Hiro Narita (born June 26, 1941) is a Japanese-American cinematographer.
Hiro Narita (born June 26, 1941) is a Japanese-American cinematographer.
Narita was born in 1941, in Keijō, Keiki-dō, Korea, Empire of Japan [1] (now Seoul, South Korea) to Japanese parents.
In 1945, he and his family moved to Nara, Japan, and later to Tokyo. [1] Following his father's early death and his mother's remarriage to a Japanese American, [1] he immigrated in 1957 to Honolulu, Hawaii where he graduated from Kaimuki High School. He went on to the San Francisco Art Institute where he received a BFA in Graphic Design in 1964. He quickly landed a good position at a prominent local design firm, but the job lasted barely six months before he was drafted into the U.S. Army. For two years, he served as a designer and photographer at the Pentagon.
An avid movie fan since childhood, Narita decided to go into filmmaking rather than go back into graphic design upon his return to San Francisco in the mid-sixties. After an internship with John Korty and Victor J. Kemper on the Michael Ritchie movie The Candidate in 1971, he photographed the television movie Farewell to Manzanar in 1975, for which he received an Emmy Award nomination.
In 1976, he was one of the camera operators on Martin Scorsese's documentary The Last Waltz about the last concert of The Band. Later, he worked on projects like Apocalypse Now , More American Graffiti , and the Neil Young documentary Rust Never Sleeps . For his cinematography on the movie Never Cry Wolf he won the Boston Society of Film Critics Award and the National Society of Film Critics Award in 1983. In 1989, he photographed the Visual Effects in the Steven Spielberg film Always. In the following years, he was the Director of Photography on successful films like Honey, I Shrunk the Kids , Star Trek VI: The Undiscovered Country , Dirty Pictures , The Rocketeer, and James and the Giant Peach.
Narita served as Director of Photography on the 1997 Live Action Short Film Academy Award winning Visas and Virtue . He also directed the 1997 hour-long documentary film, Isamu Noguchi: Stones and Paper.
He has taught at San Francisco Art Institute, lectured, and given master classes at many institutions including Golden Eye in the Republic of Georgia.
He is a member of American Society of Cinematographers (ASC) and Academy of Motion Pictures and Sciences.
Documentary film
| Year | Title | Director | Notes |
|---|---|---|---|
| 1979 | Rust Never Sleeps | Neil Young | With Jon H. Else, Paul Goldsmith, Robbie Greenberg, L.A. Johnson, David Myers and Richard Pearce |
| 1991 | The Inland Sea | Lucille Carra | |
| 2000 | Dvorak and America | With Antonín Chundela and Allen Moore | |
| 2007 | Strange Culture | Lynn Hershman Leeson | |
| 2015 | Tania Libre | With Shane King |
Short film
| Year | Title | Director | Notes |
|---|---|---|---|
| 1982 | listen.... | Andy Aaron | |
| 1997 | Visas and Virtue | Chris Tashima | |
| 2008 | A Perfect Place | Derrick Scocchera | |
| 2020 | Late Lunch | Eleanor Coppola | Segment of Love Is Love Is Love |
Feature film
| Year | Title | Director |
|---|---|---|
| 1983 | Never Cry Wolf | Carroll Ballard |
| 1984 | Prince Jack | Bert Lovitt |
| 1985 | Sylvester | Tim Hunter |
| 1986 | Fire with Fire | Duncan Gibbins |
| 1987 | No Man's Land | Peter Werner |
| 1989 | Shuttlecock | Jerry Barrish |
| Honey, I Shrunk the Kids | Joe Johnston | |
| 1991 | The Rocketeer | |
| Star Trek VI: The Undiscovered Country | Nicholas Meyer | |
| 1993 | Gunmen | Deran Sarafian |
| Hocus Pocus | Kenny Ortega | |
| 1994 | White Fang 2: Myth of the White Wolf | Ken Olin |
| 1996 | The Arrival | David Twohy |
| James and the Giant Peach [a] | Henry Selick | |
| 1997 | Conceiving Ada | Lynn Hershman Leeson |
| 1998 | Shadrach | Susanna Styron |
| I'll Be Home for Christmas | Arlene Sanford | |
| 2000 | Fortress 2: Re-Entry | Geoff Murphy |
| 2002 | Teknolust | Lynn Hershman Leeson |
| 2005 | Night of Henna | Hassan Zee |
| 2006 | The Darwin Awards | Finn Taylor |
| Valley of the Heart's Delight | Tim Boxell | |
| 2009 | La Mission | Peter Bratt |
| 2015 | Love & Taxes | Jacob Kornbluth |
TV movies
| Year | Title | Director | Notes |
|---|---|---|---|
| 1976 | Farewell to Manzanar | John Korty | |
| 1977 | Nanette: An Aside | Rik van Glintenkamp | |
| 1983 | The Haunting Passion | John Korty | |
| 1985 | The Blue Yonder | Mark Rosman | |
| 1989 | Mothers, Daughters and Lovers | Matthew Robbins | |
| 1991 | Plymouth | Lee David Zlotoff | |
| Two-Fisted Tales | Richard Donner | Segment "Showdown" | |
| 1993 | They | John Korty | |
| 1994 | Long Shadows | Sheldon Larry | |
| 1997 | Sub Down | Gregg Champion | |
| 2000 | Dirty Pictures | Frank Pierson | |
| 2001 | Other People | Michael W. Watkins |
TV series
| Year | Title | Director | Notes |
|---|---|---|---|
| 1984-1988 | American Playhouse | Gordon Parks Stan Lathan Sharron Miller | Episodes "Solomon Northup's Odyssey", "Go Tell It on the Mountain" and "Pigeon Feathers" |
| 1986 | The Wonderful World of Disney | Mark Rosman | Episode "Time Flyer" |
| 1987 | Amerika | Donald Wrye | Miniseries |
| 1992 | Tales from the Crypt | Richard Donner | Episode "Showdown" |
| 1999 | Independent Lens | Chris Tashima | Episode "Visas and Virtue" |
| 2000 | Gilmore Girls | Lesli Linka Glatter | Episode "Pilot" |
| International | |
|---|---|
| National | |
| People | |
| Other | |
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