The House I Live In | |
---|---|
Directed by | Mervyn LeRoy (uncredited) |
Written by | Albert Maltz |
Produced by | Frank Ross Mervyn LeRoy |
Starring | Frank Sinatra |
Cinematography | Robert De Grasse |
Edited by | Philip Martin |
Music by | Earl Robinson (music) Abel Meeropol (lyrics) |
Distributed by | RKO Radio Pictures |
Release date |
|
Running time | 10 minutes |
Country | United States |
Language | English |
The House I Live In is a ten-minute short film written by Albert Maltz, produced by Frank Ross and Mervyn LeRoy, and starring Frank Sinatra. Made to oppose anti-Semitism at the end of World War II, it received an Honorary Academy Award [1] and a special Golden Globe Award in 1946.
In 2007, this film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". [2] [3] It is also in the public domain. [4]
Sinatra, playing himself, takes a break from a recording session and steps outside to smoke a cigarette. While outside, Sinatra sees more than ten boys chasing a dark-haired boy and intervenes, first with dialogue, then with a short speech. His main points are that we are "all" Americans and that one American's blood is as good as another's.
The song originally appeared in the musical revue Let Freedom Sing, which opened on Broadway on October 5, 1942. Brooks Atkinson wrote in The New York Times : "Although Mordecai Bauman does not sing it particularly well, he sings it with earnest sincerity, without feeling that he must imitate youth by blasting the voice amplifying system and cutting a rug." [5] In the film, Sinatra sings the title song. His recording became a national hit. The music was written by Earl Robinson. Robinson was later blacklisted during the McCarthy era for being a member of the Communist Party. He also wrote campaign songs for the presidential campaigns of Franklin D. Roosevelt, Henry A. Wallace, and, in 1984, Jesse Jackson. The lyrics were written in 1943 by Abel Meeropol [6] under the pen name Lewis Allan. In 1957, Meeropol adopted two boys, Michael and Robert, who had been orphaned when their parents Julius and Ethel Rosenberg were executed in 1953. [6] Meeropol was enraged that the second verse of the song was not used in the film. When the film premiered, he protested against the deletion of the verse referring to "my neighbors white and black".[ citation needed ]
The song was covered in later years by Paul Robeson, [7] Mahalia Jackson, and Josh White. Sam Cooke also covered it. Kim Weston included it on her second post-Motown album This Is America (1968). Sinatra continued to include it in his repertory for decades. He performed it during a state dinner at the White House during the Nixon administration, [8] at the 1985 inaugural ceremonies of Ronald Reagan, and at the ceremony marking the centenary of the Statue of Liberty that same year. [6] Bill Cosby used a recording of the song to open some of his shows in 2002.[ citation needed ]
The song figures prominently in Arch Oboler's radio play The House I Live In, which aired on April 26, 1945. [9] It was sung by Hope Foye.
Francis Albert Sinatra was an American singer and actor. Nicknamed the "Chairman of the Board" and "Ol' Blue Eyes", he is regarded as one of the most popular entertainers of the 20th century. Sinatra is among the world's best-selling music artists, with an estimated 150 million record sales globally.
From Here to Eternity is a 1953 American romantic war drama film directed by Fred Zinnemann and written by Daniel Taradash, based on the 1951 novel of the same name by James Jones. It deals with the tribulations of three United States Army soldiers, played by Burt Lancaster, Montgomery Clift, and Frank Sinatra, stationed on Hawaii in the months leading up to the attack on Pearl Harbor. Deborah Kerr and Donna Reed portray the women in their lives. The supporting cast includes Ernest Borgnine, Philip Ober, Jack Warden, Mickey Shaughnessy, Claude Akins, and George Reeves.
On the Waterfront is a 1954 American crime drama film, directed by Elia Kazan and written by Budd Schulberg. It stars Marlon Brando, and features Karl Malden, Lee J. Cobb, Rod Steiger, Pat Henning and Eva Marie Saint in her film debut. The musical score was composed by Leonard Bernstein. The black-and-white film was inspired by "Crime on the Waterfront" by Malcolm Johnson, a series of articles published in November–December 1948 in the New York Sun which won the 1949 Pulitzer Prize for Local Reporting, but the screenplay by Budd Schulberg is directly based on his own original story. The film focuses on union violence and corruption among longshoremen, while detailing widespread corruption, extortion, and racketeering on the waterfronts of Hoboken, New Jersey.
Samuel George Davis Jr. was an American singer, actor, comedian, dancer, and musician.
Samuel Cohen, known professionally as Sammy Cahn, was an American lyricist, songwriter, and musician. He is best known for his romantic lyrics to films and Broadway songs, as well as stand-alone songs premiered by recording companies in the Greater Los Angeles Area. He and his collaborators had a series of hit recordings with Frank Sinatra during the singer's tenure at Capitol Records, but also enjoyed hits with Dean Martin, Doris Day and many others. He played the piano and violin, and won an Oscar four times for his songs, including the popular hit "Three Coins in the Fountain".
Abel Meeropol was an American songwriter and poet whose works were published under his pseudonym Lewis Allan. He wrote the poem and musical setting of "Strange Fruit" (1937), which was recorded by Billie Holiday.
"Strange Fruit" is a song written and composed by Abel Meeropol and recorded by Billie Holiday in 1939. The lyrics were drawn from a poem by Meeropol published in 1937. The song protests the lynching of Black Americans with lyrics that compare the victims to the fruit of trees. Such lynchings had reached a peak in the Southern United States at the turn of the 20th century and the great majority of victims were black. The song was described as "a declaration of war" and "the beginning of the civil rights movement" by Atlantic Records co-founder Ahmet Ertegun.
Axel Stordahl was an American arranger and composer who was active from the late 1930s through the 1950s. He is perhaps best known for his work with Frank Sinatra in the 1940s at Columbia Records. With his sophisticated orchestrations, Stordahl is credited with helping to bring pop arranging into the modern age.
"Body and Soul" is a popular song and jazz standard written in 1930 with music by Johnny Green and lyrics by Edward Heyman, Robert Sour and Frank Eyton. It was also used as the musical theme and underscoring in the American film noir boxing drama Body and Soul.
Frankly Sentimental is the fourth studio album by Frank Sinatra, released on June 20, 1949 as a set of four 78 rpm records and a 10" LP album. The tracks were arranged and conducted by Axel Stordahl and his orchestra. The album is composed of eight songs recorded in eight separate sessions in 1946 and 1947.
Point of No Return is the twenty-fifth studio album by American singer Frank Sinatra, released in March 1962 by Capitol Records. As the title reflects, the album contains Sinatra's final original recordings with Capitol Records before moving to his own Reprise Records label to achieve more artistic freedom with his recordings. However, Sinatra would later return to Capitol in order to record Duets (1993) and Duets II (1994).
"Day by Day" is a popular song with music by Axel Stordahl and Paul Weston and lyrics by Sammy Cahn.
"If You Are But a Dream" is a popular song published in 1942 with words and music by Moe Jaffe, Jack Fulton and Nat Bonx. The melody is based on Anton Rubinstein's "Romance in E flat, Op. 44, No. 1," popularly known as "Rubinstein's Romance".
"I Should Care" is a popular song with music by Axel Stordahl and Paul Weston and lyrics by Sammy Cahn, published in 1944. Cahn said that the title came to him by the time they played the first 4 bars. It first appeared in the MGM film Thrill of a Romance.
Jeff Alexander was an American conductor, arranger, and composer of film, radio and television scores.
"Guess I'll Hang My Tears Out to Dry" is a 1944 torch song and jazz standard, with music by Jule Styne and lyrics by Sammy Cahn. It was introduced on stage by film star Jane Withers in the show Glad To See You, which closed in Boston and never opened on Broadway. The duo Styne and Cahn had previously written songs for several of Withers' films.
The National Film Registry (NFR) is the United States National Film Preservation Board's (NFPB) collection of films selected for preservation, each selected for its historical, cultural and aesthetic contributions since the NFPB's inception in 1988.
Portrait of Sinatra: Columbia Classics is a compilation album by Frank Sinatra, released in 1997. This compilation was later re-released in 2010 as The Essential Frank Sinatra: The Columbia Years.
The Frank Sinatra Show was a title applied—in some cases specifically and in other cases generically—to several radio musical programs in the United States, some of which had other distinct titles as indicated below. Singer Frank Sinatra starred in the programs, some of which were broadcast on CBS, while others were on NBC.
Azure-Te is a blues ballad written in 1952 by lyricist Donald E. Wolf for a Wild Bill Davis tune that reached number 30 on the Billboard Hot 100 chart in September 1952 when covered by Frank Sinatra.