Sharp Shooters | |
---|---|
Directed by | John G. Blystone |
Written by |
|
Story by | Randall Faye |
Produced by | William Fox |
Starring |
|
Cinematography | Charles G. Clarke |
Edited by | J. Logan Pearson |
Production company | |
Distributed by | Fox Film Corporation |
Release date |
|
Running time | 60 minutes |
Country | United States |
Language | English intertitles |
Sharp Shooters is a 1928 American silent comedy film directed by John G. Blystone and starring George O'Brien, Lois Moran, and Noah Young. [1] A print survives in the UCLA Film and Television Archive. [2] Sharp Shooters contains uncredited performances by Boris Karloff and Randolph Scott in his first film appearance.
George is a sailor and smooth-talking lady's man who believes in the adage "love 'em and leave 'em" when it comes to women. While on leave in Morocco, George meets Lorette, a fiery French dancing girl who falls madly in love with him, unaware that he has a girl in every port. Initially thinking of her as just another diversion, George soon discovers that he can't get rid of the girl. She follows him to the United States; he does his best to avoid her. Amused by George's predicament and feeling sorry for the girl, his two best friends, Tom and Jerry shanghai him aboard a vessel and arrange things so that George is unable to avoid Lorette. As a result, George surrenders to the inevitable and marries her.
Noah Nicholas Beery was an American actor who appeared in films from 1913 until his death in 1946. He was the older brother of Academy Award-winning actor Wallace Beery as well as the father of prominent character actor Noah Beery Jr. He was billed as either Noah Beery or Noah Beery Sr. depending upon the film.
The Black Cat is a 1934 American pre-Code horror film directed by Edgar G. Ulmer and starring Boris Karloff and Béla Lugosi. It was Universal Pictures' biggest box office hit of the year, and was the first of eight films to feature both Karloff and Lugosi. In 1941, Lugosi appeared in a comedy horror mystery film with the same title, which was also named after and ostensibly "suggested by" Edgar Allan Poe's short story.
The Raven is a 1935 American horror film directed by Louis Friedlander and starring Boris Karloff and Béla Lugosi. Billed as having been "suggested by" Edgar Allan Poe's 1845 poem of the same title, excerpts of which are quoted at a few points in the film, it was adapted from an original screenplay by David Boehm. Lugosi stars as a neurosurgeon obsessed with Poe who has a torture chamber in his basement, and Karloff plays an escaped murderer on the run from the police who Lugosi manipulates into doing his dirty work.
Corridors of Blood is a 1958 British-American period drama film directed by Robert Day and starring Boris Karloff and Christopher Lee. The original music score was composed by Buxton Orr. It was released in England in 1958.
Night World is a 1932 American pre-Code drama film featuring Lew Ayres, Mae Clarke, and Boris Karloff. The supporting cast includes George Raft and Hedda Hopper.
The Thundering Herd is a 1925 American silent Western film, now lost. It is directed by William K. Howard and starring Jack Holt, Lois Wilson, Noah Beery, Sr. and Raymond Hatton. Based on Zane Grey's 1925 novel of the same name and written by Lucien Hubbard, the film is about a trader who uncovers a scheme to blame the Indians for a buffalo-herd massacre. It was one of a series of critically and commercially successful Zane Grey westerns produced by Jesse Lasky and Adolph Zukor for Paramount Pictures.
Bedlam is a 1946 American horror film directed by Mark Robson and starring Boris Karloff, Anna Lee and Richard Fraser, and was the last in a series of stylish horror B films produced by Val Lewton for RKO Radio Pictures. The film was inspired by William Hogarth's 1732–1734 painting series A Rake's Progress, and Hogarth was given a writing credit.
The Gentleman from America is a 1923 American silent comedy film directed by Edward Sedgwick and featuring Hoot Gibson and Louise Lorraine. It also featured a young Boris Karloff in an uncredited bit part. The screenplay was written by George C. Hull, based on a story by Raymond L. Schrock. The film's tagline was "This might be called the story of a fighting American in sunny Spain - with flashing senoritas and romance in the background! It's something new for Hoot Gibson - but you'll like it, and so will your patrons!" It is considered a lost film.
His Majesty, the American is a 1919 American silent comedy film directed by Joseph Henabery and starring Douglas Fairbanks. It was the first film produced for distribution by United Artists. It was released in the U.K. as One of the Blood. Prints exist in the film holdings of Cohen Media Group [a 35mm positive]; in the film holdings of EmGee Film Library [a 16mm reduction positive]; and in private film collections [a 16mm reduction positives].
Without Benefit of Clergy is a 1921 American silent drama film directed by James Young and featuring Virginia Brown Faire, Thomas Holding and Boris Karloff. It is based on the story by Rudyard Kipling. A print of the film still exists at the UCLA Film and Television Archives and at Archives Du Film Du CNC.
Cheated Hearts is a 1921 American silent drama film directed by Hobart Henley and featuring Herbert Rawlinson, Warner Baxter, Marjorie Daw and Boris Karloff. The screenplay was written by Wallace Clifton, based on the novel Barry Gordon by William Farquar Payson. The film's tagline was "All the Exotic Glamour of the East Woven in a Livid Picture of Love". It was shot in Universal City, and is today considered a lost film.
The Altar Stairs is a 1922 American silent drama film directed by Lambert Hillyer and featuring Frank Mayo, Louise Lorraine, Lawrence Hughes and Boris Karloff in an early role. The screenplay was written by Doris Schroeder, George Hively and George Randolph Chester, based on the novel of the same name by G. B. Lancaster. It is considered today a lost film.
Omar the Tentmaker is a 1922 American silent drama film directed by James Young and featuring Guy Bates Post, Nigel de Brulier, Virginia Brown Faire, Noah Beery Sr., Patsy Ruth Miller, and Boris Karloff. It was produced and adapted by Richard Walton Tully from his own 1914 Broadway play Omar the Tentmaker. The film's tagline was "Would You Know How Omar Loved? Would you sweep 1,000 years aside to find Shireen, the Persian Rose, who wed Omar and awoke in the harem of the Shah?" 24 May 1923). The film is considered a lost film.
Forbidden Cargo is a 1925 American silent drama film directed by Tom Buckingham and featuring Boris Karloff. The film is considered to be lost.
Never the Twain Shall Meet is a 1925 American silent South Seas drama film based on the book by Peter B. Kyne, produced by MGM and directed by Maurice Tourneur, starring Anita Stewart and featuring Boris Karloff in an uncredited bit part. It was remade as talking picture in 1931 at MGM by director W. S. Van Dyke. This is one of Tourneur's many lost and sought after films.
The Man in the Saddle is a 1926 American silent Western film directed by Lynn Reynolds and Clifford Smith, starring Hoot Gibson and featuring Boris Karloff.
The Eagle of the Sea is a 1926 American silent drama film directed by Frank Lloyd, starring Florence Vidor and featuring Boris Karloff in an uncredited role. Incomplete prints of the film exist.
Valencia, also known as The Love Song, is a 1926 American silent romance film directed by Dimitri Buchowetzki, who came over from Paramount to direct. The film stars Mae Murray and features Boris Karloff in an uncredited role. The film was a box office hit and the title song, Valencia, was the top song in the U.S. for the year.
The Love Mart is a 1927 American silent drama film directed by George Fitzmaurice starring Billie Dove, Gilbert Roland and Noah Beery, and featuring Boris Karloff. The film is lost.
Behind That Curtain is a 1929 American Pre-Code mystery film directed by Irving Cummings and starring Warner Baxter, Lois Moran and Gilbert Emery. It was the first Charlie Chan film to be made at Fox Studios. It was based on the 1928 novel of the same name. Charlie Chan, who is played by Korean-American actor E. L. Park, gets one mention early in the film, then makes a few momentary appearances after 75 minutes. Producer William Fox chose this film to open the palatial Fox Theatre in San Francisco on June 28, 1929. It was a sound film.