Victor Andrew de Bier Everleigh McLaglen was a British-American actor and boxer. His film career spanned from the early 1920s through the 1950s, initially as a leading man, though he was better known for his character acting. He was a well-known member of John Ford’s Stock Company, appearing in 12 of the director’s films, seven of which co-starred John Wayne.
What Price Glory? is a 1926 American synchronized sound comedy drama war film produced and distributed by Fox Film Corporation and directed by Raoul Walsh. The film was released with a synchronized musical score with sound effects using the Movietone sound system. The film is based on the 1924 play What Price Glory by Maxwell Anderson and Laurence Stallings and was remade in 1952 as What Price Glory starring James Cagney. Malcolm Stuart Boylan, founder of the U.S. Coast Guard Auxiliary, was title writer on the silent Fox attraction.
The Godless Girl is a 1928 American sound part-talkie drama directed by Cecil B. DeMille. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the RCA Photophone sound-on-film system. The cast features Lina Basquette, Marie Prevost, Tom Keene, and Noah Beery.
Wolf Song is a 1929 American sound part-talkie Western romance film directed by Victor Fleming and starring Gary Cooper and Lupe Vélez. While the film has a few sequences with dialog, the majority of the film featured a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process.
Mother Machree is a 1928 American synchronized sound drama film directed by John Ford that is based on the 1924 work The Story of Mother Machree by Rida Johnson Young about a poor Irish immigrant in America. While the film has no audible dialog, it was released with a synchronized musical score, singing and sound effects using the sound-on-film movietone process. Rida Johnson Young had invented Mother Machree in the stage show Barry of Ballymoore in 1910. John Wayne has a minor role in the film.
King of the Wild is a 1931 American pre-Code Mascot movie serial. The complete serial is available on DVD from Alpha Video.
Strong Boy is a 1929 American sound comedy film directed by John Ford. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-film Movietone process. The film, which was Ford's last silent film, is now considered to be lost. A trailer for the film was discovered in the New Zealand Film Archive in 2010 and subsequently preserved by the Academy Film Archive the same year.
The Captain Hates the Sea is a 1934 comedy film directed by Lewis Milestone and released by Columbia Pictures. The film, which involves a Grand Hotel-style series of intertwining stories involving the passengers on a cruise ship, was the last feature film of silent film icon John Gilbert and the first Columbia feature to include The Three Stooges in the cast as the ship's orchestra. The film also stars Victor McLaglen, Arthur Treacher, Akim Tamiroff, Leon Errol and Walter Connolly.
The Cock-Eyed World is a 1929 American pre-Code musical comedy feature film. One of the earliest "talkies", it was a sequel to What Price Glory? (1926), it was directed and written by Raoul Walsh and based on the Flagg and Quirt story by Maxwell Anderson, Tom Barry, Wilson Mizner, and Laurence Stallings. Fox Film Corporation released the film at the Roxy in New York on August 3, 1929.
Balaclava is a 1928 British silent and sound war film directed by Maurice Elvey and Milton Rosmer and starring Cyril McLaglen, Benita Hume, Alf Goddard, Harold Huth, and Wally Patch. It was made by Gainsborough Pictures with David Lean working as a production assistant. The charge sequences were filmed on the Long Valley in Aldershot in Hampshire. Although the sound version had no audible dialogue, it featured a synchronized musical score with sound effects. The sound version was released in the United States under the title Jaws Of Hell.
The Little Snob is a 1928 synchronized sound comedy film from Warner Bros. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process.
Old San Francisco is a 1927 American synchronized sound historical drama film starring Dolores Costello and featuring Warner Oland. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the Vitaphone sound-on-disc process. The film, which was produced and distributed by Warner Bros., was directed by Alan Crosland.
Evangeline is a 1929 American synchronized sound film directed by Edwin Carewe and starring Dolores del Río. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film was based on a Arthur Hopkins produced play that made it to Broadway in 1913. It is the last film version of the 1847 poem of the same name by Henry Wadsworth Longfellow that did not include any dialogue.
The Loves of Carmen is a 1927 American silent romantic drama film directed by Raoul Walsh. The film, based on the novella Carmen by Prosper Mérimée, stars Dolores del Río in the title role, and Don Alvarado as Jose. Due to the public apathy towards silent films, a sound version was also prepared in 1928. While the sound version has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process.
Two Weeks Off is a 1929 American sound part-talkie comedy film directed by William Beaudine. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. A complete nitrate print survives at UCLA.
Brotherly Love is a 1928 sound part-talkie comedy film produced and distributed by Metro-Goldwyn-Mayer and directed by Charles Reisner. It is a starring vehicle for the comedy team of Karl Dane and George K. Arthur. Young Jean Arthur supports the comedy duo. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system.
Frozen River is a lost 1929 sound part-talkie film directed by F. Harmon Weight and starring the canine star Rin Tin Tin and boy actor Davey Lee. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Vitaphone sound-on-disc system. Warner Bros. produced and distributed the film.
The River Pirate is a 1928 American synchronized sound drama film directed by William K. Howard and written by Malcolm Stuart Boylan, Ben Markson and John Reinhardt, based on the 1928 novel by Charles Francis Coe. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-film movietone process.
The Whip is a 1928 American synchronized sound drama film directed by Charles Brabin and starring Dorothy Mackaill. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using the sound-on-disc Vitaphone process. It was based on a 1912 play The Whip by Cecil Raleigh and Henry Hamilton and distributed by First National. This sound film was released with a synchronized Vitaphone soundtrack of music and sound effects. It is set in the horse racing world of England.
Midstream is a 1929 American sound part-talkie science fiction film directed by James Flood and starring Ricardo Cortez, Claire Windsor, and Montagu Love. In addition to sequences with audible dialogue or talking sequences, the film features a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Tiffany-Tone sound-on-film system using RCA Photophone equipment.
