Deadwood Dick | |
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Directed by | James W. Horne |
Screenplay by | Wyndham Gittens Morgan Cox (as Morgan B. Cox) George H. Plympton (as George Plympton) John Cutting |
Produced by | Larry Darmour |
Starring | Don Douglas Lorna Gray |
Cinematography | James S. Brown Jr. |
Edited by | Dwight Caldwell Earl Turner |
Production company | Columbia Pictures |
Distributed by | Columbia Pictures |
Release date |
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Running time | 285 minutes (15 episodes) |
Country | United States |
Language | English |
Deadwood Dick is a 1940 American Western Serial film directed by James W. Horne and starring Don Douglas and Lorna Gray. The character of Deadwood Dick was for the most part another version of "Zorro". [1]
Deadwood Dick, a masked and mysterious hero, is in reality Dick Stanley, editor of the Dakota Pioneer Press and a leading member of Statehood For Dakota. He is on the trail of a masked villain known as the Skull, who leads a violent, renegade band infamous for its violence against the Deadwood residents' wishes for a statehood status. Our hero soon discovers that the Skull terrorizes the town to prevent statehood from being achieved in order to build his own empire in the vast territory. However, Dick suspects that one of his fellow committeemen might be responsible for the string of criminal acts. It takes him 15 episodes and about 40 choreographed slugfests to finally uncover the truth and defeat the Skull.
The year 1940 in film involved some significant events, including the premieres of the Walt Disney films Pinocchio and Fantasia.
Tom London was an American actor who played frequently in B-Westerns. According to The Guinness Book of Movie Records, London is credited with appearing in the most films in the history of Hollywood, according to the 2001 book Film Facts, which says that the performer who played in the most films was "Tom London, who made his first of over 2,000 appearances in The Great Train Robbery, 1903. He used his birth name in films until 1924.
The Mark of Zorro is a 1940 American black-and-white swashbuckling film released by 20th Century-Fox, directed by Rouben Mamoulian, produced by Darryl F. Zanuck, and starring Tyrone Power, Linda Darnell, and Basil Rathbone.
The Mark of Zorro is a 1920 American silent Western romance film starring Douglas Fairbanks and Noah Beery. This genre-defining swashbuckler adventure was the first movie version of The Mark of Zorro. Based on the 1919 story The Curse of Capistrano by Johnston McCulley, which introduced the masked hero, Zorro, the screenplay was adapted by Fairbanks and Eugene Miller.
Wild West C.O.W.-Boys of Moo Mesa is a 1992 American animated television series created by comic book artist Ryan Brown, known for his work on Teenage Mutant Ninja Turtles. It aired as part of ABC's Saturday morning lineup.
Solomon Star was a Jewish American businessman and politician notable as an early resident of the town of Deadwood, South Dakota.
Tom Tyler was an American actor known for his leading roles in low-budget Western films in the silent and sound eras, and for his portrayal of superhero Captain Marvel in the 1941 serial film The Adventures of Captain Marvel. Tyler also played Kharis in 1940's The Mummy's Hand, a popular Universal Studios monster film.
Robert Fiske was an American actor on film and stage during the first half of the 20th century.
Kenneth Daniel Harlan was a popular American actor during the silent film era, playing mostly romantic leads or adventurer roles. His career extended into the sound film era, but during that span he rarely commanded leading-man roles, and became mostly a supporting or character actor.
Richard Clarke, born in Yorkshire, England, was a United States frontiersman, Pony Express rider, actor, and armed forces member who was widely considered by the American public to be the original inspiration for Deadwood Dick.
Donald Douglas was a Scottish-American actor who performed in films, on the stage and in radio.
A masked villain, also seen as masked mystery villain, is a stock character in genre fiction. It was developed and popularized in movie serials, beginning with The Hooded Terror in The House of Hate, (1918) the first fully-costumed mystery villain of the movies, and frequently used in the adventure stories of pulp magazines and sound-era movie serials in the early twentieth century, as well as postmodern horror films where the character "hides in order to claim unsuspecting victims". They can also appear in crime fiction to add to the atmosphere of suspense and suspicion. It is used to engage the readers or viewers by keeping them guessing just as the characters are, and suspension by drawing on the fear of the unknown. The "Mask" need not be literal, referring more to the subterfuge involved.
John Samuel Ingram was an American film and television actor. He appeared in many serials and Westerns between 1935 and 1966.
The Spider's Web is a 1938 Columbia Pictures movie serial based on the popular pulp magazine character The Spider. It was the fifth of the 57 serials released by Columbia.
Flying G-Men is a 15-episode 1939 adventure film Film serial, directed by James W. Horne and Ray Taylor. The serial was the sixth of the 57 serials released by Columbia. Four "Flying G-Men" battle with enemy saboteurs intent on destroying American military defences.
Overland with Kit Carson is a 1939 American Western serial film directed by Norman Deming and Sam Nelson and starring Bill Ellott, Iris Meredith, Richard Fiske and Bobby Clack.
The Green Archer is the 12th serial released by Columbia Pictures. It was based on Edgar Wallace's 1923 novel The Green Archer, which had previously been adapted into the silent serial of the same name in 1925 by Pathé Exchange.
Stanley Price was an American film supporting actor who appeared in over 200 films between 1922 and 1956. He was a charter member of the Screen Actors Guild.
A serial film,film serial, movie serial, or chapter play, is a motion picture form popular during the first half of the 20th century, consisting of a series of short subjects exhibited in consecutive order at one theater, generally advancing weekly, until the series is completed. Usually, each serial involves a single set of characters, protagonistic and antagonistic, involved in a single story, which has been edited into chapters after the fashion of serial fiction and the episodes cannot be shown out of order or as a single or a random collection of short subjects.