Sweet Adeline | |
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Directed by | Mervyn LeRoy |
Written by | Erwin S. Gelsey |
Based on | Sweet Adeline 1929 musical by Jerome Kern and Oscar Hammerstein II |
Produced by | Edward Chodorov |
Starring | Irene Dunne Donald Woods |
Cinematography | Sol Polito |
Edited by | Ralph Dawson Harold McLernon (uncredited) |
Music by | Heinz Roemheld (uncredited) |
Production company | |
Distributed by | Warner Bros. / The Vitaphone Corp. |
Release date |
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Running time | 82-95 minutes |
Country | United States |
Language | English |
Sweet Adeline is a 1934 musical film adaptation of the 1929 Jerome Kern/Oscar Hammerstein II Broadway play of the same title. It stars Irene Dunne and Donald Woods and was directed by Mervyn LeRoy.
Sid Barnett, a young composer, is in love with Adeline Schmidt, the daughter of a beer garden owner, but her father Oscar dislikes him, preferring the Spanish-American War hero Major Day. Because Schmidt is completely opposed to show business, Adeline's sister Nellie runs away to New York, hoping to pursue a career as an actress. Adeline goes after her.
When Sid sees Adeline, he insists that she is the only one who can sing the songs in his new operetta. After she shows she has talent to the director, he agrees to replace Spanish actress Elysia. Because sponsor Rupert Rockingham will only finance the play if Elysia stars, Day steps in and offers to back the play with Adeline as the star. During rehearsals, Adeline and Sid quarrel, and she starts spending more time with Day. Meanwhile, Rockingham has discovered that Elysia is a spy. He plans to keep her identity secret because of his love for her, but Nellie convinces him that she is really the right woman for him. When Day proposes that Adeline become his mistress in return for his support of the play, she is insulted and announces that she will not go on stage after all. Sid pleads with her not to ruin his first operetta and she finally agrees, making Elysia very jealous. During the performance, Elysia injures Adeline seriously and the play closes. Adeline and Sid are still not speaking until during another rehearsal, director Dan Herzig teases them into kissing each other.
The New York Times critic Andre Sennwald panned the film, writing, "except for the lovely Kern-Hammerstein music and one or two blazing production numbers in the best Warner Brothers style of extravaganza, 'Sweet Adeline' appears to snore in dulcet measures". [1]
Jerome David Kern was an American composer of musical theatre and popular music. One of the most important American theatre composers of the early 20th century, he wrote more than 700 songs, used in over 100 stage works, including such classics as "Ol' Man River", "Can't Help Lovin' Dat Man", "A Fine Romance", "Smoke Gets in Your Eyes", "The Song Is You", "All the Things You Are", "The Way You Look Tonight" and "Long Ago ". He collaborated with many of the leading librettists and lyricists of his era, including George Grossmith Jr., Guy Bolton, P. G. Wodehouse, Otto Harbach, Oscar Hammerstein II, Dorothy Fields, Johnny Mercer, Ira Gershwin and Yip Harburg.
Oscar Greeley Clendenning Hammerstein II was an American lyricist, librettist, theatrical producer, and director in musical theater for nearly 40 years. He won eight Tony Awards and two Academy Awards for Best Original Song. Many of his songs are standard repertoire for vocalists and jazz musicians. He co-wrote 850 songs.
Otto Abels Harbach, born Otto Abels Hauerbach was an American lyricist and librettist of nearly 50 musical comedies and operettas. Harbach collaborated as lyricist or librettist with many of the leading Broadway composers of the early 20th century, including Jerome Kern, Louis Hirsch, Herbert Stothart, Vincent Youmans, George Gershwin, and Sigmund Romberg. Harbach believed that music, lyrics, and story should be closely connected, and, as Oscar Hammerstein II's mentor, he encouraged Hammerstein to write musicals in this manner. Harbach is considered one of the first great Broadway lyricists, and he helped raise the status of the lyricist in an age more concerned with music, spectacle, and stars. Some of his more famous lyrics are "Smoke Gets in Your Eyes", "Indian Love Call" and "Cuddle up a Little Closer, Lovey Mine".
Show Boat is a musical with music by Jerome Kern and book and lyrics by Oscar Hammerstein II. It is based on Edna Ferber's best-selling 1926 novel of the same name. The musical follows the lives of the performers, stagehands and dock workers on the Cotton Blossom, a Mississippi River show boat, over 40 years from 1887 to 1927. Its themes include racial prejudice and tragic, enduring love. The musical contributed such classic songs as "Ol' Man River", "Make Believe", and "Can't Help Lovin' Dat Man".
Vincent Millie Youmans was an American Broadway composer and producer.
Show Boat is a 1936 American romantic musical film directed by James Whale, based on the 1927 musical of the same name by Jerome Kern and Oscar Hammerstein II, which in turn was adapted from the 1926 novel of the same name by Edna Ferber.
Gold Diggers of 1935 is an American musical film directed and choreographed by Busby Berkeley, his first time as a film's overall director. It stars Dick Powell, Adolphe Menjou, Gloria Stuart, Alice Brady, Hugh Herbert, Glenda Farrell, and Frank McHugh, and features Joseph Cawthorn, Grant Mitchell, Dorothy Dare, and Winifred Shaw. The songs were written by Harry Warren (music) and Al Dubin (lyrics). The film is best known for its famous "Lullaby of Broadway" production number. That song, sung by Shaw, also won the Academy Award for Best Original Song. The screenplay was by Manuel Seff and Peter Milne, based on a story by Robert Lord, who also produced the film, and Milne.
High, Wide and Handsome is a 1937 American musical western film starring Irene Dunne, Randolph Scott, Alan Hale Sr., Charles Bickford and Dorothy Lamour. The film was directed by Rouben Mamoulian and written by Oscar Hammerstein II and George O'Neil, with lyrics by Hammerstein and music by Jerome Kern. It was released by Paramount Pictures.
Little Mary Sunshine is a musical that parodies old-fashioned operettas and musicals. The book, music, and lyrics are by Rick Besoyan. The original Off-Broadway production premiered November 18, 1959 at the Orpheum Theatre in New York City's East Village. Staying in the neighborhood, it moved to the Player's Theatre on June 21, 1961, then, finally, to the Cherry Lane Theatre on March 21, 1962. Closing was Sept. 2, 1962. Combined run was 1,143 performances. It was seen briefly in a West End production in 1962 and has become a popular show for amateur and semi-professional groups in the United States and elsewhere.
Sunny is a 1941 American musical film directed by Herbert Wilcox and starring Anna Neagle, Ray Bolger, John Carroll, Edward Everett Horton, Grace Hartman, Paul Hartman, Frieda Inescort, and Helen Westley. It was adapted by Sig Herzig from the Jerome Kern-Oscar Hammerstein II musical play Sunny. It is the second film version of the musical; the first was Sunny, made in 1930.
"Why Was I Born?" is a 1929 song composed by Jerome Kern, with lyrics written by Oscar Hammerstein II.
Roberta is a 1935 American musical film released by RKO Radio Pictures and directed by William A. Seiter. It stars Irene Dunne, Fred Astaire, Ginger Rogers, and features Randolph Scott, Helen Westley, Victor Varconi and Claire Dodd. The film was an adaptation of the 1933 Broadway musical Roberta, which in turn was based on the novel Gowns by Roberta by Alice Duer Miller. It was a solid hit, showing a net profit of more than three-quarters of a million dollars.
The Chocolate Soldier is a 1941 American musical film directed by Roy Del Ruth. It uses original music from the Oscar Straus 1908 operetta of the same name, which was based on George Bernard Shaw’s 1894 play Arms and the Man. Unable to come to terms with Shaw, the studio used a story to which it already had rights: the Ferenc Molnár play The Guardsman,. The plot centers on the romantic misunderstandings and professional conflicts between two recently married opera singers, played by Metropolitan Opera star Risë Stevens and Nelson Eddy, who perform excerpts from the operetta during the film. This screenplay was written by Leonard Lee and Keith Winter. The Guardsman—a huge hit on Broadway in 1924— was brought to the screen in 1931, with Alfred Lunt and Lynn Fontanne reprising their stage roles as married actors.
Sweet Adeline is a musical with music by Jerome Kern, book and lyrics by Oscar Hammerstein II and original orchestration by Robert Russell Bennett. It premiered on Broadway in 1929. The story, set in the Gay Nineties, concerns a Hoboken, New Jersey girl who, unlucky in love, becomes a Broadway star.
"Make Believe" is a show tune from the 1927 Broadway musical Show Boat with music by Jerome Kern and lyrics by Oscar Hammerstein II.
"The Last Time I Saw Paris" is a song composed by Jerome Kern, with lyrics by Oscar Hammerstein II, published in 1940. It was sung in the 1941 film Lady Be Good by Ann Sothern.
Joseph Bridger Cawthorn was an American stage and film comic actor.
Three Sisters is a musical written by Oscar Hammerstein II and Jerome Kern (music). It concerns the romantic lives of three sisters.
Songs from the Pen of Jerome Kern is an album by Irene Dunne, released by Decca Records, which contained covers of six show tunes composed by Jerome Kern. It was re-released in 2011 with other songs that Dunne had sung in movies.