Laurel and Hardy were a British-American comedy team during the early Classical Hollywood era of American cinema, consisting of Englishman Stan Laurel (1890–1965) and American Oliver Hardy (1892–1957). Starting their career as a duo in the silent film era, they later successfully transitioned to "talkies". From the late 1920s to the mid-1950s, they were internationally famous for their slapstick comedy, with Laurel playing the clumsy, childlike friend to Hardy's pompous bully. Their signature theme song, known as "The Cuckoo Song", "Ku-Ku", or "The Dance of the Cuckoos" was heard over their films' opening credits, and became as emblematic of them as their bowler hats.
Oliver Norvell Hardy was an American comic actor and one half of Laurel and Hardy, the double act that began in the era of silent films and lasted from 1926 to 1957. He appeared with his comedy partner Stan Laurel in 107 short films, feature films, and cameo roles. He was credited with his first film, Outwitting Dad, in 1914. In most of his silent films before joining producer Hal Roach, he was billed on screen as Babe Hardy.
Love 'em and Weep is a 1927 American silent comedy short film starring Mae Busch, Stan Laurel and James Finlayson.
Brats is a 1930 Laurel and Hardy comedy short. The film was directed by James Parrott. Laurel and Hardy play dual roles as their own children. It also inspired a helper group for the Michigan tent for The Sons of the Desert, which is composed of all the child members of the tent. This is the first of only three films where the boys each play a dual role: the second is Twice Two and the third and last is Our Relations.
Pardon Us is a 1931 American pre-Code Laurel and Hardy film. It was the duo's first starring feature-length comedy film, produced by Hal Roach and Stan Laurel, directed by James Parrott, and originally distributed by Metro-Goldwyn-Mayer in 1931.
Zenobia is a 1939 comedy film directed by Gordon Douglas and starring Oliver Hardy, Harry Langdon, Billie Burke, Alice Brady, James Ellison, Jean Parker, June Lang, Stepin Fetchit and Hattie McDaniel. The source of the film was the 1891 short story "Zenobia's Infidelity" by H.C. Bunner, which was originally purchased by producer Hal Roach as a vehicle for Roland Young.
Unaccustomed As We Are is the first sound film comedy starring Stan Laurel and Oliver Hardy, released on May 4, 1929.
Chickens Come Home is a 1931 American pre-Code short film starring Laurel and Hardy, directed by James W. Horne and produced by Hal Roach. It was shot in January 1931 and released on February 21, 1931. It is a remake of the 1927 silent film Love 'em and Weep in which James Finlayson plays Hardy's role and Hardy plays a party guest.
Block-Heads is a 1938 American comedy film directed by John G. Blystone and starring Stan Laurel and Oliver Hardy. It was produced by Hal Roach Studios for Metro-Goldwyn-Mayer. The film, a reworking of elements from the Laurel and Hardy shorts We Faw Down (1928) and Unaccustomed As We Are (1929), was Roach's final film for MGM.
Our Relations is a 1936 American comedy film directed by Harry Lachman starring Laurel and Hardy, produced by Stan Laurel for Hal Roach Studios.
From Soup to Nuts is a silent short subject directed by E. Livingston Kennedy starring comedy duo Laurel and Hardy. It was released on March 24, 1928, by Metro-Goldwyn-Mayer.
Nothing But Trouble is a 1944 Laurel and Hardy feature film released by Metro-Goldwyn-Mayer and directed by Sam Taylor.
The Bohemian Girl is a 1936 comedic feature film version of the opera The Bohemian Girl by Michael William Balfe. Directed by James W. Horne and Charles Rogers, and it was produced at the Hal Roach Studios, and stars Laurel and Hardy, and Thelma Todd in her final film role. This was also the only appearance of Darla Hood in a full-length feature produced by Hal Roach.
Tit for Tat is a 1935 short comedy film starring Stan Laurel and Oliver Hardy. It is the only direct sequel they made, following the story of Them Thar Hills, which was released the previous year and includes the same two supporting characters, Mr. and Mrs. Hall, portrayed by Charlie Hall and Mae Busch. This "two-reeler" is notable too for being nominated for an Academy Award as Best Live Action Short Film (Comedy) of 1935, although it did not win. It also has a central theme similar to the comedy duo's 1929 silent short Big Business. In the opening scene of Tit for Tat, Oliver places a sign in the front window of his and Stan's electrical store. It reads "Open for Big Business", an allusion to the escalating revenge and "reciprocal destruction" common to both films.
Be Big! is a Hal Roach three-reel comedy starring Laurel and Hardy. It was shot in November and December 1930, and released on February 7, 1931.
Laughing Gravy is a 1931 short film comedy starring Laurel and Hardy. It was directed by James W. Horne, produced by Hal Roach and distributed by Metro-Goldwyn-Mayer.
Come Clean is a 1931 American pre-Code short film starring Laurel and Hardy, directed by James W. Horne and produced by Hal Roach.
Pick a Star is a 1937 American musical comedy film starring Rosina Lawrence, Jack Haley, Patsy Kelly and Mischa Auer, directed by Edward Sedgwick, produced by Hal Roach and released through Metro-Goldwyn-Mayer, and filmed by Norbert Brodine. A reworking of Buster Keaton's first talkie, Free and Easy, the film is mostly remembered today for two short scenes featuring Laurel and Hardy.
County Hospital is a Laurel and Hardy short film made in 1932. It was directed by James Parrott, produced by Hal Roach and distributed by Metro-Goldwyn-Mayer. Ollie is in hospital with a broken leg, Stan comes to visit and ends up getting Ollie kicked out; on the way home Stan crashes the car.
Stan & Ollie is a 2018 biographical comedy-drama film directed by Jon S. Baird. The script, written by Jeff Pope, was inspired by Laurel and Hardy: The British Tours by A.J. Marriot which chronicled the later years of the comedy double act Laurel and Hardy; the film stars Steve Coogan and John C. Reilly as Stan Laurel and Oliver Hardy. The film focuses on details of the comedy duo's personal relationship while relating how they embarked on a gruelling music hall tour of the United Kingdom and Ireland during 1953 and struggled to get another film made.
