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Great Guns | |
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Directed by | Monty Banks |
Written by | Lou Breslow |
Produced by | Sol M. Wurtzel |
Starring | Stan Laurel Oliver Hardy Sheila Ryan Dick Nelson Edmund MacDonald |
Cinematography | Glen MacWilliams |
Edited by | Alfred DeGaetano |
Music by | David Buttolph |
Distributed by | 20th Century Fox |
Release date |
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Running time | 73' 30" |
Country | United States |
Language | English |
Great Guns is a 1941 film directed by Monty Banks, and produced by Sol M. Wurtzel for 20th Century Fox starring Laurel and Hardy. It is also known as Forward March.
The young, spoiled but feeble Daniel Forrester IV (Dick Nelson), a very rich eligible bachelor, gets his draft notice from the US Army and is beside himself with joy, because now he has a chance to prove he does not have the weak constitution his aunts Martha (Mae Marsh) and Agatha (Ethel Griffies) believe him to have. Daniel performs well at his army physical and is enrolled in the army soon afterward.
To look after Daniel during his service, his chauffeur Ollie (Oliver Hardy) and gardener Stan (Stan Laurel) join the army at the same time. They all go to basic military training at legendary Fort Merritt in Texas. Daniel finds the army to his liking, performing excellently at the exercises, but Stan and Ollie are less happy with their new duties. Their drill sergeant, Hippo (Edmund MacDonald), considers Stan and Ollie to be lazy, and their antics drive the sergeant crazy. Stan's pet crow Penelope is a constant source of irritation to the sergeant. But what irritates Hippo most is that the fort's photo developer, Ginger Hammond (Sheila Ryan), takes a special interest in Daniel. The sergeant, who has tried to catch Ginger's heart himself for quite some time, becomes jealous of Daniel. Daniel confesses his love for her in his sleep, while Stan and Ollie listen in. They do not want Daniel to pursue Ginger, since they are not certain that his health will cope with the strain of a romantic involvement.
Stan and Ollie worry that a such relationship between the two will kill their employer, so posing as businessmen, they pay Ginger a visit at home and try to deflect her by telling her that Daniel is broke and not the catch she believes he is. She recognizes them and throws them out of her apartment. Hippo also tries to break up the loving couple by cancelling Daniel's night leave and making him a prisoner in the guard room instead.
Stan and Ollie get into trouble when they are captured by the opposing team in a military exercise. When Daniel hears about their unfortunate situation, he escapes his lock-up and uses Penelope to find Stan. Penelope helps find Stan, and the team that Stan and Ollie belong to win the maneuver. Daniel and his employees become heroes, and Daniel and Ginger become a couple. Penelope gets her own bird-size uniform and all the boys participate in a military parade together, while the aunts and Ginger watch. [1]
The first of Laurel and Hardy's post-Hal Roach features, Great Guns is generally regarded as the start of the team's decline, since they were given unsuitable, out-of-character scripts to work with, and very little artistic freedom. At Hal Roach Studios, Stan Laurel looked on such creativity behind as well as in front of the camera as routine, but 20th Century Fox did not allow such luxuries. Biographer John McCabe was among those who documented Laurel's unhappiness with these later films for Fox and MGM.
Alan Ladd appears briefly as a photo store customer.
Laurel and Hardy were a comedy duo act during the early Classical Hollywood era of American cinema, consisting of Englishman Stan Laurel (1890–1965) and American Oliver Hardy (1892–1957). Starting their career as a duo in the silent film era, they later successfully transitioned to "talkies". From the late 1920s to the mid-1950s, they were internationally famous for their slapstick comedy, with Laurel playing the clumsy, childlike friend to Hardy's pompous bully. Their signature theme song, known as "The Cuckoo Song", "Ku-Ku", or "The Dance of the Cuckoos" was heard over their films' opening credits, and became as emblematic of them as their bowler hats.
Oliver Norvell Hardy was an American comic actor and one half of Laurel and Hardy, the double act that began in the era of silent films and lasted from 1926 to 1957. He appeared with his comedy partner Stan Laurel in 107 short films, feature films, and cameo roles. He was credited with his first film, Outwitting Dad, in 1914. In most of his silent films before joining producer Hal Roach, he was billed on screen as Babe Hardy.
Stan Laurel was an English comic actor, writer, and film director who was part of the comedy duo Laurel and Hardy. He appeared with his comedy partner Oliver Hardy in 107 short films, feature films, and cameo roles.
Pardon Us is a 1931 American pre-Code Laurel and Hardy film. It was the duo's first starring feature-length comedy film, produced by Hal Roach and Stan Laurel, directed by James Parrott, and originally distributed by Metro-Goldwyn-Mayer in 1931.
Zenobia is a 1939 comedy film directed by Gordon Douglas and starring Oliver Hardy, Harry Langdon, Billie Burke, Alice Brady, James Ellison, Jean Parker, June Lang, Stepin Fetchit and Hattie McDaniel. The source of the film was the 1891 short story "Zenobia's Infidelity" by H.C. Bunner, which was originally purchased by producer Hal Roach as a vehicle for Roland Young.
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Block-Heads is a 1938 comedy film directed by John G. Blystone and starring Stan Laurel and Oliver Hardy. It was produced by Hal Roach Studios for Metro-Goldwyn-Mayer. The film, a reworking of elements from the Laurel and Hardy shorts We Faw Down (1928) and Unaccustomed As We Are (1929), was Roach's final film for MGM.
The Finishing Touch is a 1928 short comedy silent film produced by Hal Roach, directed by Clyde Bruckman and starring Laurel and Hardy. It was released February 25, 1928 by Metro-Goldwyn-Mayer.
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Them Thar Hills is a 1934 American comedy short film directed by Charley Rogers and starring Stan Laurel and Oliver Hardy. The film was so well received by audiences that producer Hal Roach and Metro-Goldwyn-Mayer made a sequel, Tit for Tat, which was released five months later, in January 1935.
The Bohemian Girl is a 1936 comedic feature film version of the opera The Bohemian Girl by Michael William Balfe. Directed by James W. Horne and Charley Rogers, and it was produced at the Hal Roach Studios, and stars Laurel and Hardy, and Thelma Todd in her final film role. This was also the only appearance of Darla Hood in a full-length feature produced by Hal Roach.
Bonnie Scotland is a 1935 American film directed by James W. Horne and starring Laurel and Hardy. It was produced by Hal Roach for Hal Roach Studios. Although the film begins in Scotland, a large part of the action is set in British India.
Blotto is a 1930 American pre-Code comedy film directed by James Parrott and starring Stan Laurel and Oliver Hardy. The short was produced by Hal Roach and originally distributed by Metro-Goldwyn-Mayer.
Laughing Gravy is a 1931 short film comedy starring Laurel and Hardy. It was directed by James W. Horne, produced by Hal Roach and distributed by Metro-Goldwyn-Mayer.
The Fixer Uppers is a 1935 short film starring Laurel and Hardy, directed by Charles Rogers and produced by Hal Roach.
Come Clean is a 1931 American pre-Code short film starring Laurel and Hardy, directed by James W. Horne and produced by Hal Roach.
Their First Mistake is a 1932 American pre-Code comedy short starring Laurel and Hardy. Directed by George Marshall, the film was produced by Hal Roach and distributed by Metro-Goldwyn-Mayer.
Oliver The Eighth is a 1934 American pre-Code short film comedy starring Laurel and Hardy. It was directed by Lloyd French, produced by Hal Roach and distributed by MGM.
Stan & Ollie is a 2018 biographical comedy-drama film directed by Jon S. Baird and written by Jeff Pope. Based on the later years of the lives of the comedy double act Laurel and Hardy, the film stars Steve Coogan and John C. Reilly as Stan Laurel and Oliver Hardy. The film focuses on details of the comedy duo's personal relationship while relating how they embarked on a gruelling music hall tour of the United Kingdom and Ireland during 1953 and struggled to get another film made.
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