The Boys from Brazil is a 1978 thriller film directed by Franklin J. Schaffner. It stars Gregory Peck and Laurence Olivier, and features James Mason, Lilli Palmer, Uta Hagen, Anne Meara, Denholm Elliott, and Steve Guttenberg in supporting roles. The film is a British-American co-production, based on the 1976 novel of the same title by Ira Levin. It was nominated for three Academy Awards.
Esther Johnson was an Englishwoman known to have been a close friend of Jonathan Swift, known as "Stella". Whether or not she and Swift were secretly married, and if so why the marriage was never made public, is a subject of debate.
Major Barbara is a 1941 British film starring Wendy Hiller and Rex Harrison. The film was produced and directed by Gabriel Pascal and edited by David Lean. It was adapted for the screen by Marjorie Deans and Anatole de Grunwald, based on the 1905 stage play Major Barbara by George Bernard Shaw. It was both a critical and a financial success.
Sophie Thompson is a British actress. She has worked in film, television and theatre and she won the 1999 Olivier Award for Best Actress in a Musical for the London revival of Into the Woods. She has been nominated for the Olivier Award five other times for Wildest Dreams (1994), Company (1996), Clybourne Park (2011) Guys and Dolls (2016) and Present Laughter (2019).
The Captain's Paradise is a 1953 British comedy film produced and directed by Anthony Kimmins, and starring Alec Guinness, Yvonne De Carlo and Celia Johnson. Guinness plays the captain of a passenger ship that travels regularly between Gibraltar and Spanish Morocco. De Carlo plays his Moroccan wife and Johnson plays his British wife. The film begins at just before the end of the story, which is then told in a series of flashbacks.
Pride and Prejudice is a 1940 American film adaptation of Jane Austen's 1813 novel Pride and Prejudice, starring Greer Garson and Laurence Olivier. Directed by Robert Z. Leonard, the screenplay was written by Aldous Huxley and Jane Murfin, adapted specifically from the stage adaptation by Helen Jerome, in addition to Jane Austen's novel. The story is about five sisters from an English family of landed gentry who must deal with issues of marriage, morality and misconceptions. The film was released on July 26, 1940 in the United States by MGM and was critically well received. The New York Times film critic praised the film as "the most deliciously pert comedy of old manners, the most crisp and crackling satire in costume that we in this corner can remember ever having seen on the screen."
The Entertainer is a 1960 British kitchen sink drama film directed by Tony Richardson, produced by Harry Saltzman and adapted by John Osborne and Nigel Kneale from Osborne’s stage play of the same name. The film stars Laurence Olivier as Archie Rice, a failing third-rate music-hall stage performer who tries to keep his career going even as the music-hall tradition fades into history and his personal life falls apart. Olivier was nominated for an Oscar for Best Actor in a Leading Role.
The Citadel is a 1938 British drama film based on the 1937 novel of the same name by A. J. Cronin. The film was directed by King Vidor and produced by Victor Saville for Metro-Goldwyn-Mayer British at Denham Studios. It stars Robert Donat and Rosalind Russell. The film and book helped the creation of Britain's NHS in 1947.
Brian Nissen was a British actor and television continuity announcer.
The Beggar's Opera is a 1953 British historical musical film, a Technicolor adaptation of John Gay's 1728 ballad opera of the same name. The film, directed by Peter Brook in his feature film debut, stars Laurence Olivier, Hugh Griffith, Dorothy Tutin, Stanley Holloway, Daphne Anderson and Athene Seyler. Olivier and Holloway provide their own singing, but Tutin and others were dubbed.
Anatole "Tolly" de Grunwald was a Russian British film producer and screenwriter.
Term of Trial is a 1962 British drama film written and directed by Peter Glenville and starring Laurence Olivier, Simone Signoret, Sarah Miles, Terence Stamp, Hugh Griffith, Roland Culver, Dudley Foster and Thora Hird. It was produced by James Woolf for Romulus Films, with James H. Ware as associate producer. The screenplay was based on the 1961 novel of the same name by James Barlow. The music score was by Jean-Michel Damase and the cinematography by Oswald Morris.
The Jigsaw Man is a 1983 British espionage film starring Michael Caine, Susan George, Laurence Olivier and Robert Powell. It was directed by Terence Young. The screenplay was written by Jo Eisinger, based on the novel The Jigsaw Man by Dorothea Bennett.
Moscow Nights is a 1935 British drama film directed by Anthony Asquith and starring Laurence Olivier, Penelope Dudley-Ward and Harry Baur. The screenplay concerns a wounded officer who falls in love with his nurse.
Gladys Hilda Barbara Kate Henson was an Irish actress whose career lasted from 1932 to 1976 and included roles on stage, radio, films and television series. Among her most notable films were The History of Mr Polly (1949) and The Blue Lamp (1950).
Top Secret is a 1952 British black and white comedy film directed by Mario Zampi and starring George Cole, Oskar Homolka and Nadia Gray. A sanitation inspector is mistaken for an international spy. It was shot at the Elstree Studios of Associated British. The film's sets were designed by the art director Ivan King. The film was released in the United States as Mr. Potts Goes to Moscow.
English Without Tears is a 1944 British romantic comedy film directed by Harold French and starring Michael Wilding, Penelope Dudley-Ward and Lilli Palmer. It was released in the U.S. under the title Her Man Gilbey, as a reference to the classic Screwball comedy, My Man Godfrey (1936).
Hell's Cargo is a 1939 British adventure film directed by Harold Huth and starring Walter Rilla, Kim Peacock and Robert Newton.
Reginald Beck was a British film editor with forty-nine credits from 1932 to 1985. He is noted primarily for films done with Laurence Olivier in the 1940s and with Joseph Losey in the 1960s and 1970s.
Edith Emma "Edie" Martin was a British actress. She was a ubiquitous performer, on stage from 1886, playing generally small parts but in high demand, appearing in scores of British films. She frequently appeared in memorable Ealing comedies as their resident "little old lady".
