Joan Crawford was an American actress. She started her career as a dancer in traveling theatrical companies before debuting on Broadway. Crawford was signed to a motion picture contract by Metro-Goldwyn-Mayer in 1925. Initially frustrated by the size and quality of her parts, Crawford launched a publicity campaign and built an image as a nationally known flapper by the end of the 1920s. By the 1930s, Crawford's fame rivaled MGM colleagues Norma Shearer and Greta Garbo. Crawford often played hardworking young women who find romance and financial success. These "rags-to-riches" stories were well received by Depression-era audiences and were popular with women. Crawford became one of Hollywood's most prominent movie stars and one of the highest paid women in the United States, but her films began losing money. By the end of the 1930s, she was labeled "box office poison".
Mommie Dearest is a memoir and exposé written by Christina Crawford, the adopted daughter of Academy Award winning actress Joan Crawford. Published in 1978, it attracted much controversy for its portrayal of Joan Crawford as a cruel, unbalanced, and alcoholic mother, with Crawford's other twin daughters, household staff, and family friends denouncing it as sensationalized fiction. It was turned into a 1981 film of the same title starring Faye Dunaway.
Christina Crawford is an American former author and actress, best known for her 1978 memoir and exposé, Mommie Dearest, which described the alleged abuse she was subjected to by her adoptive mother, film star Joan Crawford.
Mommie Dearest is a 1981 American biographical psychological drama film directed by Frank Perry and starring Faye Dunaway, Steve Forrest, Mara Hobel, and Diana Scarwid, with supporting performances from Xander Berkeley in his feature film debut along with Rutanya Alda and Jocelyn Brando. Adapted from Christina Crawford's 1978 autobiography of the same name, the film follows her and her brother Christopher's upbringing under their adoptive mother, actress Joan Crawford, depicting her as abusive, controlling, and manipulative, prioritizing her Hollywood career over her family.
The Joan Crawford filmography lists the film appearances of American actress Joan Crawford, who starred in numerous feature films throughout a lengthy career that spanned nearly five decades.
Untamed is a 1929 American pre-Code Metro-Goldwyn-Mayer romantic-drama film directed by Jack Conway and starring Joan Crawford, Robert Montgomery, Ernest Torrence, Holmes Herbert, Gwen Lee, and Lloyd Ingraham. The script was adapted by Sylvia Thalberg and Frank Butler, with dialogue by Willard Mack, from a story by Charles E. Scoggins.
Mildred Pierce is a 1945 American melodrama/film noir directed by Michael Curtiz and starring Joan Crawford, Jack Carson, and Zachary Scott, also featuring Eve Arden, Ann Blyth, and Bruce Bennett. Based on the 1941 novel by James M. Cain, this was Crawford's first starring role for Warner Bros., after leaving Metro-Goldwyn-Mayer, and she won the Academy Award for Best Actress. In 1996, Mildred Pierce was deemed "culturally, historically, or aesthetically significant" and selected for preservation in the United States Library of Congress National Film Registry.
Possessed is a 1931 American pre-Code drama film directed by Clarence Brown, starring Joan Crawford and Clark Gable and released by Metro-Goldwyn-Mayer. The film is the story of Marian Martin, a factory worker who rises to the top as the mistress of a wealthy attorney. The screenplay by Lenore J. Coffee was adapted from the 1920 Broadway play The Mirage by Edgar Selwyn. Possessed was the third of eight film collaborations between Crawford and Gable.
Dance with Me is a 1998 American romantic dance drama film directed by Randa Haines and starring Vanessa L. Williams and Puerto Rican singer Chayanne.
This Woman Is Dangerous is a 1952 American film noir and crime drama by Warner Bros. starring Joan Crawford, David Brian, and Dennis Morgan in a story about a gun moll's romances with two different men against the background of her impending blindness. The screenplay by Geoffrey Homes and George Worthing Yates was based on a story by Bernard Girard. The film was directed by Felix E. Feist and produced by Robert Sisk.
Our Modern Maidens is a 1929 American synchronized sound comedy-drama film directed by Jack Conway. While the film has no audible dialog, it was released with a synchronized musical score with sound effects using both the sound-on-disc and sound-on-film process. The film starts Joan Crawford in her last film role without dialogue, the film also stars Rod La Rocque, Douglas Fairbanks Jr., and Anita Page.
Montana Moon is a 1930 pre-Code Western musical film which introduced the concept of the singing cowboy to the screen. Starring Joan Crawford, Johnny Mack Brown, Dorothy Sebastian, and Ricardo Cortez, the film focuses on the budding relationship between a city girl and a rural cowboy.
Laughing Sinners is a 1931 American pre-Code Metro-Goldwyn-Mayer feature film starring Joan Crawford and Clark Gable in a story about a cafe entertainer who experiences spiritual redemption. The dialogue by Martin Flavin was based upon the play Torch Song by Kenyon Nicholson. The film was directed by Harry Beaumont. Laughing Sinners was the second of eight cinematic collaborations between Crawford and Gable.
Today We Live is a 1933 American pre-Code romance drama film produced and directed by Howard Hawks and starring Joan Crawford, Gary Cooper, Robert Young and Franchot Tone.
The Bride Wore Red is a 1937 American romantic comedy drama film directed by Dorothy Arzner, and starring Joan Crawford, Franchot Tone, Robert Young and Billie Burke. It was based on the unproduced play The Bride from Trieste by Ferenc Molnár. In this "rags to riches" tale, Crawford plays a cabaret singer who poses as an aristocrat. This film is the last of the seven films that Crawford and co-star Franchot Tone, then her husband, made together.
When Ladies Meet is a 1941 American romantic comedy film directed by Robert Z. Leonard and starring Joan Crawford, Robert Taylor, Greer Garson, Herbert Marshall and Spring Byington. The screenplay by S.K. Lauren and Anita Loos was based upon a 1932 play by Rachel Crothers. Made by Metro-Goldwyn-Mayer, director Leonard also coproduced along with Orville O. Dull. The film was a remake of the 1933 pre-Code film of the same name, which had starred Ann Harding, Myrna Loy, Robert Montgomery and Frank Morgan in the roles played by Garson, Crawford, Taylor and Marshall.
Josephine Lovett was an American scenario writer, adapter, screenwriter and actress, active in films from 1916 to 1935. She was married to Canadian-born director, John Stewart Robertson. She is best known for her then-risqué film Our Dancing Daughters in 1928. Her screenplays typically included a heroine who was oftentimes economically and sexually independent.
Our Very Own is a 1950 American drama film directed by David Miller. The screenplay by F. Hugh Herbert focuses on a teenage girl who learns she was adopted as an infant. Ann Blyth, Farley Granger, and Jane Wyatt star in the film.
Child of Divorce is a 1946 American drama film directed by Richard O. Fleischer. It was the first film that he directed. RKO had adapted the play to film before as the 1934 film Wednesday's Child.
Karen MacKenzie is a long-running fictional character in the CBS primetime soap opera Knots Landing. Karen is portrayed by actress Michele Lee, and has appeared on the show since its pilot episode, first broadcast on December 27, 1979. Knots Landing follows the trials of four middle-class families living on a suburban cul-de-sac known as Seaview Circle in California. Lee portrayed Karen for the entire run of Knots Landing, being the sole cast member to appear in every episode of its fourteen seasons. At the time, her appearances in all 344 episodes set a record for an actress on American primetime television. Karen's storylines focus on family troubles, business dealings, addiction and kidnapping.
