Throne of Blood is a 1957 Japanese jidaigeki film co-written, produced, edited, and directed by Akira Kurosawa, with special effects by Eiji Tsuburaya. The film transposes the plot of English dramatist William Shakespeare's play Macbeth (1606) from Medieval Scotland to feudal Japan, with stylistic elements drawn from Noh drama. The film stars Toshiro Mifune and Isuzu Yamada in the lead roles, modelled on the characters Macbeth and Lady Macbeth.
Rashomon is a 1950 Japanese jidaigeki film directed by Akira Kurosawa from a screenplay he co-wrote with Shinobu Hashimoto. Starring Toshiro Mifune, Machiko Kyō, Masayuki Mori, and Takashi Shimura, it follows various people who describe how a samurai was murdered in a forest. The plot and characters are based upon Ryūnosuke Akutagawa's short story "In a Grove", with the title and framing story taken from Akutagawa's "Rashōmon". Every element is largely identical, from the murdered samurai speaking through a Shinto psychic to the bandit in the forest, the monk, the assault of the wife, and the dishonest retelling of the events in which everyone shows their ideal self by lying.
Dreams is a 1990 magical realist anthology film of eight vignettes written and directed by Akira Kurosawa, starring Akira Terao, Martin Scorsese, Chishū Ryū, Mieko Harada and Mitsuko Baisho. It was inspired by actual recurring dreams that Kurosawa said he had repeatedly. It was his first film in 45 years in which he was the sole author of the screenplay. An international co-production of Japan and the United States, Dreams was made five years after Ran, with assistance from George Lucas and Steven Spielberg, and funded by Warner Bros. The film was screened out of competition at the 1990 Cannes Film Festival, and has consistently received positive reviews.
The Seto Inland Sea, sometimes shortened to the Inland Sea, is the body of water separating Honshu, Shikoku, and Kyushu, three of the four main islands of Japan. It serves as a waterway connecting the Pacific Ocean to the Sea of Japan. It connects to Osaka Bay and provides a sea transport link to industrial centers in the Kansai region, including Osaka and Kobe. Before the construction of the San'yō Main Line, it was the main transportation link between Kansai and Kyūshū.
Kenji Mizoguchi was a Japanese filmmaker who directed roughly one hundred films during his career between 1923 and 1956. His most acclaimed works include The Story of the Last Chrysanthemums (1939), The Life of Oharu (1952), Ugetsu (1953), and Sansho the Bailiff (1954), with the latter three all being awarded at the Venice International Film Festival. A recurring theme of his films was the oppression of women in historical and contemporary Japan. Together with Akira Kurosawa and Yasujirō Ozu, Mizoguchi is seen as a representative of the "golden age" of Japanese cinema.
Waldo Miller Salt was an American screenwriter who won Academy Awards for both Midnight Cowboy and Coming Home.
Donald Richie was an American-born author who wrote about the Japanese people, the culture of Japan, and especially Japanese cinema. Although he considered himself primarily a film historian, Richie also directed a number of experimental films, the first when he was seventeen.
Ugetsu is a 1953 Japanese period fantasy film directed by Kenji Mizoguchi starring Masayuki Mori and Machiko Kyō. It is based on the stories "The House in the Thicket" and "The Lust of the White Serpent" from Ueda Akinari's 1776 book Ugetsu Monogatari, combining elements of the jidaigeki genre with a ghost story.
For All Mankind is a 1989 documentary film made of original footage from NASA's Apollo program, which successfully prepared and landed the first humans on the Moon from 1968 to 1972. It was directed by Al Reinert, with music by Brian Eno. The film, consisting of footage from Apollo 7 through Apollo 17, was assembled to depict what seems like a single trip to the Moon, highlighting the beauty and otherworldliness of the images by only using audio from the interviews Reinert conducted with Apollo crew members.
The Times of Harvey Milk is a 1984 American documentary film that premiered at the Telluride Film Festival, the New York Film Festival, and then on November 1, 1984, at the Castro Theatre in San Francisco. The film was directed by Rob Epstein, produced by Richard Schmiechen, and narrated by Harvey Fierstein, with an original score by Mark Isham.
The Naked Island is a Japanese black-and-white film from 1960, directed by Kaneto Shindō. The film is notable for having almost no spoken dialogue.
Twenty-Four Eyes is a 1954 Japanese drama film directed by Keisuke Kinoshita, based on the 1952 novel of the same name by Sakae Tsuboi. The film stars Hideko Takamine as a young schoolteacher who lives during the rise and fall of Japanese nationalism in the early Shōwa period, and has been noted for its anti-war theme.
Cameraperson is a 2016 autobiographical collage documentary film. The film is an account by director Kirsten Johnson about her life and career as a cinematographer. It relies on footage shot by Johnson across the years in numerous different countries.
In Heaven There Is No Beer? is a 1984 American documentary film by Les Blank about the life, culture and food surrounding devotees of polkas.
There Was a Father is a 1942 Japanese film directed by Yasujirō Ozu.
Lucille Carra is an American documentary film director, producer, and writer. She is of Sicilian descent. All of her films have been seen on PBS and international television. Carra has a BFA in Film Production and an MA in Cinema Studies from New York University's Tisch School of the Arts. At New York University, she was cited Outstanding Woman Student of the Year by the New York University Alumni Association. She formed Travelfilm Company for the production and distribution of documentary films after working in international film distribution.
David Lynch: The Art Life is a 2016 documentary film directed by Jon Nguyen. The film follows director David Lynch's upbringing in Montana, Washington State, and Idaho, his initial move to Philadelphia to pursue a career as a painter, to the beginning of the production of Eraserhead.
Fårö Document is a 1970 Swedish documentary film directed by Ingmar Bergman. It was shot on the island of Fårö and is about its inhabitants.
Time is a 2020 American documentary film produced and directed by Garrett Bradley. It follows Sibil Fox Richardson and her fight for the release of her husband, Rob, who was serving a 60-year prison sentence for engaging in an armed bank robbery.
