Pardon Us | |
---|---|
Directed by | James Parrott |
Written by | H.M. Walker |
Produced by | Hal Roach |
Starring | Stan Laurel Oliver Hardy |
Cinematography | Jack Stevens |
Edited by | Richard C. Currier |
Music by | Leroy Shield |
Production company | |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
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Running time | 41:00 (British Jailbirds cut) 55:00 (original release and reissue) 64:00 (extended cut) 70:22 (current DVD version) |
Country | United States |
Language | English |
Pardon Us is a 1931 American pre-Code Laurel and Hardy film. It was the team's first starring feature-length comedy film, produced by Hal Roach, directed by James Parrott, and originally distributed by Metro-Goldwyn-Mayer in 1931.
During Prohibition, Stan and Ollie are outside a malt-and-hops store offering ingredients for brewing. Ollie announces his intention to brew 15 gallons of beer, but Stan protests that they can't drink 15 gallons. Ollie says, "What we can't drink, we can sell." They walk into the shop side by side, and then walk into prison side by side (Stan having sold their home brew to a policeman).
Stan's loose tooth makes an involuntary razzberry sound, which angers the prison officials. Stan and Ollie are assigned to cell 14 alongside five other inmates, including the notorious "Tiger," the toughest prisoner. Stan's recurrent razzberry earns him unexpected respect and friendship from the intimidating Tiger. Laurel and Hardy's continued bungling ultimately lands them in solitary confinement.
During a riot, Stan and Ollie manage to escape. Their flight leads them to a cotton plantation, where they hide in blackface to evade detection. A musical interlude sees Ollie serenading the crowd with "Lazy Moon" while Stan dances. The warden, having car trouble nearby, fails to recognize them—until Stan's razzberry gives them away, and back they go to jail.
Subsequent events see Ollie inadvertently undergoing dental treatment intended for Stan. They vow to go on a hunger strike, but wind up in the mess hall anyway. The prisoners are running guns under the tables, but Stan fires a machine gun in panic and quells the attempted riot.
The Tiger and his gang are determined to capture the guards and take control of the prison. Stan still has his machine gun, and frightens the advancing gang. The plot fails, earning them an official pardon from the grateful warden.
After the release of MGM's hit The Big House with Chester Morris and Wallace Beery, producer Hal Roach decided to feature Laurel and Hardy in a short comedy spoofing the current prison drama. Roach felt that since his product was being released through MGM, he would be able to borrow existing sets used in The Big House to keep costs down. MGM studio head Louis B. Mayer agreed to the idea, provided that Laurel & Hardy would appear in a feature film for MGM in exchange. Roach declined Mayer's terms and hired set designer Frank Durlauf to build an exact replica of the needed prison sets. [1]
Pardon Us began production as The Rap in June 1930. To Roach's dismay, shooting went over schedule, with enough material for two prison-themed films. As a result, it was decided that The Rap be released as a full-length feature film, Laurel and Hardy's first as stars. Previewed in August 1930, the film ran 70 minutes, and was subject to lukewarm reviews, in which critics stated that the movie needed a bit of tightening. Stan Laurel, who was always involved in the editing of his films, suggested withdrawing Pardon Us, adding new scenes and deleting unnecessary ones. Leroy Shield's musical score was added (many songs already appearing in Our Gang and Laurel and Hardy short films), and the film was eventually released on August 15, 1931, a year after its first preview, [1] with a new running time of 55 minutes.
June Marlowe (who was simultaneously appearing as schoolmarm Miss Crabtree in the Our Gang series) appears only briefly in the film despite her receiving billing after Laurel and Hardy. An elaborate sequence was filmed, in which the convicts set the prison on fire as part of their escape plan, and the warden's daughter is seen screaming from her second-floor bedroom. [2] Stan Laurel did not find this sequence satisfactory, and staged the much simpler ending involving the boys holding the convicts at bay with a machine gun. In the released version, June Marlowe does not appear in this scene at all, but the scene is intact in the Spanish version of Pardon Us. This version has an alternate ending with Stan looking at their prison mugshots, much to the disgust of Ollie who rips them up. Pardon Us was released in the UK under the title Jailbirds in a four-reel, featurette length. [2]
During the early era of sound cinema, Hollywood studios frequently produced foreign-language versions of their films, using the same sets, costumes, and production elements. While many of these adaptations have been lost, the Spanish-language rendition of Pardon Us exists as De Bote en Bote ("From Cell to Cell").
In addition to the Spanish version, counterparts were created in other languages, including Italian (Muraglie), German (Hinter Schloss und Riegel), and French (Sous Les Verrous). Regrettably, the French and Italian iterations have been lost, though fragments of the German version were unearthed in 1999 and are accessible on DVD.
These foreign-language adaptations were filmed concurrently with the English version, featuring actors who were fluent in the respective languages. American actors assumed major roles, while local talent took on supporting characters. Boris Karloff portrayed "The Tiger" in the French version, prior to his iconic role in Frankenstein released in November 1931. Language coaches assisted the actors, while English-speaking performers relied on phonetically transcribed cue cards positioned just outside the camera's view. This method, predating modern dubbing techniques, allowed for seamless dialogue delivery but proved costly and labor-intensive. These customized, spoken-dialogue versions were very profitable for Hal Roach, but he was forced by MGM to stop making them, because they were hurting the sales of MGM's subtitled films.
Pardon Us exists in three versions of different length. The original-release version of 1931 and the reissue version of 1945 both run 55 minutes. This is the version that was reprinted for movie theaters, television, and home movies for four decades. A mid-1980s laserdisc release used the preview print of Pardon Us, running 64 minutes. It contained additional scenes with the warden, solitary confinement, and a second performance of "Hand Me Down My Silver Trumpet Gabriel". This version has been shown several times on the cable network American Movie Classics. The 64-minute version also aired on the TCM cable network.
In 2004, Universal Studios issued the complete 1930 preview version on a European DVD, which includes added scenes taken from preview copies. This version, running at 70 minutes, was also released in 2011 as part of Laurel and Hardy: The Essential Collection. Originally, a music score was not added to the lost segment. This was resolved by adding Shield's music cues recreated by The Beau Hunks, a Dutch revivalist music ensemble, on their 1994 CD The Beau Hunks Play the Original Little Rascals Music.
Laurel and Hardy were a British-American comedy team during the early Classical Hollywood era of American cinema, consisting of Englishman Stan Laurel (1890–1965) and American Oliver Hardy (1892–1957). Starting their career as a duo in the silent film era, they later successfully transitioned to "talkies". From the late 1920s to the mid-1950s, they were internationally famous for their slapstick comedy, with Laurel playing the clumsy, childlike friend to Hardy's pompous bully. Their signature theme song, known as "The Cuckoo Song", "Ku-Ku", or "The Dance of the Cuckoos" was heard over their films' opening credits, and became as emblematic of them as their bowler hats.
Harold Eugene "Hal" Roach Sr. was an American film and television producer, director and screenwriter, who was the founder of the namesake Hal Roach Studios.
The following is a complete list of the 220 Our Gang short films produced by Hal Roach Studios and/or Metro-Goldwyn-Mayer between 1922 and 1944, numbered by order of release along with production order.
Beau Hunks is a 1931 American Pre-Code Laurel and Hardy film, directed by James W. Horne.
Double Whoopee is a 1929 Hal Roach Studios silent short comedy starring Laurel and Hardy. It was shot during February 1929 and released by Metro-Goldwyn-Mayer on May 18.
Thicker than Water is a short film starring Laurel and Hardy, directed by James W. Horne, produced by Hal Roach, and released in 1935 by Metro-Goldwyn-Mayer. The short also features James Finlayson and Daphne Pollard in supporting roles. It was the last two-reel comedy starring the comedy team, as Hal Roach decided to end Laurel and Hardy short films and move them solely into feature films.
A Chump at Oxford is a Hal Roach comedy film produced in 1939 and released in 1940 by United Artists. It was directed by Alfred J. Goulding and is the penultimate Laurel and Hardy film made at the Roach studio. The title echoes the film A Yank at Oxford (1938), of which it is a partial parody.
The Flying Deuces, also known as Flying Aces, is a 1939 buddy comedy film starring Laurel and Hardy, in which the duo join the French Foreign Legion. It is a partial remake of their short film Beau Hunks (1931).
Helpmates is a Laurel and Hardy Pre-Code short film comedy. It was directed by James Parrott, produced by Hal Roach and released by Metro-Goldwyn Mayer on January 23, 1932.
Chickens Come Home is a 1931 American pre-Code short film starring Laurel and Hardy, directed by James W. Horne and produced by Hal Roach. It was shot in January 1931 and released on February 21, 1931. It is a remake of the 1927 silent film Love 'em and Weep in which James Finlayson plays Hardy's role and Hardy plays a party guest.
Block-Heads is a 1938 American comedy film directed by John G. Blystone and starring Stan Laurel and Oliver Hardy. It was produced by Hal Roach Studios for Metro-Goldwyn-Mayer. The film, a reworking of elements from the Laurel and Hardy shorts We Faw Down (1928) and Unaccustomed As We Are (1929), was Roach's final film for MGM.
Jitterbugs is a 1943 Laurel and Hardy feature film produced by Sol M. Wurtzel and directed by Mal St.Clair.
The Laurel-Hardy Murder Case is a Laurel and Hardy pre-Code comedy horror film released in 1930. It is one of a handful of three-reel comedies they made, running 28 minutes. It was directed by James Parrott, produced by Hal Roach and distributed by Metro-Goldwyn-Mayer.
Blotto is a 1930 American pre-Code comedy film directed by James Parrott and starring Stan Laurel and Oliver Hardy. The short was produced by Hal Roach and originally distributed by Metro-Goldwyn-Mayer.
Be Big! is a Hal Roach three-reel comedy starring Laurel and Hardy. It was shot in November and December 1930, and released on February 7, 1931.
The Hoose-Gow is a 1929 American short comedy film starring Laurel and Hardy, directed by James Parrott, and produced by Hal Roach.
Laughing Gravy is a 1931 short film comedy starring Laurel and Hardy. It was directed by James W. Horne, produced by Hal Roach and distributed by Metro-Goldwyn-Mayer.
Come Clean is a 1931 American pre-Code short film starring Laurel and Hardy, directed by James W. Horne and produced by Hal Roach.
The Live Ghost is a 1934 American comedy short film starring Laurel and Hardy, directed by Charles Rogers, and produced by Hal Roach at his studios in Culver City, California.
"Good Old Days", is a 1930 instrumental song written by Leroy Shield, which was the theme song for Hal Roach's Our Gang comedy short films, now known as The Little Rascals.