Stage Door

Last updated

Stage Door
Stage Door (1937).jpg
Stage Door theatrical poster
Directed by Gregory La Cava
Screenplay by Morrie Ryskind
Anthony Veiller
Based onStage Door (play)
by Edna Ferber
George S. Kaufman
Produced by Pandro S. Berman
Starring Katharine Hepburn
Ginger Rogers
Adolphe Menjou
Cinematography Robert De Grasse
Edited by William Hamilton
Music by Roy Webb
Production
company
Distributed byRKO Radio Pictures (US)
Radio Pictures Ltd. (UK)
Release dates
  • October 8, 1937 (1937-10-08)(US)
  • December 31, 1937 (1937-12-31)(UK [1] )
Running time
92 minutes
CountryUnited States
LanguageEnglish
Budget$952,000 [2]
Box office$1,762,000 [2]

Stage Door is a 1937 American drama film directed by Gregory La Cava. Adapted from the play of the same name, it tells the story of several would-be actresses who live together in a boarding house at 158 West 58th Street in New York City. The film stars Katharine Hepburn, Ginger Rogers, Adolphe Menjou, Gail Patrick, Constance Collier, Andrea Leeds, Samuel S. Hinds and Lucille Ball. It was produced and distributed by RKO Pictures. Eve Arden and Ann Miller, who became notable in later films, play minor characters.

Contents

The film was adapted by Morrie Ryskind and Anthony Veiller from the play by Edna Ferber and George S. Kaufman, but the play's storyline and the characters' names were almost completely changed for the movie, so much so in fact that Kaufman joked the film should be called "Screen Door".

Plot

Katharine Hepburn and Ginger Rogers in Stage Door Stage-Door-1937.jpg
Katharine Hepburn and Ginger Rogers in Stage Door

Terry Randall (Katharine Hepburn) moves into the Footlights Club, [3] a theatrical boarding house in New York. Her polished manners and superior attitude make her no friends among the rest of the aspiring actresses living there, particularly her new roommate, flippant, cynical dancer Jean Maitland (Ginger Rogers). From Terry's expensive clothing and her photograph of her elderly grandfather, Jean assumes she has obtained the former from her sugar daddy, just as fellow resident Linda Shaw (Gail Patrick) has from her relationship with influential theatrical producer Anthony Powell (Adolphe Menjou). In truth, Terry comes from a wealthy Midwest family. Over the strong objections of her father, Henry Sims (Samuel S. Hinds), she is determined to try to fulfill her dreams. In the boarding house, Terry's only supporter is aging actress Anne Luther (Constance Collier), who appoints herself Terry's mentor and acting coach.

When Powell sees Jean dancing, he decides to dump Linda. He arranges for Jean and her partner Annie (Ann Miller) to get hired for the floor show of a nightclub he partly owns. He then starts dating Jean, who starts falling for him.

Meanwhile, well-liked Kay Hamilton (Andrea Leeds) had great success and rave reviews in a play the year before but has had no work since and is running out of money. She clings desperately to the hope of landing the leading role in Powell's new play, Enchanted April. She finally gets an appointment to see Powell, only to have him cancel. She faints in the reception area, the result of malnutrition and disappointment. Seeing this, Terry barges into Powell's private office and berates him for his callousness. As a result, the other boarding house residents start to warm up to the newcomer.

Terry's father secretly finances Enchanted April on the condition that Terry is given the starring role, hoping she will fail and return home. Powell invites Terry to his penthouse to break the news. When Jean shows up unannounced, Terry sees the opportunity to save her friend from the philandering Powell. She pretends that Powell is trying to seduce her. It works. However, it makes things uncomfortable around the boarding house. Terry's landing on the plum part breaks Kay's heart.

The inexperienced Terry is so woodenly bad during rehearsals that Powell tries to get out of his contract with Sims. On opening night, after she learns from Jean that Kay has committed suicide, Terry decides she cannot go on. Anne Luther tells her that she must, not just for herself and the tradition of the theatre, but also for Kay. She does and gives a heartfelt performance. She and the play are a hit, much to the chagrin of her father, who is in the audience. At her curtain call, Terry gives a speech in tribute to her dead friend, and Terry and Jean are reconciled. The play remains a success after months, but Terry continues to board at the Footlights Club. A newcomer shows up looking for a room.

Cast

Katharine Hepburn in Stage Door trailer.jpg Katharine Hepburn
as Terry Randall
Ginger Rogers in Stage Door trailer.jpg Ginger Rogers
as Jean Maitland
Adolphe Menjou in Stage Door trailer.jpg Adolphe Menjou
as Anthony Powell
Gail Patrick in Stage Door trailer.jpg Gail Patrick
as Linda Shaw
Constance Collier in Stage Door trailer.jpg Constance Collier
as Anne Luther
Andrea Leeds in Stage Door trailer.jpg Andrea Leeds
as Kay Hamilton
Samuel S Hinds in Stage Door trailer.jpg Samuel S. Hinds
as Henry Sims
Lucille Ball in Stage Door trailer.jpg Lucille Ball
as Judy Canfield

Production

Old Vic Theatre, Waterloo Exterior Stage Door 2.jpg

The writers listened to the young actresses talking and joking off set during rehearsals and incorporated their style of talking into the film. Director Gregory La Cava also allowed the actresses to ad lib during filming.[ citation needed ] Hepburn's famous lines during the play within the film, "The calla lilies are in bloom again. Such a strange flower, suitable to any occasion. I carried them on my wedding day and now I place them here in memory of something that has died," are from The Lake (1934), the play for which Dorothy Parker panned Hepburn's performance as "running the gamut of emotions from A to B." [4]

The movie has almost nothing to do with the play, except in a few character names, such as Kay Hamilton, Jean Maitland, Terry Randall, Linda Shaw, and Judith Canfield. In the play, Terry Randall is from a rural family whose father is a country doctor, and Jean Maitland is actually a shallow girl who becomes a movie star. Kay Hamilton does commit suicide, but for completely different reasons and not on an opening night.

Reception

The film received very good reviews and was a moderate success at the box office. The reviewer in The Times wrote of January 3, 1938, after the film's London premiere at the Regal on December 31, 1937:

Stories of life on the stage have always appealed to Hollywood: here success is sensational and meteoric, and failure equally sudden and dramatic. We know the formula by heart, and expect of our entertainment that it shall be rowdy, aggressive, and spectacular, culminating in the rise of the central character to fame in the bright lights of Broadway. Stage Door is rowdy and aggressive, and it does end in success for one of its characters and failure for another, but for all that it is a film of unusual insight and characterization. (...) The dialogue is brilliant, with typical American point and brevity, but nearly always spiteful and cruel, for these girls are the product of a hard environment. Three stand out from among the rest: Miss Katharine Hepburn (...) Miss Ginger Rogers (...) Miss Andrea Leeds.

"New films in London: Back-stage tragedy", The Times , January 3, 1938, p. 10.

Hepburn's four movies preceding Stage Door had been commercial failures. However, as a result of the positive response to this performance, RKO immediately cast her opposite Cary Grant in the screwball comedy Bringing Up Baby (1938).

Stage Door made a small profit of $81,000. [2]

Academy Awards

Nominations [5]

Home media

After Kay commits suicide, there is a brief shot of her grave as part of the montage of the success of the play, which was once edited out on all TV showings and is not in the original videotape release (either VHS or Betamax). The shot was restored for the DVD and is now included in TV showings of the restored version.

Other adaptations

Stage Door was presented on Philip Morris Playhouse December 5, 1941. The 30-minute adaptation starred Geraldine Fitzgerald. [6] "Stage Door" was presented on Lux Radio Theater on February 20, 1939. On April 6, 1955, a 60-minute version of the play, written by Gore Vidal, aired on the CBS Television series The Best of Broadway .[ citation needed ]

Further reading

Related Research Articles

<span class="mw-page-title-main">Katharine Hepburn</span> American actress (1907–2003)

Katharine Houghton Hepburn was an American actress whose career as a Hollywood leading lady spanned six decades. She was known for her headstrong independence, spirited personality, and outspokenness, cultivating a screen persona that matched this public image, and regularly playing strong-willed, sophisticated women. She worked in a varied range of genres, from screwball comedy to literary drama, and earned her various accolades, including four Academy Awards for Best Actress—a record for any performer. In 1999, Hepburn was named the greatest female star of classic Hollywood cinema by the American Film Institute.

<span class="mw-page-title-main">Ginger Rogers</span> American actress and dancer (1911–1995)

Ginger Rogers was an American actress, dancer and singer during the Golden Age of Hollywood. She won an Academy Award for Best Actress for her starring role in Kitty Foyle (1940), and performed during the 1930s in RKO's musical films with Fred Astaire. Her career continued on stage, radio and television throughout much of the 20th century.

<i>Morning Glory</i> (1933 film) 1933 film by Lowell Sherman

Morning Glory is a 1933 American Pre-Code drama film which tells the story of an eager would-be actress and her journey to stardom, and her gains and losses. The picture stars Katharine Hepburn, Douglas Fairbanks Jr., and Adolphe Menjou, was adapted by Howard J. Green from a then-unproduced stage play of the same name by Zoë Akins, and was directed by Lowell Sherman. Hepburn won her first Academy Award for Best Actress for this movie. Morning Glory was remade in 1958 under the title Stage Struck.

<span class="mw-page-title-main">Jean Simmons</span> British actress and singer (1929–2010)

Jean Merilyn Simmons was a British actress and singer. One of J. Arthur Rank's "well-spoken young starlets," she appeared predominantly in films, beginning with those made in Britain during and after the Second World War, followed mainly by Hollywood films from 1950 onwards.

<span class="mw-page-title-main">Gregory La Cava</span> American film director

Gregory La Cava was an American film director of Italian descent best known for his films of the 1930s, including My Man Godfrey and Stage Door, which earned him nominations for Academy Award for Best Director.

<i>Mary of Scotland</i> (film) 1936 film by John Ford

Mary of Scotland is a 1936 American historical drama film starring Katharine Hepburn as the 16th-century ruler Mary, Queen of Scots. Directed by John Ford, it is an adaptation of the 1933 Maxwell Anderson play, with Fredric March reprising the role of Bothwell, which he also performed on stage during the run of play. The screenplay was written by Dudley Nichols. Ginger Rogers wanted to play this role and made a screen test, but RKO rejected her request to be cast in the part feeling that the role was not suitable to her image.

<span class="mw-page-title-main">Andrea Leeds</span> American actress (1913–1984)

Andrea Leeds was an American film actress. A popular supporting player of the late 1930s, Leeds was nominated for an Academy Award for Best Supporting Actress for her performance in Stage Door (1937). As she began progressing to more prominent roles, Leeds retired after marrying, and later became a successful horse breeder.

<i>State of the Union</i> (film) 1948 film by Frank Capra

State of the Union is a 1948 American drama film directed by Frank Capra about a man's desire to run for the nomination as the Republican candidate for President, and the machinations of those around him. The New York Times described it as "a slick piece of screen satire...sharper in its knife-edged slicing at the hides of pachyderm schemers and connivers than was the original." The film was written by Myles Connolly and Anthony Veiller and was based on the 1945 Russel Crouse, Howard Lindsay Pulitzer Prize-winning play of the same name.

<i>Holiday</i> (1938 film) 1938 film by George Cukor

Holiday is a 1938 American romantic comedy film directed by George Cukor, a remake of the 1930 film of the same name.

<i>Stage Door Canteen</i> (film) 1943 film by Frank Borzage

Stage Door Canteen is a 1943 American World War II film with musical numbers and other entertainment interspersed with dramatic scenes by a largely unknown cast. The film was produced by Sol Lesser's Principal Artists Productions and directed by Frank Borzage. The film features many celebrity cameo appearances but primarily relates a simple drama set in the famed New York City restaurant and nightclub for American and Allied servicemen. Six bands are featured. The score and the original song, "We Mustn't Say Goodbye", were nominated for Academy Awards.

<span class="mw-page-title-main">Frances Gifford</span> American actress (1920–1994)

Mary Frances Gifford was an American actress who played leads and supporting roles in many 1930s and 1940s movies.

<i>Stage Struck</i> (1958 film) 1958 film by Sidney Lumet

Stage Struck is a 1958 American drama film directed by Sidney Lumet and starring Henry Fonda, Susan Strasberg and Christopher Plummer in his film debut. The screenplay, by Augustus and Ruth Goetz, is based on the stage play Morning Glory by Zoë Akins, which also served as the basis for the 1933 film Morning Glory starring Katharine Hepburn, Douglas Fairbanks Jr. and Adolphe Menjou in corresponding roles.

<i>Kitty Foyle</i> (film) 1940 film by Sam Wood

Kitty Foyle, subtitled The Natural History of a Woman, is a 1940 drama film starring Ginger Rogers, Dennis Morgan and James Craig, based on Christopher Morley's 1939 bestseller Kitty Foyle. Rogers won the Academy Award for Best Actress for her portrayal of the title character, and the dress she wore in the film became known as a Kitty Foyle dress.

<i>Fifth Avenue Girl</i> 1939 comedy film by Gregory La Cava

Fifth Avenue Girl, sometimes stylized as 5th Ave Girl, is a 1939 RKO Radio Pictures comedy film directed by Gregory La Cava and starring Ginger Rogers, Walter Connolly, Verree Teasdale, and James Ellison. The screenplay was written by Allan Scott with uncredited contributions by La Cava and Morris Ryskind.

<span class="mw-page-title-main">Bernard Newman (designer)</span> American fashion and movie costume designer

Bernard Newman was the head designer for Bergdorf Goodman and head costume designer for RKO Pictures. He designed costumes for some 35 movies, dressing stars including Ginger Rogers, Katharine Hepburn, Lucille Ball and Helen Broderick. He was posthumously included in the Costume Designers Guild Hall of Fame in 2004.

<span class="mw-page-title-main">Margaret Early</span> American actress (1919–2000)

Margaret Early was an American film actress who was active in Hollywood during the 1930s and 1940s. She is best remembered for her endearing Southern charm.

Anthony Veiller was an American screenwriter and film producer. He wrote for 41 films between 1934 and 1964.

The Rehearsal Club was a theatrical ingenue boarding house founded in 1913 by Jean "Daisy" Greer, daughter of New York's Episcopal bishop, and Jane Harriss Hall, an Episcopal Deaconess. The residence provided young women pursuing theater a place to rest between auditions, along with opportunities to socialize and receive simple meals. Within a year, the Professional Children’s School was established in back parlor of The Rehearsal Club.

<span class="mw-page-title-main">Ginger Rogers filmography</span>

The Ginger Rogers filmography lists the film appearances of American actress Ginger Rogers, as well as her television, stage, and radio credits. Rogers's career spanned fifty-seven years, from 1930 to 1987.

Stage Door is a 1936 stage play by Edna Ferber and George S. Kaufman about a group of struggling actresses who room at the Footlights Club, a fictitious theatrical boardinghouse in New York City modeled after the real-life Rehearsal Club. The three-act comedy opened on Broadway on October 22, 1936, at the Music Box Theatre and ran for 169 performances. The play was adapted into the 1937 film of the same name, and was also adapted for television.

References

  1. The Times digital archive: First advertisement for the film on December 31, 1937 (showing at the Regal), followed by review on January 3, 1938.
  2. 1 2 3 Jewel, Richard (1994). "RKO Film Grosses, 1931-1951: the C. J. Telvin ledger". Historical Journal of Film, Radio and Television. 14 (1): 56. doi:10.1080/01439689400260031.
  3. Inspired by the real-life Rehearsal Club, according to Robert Osborne, host of Turner Classic Movies
  4. O'Toole, Garson (September 27, 2013). "She Runs the Gamut of Emotions from A to B". Quote Investigator . Retrieved January 25, 2020.
  5. "Stage Door" Oscars: Awards Database Archived November 20, 2013, at archive.today . Academy of Motion Picture Arts and Sciences. Retrieved April 22, 2020.
  6. "Johnny Presents". Harrisburg Telegraph. December 5, 1941. p. 19. Retrieved July 26, 2015 via Newspapers.com. Open Access logo PLoS transparent.svg