Holt of the Secret Service

Last updated
Holt of the Secret Service
Holt of the Secret Service.jpg
Directed by James W. Horne
Screenplay by Basil Dickey
George H. Plympton
(as George Plympton)
Wyndham Gittens
Produced by Larry Darmour
Starring Jack Holt
Evelyn Brent
Narrated by Knox Manning
Cinematography James S. Brown Jr.
Edited by Dwight Caldwell
Earl Turner
Music by Lee Zahler
Production
company
Columbia Pictures
Distributed by Columbia Pictures
Release date
  • November 21, 1941 (1941-11-21)
Running time
278 minutes
(15 episodes)
CountryUnited States
LanguageEnglish
Holt of the Secret Service, Part 1: Chaotic Creek

Holt of the Secret Service (1941) was the 16th serial released by Columbia Pictures.

Contents

Plot

A murderous gang of counterfeiters has kidnapped John Severn (played by Ray Parsons), the U.S. government's best engraver. He is forced to engrave a set of counterfeit plates, to print phony money that is virtually undetectable from genuine currency. The United States Secret Service sends its toughest agent, Jack Holt (played by himself), and his female partner, Kay Drew (Evelyn Brent), after the gang. Holt poses as escaped tough guy, Nick Farrel. Masquerading as the bickering, tough-talking Mr. and Mrs. Farrel, Holt and Drew manage to infiltrate the ruthless gang of thugs. Holt locates Severn and instructs him to keep working but as slowly as possible, to give Holt time to find the head of the crime ring. Holt takes the set of counterfeit plates in hand, and much of the action has Holt keeping the plates away from the crooks. The scenes shift from the gang's hideout in a lost canyon to a gambling ship on the high seas, to a small island country where the gang hopes to escape U.S. extradition.

The head of the ring is gambler Lucky Arnold (John Ward), but he hides behind the facade of one of his loyal henchmen, Quist (Ted Adams), to shield himself from the Secret Service, and lets another one of his men, Ed Valden (Tristram Coffin), do most of his dirty work. The island nation has its own self-appointed dictator (Stanley Blystone), who is also trying to rub out our hero. During the 15 episodes, Holt endures numerous brushes with death, emerging from all of them virtually unscathed. Holt is so tough that, when he faces a firing squad and is asked if he wants a blindfold, he murmurs, "Forget it. This is the only thing in life I haven't seen!"

Cast

Chapter titles

Jack Holt in scene from the serial Jack Holt in Holt of the Secret Service.jpg
Jack Holt in scene from the serial
  1. Chaotic Creek
  2. Ramparts of Revenge
  3. Illicit Wealth
  4. Menaced by Fate
  5. Exits to Terror
  6. Deadly Doom
  7. Out of the Past
  8. Escape to Peril
  9. Sealed in Silence
  10. Named to Die
  11. Ominous Warnings
  12. The Stolen Signal
  13. Prison of Jeopardy
  14. Afire Afloat
  15. Yielded Hostage

Production

Jack Holt, Columbia's star of longest standing, had argued with studio head Harry Cohn. Cohn demoted him from working in feature films to this lowbrow serial adventure. Actually, it wasn't so much of a demotion because he was still working with the same feature-film crew, under producer Larry Darmour. Holt had misgivings about working in a serial, but was convinced by co-star Evelyn Brent to see it through. She knew that Darmour was making the serial for an adult audience, by making it thrilling and logical but never impossible. [1] Darmour was also careful to cast the film with character actors who were not familiar from Darmour's serials.

Reception

Holt of the Secret Service turned out to be exceptionally successful in theaters, with the Jack Holt name attracting fans of action and adventure. By the time it was released, Holt had left the studio behind and there were no sequels.

After the serial's copyright lapsed in 1969, Holt of the Secret Service became one of the very few Columbia cliffhangers available for modern appraisal. Authors and critics marveled at the film's breakneck pace and hectic, six-against-one fight scenes as staged by former comedy director James W. Horne. Thus Holt of the Secret Service became the poster child for Columbia serials until the advent of home video, when more of the Columbia serials went into circulation.

Notes

  1. p.108 Kerr, Lynn & King, James Evelyn Brent: The Life and Films of Hollywood's Lady Crook McFarland

Sources

Related Research Articles

<span class="mw-page-title-main">Jack Holt (actor)</span> American actor (1888–1951)

Charles John Holt, Jr. was an American motion picture actor who was prominent in both silent and sound movies, particularly Westerns.

<span class="mw-page-title-main">Harry Cohn</span> Co-founder of Columbia Pictures Corporation (1891–1958)

Harry Cohn was a co-founder, president, and production director of Columbia Pictures Corporation.

<span class="mw-page-title-main">Evelyn Brent</span> American actress

Evelyn Brent was an American film and stage actress.

<span class="mw-page-title-main">James W. Horne</span> American actor, screenwriter, and film director (1881–1942)

James Wesley Horne was an American actor, screenwriter, and film director.

<i>T-Men</i> 1947 film by Anthony Mann

T-Men is a 1947 semidocumentary and police procedural style film noir about United States Treasury agents. The film was directed by Anthony Mann and shot by noted noir cameraman John Alton. The production features Dennis O'Keefe, Mary Meade, Alfred Ryder, Wallace Ford, June Lockhart and Charles McGraw. A year later, director Mann used the film's male lead, Dennis O'Keefe, in Raw Deal.

Poverty Row is a slang term for small Hollywood studios that produced B movies from the 1920s to the 1950s, typically with much smaller budgets and lower production values than those of the major studios. Although many of these studios were based in the vicinity of Gower Street in Hollywood, the term does not necessarily relate to any specific physical location.

<i>Southside 1-1000</i> 1950 film by Boris Ingster

Southside 1-1000 is a 1950 semidocumentary-style film noir directed by Boris Ingster featuring Don DeFore, Andrea King, George Tobias and Gerald Mohr as the off-screen narrator. Based on a true story, it is about a Secret Service agent (DeFore) who goes undercover and moves into a hotel run by a beautiful female manager (King), so that he can investigate a counterfeiting ring. The agent is up against hardened felons such as the gang member played by Tobias, an unusual example of casting against type for the typically comic actor. It is one of Ingster's two films noir, the other being Stranger on the Third Floor (1940), an early picture in the genre.

<span class="mw-page-title-main">Jack Mulhall</span> American actor

John Joseph Francis Mulhall was an American film actor beginning in the silent film era who successfully transitioned to sound films, appearing in over 430 films in a career spanning 50 years.

Finger Prints is a 1931 American Pre-Code Universal movie serial. It is considered to be a lost film.

<span class="mw-page-title-main">C. Montague Shaw</span> Australian character actor (1882–1968)

Charles Montague Discombe Sparrow, known by his stage name C. Montague Shaw, was an Australian character actor, often appearing in small supporting parts in more than 150 films. Many of his roles were uncredited.

Jack Armstrong (1947) is a Columbia film serial, based on the radio adventure series Jack Armstrong, the All-American Boy.

<i>Forbidden Cargo</i> (1925 film) 1925 film

Forbidden Cargo is a 1925 American silent drama film directed by Tom Buckingham and featuring Boris Karloff. The film is considered to be lost.

<span class="mw-page-title-main">Anthony Warde</span> American actor (1909–1975)

Anthony Warde was an American actor who appeared in over 150 movies from 1937 to 1964.

Lee Zahler was an American composer and musical director of films, starting in the 1920s and well into the 1940s.

<i>Dude Cowboy</i> 1941 film

Dude Cowboy is a 1941 American western film. David Howard directed the film and Morton Grant wrote the screenplay. The film stars Tim Holt as Terry McVey, Eddie Kane as Gordon West, Marjorie Reynolds as Barbara Adams, Byron Foulger as Frank Adams, Louise Currie as Gail Sargent, Eddie Dew as French, Helen Holmes as Aunt Althea Carter, Lloyd Ingraham as Pop Stebbins, Eddie Kane as Gordon West, and Tom London as the Silver City Sheriff.

<i>Code of the Secret Service</i> 1939 film by Noel M. Smith

Code of the Secret Service is a 1939 film directed by Noel M. Smith and starring Ronald Reagan. It is the second of four films in the U.S. Secret Service Agent Brass Bancroft series, having been preceded by Secret Service of the Air (1939) and followed by Smashing the Money Ring (1939) and Murder in the Air (1940).

Lawrence J. Darmour (1895–1942) was an American film producer, operator of Larry Darmour Productions from 1927, and a significant figure in Hollywood's low-budget production community.

<i>Law of the Badlands</i> 1951 film by Lesley Selander

Law of the Badlands is a 1951 American western film starring Tim Holt. Although the cheapest Holt vehicle since the war years, it still recorded a loss of $20,000.

<i>The Lone Wolf Takes a Chance</i> 1941 film directed by Sidney Salkow

The Lone Wolf Takes a Chance is a 1941 American mystery film directed by Sidney Salkow and starring Warren William, June Storey and Henry Wilcoxon. Salkow also wrote the original screenplay, along with Earl Felton, and the film was released on March 6, 1941. It is the sixth Lone Wolf film produced by Columbia Pictures, and the fourth appearance of William as the title character Lone Wolf. His next film was Secrets of the Lone Wolf, released later that year.

<span class="mw-page-title-main">Serial film</span> Series of short subject films

A serial film,film serial, movie serial, or chapter play, is a motion picture form popular during the first half of the 20th century, consisting of a series of short subjects exhibited in consecutive order at one theater, generally advancing weekly, until the series is completed. Usually, each serial involves a single set of characters, protagonistic and antagonistic, involved in a single story, which has been edited into chapters after the fashion of serial fiction and the episodes cannot be shown out of order or as a single or a random collection of short subjects.