The American Society of Cinematographers (ASC), founded in Hollywood in 1919, is a cultural, educational, and professional organization that is neither a labor union nor a guild. The society was organized to advance the science and art of cinematography and gather a wide range of cinematographers to discuss techniques and ideas and to advocate for motion pictures as a type of art form. Currently, the president of the ASC is Shelly Johnson.
John Toll, ASC is an American cinematographer and television producer. Toll's filmography spans a wide variety of genres, including epic period drama, comedy, science fiction, and contemporary drama. He won the Academy Award for Best Cinematography in both 1994 and 1995 for Legends of the Fall and Braveheart respectively, and has also won numerous BAFTA, ASC, and Satellite Awards. He has collaborated with such directors as Francis Ford Coppola, Edward Zwick, Terrence Malick, Mel Gibson, Cameron Crowe, The Wachowskis, and Ang Lee.
Philip H. Lathrop, A.S.C. was an American cinematographer noted for his skills with wide screen technology and detailed approach to lighting and camera placement. He spent most of his life in movie studios. Lathrop was known for such films as Touch of Evil (1958), Lonely Are the Brave (1962), The Americanization of Emily (1964), The Cincinnati Kid (1965), Point Blank (1967), Finian's Rainbow (1968), The Traveling Executioner (1970), Portnoy's Complaint (1972), Earthquake (1974), Swashbuckler (1976), The Driver (1978), Moment by Moment (1978), A Change of Seasons (1980), Foolin' Around (1980), Loving Couples (1980), and Deadly Friend (1986).
Frederick Elmes, ASC is an American cinematographer, known for his association with the independent film movement. He is a long-time collaborator of directors David Lynch, Ang Lee, Charlie Kaufman, Jim Jarmusch, and Todd Solondz. He has won the Independent Spirit Award for Best Cinematography twice, for Wild at Heart (1990) and Night on Earth (1991), and a Primetime Emmy Award for Outstanding Cinematography for a Limited Series for The Night Of (2016).
Joseph Francis Biroc, ASC was an American cinematographer. He was born in New York City and began working in films at the Paragon Studios in Fort Lee, New Jersey. After working there for approximately six years, he moved to Los Angeles. Once in Southern California, Biroc worked at the RKO Pictures movie studio. During World War II, he served in the U.S. Army Signal Corps and filmed the Liberation of Paris in August 1944. In 1950, Biroc left RKO Pictures and freelanced on projects at various studios. In addition to his film work, which included It's a Wonderful Life (1946) and The Flight of the Phoenix (1965), Biroc worked on various television series, including the Adventures of Superman and Wonder Woman. He frequently collaborated with film director Robert Aldrich.
The 19th American Society of Cinematographers Awards were held on February 13, 2005, honoring the best cinematographers of film and television in 2004.
The 18th American Society of Cinematographers Awards were held on February 8, 2004, honoring the best cinematographers of film and television in 2003.
The 17th American Society of Cinematographers Awards were held on February 16, 2003, honoring the best cinematographers of film and television in 2002.
Stephen Goldblatt, A.S.C., B.S.C. is a South African-born British cinematographer, noted for his work on numerous high-profile action films, including the first two entries in the Lethal Weapon series, as well as for his recent collaborations with director Mike Nichols and Tate Taylor.
Guillermo Jorge Navarro Solares, AMC, ASC is a Mexican cinematographer and television director. He has worked in Hollywood since 1994 and is a frequent collaborator of Guillermo del Toro and Robert Rodriguez. In 2007, he won the Academy Award for Best Cinematography and the Goya Award for Best Cinematography for del Toro's Pan's Labyrinth. His subsequent filmography runs the gamut from lower-budget arthouse and genre films to high-profile blockbusters like Hellboy, Zathura: A Space Adventure, Night at the Museum, and Pacific Rim.
Thomas Del Ruth is a retired American cinematographer.
Dana W. Gonzales is an American director and cinematographer from Los Angeles, California.
Robert Scott Steindorff is an American television and film producer, executive producer, writer, and autism advocate.
Daniel Cohen, BSC is an English cinematographer. A member of the British Society of Cinematographers, he has worked on many feature films and television series, and is known for his collaborations with Tom Hooper, Stephen Frears, Shane Meadows, and Lenny Abrahamson. He has worked with Hooper on five occasions: Longford (2006), John Adams (2008), The King's Speech (2010), Les Misérables (2012), and The Danish Girl (2015). He was nominated for the Academy Award for Best Cinematography for The King's Speech, the BAFTA Award for Best Cinematography for Les Miserables, and the Primetime Emmy Award for Outstanding Cinematography for a Limited Series for John Adams.
Fabian Wagner is a German cinematographer. His roles in the production of the television shows Sherlock and Game of Thrones have earned him two Creative Arts Emmy Award nominations. In 2017 and 2020 respectively, he won the American Society of Cinematographers Award for Outstanding Achievement in Cinematography in Regular Series for his work on the Game of Thrones episode "Battle of the Bastards" and for his work on season 3 of The Crown.
James Hawkinson is an American cinematographer known for his work in television, music videos, and film. He is best known for his critically acclaimed work on the Hannibal and The Man in the High Castle television series', for which he has received numerous accolades including a Primetime Emmy Award and a nomination for an ASC Award.
The British Academy Television Craft Award for Best Photography & Lighting: Fiction is one of the categories presented by the British Academy of Film and Television Arts (BAFTA) within the British Academy Television Craft Awards, the craft awards were established in 2000 with their own, separate ceremony as a way to spotlight technical achievements, without being overshadowed by the main production categories. According to the BAFTA website, for this category the "eligibility is limited to the director of photography."
