This article includes historical images which have been upscaled by an AI process .(July 2024) |
Big Business | |
---|---|
Directed by | James W. Horne Leo McCarey |
Written by | H.M. Walker (titles) |
Produced by | Hal Roach |
Starring | Stan Laurel Oliver Hardy James Finlayson Tiny Sandford Charlie Hall Lyle Tayo |
Edited by | Richard C. Currier (as Richard Currier) |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
|
Running time | 19 min. |
Country | United States |
Languages | Silent film English (Original intertitles) |
Big Business is a 1929 silent Laurel and Hardy comedy short subject directed by James W. Horne and supervised by Leo McCarey from a McCarey (uncredited) and H. M. Walker script. The film, largely about tit-for-tat vandalism between Laurel and Hardy as Christmas tree salesmen and the man who rejects them, was deemed culturally significant and entered into the National Film Registry in 1992. [1]
Stan and Ollie play door-to-door Christmas tree salesmen in California. They end up getting into an escalating feud with a grumpy would-be customer. Goaded by their repeated attempts to sell him a Christmas tree, he destroys it with hedge-clippers. Laurel and Hardy retaliate by damaging the man's doorframe with a knife.
Finlayson then goes to work on their clothes, and this escalates, with his home and their car being destroyed in the melee (after Finlayson has run out of Christmas trees to mangle). A police officer steps in to stop the fight (after vases are thrown out and smashed, and one hits him on the foot) and negotiates a peaceful resolution. Stan and Ollie give the homeowner a cigar as a peace offering. However, as the pair make their escape and the homeowner happily lights the gratis smoking-device, it is revealed to be a "trick" cigar rigged with a hidden powder-charge, which promptly explodes in his face.
Producer Hal Roach bought a vacant house at 10281 Dunleer Drive, Cheviot Hills, Los Angeles from a studio worker so he could destroy it in the film. [2] According to Roach, a mistake was made regarding the address, and the cast and crew demolished the wrong house. The owners of that home happened to be away on vacation and returned just as filming was being completed. Stan Laurel later said that Roach's story was a fabrication. [3] However, Roach, at age 100, repeated the story as factual in a 1992 televised interview conducted by guest host Jay Leno on The Tonight Show Starring Johnny Carson . [4]
Laurel and Hardy were a British-American comedy team during the early Classical Hollywood era of American cinema, consisting of Englishman Stan Laurel (1890–1965) and American Oliver Hardy (1892–1957). Starting their career as a duo in the silent film era, they later successfully transitioned to "talkies". From the late 1920s to the mid-1950s, they were internationally famous for their slapstick comedy, with Laurel playing the clumsy, childlike friend to Hardy's pompous bully. Their signature theme song, known as "The Cuckoo Song", "Ku-Ku", or "The Dance of the Cuckoos" was heard over their films' opening credits, and became as emblematic of them as their bowler hats.
Harold Eugene "Hal" Roach Sr. was an American film and television producer, director and screenwriter, who was the founder of the namesake Hal Roach Studios.
Laurel and Hardy were a motion picture comedy team whose official filmography consists of 106 films released between 1921 and 1951. Together they appeared in 34 silent shorts,A 45 sound shorts, and 27 full-length sound feature films.B In addition to these, Laurel and Hardy appeared in at least 20 foreign-language versions of their films and a promotional film, Galaxy of Stars (1936), produced for European film distributors.
James Henderson Finlayson was a Scottish actor who worked in both silent and sound comedies. Balding, with a fake moustache, he had many trademark comic mannerisms—including his squinting, outraged double-take reactions, and his characteristic exclamation: "D'ooooooh!" He is the best remembered comic foil of Laurel and Hardy.
We Faw Down is a synchronized sound short subject film directed by Leo McCarey starring comedy duo Laurel and Hardy. It was released by Metro-Goldwyn-Mayer on December 29, 1928. While the film has no audible dialog, it was released with a synchronized orchestral musical score with sound effects. It was remade in part with their film Sons of the Desert in 1933.
Thicker than Water is a short film starring Laurel and Hardy, directed by James W. Horne, produced by Hal Roach, and released in 1935 by Metro-Goldwyn-Mayer. The short also features James Finlayson and Daphne Pollard in supporting roles. It was the last two-reel comedy starring the comedy team, as Hal Roach decided to end Laurel and Hardy short films and move them solely into feature films.
Unaccustomed As We Are is the first sound film comedy starring Stan Laurel and Oliver Hardy, released on May 4, 1929.
Chickens Come Home is a 1931 American pre-Code short film starring Laurel and Hardy, directed by James W. Horne and produced by Hal Roach. It was shot in January 1931 and released on February 21, 1931. It is a remake of the 1927 silent film Love 'em and Weep in which James Finlayson plays Hardy's role and Hardy plays a party guest.
Block-Heads is a 1938 American comedy film directed by John G. Blystone and starring Stan Laurel and Oliver Hardy. It was produced by Hal Roach Studios for Metro-Goldwyn-Mayer. The film, a reworking of elements from the Laurel and Hardy shorts We Faw Down (1928) and Unaccustomed As We Are (1929), was Roach's final film for MGM.
The Finishing Touch is a 1928 short comedy silent film produced by Hal Roach, directed by Clyde Bruckman and starring Laurel and Hardy. It was released February 25, 1928 by Metro-Goldwyn-Mayer.
Should Married Men Go Home? is a silent short subject co-directed by Leo McCarey and James Parrott, starring comedy duo Laurel and Hardy. It was the first Hal Roach film to bill Laurel and Hardy as a team. Previous appearances together were billed under the Roach "All-Star Comedy" banner. It was released by Metro-Goldwyn-Mayer on September 8, 1928. McCarey is also one of the script writers for the film.
Habeas Corpus is a synchronized sound short subject comedy film co-directed by Leo McCarey and James Parrott starring comedy duo Laurel and Hardy. While the film has no audible dialog, it was released with a synchronized orchestral musical score with sound effects. It was released by Metro-Goldwyn-Mayer on December 1, 1928. This film is importantly historically as the first Laurel and Hardy film to be released with recorded sound.
Wrong Again is a 1929 synchronized sound short subject film directed by Leo McCarey and starring Laurel and Hardy. While the film has no audible dialog, it was released with a synchronized orchestral musical score with sound effects. It was filmed in October and November 1928, and released February 23, 1929, by Metro-Goldwyn-Mayer.
That's My Wife is a 1929 synchronized sound short subject film produced by the Hal Roach Studios and starring Laurel and Hardy. While the film has no audible dialog, it was released with a synchronized orchestral musical score with sound effects. It was shot in December 1928 and released March 23, 1929, by Metro-Goldwyn-Mayer.
Another Fine Mess is a 1930 short comedy film directed by James Parrott and starring Laurel and Hardy. It is based on the 1908 play Home from the Honeymoon by Arthur J. Jefferson, Stan Laurel's father, and is a remake of their earlier silent film Duck Soup.
Men O' War is the third sound film starring Laurel and Hardy, released on June 29, 1929.
Be Big! is a Hal Roach three-reel comedy starring Laurel and Hardy. It was shot in November and December 1930, and released on February 7, 1931.
Laughing Gravy is a 1931 short film comedy starring Laurel and Hardy. It was directed by James W. Horne, produced by Hal Roach and distributed by Metro-Goldwyn-Mayer.
The Fixer Uppers is a 1935 American short comedy film directed by Charles Rogers, starring Laurel and Hardy, and produced by Hal Roach.
The Live Ghost is a 1934 American comedy short film starring Laurel and Hardy, directed by Charles Rogers, and produced by Hal Roach at his studios in Culver City, California.