Way Out West (1937 film)

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Way Out West
Way Out West Poster.gif
Theatrical release poster
Directed by James W. Horne
Written byContributing (uncredited):
Stan Laurel
James W. Horne
Arthur V. Jones
Screenplay by Charley Rogers
Felix Adler
James Parrott
Story by Jack Jevne
Charley Rogers
Produced by Stan Laurel
Hal Roach
StarringStan Laurel
Oliver Hardy
Cinematography Art Lloyd
Walter Lundin
Edited byBert Jordan
Music by Marvin Hatley
Production
company
Distributed by Metro-Goldwyn-Mayer
Release date
  • April 16, 1937 (1937-04-16)(U.S.)
Running time
1:02:30
CountryUnited States
LanguageEnglish

Way Out West is a 1937 Laurel and Hardy comedy film directed by James W. Horne, produced by Stan Laurel, and distributed by Metro-Goldwyn-Mayer. It was the second picture for which Stan Laurel was credited as producer.

Contents

Plot

Laurel and Hardy embark on a quest to locate Mary Roberts, the rightful heir to a substantial inheritance, including a gold mine deed, following news of her father's demise. Discovering Mary amidst the West's cabaret milieu, they encounter formidable obstacles in the form of her legal guardians, indifferent to her well-being and intent on usurping her wealth.

Their journey to Brushwood Gulch is beset with misfortune, from Ollie's mishap in a river sinkhole to their encounter with the stern sheriff and his wife. At Mickey Finn's saloon, a case of mistaken identity leads to the theft of Mary's deed by the unscrupulous Finns, triggering a frantic pursuit.

In a daring nighttime endeavor, Laurel and Hardy orchestrate a break-in to retrieve the deed, facing numerous obstacles. Their efforts culminate in a showdown with the Finns, wherein Ollie's improvised coercion secures the deed's return. With Mary in tow, they escape, leaving the Finns confined to their own establishment.

Cast

Credited:

Uncredited:

Reception

Critical response

Pauline Kael praised the film: "This satire of Westerns is probably Laurel and Hardy's most comically sustained feature ... They do a classic soft-shoe shuffle outside a saloon; Hardy's lolling elephantine grace has never been more ingratiating ... The film is leisurely in the best sense; you adjust to a different rhythm and come out feeling relaxed, as if you'd gone on vacation." [1] Leonard Maltin gave it three and a half of four stars: "One of their best features ... Another bonus: some charming musical interludes, and the boys perform a wonderful soft-shoe dance." [2] Leslie Halliwell gave it one of his rare four of four stars: "Seven reels of perfect joy, with the comedians at their very best in brilliantly-timed routines ... " [3]

Soundtrack

The film's score was composed by Marvin Hatley and nominated for an Academy Award for Best Music (Scoring). The film includes two well-known songs: firstly Macdonald and Carroll's "Trail of the Lonesome Pine", sung by Laurel and Hardy (except for a few lines by Chill Wills and Rosina Lawrence, lip-synched for comedic effect by Laurel), and secondly J. Leubrie Hill's "At the Ball, That's All", sung by the Avalon Boys and accompanied by Laurel and Hardy performing an extended dance routine, one that they rehearsed endlessly.

"Trail of the Lonesome Pine" was released as a single in Britain in 1975, backed by "Honolulu Baby" from Sons of the Desert ; it reached number 2 in the British charts.

References

Notes

  1. Kael, Pauline (1991). 5001 Nights at the Movies. A William Abrahams/Owl Book. ISBN   0-8050-1366-0.
  2. Maltin, Leonard (2015). Leonard Maltin's Classic Movie Guide (3rd ed.). Plume Book. ISBN   978-0-14-751682-4.
  3. Halliwell, Leslie (1989). Halliwell's Film Guide (7th ed.). Grafton Books. ISBN   0-06-016322-4.

Bibliography