Babes in Toyland is a Laurel and Hardy musical Christmas film released on November 30, 1934. The film is also known by the alternative titles Laurel and Hardy in Toyland, Revenge Is Sweet (the 1948 European reissue title), and March of the Wooden Soldiers (in the United States), a 73-minute abridged version.
Although the 1934 film makes use of many of the characters in the original play, as well as several of the songs, the plot is almost completely unlike that of the original stage production. In contrast to the stage version, the film's story takes place entirely in Toyland, which is inhabited by Mother Goose (Virginia Karns) and other well-known fairy tale characters.
Plot
Ollie Dee and Stannie Dum
Stannie Dum and Ollie Dee inhabit a shoe residence alongside Mother Peep, Bo Peep, and a diverse array of children. Their tranquil existence is disrupted by the malevolent Silas Barnaby, who harbors intentions to wed Bo Peep and seize control of their shoe abode through foreclosure. Faced with imminent eviction, Ollie impulsively offers their meager savings to stave off the threat, unaware that Stannie has squandered the funds on peewees.
Subsequent attempts to procure the mortgage funds from their employer, the Toymaker, result in calamity when a misguided toy order leads to chaos in the toy shop, resulting in their dismissal. In a desperate gambit to thwart Barnaby, the duo embarks on a futile burglary endeavor, culminating in their arrest and sentencing to banishment in Bogeyland. Despite Bo Peep's reluctant agreement to Barnaby's demands to spare their lives, Stannie and Ollie endure a dunking and face impending exile.
Employing guile and resourcefulness, Stannie and Ollie devise a cunning scheme to disrupt Barnaby's machinations during Bo Peep's wedding ceremony. By unveiling Stannie in Bo Peep's bridal attire, they expose Barnaby's treachery and obliterate the mortgage, thus freeing Bo Peep.
However, Barnaby exacts vengeance by framing Bo Peep's true love, Tom-Tom, for "pignapping," leading to his unjust banishment to Bogeyland. In a race against time, Stannie and Ollie unravel Barnaby's scheme, ultimately rescuing Tom-Tom and exposing Barnaby's villainy to the townspeople. A climactic confrontation unfolds in Bogeyland, where Tom-Tom valiantly defends Bo Peep from Barnaby's advances, while Stannie and Ollie join the fray to repel the Bogeymen. The film crescendos with the triumphant march of the wooden soldiers, orchestrated by Stannie and Ollie, driving back the Bogeymen and vanquishing Barnaby, restoring peace to Toyland.
As the kingdom celebrates its salvation, a comedic mishap ensues when Stannie and Ollie inadvertently bombard Ollie with darts from a malfunctioning cannon.[5][6][7]
The film features only six musical numbers from the enormous stage score, though that is fitting for a musical with only a 78-minute running time. Included in the film, in the order in which they are performed, are: "Toyland" (opening), "Never Mind Bo-Peep", "Castle in Spain", "Go to Sleep (Slumber Deep)", and "March of the Toys" (an instrumental piece).
Also included in the film is an instrumental version of "I Can't Do the Sum" for the running theme of Laurel and Hardy's scenes. Another song, "Who's Afraid of the Big Bad Wolf?", is not one of the original stage songs but appears in the Three Little Pigs segment, heard only as an instrumental piece.
The opening song is performed by Mother Goose and an offscreen chorus; most of the others are sung by Bo Peep and/or Tom-Tom. While none of the songs is performed by Laurel and Hardy, the two briefly dance and march in a memorable scene to "March of the Toys".
Production
Radio Pictures announcement for musical film version of Babes in Toyland (1930) which was never realized.
RKO Pictures originally purchased the rights in 1930 with the plans of filming the musical partly in two-strip Technicolor. Plans were announced to have Bebe Daniels (later Irene Dunne) star in the musical along with the comedy team of Wheeler and Woolsey. Due to the backlash against musicals in the autumn of 1930, the plans were dropped. A couple of years later, some thought was given to filming the musical as an animated feature film to be shot in Technicolor by Walt Disney, however, the projected price of the film gave pause to RKO's plans. Hal Roach, who had seen the play as a boy, acquired the film rights to the project in November 1933.[8]
The film was completed in November 1934. The village of Toyland was built on sound stages at Hal Roach Studios with the buildings painted in vivid storybook colors, leading Stan Laurel to regret that the film wasn't shot in Technicolor.[9] The film was originally produced in sepia tone and later colorized.
Critics' reviews were positive. Andre Sennwald of The New York Times called the film "an authentic children's entertainment and quite the merriest of its kind that Hollywood has turned loose on the nation's screens in a long time."[11]Variety proclaimed it "a film par excellence for children. It's packed with laughs and thrills and is endowed with that glamour of mysticism which marks juvenile literature."[12]John Mosher wrote in The New Yorker: "It's certainly far more successful than was last year's Alice in Wonderland, and the children will probably be far less bored by it than they generally are by those films designed especially for them".[13]Film Daily called it "delightful musical fantasy" and "dandy entertainment".[14] The Chicago Tribune review read: "It's been many a long day since I've had so much pure (and I MEAN pure!) fun as I had watching this picture".[15]
Babes in Toyland, one of many feature films with Stan Laurel and Oliver Hardy, was also popular at the box office.[16] However, many years later[when?] in a filmed interview, Hal Roach admitted that on its first release, the film lost money.[citation needed] After it appeared in theaters, it was re-released several times with the title constantly changed, to make it seem to audiences that they were going to see a different film. It surfaced as a holiday movie on TV as March of the Wooden Soldiers, where it was rerun annually on some local affiliates for many years. On one local Atlanta station, the film was shown as a Thanksgiving special only a few weeks before the release of its 1961 Disney Technicolor remake, so that those who saw it on television and then saw the Disney film version over the Christmas holiday had the experience of seeing two different versions of the same work, within a few weeks of each other.[citation needed]
A holiday staple, this film was shown by many television stations in the United States during the Thanksgiving/Christmas holiday season, each year, during the 1960s and 1970s. In New York City, it continues to run (as of 2024) on WPIX as March of the Wooden Soldiers, airing on that station in the daytime on Thanksgiving Day and Christmas Day. It also runs nationally, on occasion, on This TV, as well as Turner Classic Movies.[17]
Copyright status
1950 re-release poster for Babes in Toyland (1934)
The original 79-minute film is under copyright to Prime TV Inc., the assets of which as of the present time are owned by television station WPIX (and its current owners, Mission Broadcasting), with Metro-Goldwyn-Mayer (under Orion Pictures, which like MGM is now part of Amazon) still handling partial distribution rights of the film,[citation needed] making this one of the few films that were not part of MGM's pre-May 1986 library which Ted Turner purchased it.
In 1950, a 73-minute edited version was distributed by Lippert Pictures, retitled March of the Wooden Soldiers; it was released without a copyright notice. The edited version of the film had the opening tune "Toyland" trimmed and the "Go to Sleep (Slumber Deep)" number cut completely. Also removed were Barnaby's attempted abduction of Little Bo-Peep and his ultimate fistfight with Tom-Tom.[18]March of the Wooden Soldiers has been distributed by many motion picture and home video companies over the decades, as if it were in the public domain;[19] however, because it relies entirely on copyrighted material from the 1934 film, March of the Wooden Soldiers itself falls under the same copyright as its parent film and will not truly enter the public domain until that film's copyright expires in 2030.[citation needed] WPIX has not enforced its copyright on March of the Wooden Soldiers, effectively making the film an orphan work.[citation needed]
History
Hal Roach first sold the film in 1944 to the Victor Herbert estate, and at this point, the film’s copyright was reassigned to Federal Films. Shortly thereafter, the rights reverted to film partners Boris Morros and William LeBaron. In 1948, film producer Joe Auerbach acquired the picture and leased most of his distribution rights to Erko, and it was beginning with this distribution deal that the film began to be edited down to alternate versions, in this case, a 75-minute revised reissue. By 1950, Lippert Pictures acquired some distribution rights, and as aforementioned, cut the film further to 73 minutes. Later in the 1950s, television rights were licensed to Quality Pictures, and by 1952 TV rights reverted to Peerless Television Productions.
New York TV station WPIX’s long association with the film began with its initial airing on December 24, 1952, and it has aired almost annually ever since. Meanwhile, by 1968, Prime TV Films would acquire ownership of the film, and as previously mentioned, they have been the copyright holders of the film ever since. In the 1970s, Thunderbird Films released 16mm prints drawn from a heavily spliced (and incomplete) master. In the 1980s, WPIX and its then-owner, Tribune Broadcasting, leased the film to The Samuel Goldwyn Company. The Samuel Goldwyn Company's select holdings (particularly the non-Samuel Goldwyn-produced films) ultimately became part of the Orion Pictures library. Finally, Orion became a division of Metro-Goldwyn-Mayer, thus after nearly eight decades, bringing partial rights full circle. Since 1984, the underlying rights to the film have been the property of WPIX and its successive owners.[20]
In 1991, the complete film was restored and colorized by American Film Technologies for television showings and video release by The Samuel Goldwyn Company.[21][22] In 2006, the complete print was again restored and colorized by Legend Films, using the latest technology.[21][23][24] Although the Legend Films release was advertised under its reissue title, both the color and black-and-white prints featured the original title and opening credits.[23][25]
Laurel and Hardy were a British-American comedy team during the early Classical Hollywood era of American cinema, consisting of Englishman Stan Laurel (1890–1965) and American Oliver Hardy (1892–1957). Starting their career as a duo in the silent film era, they later successfully transitioned to "talkies". From the late 1920s to the mid-1950s, they were internationally famous for their slapstick comedy, with Laurel playing the clumsy, childlike friend to Hardy's pompous bully. Their signature theme song, known as "The Cuckoo Song", "Ku-Ku", or "The Dance of the Cuckoos" was heard over their films' opening credits, and became as emblematic of them as their bowler hats.
Oliver Norvell Hardy was an American comic actor and one half of Laurel and Hardy, the double act that began in the era of silent films and lasted from 1926 to 1957. He appeared with his comedy partner Stan Laurel in 107 short films, feature films, and cameo roles. He was credited with his first film, Outwitting Dad, in 1914. In most of his silent films before joining producer Hal Roach, he was billed on screen as Babe Hardy.
Harold Eugene "Hal" Roach Sr. was an American film and television producer, director and screenwriter, who was the founder of the namesake Hal Roach Studios.
Babes in Toyland is an operetta composed by Victor Herbert with a libretto by Glen MacDonough, which wove together various characters from Mother Goose nursery rhymes into a musical extravaganza. Following the extraordinary success of their stage musical The Wizard of Oz, which was produced in New York beginning in January 1903, producer Fred R. Hamlin and director Julian Mitchell hoped to create more family musicals. MacDonough had helped Mitchell with revisions to the Oz libretto by L. Frank Baum. Mitchell and MacDonough persuaded Victor Herbert to join the production. Babes in Toyland features some of Herbert's most famous songs – among them "Toyland", "March of the Toys", "Go to Sleep, Slumber Deep", and "I Can't Do the Sum". The theme song "Toyland", and the most famous instrumental piece from the operetta, "March of the Toys", occasionally show up on Christmas compilations.
Babes in Toyland is a 1961 American Christmas musical film directed by Jack Donohue and produced by Walt Disney Productions. It stars Ray Bolger as Barnaby, Tommy Sands as Tom Piper, Annette Funicello as Mary Contrary, and Ed Wynn as the Toymaker.
The following is a complete list of the 220 Our Gang short films produced by Hal Roach Studios and/or Metro-Goldwyn-Mayer between 1922 and 1944, numbered by order of release along with production order.
Gus Meins, born Gustave Peter Ludwig Luley, was an American film director. He was born in Frankfurt, Germany.
The Samuel Goldwyn Company was an American independent film company founded by Samuel Goldwyn Jr., the son of the famous Hollywood mogul, Samuel Goldwyn, in 1978.
Pardon Us is a 1931 American pre-Code Laurel and Hardy film. It was the team's first starring feature-length comedy film, produced by Hal Roach, directed by James Parrott, and originally distributed by Metro-Goldwyn-Mayer in 1931.
Helpmates is a Laurel and Hardy Pre-Code short film comedy. It was directed by James Parrott, produced by Hal Roach and released by Metro-Goldwyn Mayer on January 23, 1932.
Our Wife is a 1931 American pre-Code Hal Roach comedy film starring Laurel and Hardy. It was directed by James W. Horne and released by Metro-Goldwyn-Mayer.
Block-Heads is a 1938 American comedy film directed by John G. Blystone and starring Stan Laurel and Oliver Hardy. It was produced by Hal Roach Studios for Metro-Goldwyn-Mayer. The film, a reworking of elements from the Laurel and Hardy shorts We Faw Down (1928) and Unaccustomed As We Are (1929), was Roach's final film for MGM.
Blotto is a 1930 American pre-Code comedy film directed by James Parrott and starring Stan Laurel and Oliver Hardy. The short was produced by Hal Roach and originally distributed by Metro-Goldwyn-Mayer.
Swiss Miss is a 1938 comedy film starring Laurel and Hardy. It was directed by John G. Blystone, and produced by Hal Roach. The film features Walter Woolf King, Della Lind and Eric Blore.
Laughing Gravy is a 1931 short film comedy starring Laurel and Hardy. It was directed by James W. Horne, produced by Hal Roach and distributed by Metro-Goldwyn-Mayer.
The Live Ghost is a 1934 American comedy short film starring Laurel and Hardy, directed by Charles Rogers, and produced by Hal Roach at his studios in Culver City, California.
Hollywood Party, also known under its working title of The Hollywood Revue of 1933 and Star Spangled Banquet, is a 1934 American pre-Code musical film starring Laurel and Hardy, The Three Stooges, Jimmy Durante, Lupe Vélez and Mickey Mouse. It was distributed by Metro-Goldwyn-Mayer. Each sequence featured a different star with a separate scriptwriter and director assigned.
Lippert Pictures was an American film production and distribution company controlled by Robert L. Lippert.
Our Gang Follies of 1938 is a 1937 American musical short subject, the 161st short subject entry in Hal Roach's Our Gang series. Directed by Gordon Douglas as a sequel to 1935's Our Gang Follies of 1936, the two-reel short was released to theaters on December 18, 1937, by Metro-Goldwyn-Mayer.
William Felix Knight, was an American tenor, actor, and vocal teacher, best known for his role as Tom-Tom in the 1934 Laurel and Hardy holiday musical film Babes in Toyland.
References
Citations
↑ "Calendar of Current Releases". Variety: 25. December 25, 1934.
↑ Skretvedt, Randy. 2023. March of the Wooden Soldiers: The Amazing Story of Laurel & Hardy’s “Babes In Toyland”. Bonaventure Press. p. 472-515. ISBN193787821X
McCabe, John with Al Kilgore and Richard W. Bann. Laurel & Hardy. New York: Bonanza Books, 1983, first edition 1975, E.P. Dutton. ISBN978-0-491-01745-9.
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