James Austin Gleason was an American actor, playwright and screenwriter born in New York City. Gleason often portrayed "tough-talking, world-weary guys with a secret heart-of-gold."
Herbert Brough Falcon Marshall was an English stage, screen and radio actor who starred in many popular and well-regarded Hollywood films in the 1930s and 1940s. After a successful theatrical career in the United Kingdom and North America, he became an in-demand Hollywood leading man, frequently appearing in romantic melodramas and occasional comedies. In his later years, he turned to character acting.
Cimarron is a 1931 pre-Code epic Western film directed by Wesley Ruggles, starring Richard Dix and Irene Dunne, and featuring Estelle Taylor and Roscoe Ates. The Oscar-winning script was written by Howard Estabrook based on the 1930 Edna Ferber novel Cimarron. It would be RKO's most expensive production up to that date, and its winning of the top Oscar for Outstanding Production would be one of only two for Outstanding Production ever won by that studio. It is also the first of only three Westerns to ever win the top honor at the Academy Awards. Epic in scope, spanning forty years from 1889 to 1929, it was a critical success, although it did not recoup its production costs during its initial run in 1931.
The Wizard of Oz is a 1925 American silent fantasy-adventure comedy film directed by Larry Semon, who also performs in the lead role as a Kansas farmhand and later in the story disguised as the Scarecrow.
Rio Rita is a 1929 American pre-Code RKO musical comedy starring Bebe Daniels and John Boles along with the comedy team of Wheeler & Woolsey.. The film is based on the 1927 stage musical produced by Florenz Ziegfeld, which originally united Wheeler and Woolsey as a team and made them famous. The film was the biggest and most expensive RKO production of 1929 as well as the studio's biggest box office hit until King Kong (1933). Its finale was photographed in two-color Technicolor. Rio Rita was chosen as one of the 10 best films of 1929 by Film Daily.
Riding High is a 1950 black-and-white musical racetrack film featuring Bing Crosby and directed by Frank Capra. The songs were performed live during filming instead of the customary lip-synching to studio recordings. The film is a remake of an earlier Capra film with screenwriter Robert Riskin titled Broadway Bill (1934). While the film is generally a light musical comedy, its plot contains an unexpected tragic turn.
Spite Marriage is a 1929 American silent comedy film co-directed by Buster Keaton and Edward Sedgwick and starring Keaton and Dorothy Sebastian. It is the second film Keaton made for MGM and his last silent film, although he had wanted it to be a "talkie" or full sound film. While the production has no recorded dialogue, it does feature an accompanying synchronized score and recorded laughter, applause and other sound effects in some scenes. Keaton later wrote gags for some up-and-coming MGM stars like Red Skelton, and from this film recycled many gags, some shot-for-shot, for Skelton's 1943 film I Dood It.
Half Shot at Sunrise is a 1930 American pre-Code comedy film starring the comedy duo Wheeler & Woolsey and Dorothy Lee. Their fourth film together, it was the second starring vehicle for the two, following the success of The Cuckoos, which had been released earlier in 1930. Directed by Paul Sloane, from a screenplay by Anne Caldwell, James Ashmore Creelman, Ralph Spence, and Fatty Arbuckle, which had been tailored to highlight the comedic talents of Wheeler and Woolsey. In 1958, the film entered the public domain in the United States because the claimants did not renew its copyright registration in the 28th year after publication.
The Penguin Pool Murder is a 1932 American pre-Code comedy/mystery film starring Edna May Oliver as Hildegarde Withers, a witness in a murder case at the New York Aquarium, with James Gleason as the police inspector in charge of the case, who investigates with her unwanted help, and Robert Armstrong as an attorney representing Mae Clarke, the wife of the victim. Oliver's appearance was the first film appearance of the character of Hildegarde Withers, the schoolteacher and sleuth based on the character from the 1931 novel The Penguin Pool Murder by Stuart Palmer. It is the first in a trilogy including Murder on the Blackboard, and Murder on a Honeymoon, in which Oliver and Gleason team up for the lead roles.
Cracked Nuts is a 1931 American pre-Code comedy film directed by Edward F. Cline, from an original screenplay written by Al Boasberg and Ralph Spence. The film stars the comedy duo Wheeler & Woolsey as well as Dorothy Lee. It also features Boris Karloff in a small supporting role. The film was one of RKO's only financial successes of the year, with a profit of just over $150,000.
Girls About Town is a 1931 American pre-Code romantic comedy film directed by George Cukor and starring Kay Francis and Joel McCrea.
New Adventures of Get Rich Quick Wallingford is a 1931 American pre-Code crime / romantic comedy film directed by Sam Wood and starring William Haines as a con artist and Jimmy Durante as his pickpocket buddy. The film is based on a series of stories by George Randolph Chester published in Cosmopolitan.
So Big is a 1924 American silent drama film based on Edna Ferber's 1924 novel of the same name which won the Pulitzer Prize for the Novel in 1925. It was produced by independent producer Earl Hudson the film and distributed through Associated First National. Unseen for decades, it is considered to be a lost film. Only a trailer survives at the Library of Congress.
Lonely Wives is a 1931 American comedy film directed by Russell Mack and produced by E.B. Derr for Pathé Exchange, and was distributed by RKO Pictures after the merger of the two studios; it starred Edward Everett Horton, Esther Ralston, Laura La Plante, and Patsy Ruth Miller. The screenplay was written by Walter DeLeon, based upon a successful German vaudeville act entitled Tanzanwaltz, penned by Pordes Milo, Walter Schütt, and Dr. Eric Urban. The German production had been translated for the American stage by DeLeon and Mark Swan and, under the same title as the film.
Beau Ideal is a 1931 American pre-Code adventure film directed by Herbert Brenon and released by RKO Radio Pictures. The film was based on the 1927 adventure novel Beau Ideal by P. C. Wren, the third novel in a series of five novels based around the same characters. Brenon had directed the first in the series, Beau Geste, which was a very successful silent film in 1926. The screenplay was adapted from Wren's novel by Paul Schofield, who had also written the screenplay for the 1926 Beau Geste, with contributions from Elizabeth Meehan and Marie Halvey.
Traveling Husbands is a 1931 American pre-Code drama film directed by Paul Sloane based on a screenplay by Humphrey Pearson. The film stars Constance Cummings, Frank Albertson, Evelyn Brent, Dorothy Peterson and Hugh Herbert. Hugh Herbert's brother, Tom, made his screen debut with a small role in this film, billed as Tom Francis. Produced and distributed by RKO Radio Pictures, the film premiered in New York City on August 7, 1931, and was released nationwide the following week on August 15. It received mixed reviews from the critics.
Beyond Victory is a 1931 American pre-Code war film starring Bill Boyd, James Gleason, Lew Cody, and ZaSu Pitts. While John Robertson received directing credit, Edward H. Griffith supposedly took extensive re-takes after production ended and the film was deemed not audience ready. Two actresses with major roles in the original version were completely cut from the final release, Helen Twelvetrees and June Collyer. The original screenplay was written by Horace Jackson and James Gleason. While the film might not have made a profit at the box office, it was well received by critics.
Hugh Trevor was an American actor whose short career began at the very end of the silent era in 1927. He would appear in nineteen films in the scant six years during which he was active. He did not fare well with the advent of talking pictures, and retired from the industry in 1931. His life was cut short when he unexpectedly died from complications following appendectomy surgery in 1933.
Big Business is a 1937 American comedy film directed by Frank R. Strayer and starring Jed Prouty, Shirley Deane and Spring Byington. It was part of Twentieth Century Fox's Jones Family series of films. The film's art direction was by Chester Gore.
Local Boy Makes Good is a 1931 American Pre-Code comedy film directed by Mervyn LeRoy and written by Robert Lord, Raymond Griffith and Ray Enright. The film stars Joe E. Brown, Dorothy Lee, Ruth Hall, Edward Woods, Edward Nugent and Wade Boteler. The film was released by Warner Bros. on November 27, 1931.
