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"(You're the Flower of My Heart,) Sweet Adeline" is a ballad best known as a barbershop standard. It was first published in 1903, with lyrics by Richard Husch Gerard to music by Harry Armstrong, from a tune he had written in 1896 at the age of 18. According to a 1928 newspaper story, the lyrics were inspired "by a girl who worked at the music counter of a New York department store." [1] After failing to find a publisher with the initial title, "You're the Flower of My Heart, Sweet Rosalie", according to a story the two decided a new title was in order and were inspired by a poster advertising the farewell tour of opera singer Adelina Patti. [2] It did not become a hit until it was performed in 1904 by the group The Haydn Quartet. The Haydn Quartet's version was #1 for 10 weeks in 1904, and the Peerless Quartet also hit #1 with their version in 1904, for three weeks, according to Joel Whitburn's Pop Memories.
John F. Fitzgerald, who served as mayor of Boston, represented Massachusetts in Congress and was the maternal grandfather of President John F. Kennedy, made "Sweet Adeline" his theme song in 1909. Over the next four decades, he personally sang it at countless political and social events and on the radio.
A barbershop quartet is a group of four singers who sing music in the barbershop style, characterized by four-part harmony without instrumental accompaniment, or a cappella. The four voices are: the lead, the vocal part which typically carries the melody; a bass, the part which provides the bass line to the melody; a tenor, the part which harmonizes above the lead; and a baritone, the part that frequently completes the chord. The baritone normally sings just below the lead singer, sometimes just above as the harmony requires. Barbershop music is typified by close harmony— the upper three voices generally remain within one octave of each other.
Barbershop vocal harmony, as codified during the barbershop revival era (1930s–present), is a style of a cappella close harmony, or unaccompanied vocal music, characterized by consonant four-part chords for every melody note in a primarily homorhythmic texture. Each of the four parts has its own role: generally, the lead sings the melody, the tenor harmonizes above the melody, the bass sings the lowest harmonizing notes, and the baritone completes the chord, usually below the lead. The melody is not usually sung by the tenor or baritone, except for an infrequent note or two to avoid awkward voice leading, in tags or codas, or when some appropriate embellishment can be created. One characteristic feature of barbershop harmony is the use of what is known as "snakes" and "swipes". This is when a chord is altered by a change in one or more non-melodic voices. Occasional passages may be sung by fewer than four voice parts.
"Minnie the Moocher" is a jazz song co-written by American musician Cab Calloway and first recorded in 1931 by Calloway and his big band orchestra, selling over a million copies. "Minnie the Moocher" is famous for its nonsensical ad libbed lyrics, also known as scat singing. In performances, Calloway would have the audience and the band members participate by repeating each scat phrase in a form of a call and response, eventually making it too fast and complicated for the audience to replicate.
Walter Tetley was an American actor specializing in child impersonation during radio's classic era, with regular roles as Leroy Forrester on The Great Gildersleeve and Julius Abbruzzio on The Phil Harris-Alice Faye Show, as well as continuing as a voice-over artist in animated cartoons, commercials, and spoken-word record albums. He is perhaps best known as the voice of Sherman in the Jay Ward-Bill Scott Mr. Peabody TV cartoons.
"Oh, My Darling Clementine" is a traditional American, tragic but sometimes comic, Western folk ballad in trochaic meter usually credited to Percy Montross (1884), although it is sometimes credited to Barker Bradford.
"The Gang That Sang Heart of My Heart" is a popular song. The music and lyrics were written by Ben Ryan (1892–1968) in 1926. It reminisces about being in a youthful quartet, singing "Heart of My Heart".
"Lullaby of Broadway" is a popular song with music written by Harry Warren and lyrics by Al Dubin, published in 1935. The lyrics salute the nightlife of Broadway and its denizens, who "don't sleep tight until the dawn."
"The Merry-Go-Round Broke Down" is a song written in 1937 by Cliff Friend and Dave Franklin and published by Harms Inc., New York. It is best known as the theme tune for the Looney Tunes cartoon series and Merrie Melodies reissued cartoon series produced by Warner Bros. Cartoons, used from 1937 to 1969.
"Thanks for the Memory" (1938) is a popular song composed by Ralph Rainger with lyrics by Leo Robin. It was introduced in the 1938 film The Big Broadcast of 1938 by Bob Hope and Shirley Ross, and recorded by Shep Fields and His Orchestra featuring John Serry Sr. on accordion in the film and vocals by Bob Goday on Bluebird Records. Dorothy Lamour's solo recording of the song was also popular, and has led to many mistakenly believing over the years that it was she who sang the tune with Hope in the film.
"Moonlight Bay" is a popular song. It is commonly referred to as "On Moonlight Bay". The lyrics were written by Edward Madden, the music by Percy Wenrich, and was published in 1912. It is often sung in a barbershop quartet style. Early successful recordings in 1912 were by the American Quartet and by Dolly Connolly.
"By the Light of the Silvery Moon" or "By the Light of the Silv'ry Moon" is a popular love song. The music was written by Gus Edwards, and the lyrics by Edward Madden. The song was published in 1909 and first performed on stage by Lillian Lorraine in the Ziegfeld Follies of 1909. It was one of a series of moon-related Tin Pan Alley songs of the era. The song was also used in the short-lived Broadway show Miss Innocence when it was sung by Frances Farr.
"Let Me Call You Sweetheart" is a popular song, with music by Leo Friedman and lyrics by Beth Slater Whitson. The song was published in 1910 and was a huge hit for the Peerless Quartet in 1911. A recording by Arthur Clough was very popular the same year too. A 1924 recording identifies a Spanish title, "Déjame llamarte mía".
Betty Boop's Ker-Choo is a 1932 Fleischer Studios animated short film starring Betty Boop, and featuring Koko the Clown and Bimbo.
Sunny Side Up is a 1929 American pre-Code Fox Movietone musical film starring Janet Gaynor and Charles Farrell, with original songs, story, and dialogue by B. G. DeSylva, Lew Brown and Ray Henderson. The romantic comedy/musical premiered on October 3, 1929, at the Gaiety Theatre in New York City. The film was directed by David Butler, had (now-lost) Multicolor sequences, and a running time of 121 minutes.
Singing Valentines is the name for a fundraising program that is popular with barbershop choruses in the U.S., Canada and Australia. The delivery of Singing Valentines is usually done by a barbershop quartet from a chapter affiliated with the three major International barbershop societies:
"When the Red, Red Robin " is a popular song written, both words and music, by Harry Woods in 1926. The song became the signature song for singer and actress Lillian Roth, who performed it often during the height of her musical career from the late 1920s to the late 1930s.
Africa is a 1930 Walter Lantz cartoon short featuring Oswald the Lucky Rabbit.
Radio Rhythm is a 1931 short animated film featuring Oswald the Lucky Rabbit. It is among the vast majority of Oswald cartoons produced by Walter Lantz Productions. It is the 45th Lantz Oswald cartoon and the 97th cartoon in total.
Shipwreck is a 1931 short animated film starring Oswald the Lucky Rabbit. The film is the 37th Oswald cartoon by Walter Lantz Productions and the 89th overall.
Diablo Vista Chorus (DVC) is an amateur women's a cappella singing group, based in the "East Bay" of the San Francisco Bay area. DVC is a chapter of Sweet Adelines International, the world's largest singing organization for women, with over 21,000 members worldwide. DVC primarily performs four-part-harmony works, often in what is traditionally called "barbershop" style.