The Gay Nineties is an American nostalgic term and a periodization of the history of the United States referring to the decade of the 1890s. It is known in the United Kingdom as the Naughty Nineties, and refers there to the decade of supposedly decadent art of Aubrey Beardsley, the witty plays and trial of Oscar Wilde, society scandals and the beginning of the suffragette movement.[ citation needed ]
Despite the term, part of the decade was marked by an economic crisis, which greatly worsened when the Panic of 1893 set off a widespread economic depression in the United States that lasted until 1897.
The term Gay Nineties began to be used in the 1920s in the United States, and it is believed to have been created by the artist Richard V. Culter, who first released a series of drawings in Life magazine titled "the Gay Nineties" and later published a book of drawings with the same name. [1]
Novels by authors like Edith Wharton and Booth Tarkington documented the high life of the "old money" families. By the 1920s, the decade was nostalgically seen as a period of pre-income tax wealth for a newly emergent "society set". The railroads, the agricultural depression of the Southern United States, and the dominance of the United States in South American markets and the Caribbean meant that industrialists of the Northern United States seemed to have been doing very well.
It was also the name of a nostalgic radio program in the 1930s, hosted by a prominent composer of popular songs of the 1890s, Joe Howard, as well as an 1890s-themed New York cafe, "Bill's Gay Nineties", during that same period. [2] From the 1920s to the 1960s, filmmakers had a nostalgic interest in the 1890s as seen in the films The Naughty Nineties , She Done Him Wrong , Belle of the Nineties , The Strawberry Blonde , My Gal Sal , The Nifty Nineties (a Mickey Mouse cartoon), By the Light of the Silvery Moon , Hello, Dolly! , and Heaven Can Wait .
Roger Edens' song "The Gay Nineties" opens a production number spoofing period melodramas in Strike Up the Band , a 1940 MGM film starring Judy Garland and Mickey Rooney.
The Lost Generation was the social generational cohort in the Western world that was in early adulthood during World War I, and preceding the Greatest Generation. The generation is generally defined as people born from 1883 to 1900, coming of age in either the 1900s or the 1910s. The term is also particularly used to refer to a group of American expatriate writers living in Paris during the 1920s. Gertrude Stein is credited with coining the term, and it was subsequently popularised by Ernest Hemingway, who used it in the epigraph for his 1926 novel The Sun Also Rises: "You are all a lost generation." "Lost" in this context refers to the "disoriented, wandering, directionless" spirit of many of the war's survivors in the early postwar period.
The 1890s was a decade of the Gregorian calendar that began on January 1, 1890, and ended on December 31, 1899. In American popular culture, the decade would later be nostalgically referred to as the "Gay Nineties". In the British Empire, the 1890s epitomised the late Victorian period.
An economic depression is a period of carried long-term economic downturn that is the result of lowered economic activity in one major or more national economies. Economic depression maybe related to one specific country where there is some economic crisis that has worsened but most often reflexes historically the American Great Depression and similar economic status that may be recognized as existing at some country, several countries or even in many countries. It is often understood in economics that economic crisis and the following recession that maybe named economic depression are part of economic cycles where the slowdown of the economy follows the economic growth and vice versa. It is a result of more severe economic problems or a downturn than the recession itself, which is a slowdown in economic activity over the course of the normal business cycle of growing economy.
Animation in the United States in the television era was a period in the history of American animation that slowly set in with the decline of theatrical animated shorts and the popularization of television animation that started in 1959, reached its peak during the 1970s, and ended around 1986. This era is characterized by low budgets, limited animation, an emphasis on television over the theater, and the general perception of cartoons being primarily for children. Due to the perceived cheap production values, poor animation, and mixed critical and commercial reception, this era is sometimes referred to as the dark age of American animation by critics.
The Greatest Generation, also known as the G.I. Generation and the World War II Generation, is the Western demographic cohort following the Lost Generation and preceding the Silent Generation. The generation is generally defined as people born from 1901 to 1927. They were shaped by the Great Depression and were the primary generation composing the enlisted forces in World War II. Most people of the Greatest Generation are the parents of the Silent Generation and Baby Boomers, and, in turn, were the children of the Lost Generation.
Fin de siècle is a French term meaning "end of century,” a phrase which typically encompasses both the meaning of the similar English idiom "turn of the century" and also makes reference to the closing of one era and onset of another. Without context, the term is typically used to refer to the end of the 19th century. This period was widely thought to be a period of social degeneracy, but at the same time a period of hope for a new beginning. The "spirit" of fin de siècle often refers to the cultural hallmarks that were recognized as prominent in the 1880s and 1890s, including ennui, cynicism, pessimism, and "a widespread belief that civilization leads to decadence."
The Belle Époque or La Belle Époque is a period of French and European history, usually considered to begin around 1871–1880 and to end with the outbreak of World War I in 1914. Occurring during the era of the Third French Republic, it was a period characterised by optimism, regional peace, economic prosperity, colonial expansion, and technological, scientific, and cultural innovations. In this era of France's cultural and artistic climate, the arts markedly flourished, and numerous masterpieces of literature, music, theatre, and visual art gained extensive recognition.
The Yellow Book was a British quarterly literary periodical that was published in London from 1894 to 1897. It was published at The Bodley Head Publishing House by Elkin Mathews and John Lane, and later by John Lane alone, and edited by the American Henry Harland. The periodical was priced at 5 shillings and lent its name to the "Yellow Nineties", referring to the decade of its operation.
Retrofuturism is a movement in the creative arts showing the influence of depictions of the future produced in an earlier era. If futurism is sometimes called a "science" bent on anticipating what will come, retrofuturism is the remembering of that anticipation. Characterized by a blend of old-fashioned "retro styles" with futuristic technology, retrofuturism explores the themes of tension between past and future, and between the alienating and empowering effects of technology. Primarily reflected in artistic creations and modified technologies that realize the imagined artifacts of its parallel reality, retrofuturism can be seen as "an animating perspective on the world".
Animated films in the United States date back to at least 1906 when Vitagraph released Humorous Phases of Funny Faces. Although early animations were rudimentary, they rapidly became more sophisticated with such classics as Gertie the Dinosaur in 1914, Felix the Cat, Oswald the Lucky Rabbit, and Koko the Clown.
The Roaring Twenties, sometimes stylized as Roaring '20s, refers to the 1920s decade in music and fashion, as it happened in Western society and Western culture. It was a period of economic prosperity with a distinctive cultural edge in the United States and Europe, particularly in major cities such as Berlin, Buenos Aires, Chicago, London, Los Angeles, Mexico City, New York City, Paris, and Sydney. In France, the decade was known as the années folles, emphasizing the era's social, artistic and cultural dynamism. Jazz blossomed, the flapper redefined the modern look for British and American women, and Art Deco peaked.
A decade is a period of ten years. Decades may describe any ten-year period, such as those of a person's life, or refer to specific groupings of calendar years.
Economic progressivism or fiscalprogressivism is a political and economic philosophy incorporating the socioeconomic principles of social democrats and political progressives. These views are often rooted in the concept of social justice and have the goal of improving the human condition through government regulation, social protections and the maintenance of public goods. It is not to be confused with the more general idea of progress in relation to economic growth.
Silver Age is a term traditionally applied by Russian philologists to the last decade of the 19th century and first two or three decades of the 20th century. It was an exceptionally creative period in the history of Russian poetry, on par with the Golden Age a century earlier. The term Silver Age was first suggested by philosopher Nikolai Berdyaev, but it only became customary to refer thus to this era in literature in the 1960s. In the Western world other terms, including Fin de siècle and Belle Époque, are somewhat more popular. In contrast to the Golden Age, female poets and writers influenced the movement considerably, and the Silver Age is considered to be the beginning of the formal academic and social acceptance of women writers into the Russian literary sphere.
The Fourth Party System was the political party system in the United States from about 1896 to 1932 that was dominated by the Republican Party, except the 1912 split in which Democrats captured the White House and held it for eight years.
The Nifty Nineties is an animated short film produced in Technicolor by Walt Disney Productions and released to theaters on June 20, 1941, by RKO Radio Pictures. The animated short was directed by Riley Thomson and animated by Ward Kimball, Walt Kelly, Fred Moore, Claude Smith, David Swift, and Les Clark with effects animation by Art Fitzpatrick. It was the 113th short in the Mickey Mouse film series to be released, and the fourth in that year. The film stars Mickey and Minnie Mouse and romanticizes the decade of the 1890s.
Liberalism in the United States is based on concepts of unalienable rights of the individual. The fundamental liberal ideals of freedom of speech, freedom of the press, freedom of religion, the separation of church and state, the right to due process, and equality before the law are widely accepted as a common foundation of liberalism. It differs from liberalism worldwide because the United States has never had a resident hereditary aristocracy, and avoided much of the class warfare that characterized Europe. According to American philosopher Ian Adams, "all U.S. parties are liberal and always have been. Essentially they espouse classical liberalism, that is a form of democratised Whig constitutionalism plus the free market. The point of difference comes with the influence of social liberalism and the proper role of government."
Nightmare Sisters is a 1988 direct-to-video, low-budget, horror comedy. It is notable as one of only two films in which 1980s scream queens Linnea Quigley, Brinke Stevens, and Michelle Bauer appear together, excluding later reunion films such as 1313:Cougar Cult.
The Reagan era or Age of Reagan is a periodization of recent American history used by historians and political observers to emphasize that the conservative "Reagan Revolution" led by President Ronald Reagan in domestic and foreign policy had a lasting impact. It overlaps with what political scientists call the Sixth Party System. Definitions of the Reagan era universally include the 1980s, while more extensive definitions may also include the late 1970s, the 1990s, and even the 2000s. In his 2008 book, The Age of Reagan: A History, 1974–2008, historian and journalist Sean Wilentz argues that Reagan dominated this stretch of American history in the same way that Franklin D. Roosevelt and his New Deal legacy dominated the four decades that preceded it.
Richard V. Culter was an American artist who gained fame as an illustrator known primarily for his detailed drawings of people.
| |||||||||||||||||||||||||||||
| |||||||||||||||||||||||||||||
| |||||||||||||||||||||||||||||
| |||||||||||||||||||||||||||||
