawshank Redemption (1994), Fargo (1996), O Brother, Where Art Thou? (2000), A Beautiful Mind (2001), Skyfall (2012), Sicario (2015), Blade Runner 2049 (2017), and 1917 (2019), the last two of which earned him Academy Awards.
Vilmos ZsigmondASC was a Hungarian-American cinematographer. His work in cinematography helped shape the look of American movies in the 1970s, making him one of the leading figures in the American New Wave movement.
Giuseppe De Santis was an Italian film director. One of the most idealistic neorealist filmmakers of the 1940s and 1950s, he wrote and directed films punctuated by ardent cries for social reform.
James Bertrand Longley is an American filmmaker.
Ishu Patel is an animation film director/producer and educator. During his twenty-five years at the National Film Board of Canada he developed animation techniques and styles to support his themes and vision. Since then he has produced animated spots for television and has been teaching internationally.
Sergei Appolinarievich Gerasimov was a Soviet film director and screenwriter. The oldest film school in the world, the Gerasimov Institute of Cinematography (VGIK), bears his name.
Lajos Koltai, ASC, HSC, is a Hungarian cinematographer and film director best known for his work with legendary Hungarian director István Szabó, and Italian filmmaker Giuseppe Tornatore. He was nominated for an Academy Award in 2000 for his work on the film Malèna.
Nikos Koundouros was a Greek film director.
Ion Popescu-Gopo was a Romanian graphic artist and animator, but also writer, film director, and actor.
Hitonari Tsuji is a Tokyo-born Japanese writer, composer, and film director. In his film and singing work he uses the name Jinsei Tsuji, an alternative reading of the Japanese writing of his name. He debuted as a writer in 1989. His books and stories have been bestsellers in Japan as well as overseas, with his work being translated into 20 languages and selling over ten million copies.
Kōhei Oguri is a Japanese film director and screenwriter.
Mark Lee Ping-bing is a Taiwanese cinematographer, photographer and author with over 70 films and 21 international awards to his credit including 2 Glory Of The Country Awards from the Government Information Office of Taiwan and the president of Taiwan's Light Of The Cinema Award. Lee began his film career in 1977 and in 1985 he started his prolific collaboration with Taiwanese filmmaker Hou Hsiao-hsien. Known best for his use of natural lighting utilizing real film and graceful camera movement, Lee received the Grand Technical Prize at the Cannes Film Festival in 2000 for In the Mood for Love. A member of the Academy of Motion Picture Arts and Sciences, Lee was honored with nominations by the American Society of Cinematographers for its 2014 First Annual Spotlight Award for Best Cinematography for his work on the 2012 film Renoir and by the French Academy of Cinema Arts for a Cesar Award for Best Cinematography in 2014 also for the film Renoir.
Peter Raymont is a Canadian filmmaker and producer and the president of White Pine Pictures, an independent film, television and new media production company based in Toronto. Among his films are Shake Hands with the Devil: The Journey of Romeo Dallaire (2005), A Promise to the Dead: The Exile Journey of Ariel Dorfman (2007), The World Stopped Watching (2003) and The World Is Watching (1988). The 2011 feature documentary West Wind: The Vision of Tom Thomson and 2009's Genius Within: The Inner Life of Glenn Gould were co-directed with Michèle Hozer.
The White Ribbon is a 2009 German-language drama film, written and directed by Michael Haneke. Released in black-and-white, the film offers a dark depiction of society and family in a northern German village just before World War I. According to Haneke, The White Ribbon "is about the roots of evil. Whether it's religious or political terrorism, it's the same thing."
Raffl is a 1984 Austrian drama film directed by Christian Berger. It was entered into the 14th Moscow International Film Festival. The film was screened for the Directors' Fortnight at the 1984 Cannes Film Festival.
