Anthony Asquith was an English film director. He collaborated successfully with playwright Terence Rattigan on The Winslow Boy (1948) and The Browning Version (1951), among other adaptations. His other notable films include Pygmalion (1938), French Without Tears (1940), The Way to the Stars (1945) and a 1952 adaptation of Oscar Wilde's The Importance of Being Earnest.
Blackmail is a 1929 British thriller directed by Alfred Hitchcock and starring Anny Ondra, John Longden, and Cyril Ritchard. Based on the 1928 play of the same name by Charles Bennett, the film is about a London woman who is blackmailed after killing a man who tries to rape her.
Nitin Sawhney is a British musician, producer and composer. A recipient of the Ivor Novello Lifetime Achievement award in 2017, among multiple international awards throughout his career. Sawhney's work combines Asian and other worldwide influences with elements of electronica and often explores themes such as multiculturalism, politics, and spirituality. Sawhney is also active in the promotion of arts and cultural matters, is chair of the PRS Foundation, sits on the board of trustees of theatre company Complicité, and is a patron of numerous film festivals, venues, and educational institutions. In 2021 he was an ambassador for the Royal Albert Hall.
Norah Baring, born Nora Minnie Baker, was an English stage and film actress best known on screen for portraying "Diana Baring" in the Alfred Hitchcock thriller Murder! (1930). Born in the Devon market town of Newton Abbot she is also known for playing the female lead in Anthony Asquith's silent thriller A Cottage on Dartmoor (1929). Baring studied art prior to becoming an actress.
Neil Brand is an English dramatist, composer and author. In addition to being a regular silent film accompanist at London's National Film Theatre, Brand has composed new scores for two restored films from the 1920s, The Wrecker and Anthony Asquith's Underground.
The Cavalier is a 1928 American synchronized sound Western film directed by Irvin Willat, distributed by Tiffany Studios, and starring Richard Talmadge and Barbara Bedford. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process.
Mother Machree is a 1928 American synchronized sound drama film, directed by John Ford, based on the 1924 work The Story of Mother Machree by Rida Johnson Young about a poor Irish immigrant in America. While the film has no audible dialog, it was released with a synchronized musical score, singing and sound effects using the sound-on-film movietone process. Rida Johnson Young had invented Mother Machree in the stage show Barry of Ballymoore in 1910. John Wayne had a minor role in the film.
Balaclava is a 1928 British silent and sound war film directed by Maurice Elvey and Milton Rosmer and starring Cyril McLaglen, Benita Hume, Alf Goddard, Harold Huth, and Wally Patch. It was made by Gainsborough Pictures with David Lean working as a production assistant. The charge sequences were filmed on the Long Valley in Aldershot in Hampshire. Although the sound version had no audible dialogue, it featured a synchronized musical score with sound effects. The sound version was released in the United States under the title Jaws Of Hell.
Cyril McLaglen was a British actor who appeared in a variety of films between 1920 and 1951. He was born in London in 1899 and made his film debut in the 1920 film The Call of the Road. He was the younger brother of the actor Victor McLaglen.
The Lyons Mail is a 1931 British historical mystery adventure film directed by Arthur Maude and starring John Martin Harvey, Norah Baring, and Ben Webster. It was based on the 1877 play The Lyons Mail by Charles Reade which in turn was based on his 1854 play The Courier of Lyons. The film was also released under the alternative title Courrier de Lyon. It had previously been made into a 1916 silent film The Lyons Mail. The story is based on the Courrier de Lyon case. It was shot at the Twickenham Studios in London. Filmed in 1930, it was to be leading actor John Martin-Harvey's only sound film.
Trent's Last Case is a 1929 American sound part-talkie Pre-Code detective film directed by Howard Hawks and starring Raymond Griffith, Marceline Day, Raymond Hatton, and Donald Crisp. It was released by Fox Film Corporation. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Movietone sound-on-film system.
A Cottage on Dartmoor is a 1929 British part-talkie sound film, directed by Anthony Asquith and starring Norah Baring, Uno Henning and Hans Adalbert Schlettow. The cameraman was Stanley Rodwell. In addition to a sequence with audible dialogue or a talking sequence, the film also featured a synchronized musical score with sound effects and English intertitles. The soundtrack was recorded using the Klangfilm Tobis sound recording process. A cut down edited silent version was made for theatres that had not yet converted to sound but this version is no longer extant.
London is a 1926 British silent romantic drama film, directed by Herbert Wilcox and starring Dorothy Gish. The film was adapted by Wilcox from a short story by popular author Thomas Burke. The British Film Institute considers this to be a lost film.
The Crooked Billet is a 1929 British sound part-talkie drama film directed by Adrian Brunel and starring Madeleine Carroll, Carlyle Blackwell and Miles Mander. It was released in both silent and sound versions, as its production came as the industry was shifting over. It was made by Gainsborough Pictures at their Islington Studios. The sound version features some sequences with audible dialogue. The rest of the film featured English intertitles with a synchronized musical score and sound effects.
Auld Lang Syne is a 1929 British synchronized sound musical film directed by George Pearson and starring Harry Lauder, Dorothy Boyd, and Patrick Aherne. It was originally made as a silent film, but in September 1929 sound was added. While the sound version has no audible dialog, it features a synchronized musical score, singing and sound effects. It was shot at Cricklewood Studios in Cricklewood, London.
The Crimson Circle is a 1929 British-German sound part-talkie crime film directed by Frederic Zelnik and starring Lya Mara, Fred Louis Lerch, and Stewart Rome. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The sound was recorded via the De Forest Phonofilm sound-on-film process. The film is an adaptation of the 1922 Edgar Wallace novel The Crimson Circle in which Scotland Yard detectives battle a gang of blackmailers. A previous UK version was filmed in 1922.
The River Woman is a 1928 American sound part-talkie drama film directed by Joseph Henabery. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using a sound-on-disc system. Made by an independent company, Gotham, the film starred Lionel Barrymore and Jacqueline Logan.
A Sailor's Sweetheart is a 1927 Warner Bros. synchronized sound film comedy directed by Lloyd Bacon. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Vitaphone sound-on-disc process. It stars Louise Fazenda and Clyde Cook.
If I Were Single is a 1927 American synchronized sound comedy film directed by Roy Del Ruth and starring May McAvoy, Conrad Nagel, and Myrna Loy. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Vitaphone sound-on-disc process.
Five and Ten Cent Annie is a 1928 American sound part-talkie comedy film directed by Roy Del Ruth and starring Louise Fazenda, Clyde Cook and William Demarest. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system.
