Unaccustomed As We Are | |
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Directed by | Lewis R. Foster Hal Roach |
Written by | Leo McCarey (story) H. M. Walker |
Produced by | Hal Roach |
Starring | Stan Laurel Oliver Hardy Edgar Kennedy Mae Busch Thelma Todd |
Cinematography | John MacBurnie Len Powers Jack Roach George Stevens |
Edited by | Richard C. Currier |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
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Running time | 18:00 (silent) 20:53 (sound) |
Country | United States |
Languages | English Silent with English intertitles |
Unaccustomed As We Are is the first sound film comedy starring Stan Laurel and Oliver Hardy, released on May 4, 1929.
The title, Unaccustomed As We Are..., was a spoofing reference to the fact that its two stars had never before spoken audibly in their films. And in point of fact, although it was a film with dialogue, the soundtrack mostly carried music, and sound effects, with dialogue a long way third.
In case the Talkies did not prove popular, and in order to be released in theatres which had not yet been converted for sound, Hal Roach hedged his bets by releasing it in both the new All-Talking format and in Silent format (in the latter case, with intertitles carrying the dialogue). As with the Laurel and Hardy silent films, visual gags remained the heart and soul of the picture: the characters were certainly talking, but the comedy was not yet in the dialogue, the film still relied entirely on sight-gags for its laughs.
The film entered the public domain in the United States on January 1, 2025.
Ollie extends a cordial invitation to Stan for dinner, tempting him with promises of a sumptuous feast comprising steak, mushroom sauce, strawberries, whipped cream, coffee, and a cigar. Stan, however, remains characteristically cautious, inquiring about the inclusion of nuts in the meal.
Upon their arrival, they encounter Mrs. Hardy, whose reception of the unexpected guests is less than warm, prompting her abrupt departure in a state of irritation. Neighbor Mrs. Kennedy offers assistance with dinner preparations, inadvertently leading to a mishap that sets her dress ablaze. To conceal Mrs. Kennedy's predicament, Stan and Ollie hastily stow her in a trunk.
Subsequently, Mrs. Hardy extends an olive branch to Oliver, bearing nuts as a peace offering for Stan. However, tensions escalate when Oliver announces his intent to depart for South America, culminating in a heated exchange between husband and wife. The commotion draws the attention of Mr. Kennedy, a police officer, who becomes embroiled in the domestic dispute.
Amidst the chaos, Mr. Kennedy inadvertently assumes another woman must be in the trunk (Mrs. Kennedy) concealed in the trunk and discerns the true nature of the situation. Employing a subtle approach, he orchestrates a scheme to diffuse the conflict, instructing the boys to transport the trunk to his apartment. Meanwhile, within the Kennedys' abode, a tempestuous confrontation unfolds between the spouses, underscored by Mrs. Kennedy's righteous indignation.
As the tumult subsides, a battered Mr. Kennedy emerges and, in a fit of retribution, subjects Ollie to physical reprimand. However, his intentions to similarly chastise Stan are interrupted by his wife's intervention, wielding a formidable vase to administer her own form of justice. Meanwhile, Stan, seemingly unfazed, departs nonchalantly, only to meet an ignominious fate as he inadvertently tumbles down a flight of stairs, leaving Ollie to wince in sympathetic discomfort.
Unaccustomed As We Are is notable for being Laurel and Hardy's first sound film as well as the first all talkie short film by Hal Roach (the title was drawn from the popular cliché "Unaccustomed as I am to public speaking ..."). The soundtrack was lost for 50 years until it was traced on disc in the late 1970s. A silent version, with intertitles, was also released, as well as a Victor disc International Sound Version (featuring a synchronized music score and sound effects). [1]
This is the first film in which Hardy says to Laurel, "Why don't you do something to help me!" which became a catchphrase, repeated in numerous subsequent films. Also heard for the first time is Stan's distinctive, high-pitched whimper of distress. [1]
The plot of Unaccustomed As We Are was expanded into the feature film Block-Heads in 1938. In addition, the gag of the spaghetti ending on Ollie's lap was originally conceived for their 1928 silent film Habeas Corpus , but was left unfilmed. [1]
Edgar Kennedy appeared in numerous Laurel and Hardy films, almost always playing a cop or other authority figure, and when named on-screen his character almost invariably - as here - used his real name.
Laurel and Hardy were a British-American comedy team during the early Classical Hollywood era of American cinema, consisting of Englishman Stan Laurel (1890–1965) and American Oliver Hardy (1892–1957). Starting their career as a duo in the silent film era, they later successfully transitioned to "talkies". From the late 1920s to the mid-1950s, they were internationally famous for their slapstick comedy, with Laurel playing the clumsy, childlike friend to Hardy's pompous bully. Their signature theme song, known as "The Cuckoo Song", "Ku-Ku", or "The Dance of the Cuckoos" was heard over their films' opening credits, and became as emblematic of them as their bowler hats.
Harley M. Walker was a member of the Hal Roach Studios production company from 1916 until his resignation in 1932. The title cards he wrote for Harold Lloyd, Charley Chase, Our Gang and Laurel and Hardy comedies "have entered legend, both for silent films, and as opening remarks for the earlier talkies." He was also an officer of the Roach Studio corporation.
We Faw Down is a synchronized sound short subject film directed by Leo McCarey starring comedy duo Laurel and Hardy. It was released by Metro-Goldwyn-Mayer on December 29, 1928. While the film has no audible dialog, it was released with a synchronized orchestral musical score with sound effects. It was remade in part with their film Sons of the Desert in 1933.
A Chump at Oxford is a Hal Roach comedy film produced in 1939 and released in 1940 by United Artists. It was directed by Alfred J. Goulding and is the penultimate Laurel and Hardy film made at the Roach studio. The title echoes the film A Yank at Oxford (1938), of which it is a partial parody.
Helpmates is a Laurel and Hardy Pre-Code short film comedy. It was directed by James Parrott, produced by Hal Roach and released by Metro-Goldwyn Mayer on January 23, 1932.
Block-Heads is a 1938 American comedy film directed by John G. Blystone and starring Stan Laurel and Oliver Hardy. It was produced by Hal Roach Studios for Metro-Goldwyn-Mayer. The film, a reworking of elements from the Laurel and Hardy shorts We Faw Down (1928) and Unaccustomed As We Are (1929), was Roach's final film for MGM.
Saps at Sea is a 1940 American comedy film directed by Gordon Douglas, distributed by United Artists. It was Laurel and Hardy's last film produced by the Hal Roach Studios, as well as the last film to feature Ben Turpin and Harry Bernard.
The Finishing Touch is a 1928 short comedy silent film produced by Hal Roach, directed by Clyde Bruckman, and starring Laurel and Hardy. It was released on February 25, 1928, by Metro-Goldwyn-Mayer.
Should Married Men Go Home? is a silent short subject co-directed by Leo McCarey and James Parrott, starring comedy duo Laurel and Hardy. It was the first Hal Roach film to bill Laurel and Hardy as a team. Previous appearances together were billed under the Roach "All-Star Comedy" banner. It was released by Metro-Goldwyn-Mayer on September 8, 1928. McCarey is also one of the script writers for the film.
Habeas Corpus is a synchronized sound short subject comedy film co-directed by Leo McCarey and James Parrott starring comedy duo Laurel and Hardy. While the film has no audible dialog, it was released with a synchronized orchestral musical score with sound effects. It was released by Metro-Goldwyn-Mayer on December 1, 1928. This film is importantly historically as the first Laurel and Hardy film to be released with recorded sound.
From Soup to Nuts is a silent short subject directed by E. Livingston Kennedy starring comedy duo Laurel and Hardy. It was released on March 24, 1928, by Metro-Goldwyn-Mayer.
That's My Wife is a 1929 synchronized sound short subject film produced by the Hal Roach Studios and starring Laurel and Hardy. While the film has no audible dialog, it was released with a synchronized orchestral musical score with sound effects. It was shot in December 1928 and released March 23, 1929, by Metro-Goldwyn-Mayer.
Bonnie Scotland is a 1935 American film directed by James W. Horne and starring Laurel and Hardy. It was produced by Hal Roach for Hal Roach Studios. Although the film begins in Scotland, a large part of the action is set in British India.
Scram! is a 1932 pre-Code Laurel and Hardy film produced by Hal Roach, directed by Ray McCarey, and distributed by Metro-Goldwyn-Mayer.
Blotto is a 1930 American pre-Code comedy film directed by James Parrott and starring Stan Laurel and Oliver Hardy. The short was produced by Hal Roach and originally distributed by Metro-Goldwyn-Mayer.
Laughing Gravy is a 1931 short film comedy starring Laurel and Hardy. It was directed by James W. Horne, produced by Hal Roach and distributed by Metro-Goldwyn-Mayer.
Come Clean is a 1931 American pre-Code short film starring Laurel and Hardy, directed by James W. Horne and produced by Hal Roach.
Going Bye Bye is a 1934 American pre-Code comedy short film starring Laurel and Hardy.
The Live Ghost is a 1934 American comedy short film starring Laurel and Hardy, directed by Charles Rogers, and produced by Hal Roach at his studios in Culver City, California.
Unaccustomed as We Are is a short comedy film produced by Hal Roach and directed by Lewis R. Foster. It was released by Metro-Goldwyn-Mayer on May 4, 1929. This picture was the first "all-talking" Laurel and Hardy comedy. The working title was Their Last Word. The title was changed to Unaccustomed as We Are, a play on the familiar phrase "Unaccustomed as I am to public speaking..."