Plot
Lorry and Minnie are prostitutes who occasionally get hapless male admirers drunk before robbing them. After being released from a Louisiana jail they head down the Mississippi River on a steamboat. Lorry steals $60 from a "Mr. Smith" she entertains in her room, and when she is confronted by the boat's captain, who accuses her of the theft, she escapes by jumping off the vessel into the river. She loses the $60 as she is rescued by cotton barge skipper Dan, so she robs him too.
Once in New Orleans, Lorry disguises herself as a newspaper writer in order to meet publishing magnate Stephen Paige that she took notice of on the steamboat. She then gets him drunk, takes him to his home, and the next morning blackmails him into supporting her, including renting a lavish apartment for her. She returns to the cotton barge and repays Dan his "loan" and they fall in love. Minnie now arrives at Lorry's apartment, soon followed by Stephen, who threatens to expose her sordid past, causing her to leave him but not to return to Dan, whom she had agreed to marry. When Stephen cannot persuade her to return to him, he realizes that she really does love Dan, and he brings about their reunion with the help of the now-married Minnie.
Reception
The film in 1933 received generally mediocre reviews in leading newspapers and trade papers. The one consistent exception in the print media's rather lukewarm reaction to the production was Pert Kelton, whose performance was widely praised. In his review for The New York Times, critic Mordaunt Hall views the "callous creature" portrayed by Constance Bennett as initially "disconcerting", and he finds parts of the story unbelievable, noting that its "characters do not always behave as if they were drawn from life." [6] Hall, however, does recognize Kelton for doing "remarkably well as the slangy Minnie". [6]
The Film Daily in its July 1, 1933 issue judges Bed of Roses as "average entertainment" and describes Bennett as moving "through her part without any distinction." [7] On the other hand, Kelton's performance also impressed the trade paper. "She fits the hard-boiled part perfectly", The Film Daily observes, "and scores repeatedly with hearty laughs." [7] Abel Green in his review for Variety, another widely read entertainment paper at the time, refers to the "so-so flicker" as "tawdry and unwholesome in the main". [8] He too preferred to focus on Kelton:
It's a short cast but Pert Kelton stands out head and shoulders above everything with a Maywestish hip-rolling, nasal-twanging, get-your-man routine which is something of a surprise. It so eclipses the rest of it, including the star (in some of those scenes she makes a stooge out of Bennett) that it evidences an unsuspected magnanimity on the part of the star or a physical handicap which forfended any further editing. Miss Kelton...does not suggest the robust Miss West in build, other than in general demeanor. Hers is a more slinky vamp, wise cracking and ever-effective, with the choicest phrases handed to her. [8]
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Gregory La Cava was an American film director of Italian descent best known for his films of the 1930s, including My Man Godfrey and Stage Door, which earned him nominations for Academy Award for Best Director.
Joel Albert McCrea was an American actor whose career spanned a wide variety of genres over almost five decades, including comedy, drama, romance, thrillers, adventures, and Westerns, for which he became best known.
Constance Campbell Bennett was an American stage, film, radio, and television actress and producer. She was a major Hollywood star during the 1920s and 1930s; during the early 1930s, she was the highest-paid actress in Hollywood. Bennett frequently played society women, focusing on melodramas in the early 1930s and then taking more comedic roles in the late 1930s and 1940s. She is best remembered for her leading roles in What Price Hollywood? (1932), Bed of Roses (1933), Topper (1937), Topper Takes a Trip (1938), and had a prominent supporting role in Greta Garbo's last film, Two-Faced Woman (1941).
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Pert L. Kelton was an American stage, movie, radio, and television actress. She was the original Alice Kramden in The Honeymooners with Jackie Gleason. During the 1930s, she was a prominent comedic supporting and leading actress in Hollywood films such as Gregory La Cava's Bed of Roses with Constance Bennett and Raoul Walsh's The Bowery with Wallace Beery and George Raft. She performed in a dozen Broadway productions between 1925 and 1968. Most famously, she created the role of 'Mrs. Paroo' in the original production of the musical The Music Man, which she reprised in the movie adaptation. However, her career was interrupted in the 1950s as a result of blacklisting, leading to her departure from The Honeymooners.
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Bed of roses is an English expression which means an easy and peaceful life.
The Common Law is a 1931 American pre-Code romantic drama film directed by Paul L. Stein, produced by Charles R. Rogers and starring Constance Bennett and Joel McCrea. Based on Robert W. Chambers' 1911 novel of the same name, the film was the third film adaptation of the book, and the first during the sound-film era. It was received well both at the box office and by film critics, becoming one of RKO's most financially successful films of the year.
Born to Love is a 1931 American pre-Code melodrama film, directed by Paul L. Stein from an original screenplay by Ernest Pascal. It starred Constance Bennett, Joel McCrea and Paul Cavanagh in a lovers' triangle set in London during World War I. It was only the second film produced by RKO Pathé after the merger of the two studios, and according to RKO records, it made a profit of $90,000.
Bachelor Bait is a 1934 American comedy film about a man who is fired from his job issuing marriage licenses at city hall because of the actions of a co-worker. He starts a match making business which becomes very successful because of Mr. Watts' ability to find suitable matches for everybody except for himself. Bachelor Bait was director George Stevens' first feature-length film for RKO, filmed from 30 April to 18 May 1934.
Too Many Cooks is a 1931 American pre-Code comedy film directed by William A. Seiter, written by Jane Murfin and starring Bert Wheeler, Dorothy Lee, Roscoe Ates and Robert McWade. It was released on July 18, 1931 by RKO Pictures.
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