Dorothy Sebastian was an American film and stage actress.
Disputed Passage is a 1939 American drama war film directed by Frank Borzage and starring Dorothy Lamour, Akim Tamiroff, John Howard, Judith Barrett and William Collier, Sr. Set in war-torn China, the film was described by The New York Times as a "lavish soap opera". The film was based on the best-selling novel of the same name by Lloyd C. Douglas, and was produced by Paramount Pictures.
Third Time Lucky is a 1931 British comedy film directed by Walter Forde and starring Bobby Howes, Dorothy Boyd and Gordon Harker. It was made at Islington Studios and based on the 1929 West End play of the same title by Arnold Ridley. The film's sets were designed by art director Walter Murton.
The Snob is a 1924 American silent drama film directed by Monta Bell. The film starred Norma Shearer and John Gilbert, together with Phyllis Haver, Conrad Nagel, and Hedda Hopper. The film was written by Monta Bell, and was based on the novel The Snob: The Story of a Marriage by Helen Reimensnyder Martin.
The Love Racket is a 1929 American early sound crime drama film produced and distributed by First National Pictures. It was directed by William A. Seiter and starred Dorothy Mackaill. It is based on a Broadway play, The Woman on the Jury by Bernard K. Burns, and is a remake of a 1924 silent film of the same name which starred Bessie Love. The film is now considered lost.
Ladies Must Play is a 1930 pre-Code comedy film starring Dorothy Sebastian and Neil Hamilton directed by Raymond Cannon.
Hell's Island is a 1930 American pre-Code drama film directed by Edward Sloman and starring Jack Holt, Ralph Graves and Dorothy Sebastian.
What Shall I Do? is a 1924 American silent drama film directed by John G. Adolfi and starring Dorothy Mackaill, John Harron, and Louise Dresser.
Steel Preferred is a 1925 American silent drama film directed by James P. Hogan and starring Vera Reynolds, William Boyd, and Hobart Bosworth. The film portrays a power struggle at a steelworks.
A Dangerous Game is a 1922 American silent drama film directed by King Baggot and starring Gladys Walton, Spottiswoode Aitken and Otto Hoffman.
The House of Scandal is a 1928 American silent drama film directed by King Baggot and starring Pat O'Malley, Dorothy Sebastian and Gino Corrado.
The Kentucky Colonel is a 1920 American silent drama film directed by William A. Seiter and starring Joseph J. Dowling, Frederick Vroom and Elinor Field based on the 1890 best-selling book A Kentucky Colonel by Opie Read.
A Million for Love is a 1928 American silent crime drama film directed by Robert F. Hill and starring Reed Howes, Josephine Dunn and Lee Shumway.
Notoriety is a 1922 American silent drama film directed by William Nigh and starring Maurine Powers, Mary Alden and Rod La Rocque.
Beyond Price is a 1921 American silent drama film directed by J. Searle Dawley and starring Pearl White, Vernon Steele and Ottola Nesmith.
Officer O'Brien is a 1930 American pre-Code comedy crime film directed by Tay Garnett and starring William Boyd, Ernest Torrence and Dorothy Sebastian. The film's sets were designed by the art director Edward C. Jewell. It was one of the last films produced by Pathé Exchange before it was fully merged into RKO Pictures.
The Girl from Nowhere is a 1921 American silent drama film directed by George Archainbaud and starring Elaine Hammerstein, William B. Davidson and Huntley Gordon.
Go Straight is a 1921 American silent drama film directed by William Worthington and starring Frank Mayo, Cora Drew and Lillian Rich.
The Greatest Love is a 1920 American silent drama film directed by Henry Kolker and starring Vera Gordon, Bertram Marburgh and Sally Crute. The film follows the fortunes of an Italian immigrant family the Latinis who arrive in New York around the turn of the century. It built on Gordon's previous role as a long-suffering Jewish mother in Humoresque.
The First Night is a 1927 American silent comedy film directed by Richard Thorpe and starring Bert Lytell, Dorothy Devore, and Harry Myers. It was produced and distributed by the independent Tiffany Pictures. The film's sets were designed by the art director Edwin B. Willis.
