The Best Bad Man | |
---|---|
Directed by | John G. Blystone |
Screenplay by | Lillie Hayward |
Based on | "Senor Jingle Bells" by Max Brand |
Starring | Tom Mix Buster Gardner Cyril Chadwick Clara Bow Tom Kennedy Frank Beal |
Cinematography | Daniel B. Clark |
Production company | |
Distributed by | Fox Film Corporation |
Release date |
|
Running time | 50 minutes |
Country | United States |
Languages | Silent English intertitles |
The Best Bad Man is a 1925 American silent Western film directed by John G. Blystone and written by Lillie Hayward. The film stars Tom Mix, Buster Gardner, Cyril Chadwick, Clara Bow, Tom Kennedy, and Frank Beal. The film was released on November 29, 1925, by Fox Film Corporation. [1] [2] [3]
As described in a review in a film magazine, [4] Hugh Nichols (Mix) is a wealthy tenderfoot idler who has never taken life seriously until a westerner demands that he complete a dam on his property that was promised by his father and is necessary for a score of ranches. As Hugh has already sent money to complete this project, he determines to investigate for himself, and disguises himself as a peddler of musical instruments. He finds that his agent is a crook, steals his own money back, and resists arrest until he can be identified. In the meantime he has fallen in love with Peggy (Bow), the leader of the ranchers. The villain dynamites the dam and Hugh saves the young woman.
A print of The Best Bad Man survives with the Museum of Modern Art, New York City. [5] [6]
This is an overview of 1924 in film, including significant events, a list of films released and notable births and deaths.
Noah Nicholas Beery was an American actor who appeared in films from 1913 until his death in 1946. He was the older brother of Academy Award-winning actor Wallace Beery as well as the father of prominent character actor Noah Beery Jr. He was billed as either Noah Beery or Noah Beery Sr. depending upon the film.
The Plastic Age is a 1925 American black-and-white silent romantic comedy film directed by Wesley Ruggles and starring Clara Bow, Donald Keith, and Gilbert Roland. The film was based on a best-selling novel from 1924 of the same name, written by Percy Marks, a Brown University English instructor who chronicled the life of the fast-set of that university and used the fictitious Sanford College as a backdrop. The Plastic Age is known to most silent film fans as the very first hit of Clara Bow's career, and helped jumpstart her fast rise to stardom. Frederica Sagor Maas and Eve Unsell adapted the book for the screen.
Diana Serra Cary, known as Baby Peggy, was an American child film actress, vaudevillian, author and silent film historian. She was the last surviving person with a substantial career in silent films.
Hugh Ryan "Jack" Conway was an American film director and film producer, as well as an actor of many films in the first half of the 20th century.
Film Booking Offices of America (FBO), registered as FBO Pictures Corp., was an American film studio of the silent era, a midsize producer and distributor of mostly low-budget films. The business began in 1918 as Robertson-Cole, an Anglo-American import-export company. Robertson-Cole began distributing films in the United States that December and opened a Los Angeles production facility in 1920. Late that year, R-C entered into a working relationship with East Coast financier Joseph P. Kennedy. A business reorganization in 1922 led to its assumption of the FBO name, first for all its distribution operations and ultimately for its own productions as well. Through Kennedy, the studio contracted with Western leading man Fred Thomson, who grew by 1925 into one of Hollywood's most popular stars. Thomson was just one of several silent screen cowboys with whom FBO became identified.
James Lew Meehan was an American film actor.
Guy Edward Hearn was an American actor who, in a forty-year film career, starting in 1915, played hundreds of roles, starting with juvenile leads, then, briefly, as leading man, all during the silent era.
Cyril Chadwick was an English actor of the silent era. He appeared in 70 films between 1913 and 1938. He was born in Kensington, London.
Three Jumps Ahead is a 1923 American silent Western film written and directed by John Ford. The film is considered to be lost.
Sporting Life is a 1925 American silent comedy drama film directed by Maurice Tourneur and a remake of Tourneur's 1918 film of the same title based on Seymour Hicks's popular play. Universal Pictures produced and released the film.
Photoplay Productions is an independent film company, based in the UK, under the direction of Kevin Brownlow and Patrick Stanbury. Is one of the few independent companies to operate in the revival of interest in the lost world of silent cinema and has been recognised as a driving force in the subject.
David Stenn is an American television writer-producer, biographer, and film preservationist. His television credits range from Hill Street Blues to Boardwalk Empire. He is known for his biographies of Hollywood stars Clara Bow and Jean Harlow.
Forty Winks is a lost 1925 American silent comedy film directed by Paul Iribe and Frank Urson and written by Bertram Millhauser. The film stars Raymond Griffith, Theodore Roberts, Cyril Chadwick, William Boyd, and Anna May Wong. The film was released on February 2, 1925, by Paramount Pictures.
Sea Horses is a 1926 American silent drama film directed by Allan Dwan and written by Becky Gardiner, James Shelley Hamilton, and Francis Brett Young. The film stars Jack Holt, Florence Vidor, William Powell, George Bancroft, Mack Swain, Frank Campeau, and Allan Simpson. The film was released on February 22, 1926, by Paramount Pictures. It is based on the 1925 novel of the same title by British writer Francis Brett Young.
Tumbling River is a 1927 American silent Western film directed by Lewis Seiler, written by Jack Jungmeyer, and starring Tom Mix, Dorothy Dwan, William Conklin, Estella Essex, Elmo Billings, Edward Peil, Sr. and Wallace MacDonald. It was released on August 21, 1927, by Fox Film Corporation.
The Heart Buster is a lost 1924 American silent Western film directed by Jack Conway and starring Tom Mix and Esther Ralston. It was produced by and distributed by Fox Film Corporation.
The Deadwood Coach is a 1924 American silent Western film written and directed by Lynn Reynolds. It is based on the 1908 novel The Orphan by Clarence E. Mulford. The film stars Tom Mix, George Bancroft, Doris May, Lucien Littlefield, Frank Coffyn, and Jane Keckley. The film was released on December 7, 1924, by Fox Film Corporation.
Eyes of the Forest is a 1923 American silent Western film directed by Lambert Hillyer and written by LeRoy Stone. The film stars Tom Mix, Pauline Starke, Sid Jordan, Buster Gardner, J. P. Lockney, and Thomas G. Lingham. The film was released on December 30, 1923, by Fox Film Corporation.