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The Visual Effects Society Award for Outstanding Animated Character in a Photoreal Feature is one of the annual awards given by the Visual Effects Society starting from 2002. Since its inception, the award's title has gone through six different title changes, and one major category shift. First awarded in 2002, the award was titled "Outstanding Character Animation in a Live Action Motion Picture" and given to the best character animation in a live action film, with no specific character cited. This would change in 2004, when the category was re-titled "Outstanding Performance by an Animated Character in a Live Action Motion Picture", and given to visual effects artists for work on a specified character. The category was again re-titled in 2008, this time to "Outstanding Animated Character in a Live Action Feature Motion Picture". In 2014, it was titled "Outstanding Performance of an Animated Character in a Photoreal/Live Action Feature Motion Picture", but changed in 2016 to "Outstanding Animated Performance in a Photoreal Feature" and once again in 2017 to its current title.
The Visual Effects Society Award for Outstanding Created Environment in a Photoreal Feature is one of the annual awards given by the Visual Effects Society starting from 2004. The award was originally titled "Outstanding Created Environment in a Live Action Motion Picture", and changed in 2007 to "Outstanding Created Environment in a Live Action Feature Motion Picture". It was again changed in 2009, this time to "Outstanding Created Environment in a Feature Motion Picture", and again in 2011 to "Outstanding Created Environment in a Live Action Feature Motion Picture". Before its final change in 2015, to its current title, it was re-titled in 2014 to "Outstanding Created Environment in a Photoreal/Live Action Feature Motion Picture".
The Make-Up Artists and Hair Stylists Guild Award for Best Period and/or Character Hair Styling in a Feature-Length Motion Picture is one of the awards given annually to people working in the motion picture industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to the hair stylists whose work has been deemed "best" in a given year, within a period-set film, and/or for specific character hair styling. The award was first given in 2014, during the sixth annual awards. For the first five ceremonies, the period and character aspects of the category were separated, and awarded individually.
The Make-Up Artists and Hair Stylists Guild Award for Best Makeup in Children and Teen Programming is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to makeup artists who work in television, whose work has been deemed "best" in a given year. It was first given in 2015.
The Make-Up Artists and Hair Stylists Guild Award for Best Hair Styling in Children and Teen Programming is one of the awards given annually to people working in the television industry by the Make-Up Artists and Hair Stylists Guild (MUAHS). It is presented to hair stylists who work in television, whose work has been deemed "best" in a given year. It was first given in 2015.
The Visual Effects Society Award for Outstanding Visual Effects in a Photoreal Picture is one of the annual awards given by the Visual Effects Society starting in 2002. While the award's title has changed several time within this period, the recipient has always been a visual effects-heavy feature film; film's with more background effects work have their own category, the Visual Effects Society Award for Outstanding Supporting Visual Effects in a Feature Motion Picture.
The Visual Effects Society Award for Outstanding Animated Character in an Animated Feature is one of the annual awards given by the Visual Effects Society starting from 2002. Since its inception, the award's title has gone through six title changes, and one major category shift. First awarded in 2002, the award was titled "Best Character Animation in an Animated Motion Picture" and given to the best character animation in an animated film, with no specific character cited. This would change in 2004, when the category was re-titled "Outstanding Performance by an Animated Character in an Animated Motion Picture", and given to visual effects artists for work on a specified character. as well as the voice actor for the character. The category was again re-titled in 2008, this time to "Outstanding Animated Character in an Animated Feature Motion Picture". In 2015, it was titled "Outstanding Animated Performance in an Animated Feature", but changed in 2017 to "Outstanding Animated Character in an Animated Feature", its current title.
The Visual Effects Society Award for Outstanding Created Environment in an Animated Feature is one of the annual awards given by the Visual Effects Society starting from 2011. The award was originally titled "Outstanding Created Environment in an Animated Feature Motion Picture", before being re-titled in 2016.
The Visual Effects Society Award for Outstanding Model in a Photoreal or Animated Project is one of the annual awards given by the Visual Effects Society. The award goes to artists whose work in models, miniatures, have been deemed worthy of recognition. Originally, the award was given separately to artists in both film and television, with the categories "Best Models and Miniatures in a Motion Picture" and "Best Models and Miniatures in a Televised Program, Music Video or Commercial". In 2004, there was only one category, recognizing only work in motion pictures with "Outstanding Models and Miniatures in a Motion Picture". In 2005, television was honored, once again, with "Outstanding Models and Miniatures in a Broadcast Program, Commercial or Music Video". Television series and/or televised content would be honored, intermittently, until 2015, when the category was redesigned to honor any motion media project. It has continued to do so since then.
The Visual Effects Society Award for Outstanding Virtual Cinematography in a CG Project is one of the annual awards given by the Visual Effects Society. The award goes to artists whose work in virtual cinematography. It was first awarded in 2003 and 2004 for, under the title "Best Visual Effects Photography in a Motion Picture", before being scrapped from the ceremony. The award was given separately to artists in live-action film, animated film, and commercials/television. These categories were first awarded in 2012. The following year, the category specifically awarding animated film was dropped, with only live-action film and commercial/television being awarded. In 2015, only live-action films were awarded. The following year, the category's title changed to "Outstanding Virtual Cinematography in a Photoreal Project". It has held its current title since 2020.
The Visual Effects Society Award for Outstanding Compositing in a Photoreal Feature is one of the annual awards given by the Visual Effects Society, starting in 2002. It is awarded to visual effects artists for their work in compositing.
The Visual Effects Society Award for Outstanding Visual Effects in a Photoreal Episode is one of the annual awards given by the Visual Effects Society starting in 2002. While the award's title has changed several time within this period, the recipient has always been a visual effects-heavy television episode. Episodes with more background effects work have their own category, the Outstanding Supporting Visual Effects in a Photoreal Episode. Until 2012, miniseries and television movies had their own category.
The Visual Effects Society Award for Outstanding Supporting Visual Effects in a Photoreal Episode is one of the annual awards given by the Visual Effects Society, starting in 2004. While the award's title has changed several time within this period, the recipients have been television episodes and/or movies or specials with less prominent, more subtle visual effects work.
The Visual Effects Society Award for Outstanding Compositing in a Photoreal Feature is one of the annual awards given by the Visual Effects Society, starting in 2012. It is awarded to visual effects artists for their work in effects simulations.
The Visual Effects Society Award for Outstanding Compositing in a Photoreal Episode is one of the annual awards given by the Visual Effects Society, starting in 2003. It is awarded to visual effects artists for their work in compositing. It has gone through several title changes over the years; from 2003 to 2012, the category included commercials in the category, before refocusing in 2013, specifically nominating television programs.
The Visual Effects Society Award for Outstanding Effects Simulations in an Episode, Commercial, or Real-Time Project is one of the annual awards given by the Visual Effects Society, starting in 2012. It is awarded to visual effects artists for their work in effects simulations.
The Visual Effects Society Award for Outstanding Created Environment in an Episode, Commercial, or Real-Time Project is one of the annual awards given by the Visual Effects Society starting from 2004. The award was originally titled "Outstanding Created Environment in a Live Action Broadcast Program", and changed in 2005 to "Outstanding Created Environment in a Live Action Broadcast Program, Commercial, or Music Video". It was again changed in 2009, this time to "Outstanding Created Environment in a Feature Motion Picture", and again in 2011 to "Outstanding Created Environment in a Live Action Feature Motion Picture". Before its final change in 2015, to its current title, it was re-titled in 2014 to "Outstanding Created Environment in a Photoreal/Live Action Feature Motion Picture".
The American Society of Cinematographers Award for Outstanding Achievement in Cinematography in Motion Picture, Limited Series, or Pilot Made for Television is an annual award given by the American Society of Cinematographers to cinematographers working in the field of television film, limited series or television pilots. It has been awarded, in some capacity, since 1986. From 2009 to 2013, pilot episodes were moved in competition with regular series, but returned in 2014, where it has since remained.
The American Society of Cinematographers Award for Outstanding Achievement in Cinematography in an Episode of a One-Hour Television Series – Commercial is an annual award given by the American Society of Cinematographers to cinematographers working in commercial television. It was first awarded in 2016, when the awards separated it Regular Series award, splitting ad-sponsored television programs and non-sponsored, cable or streaming series into two categories. In 2020, the distinction of "One-Hour" was added, as half-hour programs were given their own categories.
The American Society of Cinematographers Award for Outstanding Achievement in Cinematography in an Episode of a One-Hour Television Series – Non-Commercial is an annual award given by the American Society of Cinematographers to cinematographers working in non-commercial television. It was first awarded in 2016, when the awards separated it Regular Series award, splitting ad-sponsored television programs and non-sponsored, cable or streaming series into two categories. In 2020, the distinction of "One-Hour" was added, as half-hour programs were given their own categories.
References
- 1 2 3 ASC. "Past Nominees and Winners". ASC . Archived from the original on November 9, 2018. Retrieved May 31, 2021.
- ↑ Giardina, Carolyn (February 1, 2014). "ASC Awards: 'Gravity' Tops Cinematographer Honors". The Hollywood Reporter . Lynne Segall. Archived from the original on June 6, 2021. Retrieved June 6, 2021.
- ↑ Yamato, Jen (February 1, 2014). "28th Annual ASC Awards: 'Gravity's Emmanuel Lubezki Wins Feature Film Honor; TV Winners Include 'Killing Lincoln', 'Game Of Thrones', 'Drunk History'". Deadline . Penske Media Corporation. Archived from the original on September 21, 2018. Retrieved June 6, 2021.
- ↑ Hipes, Patrick (January 7, 2015). "ASC Awards Nominees: 'Birdman', 'Unbroken', 'Mr Turner' On Cinematographers List". Deadline . Penske Media Corporation. Archived from the original on January 10, 2015. Retrieved June 6, 2021.
- ↑ Giardina, Carolyn (February 15, 2015). "ASC Awards: 'Birdman' Tops Cinematography Honors". The Hollywood Reporter . Lynne Segall. Archived from the original on June 6, 2021. Retrieved June 6, 2021.
- ↑ Giardina, Carolyn (February 14, 2016). "ASC Awards: The Complete Winners List". The Hollywood Reporter . Lynne Segall. Archived from the original on August 19, 2024. Retrieved June 6, 2021.
- ↑ Giardina, Carolyn (February 4, 2017). "'Lion' Tops ASC Cinematographer Awards". The Hollywood Reporter . Lynne Segall. Archived from the original on June 6, 2021. Retrieved June 6, 2021.
- ↑ Hipes, Patrick (January 9, 2018). "ASC Awards Noms: 'Blade Runner 2049', 'Darkest Hour', 'Dunkirk', 'The Shape Of Water', 'Mudbound' On Marquee List". Deadline . Penske Media Corporation. Archived from the original on January 12, 2018. Retrieved June 6, 2021.
- ↑ Giardina, Carolyn (February 17, 2018). "Roger Deakins Wins American Society of Cinematographers Award". The Hollywood Reporter . Lynne Segall. Archived from the original on June 6, 2021. Retrieved June 6, 2021.
- ↑ Pederson, Erik (January 7, 2019). "ASC Awards Nominations: 'Roma', 'A Star Is Born' & Others Make Cinematographers' Cut". Deadline . Penske Media Corporation. Archived from the original on January 8, 2019. Retrieved June 7, 2021.
- ↑ Giardina, Carolyn (February 9, 2019). "ASC Awards: 'Cold War' Tops the Cinematographers Feature Competition". The Hollywood Reporter . Lynne Segall. Retrieved June 6, 2021.
- ↑ Tangcay, Jazz (January 3, 2020). "'Joker,' '1917' and 'The Irishman' Among Nominees for American Society of Cinematographers Awards". Variety . Penske Media Corporation. Archived from the original on January 4, 2020. Retrieved June 7, 2021.
- ↑ Petski, Denise and Diane Haithman (January 25, 2020). "'1917' Wins Cinematographers' Top Film Prize For Roger Deakins – The Complete Winners List". Deadline . Penske Media Corporation. Archived from the original on January 5, 2021. Retrieved June 7, 2021.
- ↑ Hipes, Patrick (March 10, 2021). "ASC Awards Nominations: 'Nomadland', 'Mank', 'Chicago 7', 'News Of The World', 'Cherry' Vie For Top Prize". Deadline . Penske Media Corporation. Archived from the original on March 28, 2021. Retrieved June 7, 2021.
- ↑ Giardina, Carolyn (April 18, 2021). "'Mank' Cinematographer Erik Messerschmidt Tops ASC Awards". The Hollywood Reporter . Lynne Segall. Archived from the original on June 7, 2021. Retrieved June 6, 2021.
- ↑ Hipes, Patrick (January 25, 2022). "ASC Awards Nominations Include 'Dune', 'Nightmare Alley', 'Belfast'". Deadline . Archived from the original on February 1, 2022. Retrieved August 19, 2024.
- ↑ Pedersen, Erik (21 March 2022). "ASC Awards: 'Dune' Takes Cinematographers' Top Film Prize – Full Winners List". Deadline. Archived from the original on 10 May 2022. Retrieved 18 August 2024.
- ↑ "ASC Announces 2022 Awards Nominees". The American Society of Cinematographers. Archived from the original on 2022-01-27. Retrieved 2024-08-19.
- ↑ Tangcay, Jazz (March 6, 2023). "'Elvis' DP Mandy Walker Makes History as First Woman to Win Top Honors at American Society of Cinematographers Awards – Full Winner's List". Archived from the original on March 4, 2024. Retrieved August 19, 2024.
- ↑ Tangcay, Jazz (January 11, 2024). "'Oppenheimer', 'Maestro', 'Killers of the Flower Moon' Among Nominees for American Society of Cinematographers Awards". Variety . Archived from the original on January 11, 2024. Retrieved August 19, 2024.
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