The Broadway Melody, also known as The Broadway Melody of 1929, is a 1929 American pre-Code musical film and the first sound film to win an Academy Award for Best Picture. It was one of the early musicals to feature a Technicolor sequence, which sparked the trend of color being used in a flurry of musicals that would hit the screens in 1929–1930. Today, the Technicolor sequence survives only in black and white. The film was the first musical released by Metro-Goldwyn-Mayer and was Hollywood's first all-talking musical.
The Dove is a 1927 American silent romantic drama film directed by Roland West based on a 1925 Broadway play by Willard Mack and starring Norma Talmadge, Noah Beery, and Gilbert Roland.
The Barker is a 1928 American part-talkie pre-Code romantic drama film produced and released by First National Pictures, a subsidiary of Warner Bros., acquired in September 1928. The film was directed by George Fitzmaurice and stars Milton Sills, Dorothy Mackaill, Betty Compson, and Douglas Fairbanks Jr. The Barker is a part-talkie with talking sequences and sequences with synchronized musical scoring and sound effects. The film was adapted by Benjamin Glazer, Joseph Jackson and Herman J. Mankiewicz from the play by Kenyon Nicholson.
The Private Life of Helen of Troy is a 1927 American silent comedy adventure film about Helen of Troy based on the 1925 novel of the same name by John Erskine, and adapted to screen by Gerald Duffy. The film was directed by Alexander Korda and starred María Corda as Helen, Lewis Stone as Menelaus, and Ricardo Cortez as Paris.
Blackmail is a 1929 British thriller directed by Alfred Hitchcock and starring Anny Ondra, John Longden, and Cyril Ritchard. Based on the 1928 play of the same name by Charles Bennett, the film is about a London woman who is blackmailed after killing a man who tries to rape her.
The Singing Fool is a 1928 American sound part-talkie musical drama motion picture directed by Lloyd Bacon which was released by Warner Bros. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. The film stars Al Jolson and is a follow-up to his previous film, The Jazz Singer. It is credited with helping to cement the popularity of American films of both sound and the musical genre. The film entered the public domain on January 1, 2024.
Show Boat is a 1936 American romantic musical film directed by James Whale, based on the 1927 musical of the same name by Jerome Kern and Oscar Hammerstein II, which in turn was adapted from the 1926 novel of the same name by Edna Ferber.
Gold Diggers of 1935 is an American musical film directed and choreographed by Busby Berkeley, his first time as a film's overall director. It stars Dick Powell, Adolphe Menjou, Gloria Stuart, Alice Brady, Hugh Herbert, Glenda Farrell, and Frank McHugh, and features Joseph Cawthorn, Grant Mitchell, Dorothy Dare, and Winifred Shaw. The songs were written by Harry Warren (music) and Al Dubin (lyrics). The film is best known for its famous "Lullaby of Broadway" production number. That song, sung by Shaw, also won the Academy Award for Best Original Song. The screenplay was by Manuel Seff and Peter Milne, based on a story by Robert Lord, who also produced the film, and Milne.
Don Juan is a 1926 synchronized sound American romantic adventure film directed by Alan Crosland. It is the first feature-length film to utilize the Vitaphone sound-on-disc sound system with a synchronized musical score and sound effects, though it has no spoken dialogue. The film is inspired by Lord Byron's 1821 epic poem of the same name. The screenplay was written by Bess Meredyth with intertitles by Maude Fulton and Walter Anthony.
The Show of Shows is a 1929 American pre-Code musical revue film directed by John G. Adolfi and distributed by Warner Bros. The all-talking Vitaphone production cost almost $800,000 and was shot almost entirely in Technicolor.
The Mysterious Island is a 1929 American sound part-talkie science fiction film directed by Lucien Hubbard, based on Jules Verne's 1874 novel L'Île mystérieuse. The film was photographed largely in two-color Technicolor. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The sound was recorded via the Western Electric sound-on-film process. The film was released by Metro-Goldwyn-Mayer.
Fredrick Louis Kohler was an American actor.
Paris is a 1929 American pre-Code musical comedy film, featuring Irène Bordoni. It was filmed with Technicolor sequences: four of the film's ten reels were originally photographed in Technicolor.
The Gold Diggers is a Warner Bros. silent comedy film directed by Harry Beaumont with screenplay by Grant Carpenter based on the play The Gold Diggers by Avery Hopwood which ran for 282 performances on Broadway in 1919 and 1920. Both the play and the film were produced by David Belasco. The film stars Hope Hampton, Wyndham Standing, and Louise Fazenda. It was also the (uncredited) film debut of Louise Beavers.
My Man is a 1928 black and white sound part-talkie American comedy-drama musical film directed by Archie Mayo starring Fanny Brice and featuring Guinn "Big Boy" Williams. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system.
Scarlet Pages is a 1930 pre-Code American crime drama film with songs starring Elsie Ferguson and directed by Ray Enright. It was produced and distributed by First National Pictures, a subsidiary of Warner Bros. The film stars Elsie Ferguson, John Halliday, Grant Withers and Marian Nixon. Scarlet Pages is based on a 1929 Broadway play of the same name that Ferguson also starred in. It is similar in theme to the better remembered Five Star Final, also by Warners released a year later. The film simultaneously marked the first time Ferguson appeared in a sound film and the last film she ever made.
Weary River is a 1929 American sound part-talkie romantic drama film directed by Frank Lloyd and starring Richard Barthelmess, Betty Compson, and William Holden. The film was produced and distributed by First National Pictures. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score, singing and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system.
The Squall is a 1929 American pre-Code drama film directed by Alexander Korda and starring Myrna Loy, Richard Tucker, Alice Joyce and Loretta Young, and based on the 1926 play The Squall by Jean Bart.
Show Girl is a 1928 American synchronized sound comedy-drama film starring Alice White and Donald Reed. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. The film was based on the first of J. P. McEvoy's two Dixie Dugan novels, as was the 1929 musical. It was followed by a sequel, Show Girl in Hollywood (1930).
His Captive Woman is a 1929 American sound part-talkie part-talking drama film directed by George Fitzmaurice and starring Milton Sills and Dorothy Mackaill. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. This film is "based on the short story "Changeling" by Donn Byrne in Changeling and Other Stories ." It was produced and distributed by First National Pictures which was already a subsidiary of the Warner Brothers studios. Both Mackaill and Sills as well as director Fitzmaurice had worked together on the previous year's The Barker.
