Abbreviation | ASC |
---|---|
Formation | January 8, 1919 |
Type | Professional Organization |
Purpose | Advancing the art and science of cinematography and bringing cinematographers together to exchange ideas, discuss techniques and promote the motion picture as an art form. |
Headquarters | Hollywood, California |
Membership | 440 [1] |
Official language | English |
Key people | Shelly Johnson - President |
Main organ | Board |
Website | theasc |
The American Society of Cinematographers (ASC), founded in Hollywood in 1919, is a cultural, educational, and professional organization that is neither a labor union nor a guild. [2] The society was organized to advance the science and art of cinematography and gather a wide range of cinematographers to discuss techniques and ideas and to advocate for motion pictures as a type of art form. [2] Currently, the president of the ASC is Shelly Johnson. [3]
Members use the post-nominal letters "ASC". On the 1920 film titled Sand, cinematographer Joseph H. August, who was an original member of the ASC, became the first individual to have the "ASC" appear after his name on the onscreen credit. [4]
Only cinematographers and special effect supervisors can become an ASC member. [2] Basic requirements include being a director of photography for a minimum five out of the last eight years, having a high professional reputation and being recommended by three active or retired ASC members. [5]
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In the beginning of cinema, directors and photographers in the United States had a similar problem: they had "big, ugly white streaks" that resulted from static electricity discharged from the cameras. Two separate groups in the United States worked together to find a solution to this problem. [2] The two groups were the Cinema Camera Club and the Static Club of America. [2]
A precursor to the ASC, the Cinema Camera Club in New York City was founded in 1913 by Arthur Miller, Phil Rosen, and Frank Kugler. [2] Arthur and his brother, William Miller, both filmmakers in New York City, worked together and established a union for cinematography workers called the Motion Picture Industry Union. Miller left to work in Hollywood, California, one year after the Motion Picture Industry Union was formed.
In 1918, Phil Rosen asked the president of the Cinema Camera Club of California, Charles Rosher, whether he could help reorganize the association by creating a national organization with "membership by invitation and a strong educational component". This reorganisation and the setup of the bylaws occurred on December 21, 1918. The ASC was officially authorized by the State of California on January 8, 1919. [2]
In 2014, the ASC admitted its first member with no background in live action feature film, Pixar's Sharon Calahan, who had worked entirely in computer animation. [6] [7] [8] The society started the ASC Master Class education program in the same year (2014). This program allows members of the ASC and other professionals to teach students from all walks of life on various subjects including composition, lighting, angles, creating mood among other techniques of visual storytelling. [2]
In 2017, John Bailey, an ASC member, was elected as the president of the Academy of Motion Picture Arts and Sciences, making him the first cinematographer to take up such a position. [2]
In the 1920s, the ASC began printing a four-page newsletter titled The American Cinematographer in 1920. According to the ASC, "The American Cinematographer covers the technology and artistry of visual storytelling, offering print and digital editions." [2] Within this publication, a wide range of cinematographer and technical information was produced through a variety of means such as interviews, articles, blogs and podcasts. [9]
Other than the magazine, the ASC also publishes the American Cinematographer Manual . The first edition was published in 1935 by Jackson J. Rose as The American Cinematographer Hand Book and Reference Guide. The Hand Book evolved from the Cinematographic Annual only published twice, in 1930 and 1931. Rose's handbook went through nine editions by the middle of the 1950s, and it was from this book that the modern American Cinematographer Manual originated. The first edition of the new manual was published in 1960 and is now in its 11th edition, published in 2022. [2]
The cinematographer or director of photography is the person responsible for the recording of a film, television production, music video or other live-action piece. The cinematographer is the chief of the camera and light crews working on such projects. They would normally be responsible for making artistic and technical decisions related to the image and for selecting the camera, film stock, lenses, filters, etc. The study and practice of this field are referred to as cinematography.
László KovácsASC was a Hungarian-American cinematographer who was influential in the development of American New Wave films in the 1970s, collaborating with directors including Peter Bogdanovich, Richard Rush, Dennis Hopper, Norman Jewison, and Martin Scorsese. Known for his work on Easy Rider (1969) and Five Easy Pieces (1970), Kovács was the recipient of numerous awards, including three Lifetime Achievement Awards. He was an active member of the American Society of Cinematographers and was a member of the organization's board of directors.
Roy Henry Wagner III is an American cinematographer known for dramatic, dark imagery. Named by Kodak as one of the "Top 100 Directors of Photography in the World" Wagner's career has spanned 35 years in the motion picture and television industries. He has also received the ASC Award for Outstanding Achievement in Cinematography for a Miniseries, and is a two-time Primetime Emmy Award nominee.
Vilmos Zsigmond was a Hungarian-American cinematographer. His work in cinematography helped shape the look of American movies in the 1970s, making him one of the leading figures in the American New Wave movement.
Philip H. Lathrop, A.S.C. was an American cinematographer noted for his skills with wide screen technology and detailed approach to lighting and camera placement. He spent most of his life in movie studios. Lathrop was known for such films as Touch of Evil (1958), Lonely Are the Brave (1962), The Americanization of Emily (1964), The Cincinnati Kid (1965), Point Blank (1967), Finian's Rainbow (1968), The Traveling Executioner (1970), Portnoy's Complaint (1972), Earthquake (1974), Swashbuckler (1976), The Driver (1978), Moment by Moment (1978), A Change of Seasons (1980), Foolin' Around (1980), Loving Couples (1980), and Deadly Friend (1986).
Dante Spinotti, ASC, AIC is an Italian cinematographer. He is known for his collaborations with directors such as Michael Mann, Michael Apted, Ermanno Olmi, Bruce Beresford, Curtis Hanson, and Brett Ratner. He received Academy Award nominations for L.A. Confidential (1997) and The Insider (1999), and won a BAFTA Award for The Last of the Mohicans (1992). He has also won two Italian David di Donatello Awards and two Nastro d'Argento Awards.
Frederick James Koenekamp, A.S.C. was an American cinematographer. He was the son of cinematographer Hans F. Koenekamp.
Russell Paul Carpenter, ASC is an American cinematographer and photographer, known for collaborating with directors James Cameron, Robert Luketic and McG. He won the Academy Award for Best Cinematography for the 1997 Best Picture-winning film Titanic.
The British Society of Cinematographers is an organisation formed in 1949 by Bert Easey, the then head of the Denham and Pinewood studio camera departments, to represent British cinematographers in the British film industry.
David Gribble is an Australian cinematographer and director of photography based in New South Wales. He has also worked in the United States, filming TV movies and other works.
Dana W. Gonzales is an American director and cinematographer from Los Angeles, California.
Jeffrey Scott Cronenweth, ASC is an American cinematographer based in Los Angeles, California who is known for his role as the director of photography on the David Fincher films Fight Club, The Social Network, The Girl with the Dragon Tattoo and Gone Girl. He graduated from the USC School of Cinematic Arts and was invited to join the cinematographers branch of the Academy of Motion Picture Arts and Sciences in 2004. He is the son of Jordan Cronenweth, one of the most influential cinematographers in motion picture history.
Larry Fong is an American cinematographer. He has been the director of photography for four Zack Snyder films: 300 (2007), Watchmen (2009), Sucker Punch (2011) and Batman v Superman: Dawn of Justice (2016).
Jerzy Karol Zieliński is a Polish cinematographer.
Michael Bradley Barrett is an American cinematographer. He is known for his work on Bobby, Kiss Kiss Bang Bang and Ted.
James Hawkinson is an American cinematographer known for his work in television, music videos, and film. He is best known for his critically acclaimed work on the Hannibal and The Man in the High Castle television series', for which he has received numerous accolades including a Primetime Emmy Award and a nomination for an ASC Award.
Sharon Calahan is an American cinematographer who was director of photography on the Pixar films A Bug's Life (1998), Toy Story 2 (1999), and Finding Nemo (2003), and was lighting director for Ratatouille (2007), Cars 2 (2011), and The Good Dinosaur (2015). She took part in the early rise of computer animated feature film making and the acceptance of that medium as cinematography. Calahan is the first member of the American Society of Cinematographers who was invited to join on the basis of a career entirely in animated film. She was nominated, with Bill Reeves, Eben Ostby, and Rick Sayre, for a 2000 BAFTA Award for Best Achievement in Special Visual Effects for A Bug's Life.
John Arnold (1889–1964) was an American cinematographer. He began his career in 1914, and in the next 15 years, he shot 86 films. He also worked in film administration, directing the cinematography department at MGM, and was president of the American Society of Cinematographers from 1931 through 1937, and again from 1939 to 1941. By 1938, he was regarded as one of the most authoritative experts on cinematography. He invented several pieces of camera equipment and was awarded two Oscars, both Technical Achievement Awards. The first was in 1938 for improvements on the semi-automatic follow focus device used on motion picture cameras, while the second was in 1940 for the development of the MGM mobile camera crane.
Cynthia Pusheck is an American film and television cinematographer. She co-founded and co-chairs the ASC Vision committee that supports people from under-represented groups who hope to build a career in cinematography. She was the first woman to serve as vice-president of the American Society of Cinematographers (ASC).