My Man Godfrey

Last updated

My Man Godfrey
My Man Godfrey (1936 poster - Style C).jpg
Theatrical release poster by Karoly Grosz [1]
Directed by Gregory La Cava
Screenplay by Morrie Ryskind
Eric Hatch
Contributing writers:
Zoë Akins
Robert Presnell Sr.
Based on1101 Park Avenue
1935 novel
by Eric Hatch
Produced by Charles R. Rogers
Starring William Powell
Carole Lombard
Cinematography Ted Tetzlaff
Edited by Ted J. Kent
Russell F. Schoengarth
Music by Charles Previn
Rudy Schrager
(both uncredited)
Production
company
Distributed byUniversal Pictures
Release date
  • September 6, 1936 (1936-09-06)
Running time
94–95 minutes [2]
CountryUnited States
LanguageEnglish
Budget$575,375 [3]
Box office$684,200 [4]

My Man Godfrey is a 1936 American screwball comedy film directed by Gregory La Cava and starring William Powell and Carole Lombard, who had been briefly married years before appearing together in the film. [2] [5] The screenplay for My Man Godfrey was written by Morrie Ryskind and Eric S. Hatch, with uncredited contributions by La Cava, based on Hatch's 1935 novel, 1101 Park Avenue. The story concerns a socialite who hires a derelict to be her family's butler, and then falls in love with him.

Contents

The film was critically acclaimed, and was nominated for six Oscars in the 9th Academy Awards including best actor for leads Powell and Lombard, supporting actors Auer and Brady, director and screenplay. It has a 97% approval rating on Rotten Tomatoes.

In 1999, the original version of My Man Godfrey was deemed "culturally significant" by the United States Library of Congress and selected for preservation in the National Film Registry. The film was remade in 1957 with June Allyson and David Niven in the starring roles.

Plot

During the Great Depression, Godfrey Smith lives with other homeless men at a New York City dump in a Hooverville by the East River. One night, spoiled socialite Cornelia Bullock offers him $5 to be her "forgotten man" for a scavenger hunt. Godfrey refuses and makes her retreat and fall on a pile of ashes, much to the glee of her younger sister Irene. Godfrey finds Irene to be kind and offers to go with her to help her beat Cornelia and satisfy his curiosity regarding their scavenger hunt.

In the ballroom of the Waldorf-Ritz Hotel, Irene's businessman father Alexander Bullock waits resignedly, as his ditsy wife Angelica and her mooching protégé Carlo play the game. Godfrey is authenticated as a "forgotten man", allowing Irene to win that part of the hunt. He takes the opportunity to publicly express his contempt for the players' antics before leaving in a huff. An apologetic Irene decides to make Godfrey her protégé and hires him as the new family butler.

On his first day as butler, Godfrey is warned by the Bullocks' longtime maid Molly that he is merely the latest in a long line of butlers who did not last long due to the female Bullocks' antics. Despite this, he proves to be up to the challenge, though Cornelia holds a grudge against him. Irene becomes infatuated with Godfrey, and he tries unsuccessfully to discourage her. She kisses him, causing him to politely but firmly outline the boundaries of their employee-employer relationship.

Eventually, Godfrey is recognized by his longtime friend Tommy Gray at a tea party thrown by Irene. Godfrey makes up a story that he was Tommy's valet at Harvard; Tommy plays along by embellishing Godfrey's story with a nonexistent wife and five children. Upon hearing this, Irene impulsively announces her engagement to a surprised Charlie Van Rumple, but breaks down in tears and flees after being congratulated by Godfrey.

Over lunch the next day, Tommy wonders what one of the elite "Parkes of Boston" is doing as a servant. Godfrey explains that when he lost the woman he loved, he considered suicide, but the undaunted attitude of the homeless men living at the dump rekindled his spirits.

Eventually, Irene breaks her engagement with Charlie. Cornelia attempts to seduce Godfrey on his day off, but when he rebuffs her, she plants her pearl necklace under Godfrey's mattress and calls the police to report it missing. However, the police do not find them. Mr. Bullock realizes his daughter has orchestrated the whole thing and informs her that the pearls are not insured.

The Bullocks send their daughters to Europe to help Irene get over her broken engagement to Charlie, but when they return, her feelings for Godfrey have not changed. She stages a fainting spell and swoons into Godfrey's arms, who soon realises she is faking it. Godfrey puts her in the shower and turns on the cold water. This, however, has an unexpected result. Irene says, "Oh Godfrey, now I know you love me...You do or you wouldn't have lost your temper."

Godfrey quits. Before he leaves, Mr. Bullock throws Carlo out (literally) and tells his family that his business is in dire straits and he will likely go to jail. However, Godfrey provides good news: when he had realized Mr. Bullock's situation, sold short, using some of the money raised by pawning Cornelia's pearl necklace to buy up the stock that Bullock had sold. He gives the stock back to Mr. Bullock, saving the family from financial ruin. Godfrey also returns the necklace to Cornelia, who humbly expresses her gratitude and remorse for her behavior.

With the rest of the money Godfrey got for Cornelia's necklace, he and Tommy become business partners and convert the now-filled-in dump into a fashionable nightclub called "The Dump", which creates jobs for the homeless men with a plan to build housing for 50 of them. A determined Irene tracks Godfrey to his office and apartment at The Dump, makes it clear that she is moving in, and, when Tommy sends in New York's mayor to marry them, Irene leads a startled Godrey up by the hand and says "Stand still Godfrey, it'll all be over in a minute".

Cast

Eugene Pallette, Mischa Auer and Alice Brady in My Man Godfrey My Man Godfrey.jpg
Eugene Pallette, Mischa Auer and Alice Brady in My Man Godfrey

Production

The film is based on the 1935 Eric S. Hatch novel, 1101 Park Avenue. [6] Charles Rogers, head of Universal, called it "a sure-fire laugh-getting novel". That studio purchased the film rights and assigned Hatch to write the script with Morrie Ryskind, who received top billing for the screenplay. Rogers hired Gregory La Cava to direct, "the best comedy director in Hollywood." [7]

Casting

It was the first major film from Universal after that studio had been taken over by new management, including head of production Charles Rogers. However the studio did not have any major stars under contract apart from Buck Jones, Boris Karloff and Edward Everett Horton, and needed to borrow some from other studios. [8]

The studio's original choice to play Irene, the part eventually played by Carole Lombard, was Constance Bennett, and Miriam Hopkins also was considered, but the director Gregory La Cava would only agree to Bennett if Universal borrowed William Powell from MGM. Powell, for his part, only would take the role if Carole Lombard played Irene. Powell and Lombard had divorced three years earlier, but remained good friends. [2] [9] [10]

Powell's casting was announced in January 1936. [11] Universal borrowed Lombard from Paramount. As part of the deal, Universal loaned Paramount's Margaret Sullavan for the film I Love a Soldier, and Lombard's clothes designer, Travis Banton, accompanied her. [12] Alice Brady joined the cast in March. [13]

Shooting

My Man Godfrey was in production from April 15 to May 27, 1936, and then had retakes in early June of the year. [2] Its budget was $575,375; Powell was paid $87,500 and Lombard $45,645. [3] The film was one of the first under the new regime of Charles Rogers at Universal, although it had been developed under his predecessor Carl Laemmle Jr. [3] [14]

La Cava, a former animator and freelancer for most of his film career, held studio executives in contempt and was known to be a bit eccentric. When he and Powell hit a snag over a disagreement about how Godfrey should be portrayed, they settled things over a bottle of Scotch. The next morning, La Cava showed up for shooting with a headache, but Powell didn't appear. Instead, the actor sent a telegram stating: "WE MAY HAVE FOUND GODFREY LAST NIGHT BUT WE LOST POWELL. SEE YOU TOMORROW." [15]

Due to insurance considerations a stand-in stuntman (Chick Collins) was used when Godfrey carried Irene over his shoulder up the stairs to her bedroom. [2] [16]

In a premiere special in the Los Angeles Times, Universal producer Rogers said it was key to the film's production to make "everyone connected with the picture" feel "a happy-go-lucky mood," and "keep them laughing... madder and merrier the better," "while you're shooting the picture." Film crew described star Lombard as "a good egg" who "never stands on ceremony,... impulsive,... outspoken... extremely frank," always "gay," and particularly "a friend to everyone" who worked with her. They also called Powell as "a good egg," and humble, who asked for no special considerations, and praised others' work. [14]

When tensions hit a high point on the set, Lombard had a habit of inserting four-letter words into her dialogue, often to the great amusement of the cast. This made shooting somewhat difficult, but clips of her cursing in her dialogue and messing up her lines can still be seen in blooper reels, along with four-letter words from Powell. [10] [17] [18]

Release and reception

Original

It was the first film released under the aegis of Charles Rogers and was given a big premiere at The Pantages Theatre in Hollywood, with comedian George Jessel as master of ceremonies. [14] My Man Godfrey premiered on September 6, 1936, and was released in the United States on September 17. [2] It was a runaway hit and earned huge profits for the studio. [15] [18]

The movie was one of the most acclaimed comedies of 1936. [19] [20] Variety called it a "splendidly produced comedy," with Powell and Lombard "pleasantly teamed" as Lombard plays the most "screwy" of the various "screwball dames" she has ever played. [20]

Writing for The Spectator in 1936, Graham Greene gave the film a moderately positive review, characterizing it as "acutely funny [for three-quarters of its way]". Particularly praising the scene of the scavenging party, Greene finds it to be "perhaps the wittiest, as well as noisiest, sequence of the year". Considering the end of the film, however, he notes that "the social conscience is a little confused" and he wishes for a more "dignified exit". [21]

Modern

Modern critics have praised it as enduring amusement, and truth, and as a "landmark" icon of the 1930s screwball comedy film concept, and the overall craft of filmmaking. [10] [17] [22] [23] [24]

In 1999, the film was selected for the Library of Congress's National Film Registry (NFR) of motion pictures "selected for... historical, cultural and aesthetic contributions," saying that "Carole Lombard sparkles [at] one of her greatest roles," in this "comedic take and sometimes caustic commentary on the Great Depression," adding "William Powell portrays Godfrey with knife-edged delivery," in "one of the most exemplary screwball comedies of the 1930s." The NFR also praises Ted Tetzlaff's black-and-white cinematography. [25] [26] [27]

In 2023, Time magazine selected it as one of the "100 Best Movies of the Last 10 Decades," placing it among "the greatest romantic comedies" to come out of that "decade full of terrific ones." [9]

"God,... this film is beautiful," declared critic Roger Ebert, who praised the cinematography as "a shimmering argument" for the virtues of films produced in black-and-white, rather than color. He praised the film, and "the actors in it,... its style of production," even... "the system that produced it," as an escape from today's "pop culture of brainless vulgarity." [28]

Critics have also praised the elegant set design and costumes, particularly Travis Banton's costume designs. [17] [28] [18]

Awards and honors

YearAward ceremonyCategoryNomineeResult
1937 Academy Awards [29] Best Director Gregory La Cava Nominated
Best Actor William Powell Nominated
Best Actress Carole Lombard Nominated
Best Supporting Actor Mischa Auer Nominated
Best Supporting Actress Alice Brady Nominated
Best Adapted Screenplay Eric Hatch, Morrie Ryskind Nominated

My Man Godfrey was the first movie to be nominated in all four acting categories, [22] in the first year that supporting categories were introduced. It is also the only film in Oscar history to receive a nomination in all four acting categories and not be nominated for Best Picture. It was the only film to be nominated in these six categories and not receive any award until 2013's American Hustle . [16]

In 1999, the film was deemed "culturally significant" by the United States Library of Congress and selected for preservation in the National Film Registry. [30] In 2000, the film was ranked #44 on the American Film Institute's list of the 100 funniest comedies, [31] and Premiere voted it one of "The 50 Greatest Comedies Of All Time" in 2006. [32] On the review aggregator website Rotten Tomatoes, it has an approval score of 97% based on 37 reviews, with an average rating of 8.5/10. The site's consensus states: "A class satire in a class of its own, My Man Godfrey's screwball comedy is as sharp as the social commentary is biting." [33]

Public domain status

The original film is generally thought to have entered into the public domain in 1965 when the film's copyright was not renewed after 28 years. [34] However the underlying work, the 1935 book 1101 Park Avenue– re-titled My Man Godfrey with the film's release – had its copyright renewed in 1963 and is thus still in copyright. [35] According to Stanford University Library, and under rulings of the 1990 case Stewart v. Abend , in so-called multilayered works, the rights holder of the original work can claim ownership of the film script, though not the pictures, if the original book is still in copyright. [36] "Films are often based on books ... that may maintain copyright. If the pre-existing work is protected, then rightly or wrongly, it has generally been determined that the derived film is also protected." [37]

Home media

In 2002, a restored print was made available on DVD by The Criterion Collection, which featured a new cover illustrated by Michael Koelsch. [38] In 2005, 20th Century Fox Home Video released a colorized version. In September 2018, Criterion released the film on Blu-ray with new supplements.

Remakes and adaptations

My Man Godfrey was twice adapted as a one-hour radio broadcast on Lux Radio Theatre : on May 9, 1938, with David Niven playing the part of Tommy Gray; [16] and on November 9, 1954, with Jeff Chandler and Julie Adams. [39] It was also adapted to radio in a half-hour version on the October 2, 1946, episode of Academy Award Theater , again starring William Powell. [40] When the film was remade in 1957, David Niven played Godfrey opposite June Allyson, directed by Henry Koster. [41] A stage musical version of My Man Godfrey, produced by Allan Carr and written by librettists Alan Jay Lerner and Kristi Kane and composer Gerard Kenny, was intended for Broadway in 1985, [42] but remained uncompleted at the time of Alan Jay Lerner's death in 1986. [43]

See also

Related Research Articles

<span class="mw-page-title-main">Screwball comedy</span> Genre of comedy film

Screwball comedy is a film subgenre of the romantic comedy genre that became popular during the Great Depression, beginning in the early 1930s and thriving until the early 1950s, that satirizes the traditional love story. It has secondary characteristics similar to film noir, distinguished by a female character who dominates the relationship with the male central character, whose masculinity is challenged, and the two engage in a humorous battle of the sexes.

<span class="mw-page-title-main">Carole Lombard</span> American actress (1908–1942)

Carole Lombard was an American actress. In 1999, the American Film Institute ranked Lombard 23rd on its list of the greatest female stars of Classic Hollywood Cinema.

<span class="mw-page-title-main">Irene Dunne</span> American actress (1898–1990)

Irene Dunne was an American actress who appeared in films during the Golden Age of Hollywood. She is best known for her comedic roles, though she performed in films of other genres.

<i>Twentieth Century</i> (film) 1934 film by Howard Hawks

Twentieth Century is a 1934 American pre-Code screwball comedy film directed by Howard Hawks and starring John Barrymore, Carole Lombard, Walter Connolly, and Roscoe Karns. Much of the film is set on the 20th Century Limited train as it travels from Chicago to New York City. Ben Hecht and Charles MacArthur adapted their 1932 Broadway play of the same name—itself based on the unproduced play Napoleon of Broadway by Charles Bruce Millholland—with uncredited contributions from Gene Fowler and Preston Sturges.

<span class="mw-page-title-main">Gregory La Cava</span> American film director

Gregory La Cava was an American film director of Italian descent best known for his films of the 1930s, including My Man Godfrey and Stage Door, which earned him nominations for Academy Award for Best Director.

<span class="mw-page-title-main">Mischa Auer</span> Russian-born American actor (1905–1967)

Mischa Auer was a Russian-born American actor who moved to Hollywood in the late 1920s. He first appeared in film in 1928. Auer had a long career playing in many of the era's best known films. He was nominated for the Academy Award for Best Supporting Actor in 1936 for his performance in the screwball comedy My Man Godfrey, which led to further zany comedy roles. He later moved into television and acted in films again in France and Italy well into the 1960s.

<i>Nothing Sacred</i> (film) 1937 film by William A. Wellman

Nothing Sacred is a 1937 American Technicolor screwball comedy film directed by William A. Wellman, produced by David O. Selznick, and starring Carole Lombard and Fredric March with a supporting cast featuring Charles Winninger and Walter Connolly. Ben Hecht was credited with the screenplay based on the 1937 story "Letter to the Editor" by James H. Street, and an array of additional writers, including Ring Lardner Jr., Budd Schulberg, Dorothy Parker, Sidney Howard, Moss Hart, George S. Kaufman and Robert Carson made uncredited contributions.

<span class="mw-page-title-main">Jean Rogers</span> American actress (1916–1991)

Jean Rogers was an American actress who starred in serial films in the 1930s and low–budget feature films in the 1940s as a leading lady. She is best remembered for playing Dale Arden in the science-fiction serials Flash Gordon (1936) and Flash Gordon's Trip to Mars (1938).

<span class="mw-page-title-main">Irene (costume designer)</span> American fashion designer (1901–1962)

Irene Maud Lentz, also known mononymously and professionally as Irene, was an American actress turned fashion designer and costume designer. Her work as a clothing designer in Los Angeles led to her career as a costume designer for films in the 1930s. Lentz also worked under the name Irene Gibbons.

<i>The Princess Comes Across</i> 1936 film by William K. Howard

The Princess Comes Across is a 1936 American mystery comedy film directed by William K. Howard and starring Carole Lombard and Fred MacMurray, the second of the four times they were paired together. Lombard, playing an actress from Brooklyn pretending to be a Swedish princess, does a "film-length takeoff" on MGM's Swedish star Greta Garbo. The film was based on the 1935 novel A Halálkabin by Louis Lucien Rogger, the pseudonym of Laszlo Aigner and Louis Acze.

The comedy of remarriage is a subgenre of American comedy films of the 1930s and 1940s. At the time, the Production Code, also known as the Hays Code, banned any explicit references to or attempts to justify adultery and illicit sex. The comedy of remarriage with the same spouse enabled filmmakers to evade this provision of the Code. The protagonists divorced, flirted, or even had relationships, with strangers without risking the wrath of censorship, and then got back together.

<i>My Man Godfrey</i> (1957 film) 1957 film by Henry Koster

My Man Godfrey is a 1957 American CinemaScope comedy film starring June Allyson and David Niven. It was adapted by Peter Berneis, William Bowers and Everett Freeman, and directed by Henry Koster. The film is a color remake of Gregory La Cava's 1936 screwball comedy of the same name. Allyson played the role created by Carole Lombard in the original version, and Niven took on the role made famous by William Powell. Niven had played the role of Tommy Gray, Godfrey's former classmate, in a 1938 radio version. While the original film from 1936 did not have its copyright renewed and is in the public domain, this film's copyright was renewed. Both films are derivative works of the still copyrighted 1935 novel by Eric S. Hatch, 1101 Park Avenue.

<span class="mw-page-title-main">William Powell</span> American actor (1892–1984)

William Horatio Powell was an American actor, known primarily for his film career. Under contract with Metro-Goldwyn-Mayer, he was paired with Myrna Loy in 14 films, including the Thin Man series based on the Nick and Nora Charles characters created by Dashiell Hammett. Powell was nominated for the Academy Award for Best Actor three times: for The Thin Man (1934), My Man Godfrey (1936), and Life with Father (1947).

<i>True Confession</i> 1937 film

True Confession is a 1937 American screwball comedy film directed by Wesley Ruggles and starring Carole Lombard, Fred MacMurray, and John Barrymore. It was based on the 1934 play Mon Crime, written by Georges Berr and Louis Verneuil. In 1946 it was remade as Cross My Heart.

<i>Fools for Scandal</i> 1938 film by Mervyn LeRoy

Fools for Scandal is a 1938 screwball comedy film starring Carole Lombard and Fernand Gravet, featuring Ralph Bellamy, Allen Jenkins, Isabel Jeans, Marie Wilson and Marcia Ralston, and produced and directed by Mervyn LeRoy. It was written by Herbert Fields and Joseph Fields with additional dialogue by Irving Brecher, and uncredited contributions by others based on the unproduced 1936 play Return Engagement by Nancy Hamilton, James Shute and Rosemary Casey. The songs are by Richard Rodgers and Lorenz Hart.

<i>Man of the World</i> (film) 1931 film

Man of the World is a 1931 American pre-Code romantic drama directed by Richard Wallace and starring William Powell, Carole Lombard, and Wynne Gibson.

<i>Danger – Love at Work</i> 1937 film by Otto Preminger

Danger – Love at Work is a 1937 American screwball comedy film directed by Otto Preminger and starring Ann Sothern, Jack Haley and Edward Everett Horton. It was produced and distributed by 20th Century Fox. The screenplay by James Edward Grant and Ben Markson focuses on an attorney's frustrating efforts to deal with a wildly eccentric family.

<span class="mw-page-title-main">Etienne Girardot</span> English actor (1856-1939)

Etienne Girardot was a diminutive stage and film actor of Anglo-French parentage born in London, England.

<i>Safety in Numbers</i> (1930 film) 1930 film

Safety in Numbers is a 1930 American pre-Code musical comedy film. Directed by Victor Schertzinger, it stars Charles "Buddy" Rogers, and features Kathryn Crawford, Josephine Dunn, and Carole Lombard.

Charles R. Rogers, was an American film producer whose career spanned both the silent and sound film eras. Rogers began his career on the 1924 silent film, A Cafe in Cairo, produced by the short-lived Hunt Stromberg Productions. After Stromberg ceased productions in 1925, Rogers would found his own independent company, Charles R. Rogers Productions. He would also produce for major studios such as RKO Radio Pictures, Universal, and United Artists. The pinnacle of his career would be from 1936 to 1938 when he was chosen as the vice-president in charge of production for Universal Pictures. He died as the result of injuries sustained in a car accident in 1957.

References

  1. ↑ Nourmand, Tony; Marsh, Graham, eds. (2003). Film Posters of the 30s: The Essential Movies of the Decade. London: Aurum Press Limited. p. 8. ISBN   1-85410-938-3.
  2. 1 2 3 4 5 6 "My Man Godfrey (1936)". AFI Catalog. Retrieved April 23, 2020.
  3. 1 2 3 Dick, Bernard K. (2015). City of Dreams: The Making and Remaking of Universal Pictures. University Press of Kentucky. p. 106. ISBN   9780813158891.
  4. ↑ Sedgwick, John and Pokorny, Michael (February 2005) "The Film Business in the United States and Britain during the 1930s" in The Economic History Review New Series, v.58, n.1, pp.79-112
  5. ↑ Wrigley, Charles (October 22, 2018). "10 Great Screwball Comedy Films". British Film Institute . Retrieved May 7, 2016.
  6. ↑ Staff (October 27, 1935). "My Man Godfrey: by Eric Hatch. 243 pp. Boston: Little, Brown & Co. $2". The New York Times . p. BR24.
  7. ↑ Staff (September 1, 1936). "Rogers Tells Secrets of Successful Film: Theory Illustrated by Method Used in New Production". Los Angeles Times . p. 11.
  8. ↑ Associated Press (August 24, 1936). "Star Scarcity Still Is Acute Studio Problem: Only Fifty Real Winners in Harness and That Is Not Enough". The Washington Post . p. X9.
  9. 1 2 "My Man Godfrey (1936)," in "100 Best Movies of the Past 10 Decades," July 26, 2023, Time, retrieved May 27, 2024
  10. 1 2 3 Hutchinson, Pamela: "My streaming gem: why you should watch My Man Godfrey," April 24, 2020, The Guardian retrieved May 27, 2024
  11. ↑ Staff (January 3, 1936). "New Films Announced: "Magnificent Obession" Heads Hit Parade". Los Angeles Times . p. A13.
  12. ↑ Shaffer, George (March 14, 1936). "Boy Refuses to Wear Kilts for Film Scene: Believes Costume Is One for Little Girl". Chicago Daily Tribune . p. 16.
  13. ↑ "'John Barleycorn' by Jack London Will Be Made Into Picture". Los Angeles Times . March 28, 1936. p. 7.
  14. 1 2 3 "'My Man Godfrey' Premiere at Pantages Tonight: Film First to Be Released Under Rogers". Los Angeles Times . September 1, 1936. p. 11. ProQuest   164598348 . Retrieved May 27, 2024– via Newspapers.com.
  15. 1 2 McGillicuddy, Genevieve (ndg). "My Man Godfrey (1936)". Turner Classic Movies . Retrieved April 23, 2020.
  16. 1 2 3 "My Man Godfrey (1936) - Trivia". Turner Classic Movies . Retrieved April 23, 2020.
  17. 1 2 3 "Brother, Can You Spare a Job?," September 1, 2011, This Quarter in Film History, CineMontage, Motion Picture Editors Guild, retrieved May 27, 2024
  18. 1 2 3 "Carole Lombard as Irene Bullock in 'My Man Godfrey' Costume Designed by Travis Banton," The Collection of Motion Picture Costume Design, retrieved May 27, 2024
  19. ↑ Staff (January 7, 1937). "Nation's Critics Pick 10 Best Films". The New York Times . p. 17.
  20. 1 2 "My Man Godfrey," December 31, 1935, Variety, retrieved May 27, 2024
  21. ↑ Greene, Graham (October 2, 1936). "Maria Bashkirtseff/My Man Godfrey". The Spectator . (reprinted in: Taylor, John Russell, ed. (1980). The Pleasure Dome. Oxford University Press. pp.  104–106. ISBN   0192812866.)
  22. 1 2 My Man Godfrey / The Philadelphia Story: "About the films," December 27, 2023, American Cinematheque, retrieved May 27, 2024
  23. ↑ "My Man Godfrey,", April 2024, Brooklyn Academy of Music, retrieved May 27, 2024
  24. ↑ My Man Godfrey, June 2024, Pickford Film Center, retrieved May 27, 2024
  25. ↑ "Complete National Film Registry Listing," National Film Registry, Library of Congress, retrieved May 27, 2024
  26. ↑ "Brief Descriptions and Expanded Essays of National Film Registry Titles," National Film Registry, Library of Congress, retrieved May 27, 2024
  27. ↑ "National Film Registry Series: Gregory La Cava's 'My Man Godfrey (1936)," New York Public Library, retrieved May 27, 2024
  28. 1 2 Ebert, Roger: "The man who came to buttle," May 29, 2008, "Great Movies," Roger Ebert.com, retrieved May 27, 2024
  29. ↑ "The 9th Academy Awards (1937) Nominees and Winners." Academy Awards website. Retrieved: August 9, 2011.
  30. ↑ "Complete National Film Registry Listing". Library of Congress . Retrieved April 23, 2020.
  31. ↑ "AFI's 100 Years...100 Laughs". American Film Institute . Archived from the original on March 6, 2024. Retrieved April 1, 2024.
  32. ↑ "Premiere Magazine's 50 Greatest Comedies of All Time". Filmsite . Archived from the original on August 12, 2023. Retrieved April 1, 2024.
  33. ↑ My Man Godfrey at Rotten Tomatoes
  34. ↑ Sinofsky, Esther Rita (1988). A copyright primer for educational and industrial media producers. Copyright Information Services. p. 29. ISBN   9780914143123 . Retrieved January 20, 2016. But remember the underlying works may still be copyrighted
  35. ↑ "My Man Godfry". Stanford University Copyright Renewal Database. Retrieved January 20, 2016.
  36. ↑ "Public Domain Trouble Spots: Multilayered Works". Stanford University Library. April 4, 2013. Retrieved January 20, 2016.
  37. ↑ "Films in the US Public Domain". OpenFlix.com. Archived from the original on February 9, 2007. Retrieved January 20, 2016.
  38. ↑ "My Man Godfrey DVD Cover". CineMaterial. Archived from the original on June 12, 2020.
  39. ↑ "Tuesday Radio Programs - Radio Highlights". Toledo Blade (Ohio). October 9, 1954. p. 4 (Peach Section). Retrieved May 4, 2021.
  40. ↑ "Wednesday Selections". Toledo Blade (Ohio). October 2, 1946. p. 4 (Peach Section). Retrieved September 18, 2020.
  41. ↑ "My Man Godfrey (1957)". AFI Catalog. Retrieved April 23, 2020.
  42. ↑ Nemy, Enid (March 19, 1985). "'My Man Godfrey' Bound for Broadway". Chicago Tribune . Retrieved December 16, 2015.
  43. ↑ McHugh, Dominic, ed. (2014). Alan Jay Lerner: A Lyricist's Letters. Oxford University Press. p. 270. ISBN   9780199949274 – via Google Books.
Streaming audio
This page is based on this Wikipedia article
Text is available under the CC BY-SA 4.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.