Great Guy

Last updated
Great Guy
Great Guy FilmPoster.jpeg
Directed by John G. Blystone
Written by Henry Ruskin
(additional dialogue)
Screenplay by Henry McCarty
Henry Johnson
Story by James Edward Grant
("The Johnnie Cave Stories")
Produced by Douglas MacLean
Starring James Cagney
CinematographyJack MacKenzie
Edited byRussell F. Schoemgarth
Production
company
Zion Meyers Productions
Distributed by Grand National Pictures
Release date
  • December 1936 (1936-12)
Running time
66 minutes
CountryUnited States
LanguageEnglish

Great Guy is a 1936 American crime film noir directed by John G. Blystone and starring James Cagney. In the film, an honest inspector for the New York Department of Weights and Measures takes on corrupt merchants and politicians.

Contents

Plot

After the Chief Deputy of the Department of Weights and Measures is nearly killed in a car accident engineered by corrupt politician Marty Cavanaugh, he enlists ex-boxer Johnny Cave (Cagney) to take over his position. Johnny learns from Joe Green, the chief deputy, that there are men who are higher up in the organization than Marty. As the new leader, Johnny reiterates to his team the importance of their department and warns them that corruption is an ongoing hazard.

Johnny then goes out into the field with his naive partner, Patrick James "Aloysius" Haley, investigating merchants who are accused of using faulty measures and cheating the public. He ends up fining a market for adding lead weights to stewing chickens and fining a gas station for routinely shortchanging its customers. In each case, the merchants try to bribe Johnny in exchange for ignoring their corrupt practices, but he adamantly refuses. Meanwhile, Johnny's fiancee, Janet Henry, criticizes him for being constantly hardheaded in his indefatigable pursuit of fighting corruption.

Later on, Cavanaugh offers Johnny a cushy job with his organization in exchange for turning a blind eye to his citywide racket. After he refuses, Johnny is framed for both drunk driving and a robbery, but is then "exonerated" by an ornery Cavanaugh, implying that he can make or break him. Afterwards, the mayor, a puppet for Cavanaugh, offers Johnny a high paying job, but once again he refuses.

When Johnny learns that Janet's boss, Abel Canning, has been swindling a local orphanage by sending them half-shipments of food but charging them full-price, he declares that he's going to expose him for the criminal that he is. Once he realizes that Canning is in an alliance with both the mayor and Cavanaugh, Johnny releases the orphanage story to the newspapers, which angers his fiancee and eventually leads to her breaking their engagement.

As Johnny prepares for the case against Canning, Cavanaugh hires a thug, ex-wrestler Joe Burton, to attack and steal the evidence from him. However, instead of turning over the evidence to Canning, Burton decides to blackmail him for $5,000. While at a big cocktail party, Canning gives Burton a $5,000 check in exchange for a key to his apartment where the evidence is hid. After Johnny notices Canning at the party with a skeleton key, he spots Burton exiting a side room. Johnny goes over to Burton and punches him in the face, then removes what he thinks is the stolen evidence from his jacket pocket, but instead discovers a check written by Canning. He then realizes that Canning is on his way to retrieve the evidence in Burton's apartment.

Meanwhile, at the apartment, Canning and Cavanaugh locate the evidence hidden behind some wallpaper in a closet. They are about to burn the papers when Johnny arrives just in time, preventing them from destroying the evidence. Then, thanks to a tip by Janet, the police arrive moments later and arrest the two men. Later on, with Johnny and Janet's engagement back on, he presents her with a ring that he got on the "installment plan," even though he knows it's a racket.

Cast

Great Guy (1936)

Background

Great Guy was the first of two films James Cagney made for independent film company Grand National Pictures, after he successfully broke his contract with Warner Brothers. After completing his second film, the musical Something to Sing About (which was not a financial success), Cagney returned to Warners. [1]

The technical adviser for the film was Charles M. Fuller, who was the Los Angeles County Sealer of Weights and Measures. [2] The story was based on several written pieces that appeared in The Saturday Evening Post in 1933 and 1934, written by James Edward Grant. [3] Early press releases for Great Guy list Henry McCarty, Harry Ruskin and Horace McCoy as contributing writers for the film, but later on, McCoy was dropped from credits, and Henry Johnson was added as a co-writer. [4]

Reception

Writing for The Spectator in 1937, Graham Greene gave the film a good review, praising Cagney as an actor who "seldom disappoints", and whose performance in this film provides "more sophisticated humour than usual". According to Greene, "the scenes with the ward politicians, the Mayor, the philanthropist, crooks all, are pleasantly phosphorescent with corruption, and so is the admirable climax at the evening party". [5]

See also

Related Research Articles

James Cagney American actor and dancer (1899–1986)

James Francis Cagney Jr. was an American actor, dancer and film director. On stage and in film, Cagney was known for his consistently energetic performances, distinctive vocal style, and deadpan comic timing. He won acclaim and major awards for a wide variety of performances. He is remembered for playing multifaceted tough guys in films such as The Public Enemy (1931), Taxi! (1932), Angels with Dirty Faces (1938), The Roaring Twenties (1939), City for Conquest (1940) and White Heat (1949), finding himself typecast or limited by this reputation earlier in his career. He was able to negotiate dancing opportunities in his films and ended up winning the Academy Award for his role in the musical Yankee Doodle Dandy (1942). In 1999 the American Film Institute ranked him eighth among its list of greatest male stars of the Golden Age of Hollywood. Orson Welles described Cagney as "maybe the greatest actor who ever appeared in front of a camera".

<i>Angels with Dirty Faces</i> 1938 American gangster film

Angels with Dirty Faces is a 1938 American gangster film directed by Michael Curtiz for Warner Brothers. It stars James Cagney, Pat O'Brien, The Dead End Kids, Humphrey Bogart, Ann Sheridan, and George Bancroft. The screenplay was written by John Wexley and Warren Duff based on the story by Rowland Brown. The film chronicles the relationship of the notorious gangster William "Rocky" Sullivan with his childhood friend and now priest Father Jerry Connolly. After spending fifteen years in prison for armed robbery, Rocky intends to collect $100,000 from his co-conspirator Jim Frazier, a mob lawyer. All the while, Father Connolly tries to prevent a group of youths from falling under Rocky's influence.

<i>Marked Woman</i> 1937 film directed by Lloyd Bacon

Marked Woman is a 1937 American dramatic crime film directed by Lloyd Bacon and starring Bette Davis and Humphrey Bogart, with featured performances by Lola Lane, Isabel Jewell, Rosalind Marquis, Mayo Methot, Jane Bryan, Eduardo Ciannelli and Allen Jenkins. Set in the underworld of Manhattan, Marked Woman tells the story of a woman who dares to stand up to one of the city's most powerful gangsters.

George Raft American actor

George Raft was an American film actor and dancer identified with portrayals of gangsters in crime melodramas of the 1930s and 1940s. A stylish leading man in dozens of movies, Raft is remembered for his gangster roles in Quick Millions (1931) with Spencer Tracy, Scarface (1932) with Paul Muni, Each Dawn I Die (1939) with James Cagney, Invisible Stripes (1939) with Humphrey Bogart, Billy Wilder's comedy Some Like It Hot (1959) with Marilyn Monroe and Jack Lemmon, and as a dancer in Bolero (1934) with Carole Lombard and a truck driver in They Drive by Night (1940) with Ann Sheridan, Ida Lupino and Bogart.

Edward Joel Pawley was an American actor of radio, films and Broadway. The full name on his birth certificate is Edward Joel Stone Pawley; he never used the Stone name, which derived from a Stone family in Illinois.

<i>Prince of the City</i> 1981 film by Sidney Lumet

Prince of the City is a 1981 American neo-noir crime drama film directed and co-written by Sidney Lumet about Daniel Ciello, an officer of the New York Police Department who chooses, for idealistic reasons, to expose corruption in the force. Ciello, played by Treat Williams, was based on the NYPD narcotics detective Robert Leuci.

Allen Jenkins American actor

Allen Curtis Jenkins was an American character actor and singer who worked on stage, film, and television.

Rampart scandal Police corruption scandal that happened in Los Angeles, California, US

The Rampart scandal involved alleged widespread police corruption in the Community Resources Against Street Hoodlums (CRASH) anti-gang unit of the Los Angeles Police Department's Rampart Division in the late 1990s. More than 70 police officers either assigned to or associated with the Rampart CRASH unit were intially implicated in various forms of misconduct, including unprovoked shootings, unprovoked beatings, planting of false evidence, stealing and dealing narcotics, bank robbery, perjury, and the covering up of evidence of these activities.

<i>Frankie and Johnny</i> (1991 film) 1991 film by Garry Marshall

Frankie and Johnny is a 1991 American romantic comedy-drama film directed by Garry Marshall and starring Al Pacino and Michelle Pfeiffer in their first film together since Scarface (1983). Héctor Elizondo, Nathan Lane, and Kate Nelligan appear in supporting roles. The original score was composed by Marvin Hamlisch.

Pat OBrien (actor) American actor

William Joseph Patrick O'Brien was an American film actor with more than 100 screen credits. Of Irish descent, he often played Irish and Irish-American characters and was referred to as "Hollywood's Irishman in Residence" in the press. One of the best-known screen actors of the 1930s and 1940s, he played priests, cops, military figures, pilots, and reporters. He is especially well-remembered for his roles in Knute Rockne, All American (1940), Angels with Dirty Faces (1938), and Some Like It Hot (1959). He was frequently paired onscreen with Hollywood legend James Cagney. O'Brien also appeared on stage and television.

Jack Carson Canadian-American actor (1910–1963)

John Elmer Carson was a Canadian-born, American film actor. Carson often played the role of comedic friend in films of the 1940s and 1950s, including The Strawberry Blonde (1941) with James Cagney and Arsenic and Old Lace (1944) with Cary Grant. He also acted in dramas such as Mildred Pierce (1945), A Star is Born (1954), and Cat on a Hot Tin Roof (1958). He worked for RKO and MGM, but most of his notable work was for Warner Bros.

<i>The Mayor of Hell</i> 1933 film

The Mayor of Hell is a 1933 American pre-Code Warner Brothers film starring James Cagney. The film was remade in 1938 as Crime School with Humphrey Bogart taking over James Cagney's role and Hell's Kitchen with Ronald Reagan in 1939.

<i>The Angels Wash Their Faces</i> 1939 film by Ray Enright

The Angels Wash Their Faces is a 1939 Warner Bros. film directed by Ray Enright and starring Ann Sheridan, Ronald Reagan and the Dead End Kids.

Hobart Cavanaugh American actor (1886–1950)

Hobart Cavanaugh was an American character actor in films and on stage.

<i>Something to Sing About</i> (1937 film) 1937 film by Victor Schertzinger

Something to Sing About, (1937), re-released in 1947 as Battling Hoofer, is the second and final film James Cagney made for Grand National Pictures – the first being Great Guy – before mending relations with and returning to Warner Bros. It is one of the few films besides Footlight Parade and Yankee Doodle Dandy to showcase Cagney's singing and dancing talents. It was directed by Victor Schertzinger, who also wrote the music and lyrics of the original songs, as well as the story that Austin Parker's screenplay is based on. Cagney's co-stars are Evelyn Daw and William Frawley, and the film features performances by Gene Lockhart and Mona Barrie.

<i>Big City</i> (1937 film) 1937 film by Frank Borzage, George B. Seitz

Big City is a 1937 American drama film directed by Frank Borzage and starring Luise Rainer and Spencer Tracy. The film was also released as Skyscraper Wilderness.

<i>Behind Green Lights</i> 1946 film by Otto Brower

Behind Green Lights is a 1946 American crime film directed by Otto Brower.

<i>Johnny Come Lately</i> 1943 film by William K. Howard

Johnny Come Lately is a 1943 drama film directed by William K. Howard starring James Cagney, Grace George, Marjorie Main and Hattie McDaniel. It was the first film produced by Cagney's brother, William Cagney.

<i>The Great Plane Robbery</i> (1940 film) 1940 American film

The Great Plane Robbery is a 1940 crime-adventure B film directed by Lewis D. Collins. Collins was more often associated with directing serials for Universal and Columbia Pictures. It stars Jack Holt, Stanley Fields and Noel Madison. Though typical of the melodramas that Holt made after transitioning from silent screen epics, western and adventure films were his forte. Reviewer Hal Erickson found it ironic that Holt, who in real life had a fear of flying, starred in so many aviation-oriented films. It was written by Albert DeMond from a story by Harold Greene.

James Bush (actor) American actor (1907–1987)

James Bush was an American actor from the 1930s until the early 1950s. He appeared in more than 100 television shows and films, more than 80 of them being feature films.

References

  1. Balio, Tino (1995). Grand Design: Hollywood as a Modern Business Enterprise, 1930-1939. University of California Press. p. 323. ISBN   9780520203341 . Retrieved 14 May 2017.
  2. Report of the ... National Conference on Weights and Measures. U.S. Government Printing Office. 1953.
  3. "Great Guy (1937) - Screenplay Info - TCM.com". Turner Classic Movies.
  4. Wilt, David E. (1991). Hardboiled in Hollywood. Popular Press. p. 17. ISBN   9780879725259 . Retrieved 14 May 2017.
  5. Greene, Graham (19 March 1937). "Pluck of the Irish/The Sequel to Second Bureau/Thunder in the City/Head Over Heels". The Spectator . (reprinted in: Taylor, John Russell, ed. (1980). The Pleasure Dome. Oxford University Press. pp. 137–138. ISBN   0192812866.)