Battle of the Century | |
---|---|
Directed by | Clyde Bruckman |
Written by | Hal Roach H.M. Walker |
Produced by | Hal Roach |
Starring | |
Cinematography | George Stevens |
Edited by | Richard C. Currier |
Music by | Leroy Shield |
Production company | |
Distributed by | Metro-Goldwyn-Mayer |
Release date |
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Running time | 26:08 (2020 digital remaster) |
Country | United States |
Languages | Silent film English intertitles |
The Battle of the Century is a 1927 American silent short film starring comedy double act Laurel and Hardy, who appeared in 107 films between 1921 and 1951. [1] The film entered the public domain in the United States in 2023.
Facing financial hardship, Ollie orchestrates a boxing match between Stan and Thunderclap Callahan, offering a cash prize of $100 [a] to the victor. Stan, fighting under the alias "Canvasback Clump," inadvertently knocks out Callahan in the initial round. However, Stan's refusal to return to his corner prevents the referee from completing the ten-count, allowing Callahan to recover and retaliate, ultimately overpowering Stan.
Following the match's chaotic conclusion, a disillusioned Ollie encounters an insurance salesman who convinces him to invest the meager winnings in an insurance policy on Stan, with the stipulation that Stan must sustain an injury for Ollie to profit. In a misguided attempt to fulfill this requirement, Ollie orchestrates a scenario involving a banana peel on a sidewalk. However, the plan backfires when a pastry chef becomes the unintended victim of the slippery hazard, leading to a comical altercation involving pies that quickly escalates into a neighborhood-wide skirmish.
The Battle of the Century is renowned for its extensive use of cream pies, with estimates ranging from over 3,000 to potentially 10,000 pies utilized in the climactic pie fight. Initially, only a three-minute segment containing the pie fight was believed to have survived, as it had been incorporated into Robert Youngson's 1950s film documentaries. [2] However, the complete second reel, including the pie fight scene, was rediscovered in 2015 and subsequently released to the public on DVD and Blu-ray disc as part of the Laurel & Hardy: The Definitive Restorations compilation in 2020. [3]
In recognition of its cultural significance, The Battle of the Century was selected for preservation in the United States National Film Registry by the Library of Congress in 2020 as being "culturally, historically, or aesthetically significant." [4]
Although officially billed as a Laurel and Hardy film, the characters had yet to fully embody their iconic personas; they are not referred to as Stan and Ollie, with Laurel portraying Canvasback Clump and Hardy's manager character remaining unnamed.
Stan Laurel expressed his intention to inundate the film with so many pies that it would surpass any future pie-related cinema endeavors, saying "Let’s give them so many pies that there never will be room for any more pie pictures in the whole history of the movies." [5]
A young Lou Costello can be spotted among the prizefight crowd early in the film, adding to its historical significance. [6]
For an extended period, only the climactic pie fight from The Battle of the Century was known to have survived. This changed in 1979 when Richard Feiner discovered the opening reel featuring the boxing match scene. [7] However, certain segments, including Eugene Pallette's role as the insurance salesman in the park and the final gag involving a policeman receiving a pie in the face, remained missing.
During the 1970s, Spanish television (station TVE1) aired what was believed to be the entire film, which included additional scenes such as a customer in a barber's chair receiving a pie in the face and a man purchasing two pies to join the pie fight.
In June 2015, at the Mostly Lost film workshop in Culpeper, Virginia, film collector Jon Mirsalis announced the rediscovery of the second reel of The Battle of the Century. [8] This 16mm print, sourced from the original 35mm negative, was found in the film collection of Gordon Berkow, who had acquired it from Robert Youngson, a Laurel and Hardy film compilations writer and director. Youngson had received the reel as a preview print while working on his 1957 compilation The Golden Age of Comedy . [9]
The restoration process was initiated by Lobster Films, with subsequent restoration efforts led by Jeff Joseph in collaboration with the UCLA Film and Television Archive. The film premiered officially at the Telluride Film Festival in September 2015, followed by a screening at the BFI London Film Festival in October 2015. [10]
On April 8, 2017, the film was showcased at the Toronto Silent Film Festival with live accompaniment by Ben Model. Similarly, on May 29, 2017, it was presented at the Southend Film Festival accompanied by Adam Ramet. Additionally, it was screened at the Mostly Lost film workshop in June 2016, coinciding with the one-year anniversary of its rediscovery, with Mirsalis providing piano accompaniment.
Laurel and Hardy were a British-American comedy team during the early Classical Hollywood era of American cinema, consisting of Englishman Stan Laurel (1890–1965) and American Oliver Hardy (1892–1957). Starting their career as a duo in the silent film era, they later successfully transitioned to "talkies". From the late 1920s to the mid-1950s, they were internationally famous for their slapstick comedy, with Laurel playing the clumsy, childlike friend to Hardy's pompous bully. Their signature theme song, known as "The Cuckoo Song", "Ku-Ku", or "The Dance of the Cuckoos" was heard over their films' opening credits, and became as emblematic of them as their bowler hats.
Oliver Norvell Hardy was an American comic actor and one half of Laurel and Hardy, the double act that began in the era of silent films and lasted from 1926 to 1957. He appeared with his comedy partner Stan Laurel in 107 short films, feature films, and cameo roles. He was credited with his first film, Outwitting Dad, in 1914. In most of his silent films before joining producer Hal Roach, he was billed on screen as Babe Hardy.
Stan Laurel was an English comic actor, director and writer who was one half of the comedy duo Laurel and Hardy. He appeared with his comedy partner Oliver Hardy in 107 short films, feature films and cameo roles.
Laurel and Hardy were a motion picture comedy team whose official filmography consists of 106 films released between 1921 and 1951. Together they appeared in 34 silent shorts,A 45 sound shorts, and 27 full-length sound feature films.B In addition to these, Laurel and Hardy appeared in at least 20 foreign-language versions of their films and a promotional film, Galaxy of Stars (1936), produced for European film distributors.
Brats is a 1930 Laurel and Hardy comedy short. The film was directed by James Parrott. Laurel and Hardy play dual roles as their own children. It also inspired a helper group for the Michigan tent for The Sons of the Desert, which is composed of all the child members of the tent. This is the first of only three films where the boys each play a dual role: the second is Twice Two and the third and last is Our Relations.
You're Darn Tootin' is a silent short subject directed by E. Livingston Kennedy starring comedy duo Laurel and Hardy. It was released on April 21, 1928, by Metro-Goldwyn-Mayer.
Two Tars is a silent short subject directed by James Parrott starring comedy duo Laurel and Hardy. It was released by Metro-Goldwyn-Mayer on November 3, 1928
A Chump at Oxford is a Hal Roach comedy film produced in 1939 and released in 1940 by United Artists. It was directed by Alfred J. Goulding and is the penultimate Laurel and Hardy film made at the Roach studio. The title echoes the film A Yank at Oxford (1938), of which it is a partial parody.
Block-Heads is a 1938 American comedy film directed by John G. Blystone and starring Stan Laurel and Oliver Hardy. It was produced by Hal Roach Studios for Metro-Goldwyn-Mayer. The film, a reworking of elements from the Laurel and Hardy shorts We Faw Down (1928) and Unaccustomed As We Are (1929), was Roach's final film for MGM.
Flying Elephants is a two-reel silent film from 1928 directed by Frank Butler and co-written and produced by Hal Roach. It stars Stan Laurel and Oliver Hardy as a pair of battling cavemen.
The Second Hundred Years is a 1927 American silent comedy short film starring Stan Laurel and Oliver Hardy prior to their official billing as the duo Laurel and Hardy. The team appeared in a total of 107 films between 1921 and 1951.
Their Purple Moment is a silent short subject directed by James Parrott and Fred Guiol starring comedy duo Laurel and Hardy. It was released by Metro-Goldwyn-Mayer on May 18, 1928.
That's My Wife is a 1929 synchronized sound short subject film produced by the Hal Roach Studios and starring Laurel and Hardy. While the film has no audible dialog, it was released with a synchronized orchestral musical score with sound effects. It was shot in December 1928 and released March 23, 1929, by Metro-Goldwyn-Mayer.
Slipping Wives is a 1927 American silent short comedy film starring Priscilla Dean with Stan Laurel, and Oliver Hardy prior to their official billing as the duo Laurel and Hardy.
Leave 'Em Laughing is a 1928 two-reel silent film starring Stan Laurel and Oliver Hardy. Produced by the Hal Roach Studios, it was shot in October 1927 and released January 28, 1928 by Metro-Goldwyn-Mayer.
The Laurel-Hardy Murder Case is a Laurel and Hardy pre-Code comedy horror film released in 1930. It is one of a handful of three-reel comedies they made, running 28 minutes. It was directed by James Parrott, produced by Hal Roach and distributed by Metro-Goldwyn-Mayer.
Laughing Gravy is a 1931 short film comedy starring Laurel and Hardy. It was directed by James W. Horne, produced by Hal Roach and distributed by Metro-Goldwyn-Mayer.
Along Came Auntie is a 1926 American silent comedy film directed by Fred Guiol and Richard Wallace featuring Glenn Tryon and Oliver Hardy.
The Golden Age of Comedy (1957) is a compilation of silent comedy films from the Mack Sennett and Hal Roach studios, written and produced by Robert Youngson.
4 Clowns is a 1970 documentary compilation film written and directed by Robert Youngson that studies the golden age of comedy through a compilation of rare silent film footage of the works of Stan Laurel, Oliver Hardy, Charley Chase and Buster Keaton. It was the last feature film project of producer, director, and writer Robert Youngson.