Screwball comedy is a film subgenre of the romantic comedy genre that became popular during the Great Depression, beginning in the early 1930s and thriving until the early 1940s, that satirizes the traditional love story. It has secondary characteristics similar to film noir, distinguished by a female character who dominates the relationship with the male central character, whose masculinity is challenged, and the two engage in a humorous battle of the sexes.
Carole Lombard was an American actress, particularly noted for her energetic, often off-beat roles in screwball comedies. In 1999, the American Film Institute ranked Lombard 23rd on its list of the greatest female stars of Classic Hollywood Cinema.
Five Star Final is a 1931 American pre-Code drama film about the excesses of tabloid journalism directed by Mervyn LeRoy and starring Edward G. Robinson, Aline MacMahon and Boris Karloff. The screenplay was by Robert Lord and Byron Morgan based on the 1930 play of the same name by Louis Weitzenkorn. The title refers to the practice of newspapers publishing a series of editions throughout the day, with their final-edition front page having five stars printed and the word "Final." "Five Star Final" is also a font introduced during World War I and then favored by newspapers for its narrow type.
Mervyn LeRoy was an American film director and producer. In his youth he played juvenile roles in vaudeville and silent film comedies.
Twentieth Century is a 1934 American pre-Code screwball comedy film directed by Howard Hawks and starring John Barrymore and Carole Lombard. Much of the film is set on the 20th Century Limited train as it travels from Chicago to New York City. Ben Hecht and Charles MacArthur adapted their 1932 Broadway play of the same name – itself based on the unproduced play Napoleon of Broadway by Charles Bruce Millholland – with uncredited contributions from Gene Fowler and Preston Sturges.
Mr. & Mrs. Smith is a 1941 American screwball comedy film directed by Alfred Hitchcock, written by Norman Krasna, and starring Carole Lombard and Robert Montgomery. It also features Gene Raymond, Jack Carson, Philip Merivale, and Lucile Watson.
Carefree is a 1938 American musical comedy film directed by Mark Sandrich and starring Fred Astaire, Ginger Rogers and Ralph Bellamy. With a plot similar to screwball comedies of the period, Carefree is the shortest of the Astaire-Rogers films, featuring only four musical numbers. Carefree is often remembered as the film in which Astaire and Rogers shared a long on-screen kiss at the conclusion of their dance to "I Used to Be Color Blind," all previous kisses having been either quick pecks or simply implied.
The Princess Comes Across is a 1936 American mystery comedy film directed by William K. Howard and starring Carole Lombard and Fred MacMurray, the second of the four times they were paired together. Lombard, playing an actress from Brooklyn pretending to be a Swedish princess, does a "film-length takeoff" on MGM's Swedish star Greta Garbo. The film was based on the 1935 novel A Halálkabin by Louis Lucien Rogger, the pseudonym of Laszlo Aigner and Louis Acze.
Hands Across the Table is a 1935 American romantic screwball comedy film directed by Mitchell Leisen and released by Paramount Pictures. It stars Carole Lombard as a manicurist looking for a rich husband and Fred MacMurray as a poor playboy, with Ralph Bellamy as a wealthy ex-pilot in a wheelchair. The teaming of Lombard and MacMurray was so well received, they went on to make three more films together, The Princess Comes Across (1936), Swing High, Swing Low (1937), and True Confession (1937).
Dale H. "Ted" Tetzlaff was an Academy Award-nominated Hollywood cinematographer active in the 1930s and 1940s.
No Man of Her Own is a 1932 American pre-Code romantic comedy-drama film starring Clark Gable and Carole Lombard as a married couple in their only film together, several years before their own legendary marriage in real life. The film was directed by Wesley Ruggles, and originated as an adaptation of No Bed of Her Own, a 1931 novel by Val Lewton, but ended up based more on a story by Benjamin Glazer and Edmund Goulding, although it retained the title from Lewton's novel. It is not related to the 1950 film of the same name.
Fernand Gravey, also known as Fernand Gravet in the United States, was the son of actors Georges Mertens and Fernande Depernay, who appeared in silent films produced by pioneer Belge Cinéma Film.
I Take This Woman is a 1931 American pre-Code romance film directed by Marion Gering and starring Gary Cooper and Carole Lombard.
Love Before Breakfast is a 1936 American romantic comedy film starring Carole Lombard, Preston Foster, and Cesar Romero, based on Faith Baldwin's short story Spinster Dinner, published in International-Cosmopolitan in July 1934. The film was directed by Walter Lang from a screenplay by Herbert Fields assisted by numerous contract writers, including Preston Sturges.
I Found Stella Parish is a 1935 American melodrama film directed by Mervyn LeRoy and starring Kay Francis, Ian Hunter and Paul Lukas. It was produced by Warner Bros. and shot at the company's Burbank Studios. Francis plays a celebrated actress whose dark secret is revealed to the world.
The Road to Singapore is a 1931 American pre-Code romantic drama film directed by Alfred E. Green and starring William Powell and Doris Kenyon, who play two thirds of a romantic triangle, along with Louis Calhern. It was produced and distributed by Warner Bros. The film's sets were designed by the art director Anton Grot. This film is preserved by the Library of Congress.
Molly and Me is a 1945 American comedy film directed by Lewis Seiler and starring Monty Woolley, Gracie Fields, Reginald Gardiner and Roddy McDowall and released by 20th Century Fox. The screenplay was based on the novel written by Frances Marion and adapted by Roger Burford.
And Then There Were None is a 1945 film adaptation of Agatha Christie's 1939 mystery novel of the same name, directed by René Clair. It was released in the United Kingdom as Ten Little Indians, in keeping with the third United Kingdom title of Christie's novel.
Boy Meets Girl is a 1938 American screwball comedy film directed by Lloyd Bacon and starring James Cagney and Pat O'Brien. The supporting cast features Marie Wilson, Ralph Bellamy, Frank McHugh, Dick Foran and Ronald Reagan. The screenplay by Bella and Sam Spewack is based on their 1935 stage play of the same name, which ran for 669 performances on Broadway. The two zany screenwriters played by Cagney and O'Brien were based on Ben Hecht and Charles MacArthur, while Ralph Bellamy's part as the producer was based on Darryl Zanuck of 20th Century Fox.
A Notorious Affair is a 1930 American pre-Code drama film, produced and released by First National Pictures. It was directed by Lloyd Bacon, starred Billie Dove, and featured Basil Rathbone and Kay Francis. The film was adapted from the play Fame, which was written by Audrey and Waverly Carter.
